AI is creeping into the book world, and not everyone is happy about it. If there is anyone left who doesn't know what “AI” stands for, it's “artificial intelligence.” AI can not only answer your questions, it can speak to you in natural language. It can even write a story, but we are getting ahead of ourselves. It can learn and master everything it “reads,” and that includes the content of thousands of books, articles, and everything else it reads on the internet (and as we all know, you can't post something on the internet if it isn't true).
Now, AI has stuck its big toe in the waters of the book publishing business. It is not writing books...yet...but it is about to begin translating some books. Veen Bosch & Keuning, a 100-year-old group of Dutch book publishers acquired by Simon & Schuster in May of this year, said it is using AI to “assist” in the translation of fewer than ten books of commercial fiction. It is not using it on great literary works, although that might be somewhat dismissive of commercial fiction (though likely accurate). VBK insisted that they will not be using AI to create books and authors will need to give their permission for their works to be translated in this manner.
Automated translating has come a long way in the past few years. You may remember a time not long ago when Google translations were often hard to decipher. Literal word-for-word translations often make no sense as the words, when put together in a string, may form an expression with a different meaning. A word-for-word translator won't capture this meaning. “That idea won't fly” has a clear meaning in English, but a literal translation to another language that does not share that expression will make no sense to the reader. The question is whether AI, with its great amount of stored knowledge, will be able to translate that expression into something of comparable meaning in the other language.
Not surprisingly, the use of AI to translate is an idea that won't fly with translators. They understand the intricacies of creating a translation that is true to the words' meaning, but then again, they aren't exactly a neutral party. A survey by the Society of Authors found that 36% of translators have already lost work to AI, and 77% believe it will negatively impact their future earnings. It's hard to be totally objective when your livelihood is at stake. Nevertheless, 37% of translators admitted that they had used generative AI in their work. It can be a tool, but not necessarily a replacement.
In an “open letter” to VBK, the European Council of Literary Translators' Association wrote that they were “horrified” to learn of this “limited experiment.” They said, “AI usage standardises translations, impoverishing written cultures and languages...” They continued, “Machines do not translate, they merely generate textual material; books are written by human authors and should be translated by human translators. Imagination, understanding and creativity are intrinsically human and should not be left out of any literary text.” The Authors Guild stated that publishers should include the following in contracts with authors - “...a human translator may use artificial intelligence technologies as a tool to assist in the translation, provided that the translation substantially comprises human creation and the human translator has control over, and reviews and approves, each word in the translation.”
Of course, translations are just the tip of the iceberg. Next up, coming to a book near you soon, is AI written books. AI can write stories now and undoubtedly full-length books if assigned the task. My guess is it may be able to write passable pulp fiction, standardized works that are pumped out as cheap paperbacks for readers not in the mood for taking on Ulysses. But, could it write Ulysses? Can it equal Shakespeare? Can it be creative instead of formulaic? Does creativity require the ability to think? AI can't. That's something to think about.
Gonnelli: Valli Antonio, Il canto de gl'augelli. In Roma, Nicolò Mutij, 1601.
Gonnelli: Moniglia Giovanni Andrea, Il Mondo Festeggiante. In Firenze: nella Stamperia di S.A.S., 1661.
Gonnelli: Alighieri Dante, [Divine Comedy with commentary and Life of Dante by Cristoforo Landino]. Danthe alegieri fiorentino. Venezia, Capcasa, 1493.
Gonnelli: Hieronymus (santo), Vita di sancti Padri vulgariter historiada. Venezia, Otino da Pavia, 1501.
Gonnelli: Ghisi Andrea, Laberinto dato novamente in luce. In Venetia: per Euangelista Deuchino, 1616.
Gonnelli: Gouvea Antonio (de), Innocentia victrix. [China, Canton], 1671.
Gonnelli: Napier John, Rabdologiae, seu numerationis per virgulas libri duo. Edinburgi: Andreas Hart, 1617.
