Rare Book Monthly

Articles - September - 2009 Issue

A Benefit for Collectors: Eternal Life

The man dies.  The books go on.

The man dies. The books go on.


By Bruce McKinney

For those with a love of reading the value of a book is in its content. It's condition often hardly matters. In fact a well-worn copy passed down and around in some families is one way of conveying bond and perspective. For years I have kept a library of books I read against the day my son and daughter would ask for a good read or an angle on history or life. In that way I have been able to pass along to them some fifty or so books one or both later read. Someday they may speak of me to their children as someone who could be understood by the books I read and suggested. That a small piece of my perspective may endure for a generation or two is an appealing, if perhaps not an entirely realistic thought. Most of us would cheat death if we could but leaving some tell-tale evidence of existence is probably about the best we can hope for. The books I read and recommended are potentially part of their intellectual inheritance.

I believe book collectors hope to do a similar thing when they add their bookplates to material they value in the hope their intellectual DNA will, once and again, in future, land in the libraries of the like-minded and hence be carried on the shoulders of future collectors on into a world where they and I hope, and almost expect, reading will still matter.

For bonds between yesterday's, today's and collectors-yet-unborn to be forged however evidence of ownership needs to survive. The collector needs to add a bookplate or notations and their books need to run the gauntlet of multiple dealers' potential desire to suppress the information because it too easily identifies a copy purchased at auction on the cheap.

As a consequence, while headstones tend to last, bookplates too often disappear. Among the more than 125,000 items posted on the AED during the first six months of 2009, almost all of it collectible, a portion of it rare, just 2% contain references to bookplates. Just today, in the 7,781 September auction lots already posted on AE in upcoming auctions, just 298 contain 'bookplate' in their descriptions. Collectors, once they become serious, should make an effort to design, or have designed, a bookplate. Life will end, the collector's connection may endure and may even add value.

One reason that book collecting has suffered over the past half century is that ownership information has been suppressed. No one wants to take credit for this but it is clearly both dealers and consignors to auction who suppress this information because they wish to break the bonds that connect older [and lower priced] auction records with material returning to the market with much higher expectations. Where collectors do not see that collecting and collectors are respected their enthusiasm stands to be diminished.

Of course, the selection of a bookplate can negatively impact value. A quick Google search for 'bookplates' unearths quite a few of them. They are absolutely scary. But there is also the Bookplate Society which actually focuses on bookplates to the point it's likely some collectors have actually removed them from books. In other words, putting your bookplate into your important volumes assures only that you tried. If your books at auction go cheaply your bookplate will disappear to obscure the ignominy. If the plate is superb some bookplate collector is going to try to excise it. It's probably best to approach it as if you are racing carrier pigeons. Send out twenty and hope seven arrive.

Of course, if you succeed too well some enterprising forger will duplicate your [now assumed famous] bookplate thus raising questions in the centuries ahead as to how your bookplate shows up in material published after your death. If it happens, the chances are you won't know and, perchance if you do, you probably won't care.

If you are achieving eternal life based on something you read in a book while on earth please send a sign. Something discrete. You can reach me at the Americana Exchange.

