Rare Book Monthly

Articles - September - 2009 Issue

A Benefit for Collectors: Eternal Life

The man dies.  The books go on.

The man dies. The books go on.


By Bruce McKinney

For those with a love of reading the value of a book is in its content. It's condition often hardly matters. In fact a well-worn copy passed down and around in some families is one way of conveying bond and perspective. For years I have kept a library of books I read against the day my son and daughter would ask for a good read or an angle on history or life. In that way I have been able to pass along to them some fifty or so books one or both later read. Someday they may speak of me to their children as someone who could be understood by the books I read and suggested. That a small piece of my perspective may endure for a generation or two is an appealing, if perhaps not an entirely realistic thought. Most of us would cheat death if we could but leaving some tell-tale evidence of existence is probably about the best we can hope for. The books I read and recommended are potentially part of their intellectual inheritance.

I believe book collectors hope to do a similar thing when they add their bookplates to material they value in the hope their intellectual DNA will, once and again, in future, land in the libraries of the like-minded and hence be carried on the shoulders of future collectors on into a world where they and I hope, and almost expect, reading will still matter.

For bonds between yesterday's, today's and collectors-yet-unborn to be forged however evidence of ownership needs to survive. The collector needs to add a bookplate or notations and their books need to run the gauntlet of multiple dealers' potential desire to suppress the information because it too easily identifies a copy purchased at auction on the cheap.

As a consequence, while headstones tend to last, bookplates too often disappear. Among the more than 125,000 items posted on the AED during the first six months of 2009, almost all of it collectible, a portion of it rare, just 2% contain references to bookplates. Just today, in the 7,781 September auction lots already posted on AE in upcoming auctions, just 298 contain 'bookplate' in their descriptions. Collectors, once they become serious, should make an effort to design, or have designed, a bookplate. Life will end, the collector's connection may endure and may even add value.

One reason that book collecting has suffered over the past half century is that ownership information has been suppressed. No one wants to take credit for this but it is clearly both dealers and consignors to auction who suppress this information because they wish to break the bonds that connect older [and lower priced] auction records with material returning to the market with much higher expectations. Where collectors do not see that collecting and collectors are respected their enthusiasm stands to be diminished.

Of course, the selection of a bookplate can negatively impact value. A quick Google search for 'bookplates' unearths quite a few of them. They are absolutely scary. But there is also the Bookplate Society which actually focuses on bookplates to the point it's likely some collectors have actually removed them from books. In other words, putting your bookplate into your important volumes assures only that you tried. If your books at auction go cheaply your bookplate will disappear to obscure the ignominy. If the plate is superb some bookplate collector is going to try to excise it. It's probably best to approach it as if you are racing carrier pigeons. Send out twenty and hope seven arrive.

Of course, if you succeed too well some enterprising forger will duplicate your [now assumed famous] bookplate thus raising questions in the centuries ahead as to how your bookplate shows up in material published after your death. If it happens, the chances are you won't know and, perchance if you do, you probably won't care.

If you are achieving eternal life based on something you read in a book while on earth please send a sign. Something discrete. You can reach me at the Americana Exchange.

Rare Book Monthly

  • Sotheby's
    Sell Your Fine Books & Manuscripts
    Sotheby’s: The Shem Tov Bible, 1312 | A Masterpiece from the Golden Age of Spain. Sold: 6,960,000 USD
    Sotheby’s: Ten Commandments Tablet, 300-800 CE | One of humanity's earliest and most enduring moral codes. Sold: 5,040,000 USD
    Sotheby’s: William Blake | Songs of Innocence and of Experience. Sold: 4,320,000 USD
    Sotheby’s: The Declaration of Independence | The Holt printing, the only copy in private hands. Sold: 3,360,000 USD
    Sotheby's
    Sell Your Fine Books & Manuscripts
    Sotheby’s: Thomas Taylor | The original cover art for Harry Potter and the Philosopher's Stone. Sold: 1,920,000 USD
    Sotheby’s: Machiavelli | Il Principe, a previously unrecorded copy of the book where modern political thought began. Sold: 576,000 GBP
    Sotheby’s: Leonardo da Vinci | Trattato della pittura, ca. 1639, a very fine pre-publication manuscript. Sold: 381,000 GBP
    Sotheby’s: Henri Matisse | Jazz, Paris 1947, the complete portfolio. Sold: 312,000 EUR
  • Swann, Apr. 10: Lot 1: Bob Dylan, his high school classmate's yearbook with his senior portrait, signed and inscribed to her, 1959. $10,000 to $20,000.
    Swann, Apr. 10: Lot 4: Various entertainers, Group of 30 items, signed or inscribed, various dates. $1,500 to $2,500.
    Swann, Apr. 10: Lot 27: John Adams, Autograph Letter Signed to Benjamin Rush introducing Archibald Redford, Paris, 1783. $35,000 to $50,000.
    Swann, Apr. 10: Lot 36: Robert Gould Shaw, Autograph Letter Signed to his father from Camp Andrew, Boston, 1861. $10,000 to $15,000.
    Swann, Apr. 10: Lot 53: Martin Luther King Jr., Time magazine cover, signed and inscribed "Best Wishes," 1957. $5,000 to $7,500.
    Swann, Apr. 10: Lot 127: Paul Gauguin, Autograph Letter regarding payment for paintings, with woodcut letterhead, 1900. $6,000 to $9,000.
    Swann, Apr. 10: Lot 169: Suck: First European Sex Paper, complete group of eight issues, 1969-1974. $800 to $1,200.
    Swann, Apr. 10: Lot 173: Black Panthers, The Racist Dog Policemen Must Withdraw Immediately From Our Communities, poster, 1969. $2,000 to $3,000.
    Swann, Apr. 10: Lot 187: Marc Attali & Jacques Delfau, Les Erotiques du Regard, first edition, Paris, 1968. $300 to $500.
    Swann, Apr. 10: Lot 213: Andy Warhol, Warhol's Index Book, first printing, New York, 1967. $800 to $1,200.
    Swann, Apr. 10: Lot 215: Cookie Mueller, Archive of 17 items, including 4 items inscribed and signed. $3,000 to $4,000.
    Swann, Apr. 10: Lot 249: Jamie Reid, The Ten Lessons / The Great Rock 'n' Roll Swindle; Sex Pistols, chromogenic print with collage, signed, circa 1980. $20,000 to $30,000.

Article Search

Archived Articles

Ask Questions