Gonnelli: Ortelius Abraham, Theatrum orbis terrarum. Antverpiae: Aegid. Coppenium Diesth, xx Maii 1570.
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Sotheby’s: The Declaration of Independence | The Holt printing, the only copy in private hands. Sold: 3,360,000 USD
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Sotheby’s: Thomas Taylor | The original cover art for Harry Potter and the Philosopher's Stone. Sold: 1,920,000 USD
Sotheby’s: Machiavelli | Il Principe, a previously unrecorded copy of the book where modern political thought began. Sold: 576,000 GBP
Sotheby’s: Leonardo da Vinci | Trattato della pittura, ca. 1639, a very fine pre-publication manuscript. Sold: 381,000 GBP
Sotheby’s: Henri Matisse | Jazz, Paris 1947, the complete portfolio. Sold: 312,000 EUR
Swann Printed & Manuscript African Americana March 20, 2025
Swann, Mar. 20: Lot 7: Thomas Fisher, The Negro's Memorial or Abolitionist's Catechism, London, 1825. $6,000 to $9,000.
Swann, Mar. 20: Lot 78: Victor H. Green, The Negro Travelers' Green Book, New York, 1958. $20,000 to $30,000.
Swann, Mar. 20: Lot 99: Rosa Parks, Hand-written recollection of her first meeting with Martin Luther King Jr., autograph manuscript, Detroit, c. 1990s. $30,000 to $40,000.
Swann, Mar. 20: Lot 154: Frederick Douglass, Autograph statement on voting rights, signed manuscript, 1866. $20,000 to $30,000.
Swann, Mar. 20: Lot 164: W.E.B. Du Bois, What the Negro Has Done for the United States and Texas, Washington, circa 1936. $3,000 to $4,000.
Swann Printed & Manuscript African Americana March 20, 2025
Swann, Mar. 20: Lot 263: Susan Paul, Memoir of James Jackson, Boston, 1835. $6,000 to $9,000.
Swann, Mar. 20: Lot 267: Langston Hughes, Gypsy Ballads, signed translation of García Lorca's poetry, Madrid, 1937. $1,500 to $2,500.
Swann, Mar. 20: Lot 274: Malcolm X, Collection from Alex Haley's estate, 38 items, 1963-1971. $4,000 to $6,000.
Swann, Mar. 20: Lot 367: Solomon Northup, Twelve Years a Slave, Auburn, NY, 1853. $2,500 to $3,500.
Swann, Mar. 20: Lot 402: Anna Julia Cooper, A Voice from the South, Xenia, OH, 1892. $2,000 to $3,000.
Koller, Mar. 26: Wit, Frederick de. Atlas. Amsterdam, de Wit, [1680]. CHF 20,000 to 30,000
Koller, Mar. 26: Merian, Maria Sibylla. Der Raupen wunderbare Verwandelung, und sonderbare Blumennahrung. Nürnberg, 1679; Frankfurt a. M. und Leipzig, 1683. CHF 20,000 to 30,000
Koller, Mar. 26: GOETHE, JOHANN WOLFGANG VON. Faust. Ein Fragment. Von Goethe. Ächte Ausgabe. Leipzig, G. J. Göschen, 1790. CHF 7,000 to 10,000
Koller, Mar. 26: Hieronymus. [Das hochwirdig leben der außerwoelten freünde gotes der heiligen altuaeter]. Augsburg, Johann Schönsperger d. Ä., 9. Juni 1497. CHF 40,000 to 60,000.
Koller, Mar. 26: BIBLIA GERMANICA - Neunte deutsche Bibel. Nürnberg, A. Koberger, 17. Feb. 1483. CHF 40,000 to 60,000
Koller, Mar. 26: HORAE B.M.V. - Stundenbuch. Lateinische Handschrift auf Pergament, Kalendarium französisch. Nordfrankreich (Rouen?). CHF 25,000 to 40,000