Book Lust and the Cultural Erotics of Fine Printing
- by Mmegan Benton
Popular Victorian cartoon, entitled
By Megan Benton
A talk delivered to the Roxburghe Club, 16 September 2003
Copyright 2003
Near the end of the nineteenth century, American essayist and avid book collector Eugene Field
published a book entitled The Love Affairs of a Bibliomaniac. In it he tells one tale after another, all with the same theme—that if forced to choose between a woman and a beloved book, a sensible man would be better off with the book. He even wryly speculates that if a woman works hard and behaves well, she just might be lucky enough to come back in another life as a book, “to be petted, fondled, beloved and cherished by some good man.” Clearly his tongue is in his cheek here, but the joke says more than Field maybe realized about his appraisal of the relative merits of women and books.
Quaintly bizarre as they may strike us today, Field’s attitudes were not unusual at the time. They are part of an unprecedented culture of book love, or bibliophilia, that flourished throughout the nineteenth and early twentieth centuries in both Europe and America. Bibliophiles formed a small but prominent international community of generally prosperous, genteel, and well-educated men. On the face of it, that they were all men is not surprising. Thanks to traditional advantages of wealth, leisure, and especially higher education—men had always been in a better position than women to develop and enjoy an affinity for books. Book ownership and literacy, particularly in the classical languages that signaled social and cultural rank, had always been a masculine enclave.
Those Victorian gentlemen were not shy about proclaiming their love for books. They wrote voluminously about their feelings, making two things clear. First, they declared book love strictly men-only territory. Women might love reading, they conceded, but only men could truly love books. British writer Holbrook Jackson put it bluntly: “it would be as easy to teach a cow to dance as even the average intelligent woman to love books as a man does. . . . Book love is as masculine . . . as growing a beard.” Second, bibliophiles expressed their passion in increasingly romantic, sensual, and even erotic terms. They seemed to be always—in their own words—fondling, caressing, stroking, and petting their books. French novelist Anatole France claimed that a true bibliophile’s hand cannot help but “voluptuously pass a tender palm over [a book’s] back, its sides, and its edges.” Bibliophiles frequently referred to books not as mere friends but as mistresses, sweethearts, darlings, even Delilahs. The rhetoric, and there’s a lot of it, is pretty hard to ignore.
Why? What prompted these men to go gaga over books? And why did it seem to be so strangely tangled up with sex and gender? Very roughly, the answers grow out of two major developments in the nineteenth century, the Industrial Revolution and the growing friction, even crisis, over women’s roles in society. Books and reading were intimately involved in both changes.
By the second half of the nineteenth century basic reading literacy levels approached 80-90 percent among adults in Western Europe and the US. An essential part of that rise was linked to a tremendous growth in the manufacture and distribution of books, spurred by industrialization. While a skilled printer with a hand press could produce about 250 impressions an hour, 8-10,000 or more soon flew from the jaws of mechanized, steam-powered presses. Even though books still weren’t cheap, and they were far outnumbered by magazines and newspapers, books were more accessible, to more people, than ever before. Thriving new chains of lending libraries only further ensured that almost anyone might read a book, anywhere, at any time. While this might sound great to folks like us, to many Victorians this sounded like social mayhem. Some feared the new readers—who were mainly women and the working classes—might be easy prey for ideas they wouldn’t understand properly. Others complained that their reading was a pointless distraction or worse, a waste of time better spent keeping the family, household, shops, and factories running smoothly.
Bonhams, Dec. 18: A Very Fine Composite Atlas Magnificently Illuminated and Heightened with Gold in a Fine Contemporary Hand Throughout. $300,000 - $500,000
Bonhams, Dec. 18: Saint-Exupéry's Revised Ending for Wind, Sand and Stars. $40,000 - $60,000
Bonhams, Dec. 18: Edith Wharton's Gold Medal from the National Institute of Arts and Letters, 1924. $20,000 - $30,000
Bonhams, Dec. 18: Salinger on the Glass Family and on Detachment. $10,000 - $15,000
Bonhams, Dec. 18: Fanny Burney's Groundbreaking First Novel. Evelina, Or a Young Lady's Entrance into the World. $10,000 - $15,000
Bonhams, Dec. 18: Kafka's Earliest Extant Piece of Writing. Autograph Note Signed ("Franz Kafka"). $10,000 - $15,000
Bonhams, Dec. 18: Wagner Signed "Ride of the Valkries." $6,000 - $9,000
Bonhams, Dec. 18: Dickens on the Death of Little Nell. $5,000 - $8,000
Bonhams, Dec. 18: Sylvia Plath's Copy of Joy of Cooking. $4,000 - $6,000
Bonhams, Dec. 18: Walt Whitman and Friends: Whitman to James Russell Lowell. $8,000 - $12,000
Bonhams, Dec. 18: Walt Whitman and Friends: The Genesis of his Lincoln Lectures. $6,000 - $9,000
High Bids Win, Dec. 4 – 19: Lot 212. Kelsey Letterpress
High Bids Win, Dec. 4 – 19: Wood & Metal Type. Many fonts and faces.