Rare Book Monthly

  • Bonhams, Apr. 21-29: ANDERSEN'S EXTREMELY RARE FIRST APPEARANCE IN PRINT. "Scene af: Røverne i Vissenberg i Fyen." in Harpen, 1822.
    Bonhams, Apr. 21-29: FIRST ISSUE OF THE FIRST THREE FAIRY TALE PAMPHLETS, WITH ALL INDICES AND TITLE PAGES. Eventyr, fortalte for Børn. 1835-1837.
    Bonhams, Apr. 21-29: THE FIRST FAIRY TALES WITH A SIGNED CARTE DE VISITE OF ANDERSEN AS FRONTIS. Eventyr, fortalte for Børn. 1835-1837.
    Bonhams, Apr. 21-29: KARL LAGERFELD. Original pastel and ink drawing in gold, red and black for Andersen's The Emperor's New Clothes (1992), "La cassette de l'Empereur."
    Bonhams, Apr. 21-29: PRESENTATION COPY OF THE SIXTH PAMPHLET FOR PETER KOCH. Eventyr, Fortalte For Børn, Second Series, Third Pamphlet. 1841. Publisher's wrappers, complete with all pre- and post-matter.
    Bonhams, Apr. 21-29: HANS CHRISTIAN ANDERSEN RARE AUTOGRAPH QUOTATION SIGNED IN ENGLISH from "The Ugly Duckling," c.1860s.
    Bonhams, Apr. 21-29: HEINRICH LEFLER, ORIGINAL WATERCOLOR FOR ANDERSEN'S SNOW QUEEN, "Die Schneekönigin," 1910.
    Bonhams, Apr. 21-29: FIRST EDITION OF ANDERSEN'S FAIRY TALES IN ENGLISH. Wonderful Stories for Children. London, 1846.
    Bonhams, Apr. 21-29: ANDERSEN ON MEETING CHARLES DICKENS. Autograph Letter Signed ("H.C. Andersen") in English to William Jerdan, July 20, 1847.
    Bonhams, Apr. 21-29: PRESENTATION COPY FOR EDGAR COLLIN. Nye Eventyr og Historier. Anden Raekke. 1861.
    Bonhams, Apr. 21-29: DOLL HOUSE FURNITURE BY HANS CHRISTIAN ANDERSON, DECORATED WITH FANTASTICAL CUT-OUTS, for the children of Jonna Stampe (née Drewsen), his godchildren.
    Bonhams, Apr. 21-29: PRESENTATION COPY FOR GEORG BRANDES. Dryaden. Et Eventyr fra Udstillingstiden i Paris 1867. 1868.
  • Sotheby'sSell Your Fine Books & Manuscripts Sotheby'sSell Your Fine Books & Manuscripts
    Sotheby's
    Sell Your Fine Books & Manuscripts
    Sotheby's
    Sell Your Fine Books & Manuscripts
    Sotheby’s: The Shem Tov Bible, 1312 | A Masterpiece from the Golden Age of Spain. Sold: 6,960,000 USD
    Sotheby’s: Ten Commandments Tablet, 300-800 CE | One of humanity's earliest and most enduring moral codes. Sold: 5,040,000 USD
    Sotheby’s: William Blake | Songs of Innocence and of Experience. Sold: 4,320,000 USD
    Sotheby’s: The Declaration of Independence | The Holt printing, the only copy in private hands. Sold: 3,360,000 USD
    Sotheby's
    Sell Your Fine Books & Manuscripts
    Sotheby’s: Thomas Taylor | The original cover art for Harry Potter and the Philosopher's Stone. Sold: 1,920,000 USD
    Sotheby’s: Machiavelli | Il Principe, a previously unrecorded copy of the book where modern political thought began. Sold: 576,000 GBP
    Sotheby’s: Leonardo da Vinci | Trattato della pittura, ca. 1639, a very fine pre-publication manuscript. Sold: 381,000 GBP
    Sotheby’s: Henri Matisse | Jazz, Paris 1947, the complete portfolio. Sold: 312,000 EUR
  • Fonsie Mealy’sRare Books & Collectors’ SaleApril 30th & May 1st Fonsie Mealy’sRare Books & Collectors’ SaleApril 30th & May 1st
    Fonsie Mealy’s
    Rare Books & Collectors’ Sale
    April 30th & May 1st
    Fonsie Mealy’s
    Rare Books & Collectors’ Sale
    April 30th & May 1st
    Fonsie Mealy’s, Apr 30-May 1: Taylor (Geo.) & Skinner (A.) Maps of the Roads of Ireland, Surveyed 1777. Lond. & Dublin 1778. €500 to €750.
    Fonsie Mealy’s, Apr 30-May 1: Messingham (Thos.) Florilegium Insulae Sanctorum seu Vitae et Acta Sanctorum Hibernia, Paris 1624. €350 to €500.
    Fonsie Mealy’s, Apr 30-May 1: Heaney (Seamus). The Haw Lantern, L. (Faber & Faber) 1987, First Edn., Signed and dated. €225 to €350.
    Fonsie Mealy’s, Apr 30-May 1: Valencey (Lt. Col. Chas.) Collectanea de Rebus Hibernicis, Vols. I-IV, 4 vols. Dublin 1786. €400 to €600.
    Fonsie Mealy’s, Apr 30-May 1: Powerscourt (Viscount). A Description and History of Powerscourt, Lond. 1903. €350 to €500.
    Fonsie Mealy’s, Apr 30-May 1: Moryson (Fynes). An Itinerary ... Containing His Ten Yeeres Travel Through the Twelve Dominions of Germany, Bohermerland, Sweitzerland…, Lond. (John Beale) 1617. €700 to €1,000.
    Fonsie Mealy’s, Apr 30-May 1: After Buffon, Birds of Europe, c. 1820. Approx. 120 fine hd. cold. plts., mor. backed boards. €125 to €250.
    Fonsie Mealy’s, Apr 30-May 1: Dunlevy (Andrew). An Teagasg Criosduidhe De Reir Ceasda agus Freagartha... The Catechism or Christian Doctrine by Way of Question and Answer, Paris (James Guerin) 1742. €400 to €700.
    Fonsie Mealy’s, Apr 30-May 1: The Georgian Society Records of Eighteen-Century Domestic Architecture in Dublin, 5 vols. Complete, Dublin 1909-1913. €500 to €750.
    Fonsie Mealy’s, Apr 30-May 1: Scale (Bernard). An Hibernian Atlas or General Description of the Kingdom of Ireland, L. (Robert Sayer & John Bennet) 1776. €625 to €850.
    Fonsie Mealy’s, Apr 30-May 1: [Johnson (Rev. Samuel)]. Julian the Apostate Being a Short Account of his Life, together with a Comparison of Popery and Paganism,L. (Langley Curtis) 1682. €300 to €400.
    Fonsie Mealy’s, Apr 30-May 1: Nichlson (Wm.) Illustrator. An Almanac of Twelve Sports, Lond. 1898. €300 to €400.
    Fonsie Mealy’s, Apr 30-May 1: Heaney (Seamus) trans. The Light of the Leaves, 2 vols., Mexico (Imprenta de los Tropicos/Bunholt) 1999. €1,500 to €2,000.
    Fonsie Mealy’s, Apr 30-May 1: Fleming (Ian). Moonraker, L. (Jonathan Cape) 1955. €1,500 to €2,000.
    Fonsie Mealy’s, Apr 30-May 1: Heaney (Seamus) & Egan (Felim) artist. Squarings, Twelve Poems, D. (Hieroglyph Editions Ltd.) 1991. €1,750 to €2,250.

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