High Bids Win, Dec. 4 – 19: Print Shop Miscellany including type, tools, and equipment.
Fonsie Mealy’s, Dec. 11-12: A Rare Complete Run of the Cuala Press Broadsides. €5,500 to €7,000.
Fonsie Mealy’s, Dec. 11-12: Rare First Edition of a Classic Work. [Stafford (Thos.)] Pacata Hibernia, Ireland Appeased and Reduced…, 1633. €1,500 to €2,000.
Fonsie Mealy’s, Dec. 11-12: Yeats (W.B.) The Poems of W.B. Yeats, 2 vols. Lond. (MacMillan & Co.) 1949. Signed by author, limited edition. €1,250 to €1,750.
Fonsie Mealy’s, Dec. 11-12: Fishing: Literal Translation into English of the Earliest Known Book on Fowling and Fishing, Written originally in Flemish and Printed at Antwerp in 1492. London (Chiswick Press) 1872. €1,500 to €2,000.
Fonsie Mealy’s, Dec. 11-12: Fishing: Blacker's - Art of Fly Making, etc., Comprising Angling & Dying of Colours..., Rewritten & Revised. Lond. 1855. €250 to €350.
Fonsie Mealy’s, Dec. 11-12: Joyce (James). Finnegans Wake,, London (Faber & Faber Ltd.) 1939, Lim. Edn. No. 269 (425) copies, Signed by the Author (in green pen). €3,000 to €4,000.
Fonsie Mealy’s, Dec. 11-12: Synge (J.M.) & Yeats (Jack B.) illus. The Aran Islands,, D. (Maunsel & Co. Ltd.) 1907, Signed Limited Edn. €4,000 to €5,000.
Fonsie Mealy’s, Dec. 11-12: Meyer (Dr. A.B.) Unser Auer -, Rackel-Und Birkwild und Seine Abarten, Wien (Verlag Von Adolph W. Kunast) 1887. €2,500 to €3,500.
Fonsie Mealy’s, Dec. 11-12: Carve (Thomas). Itinerarium R.D. Thomas Carve Tripperariensis, Sacellani Maioris in Fortisima iuxta…,, Moguntia (Mainz) impriemebat Nicolaus Heyll, 1639. €1,500 to €2,000.
Fonsie Mealy’s, Dec. 11-12: Grose (Francis). The Antiquities of Ireland, 2 vols. folio London (for S. Hooper) 1791. First Edition. €3,000 to €5,000.
Fonsie Mealy’s, Dec. 11-12: Heaney (Seamus) & Le Brocquy (Louis) artist. Ugolino, D. (Dolmen Press) 1979, Signed Limited Edition No. 87 (125) Copies. €3,500 to €4,500.
Sotheby's Fine Books, Manuscripts & More Discover Upcoming Auctions
Sotheby’s, Dec. 9: Coronelli, Vincenzo Maria. "Epitome Cosmografica." With the 6 circular celestial and terrestrial charts. 7,000 – 10,000 USD
Sotheby’s, Dec. 9: Hurley, Frank. Collection of 69 photographs taken during Ernest Shackleton's Endurance Expedition. 80,000 – 120,000 USD
Sotheby’s, Dec. 10: Sendak, Maurice. Original artwork for the inaugural "New York is Book Country" poster, 1979. 300,000 – 600,00 USD
Sotheby’s, Dec. 10: [Brontë, Emily, and Ann Brontë] — Ellis Bell and Acton Bell. An outstanding survival of the sisters' debut novels Estimate. 90,000 - 130,000 USD