Dominic Winter Auctioneers Printed Books, Maps & Ephemera Printing Woodblocks by Thomas & John Bewick 12 December 2024
Dominic Winter, Dec. 12: Gell (William). The Topography of Troy, and its Vicinity, 1804. £2,000 to £3,000.
Dominic Winter, Dec. 12: Low (David). The Breeds of the Domestic Animals of the British Islands, 1842. £1,500 to £2,000.
Dominic Winter, Dec. 12: North America. Moll (Herman)..., This Map of North America..., circa 1725. £1,000 to £1,500.
Dominic Winter Auctioneers Printed Books, Maps & Ephemera Printing Woodblocks by Thomas & John Bewick 12 December 2024
Dominic Winter, Dec. 12: Bible [English]. [The Holie Bible conteynyng the Olde Testament and the Newe, 1568]. £3,000 to £5,000.
Dominic Winter, Dec. 12: Chaucer (Geoffrey). The Workes of Our Ancient and Learned English Poet, newly Printed, 1602. £1,500 to £2,000. £1,500 to £2,000.
Dominic Winter, Dec. 12: Cuffee (Paul). Memoir of Captain Paul Cuffee, A Man of Color, Liverpool, 1811. £300 to £500.
Dominic Winter Auctioneers Modern First Editions & Illustrated Books, Playing Cards, Toys & Games 13 December 2024
Dominic Winter, Dec. 13: Milne (A. A.) The House at Pooh Corner, signed limited edition, 1928. £3,000 to £5,000.
Dominic Winter, Dec. 13: Huxley (Aldous). Brave New World, limited signed edition, 1932. £2,000 to £3,000.
Dominic Winter Auctioneers Modern First Editions & Illustrated Books, Playing Cards, Toys & Games 13 December 2024
Dominic Winter, Dec. 13: Rowling (J. K.). Harry Potter and the Philosopher's Stone, 1st edition, 1st impression, 1997. £30,000 to £50,000.
Dominic Winter, Dec. 13: Tolkien (J. R. R.) The Lord of the Rings, 3 volumes, 1st edition, 1954-55. £2,000 to £3,000.
Dominic Winter, Dec. 13: Wells (H. G.) The War of the Worlds, 1st edition, 1st issue, 1898. £1,000 to £1,500.
Doyle, Dec. 6: An extensive archive of Raymond Chandler’s unpublished drafts of fantasy stories. $60,000 to $80,000.
Doyle, Dec. 6: RAND, AYN. Single page from Ayn Rand’s handwritten first draft of her influential final novel Atlas Shrugged. $30,000 to $50,000.
Doyle, Dec. 6: Ernest Hemingway’s first book with interesting provenance. Three Stories & Ten Poems. $20,000 to $30,000.
Doyle, Dec. 6: Hemingway’s second book, one of 170 copies. In Our Time. $15,000 to $25,000.
Doyle, Dec. 6: A finely colored example of Visscher’s double hemisphere world map, with a figured border. $12,000 to $18,000.
Doyle, Dec. 6: Raymond Chandler’s Olivetti Studio 44 Typewriter. $10,000 to $20,000.
Doyle, Dec. 6: Antonio Ordóñez's “Suit of Lights” owned by Ernest Hemingway. $10,000 to $20,000.
Doyle, Dec. 6: A remarkable Truman archive featuring an inscribed beam from the White House construction. $8,000 to $12,000.
Doyle, Dec. 6: The fourth edition of Audubon’s The Birds of America. $8,000 to $12,000.
Doyle, Dec. 6: The original typed manuscript for Chandler’s only opera. The Princess and the Pedlar: An Entirely Original Comic Opera. $8,000 to $12,000.
Doyle, Dec. 6: A splendidly illustrated treatise on ancient Peru and its Incan civilization. $7,000 to $10,000.
Doyle, Dec. 6: A superb copy of Claude Lorrain’s Liber Veritatis from Longleat House. $5,000 to $8,000.
Sotheby’s has announced they are capping their buyer’s maximum commission to 20%, down from 26 + 1%.
It has been apparent for some time that while auction outcomes for paintings and other high value collectibles were rising, Sotheby’s original business based on rare books, while best in class worldwide in 2023 among the 300 auction houses we cover, was also relatively quiet by their recent standards. Sotheby’s February announcement to lower their commission rates effective May 20th was probably principally based on improving their performance with paintings, their largest category. While Sotheby’s has often dominated collectible paper over the years, Christie’s has been turning paint, pigments and frames into gold. Now Sotheby’s new lower commission rates seem designed to encourage additional bids on paintings by lowering their buyer’s premium. In this calculation, collectible paper is almost an innocent bystander except that collectible paper and paintings share the same rate card. Simply stated, paintings are where the dough is.
Sotheby’s revised rates are logical based on objects worth well into the five figures but very few examples of collectible paper reach that threshold. Last year we covered 658,433 lots offered that turned into 525,664 sales worldwide, from which we have drawn our annual Top 500 lots for 2023. Leading off was Sotheby’s Codex Sassoon at $38,126,000 descending to No. 500, Bonham’s Darwin’s On the Origins of Species [1859] that sold for $93,449.00. Further below were the other 525,164 lots that sold, generating close to a billion dollars with a $1,904.17 average winning realization. In other words, most collectible paper is making tens of thousands of people’s hearts flutter but not many lots are going to be mentioned on the front pages of the New York Times.
My point is Sotheby’s new pricing is aimed to encourage bidders spending major money, while collectible paper is solid and healthy, is a few light years away. Using the same rate card for paper and paintings is going to need imagination.
High value collectibles have been on a very good run for the past 10 years while prices for paper rarely reach $90,000 for single lots [per our annual report]. Hence Sotheby’s adjusting their rates now to cater to the art and high value collectible markets is simply good sense.
While the headlines about Sotheby’s are speaking to and of the lower buyer’s premium, in the weeds is another important change, their fresh incentives to lower estimates. That’s going to increase their percentage of lots sold.
Now Collectible Paper needs to adjust.
For Sotheby’s and other houses that have this lucky predicament, to sell collectible paper and valuable paintings, they can match Sotheby’s headline figure: 20%, by reinstating the previously waived or reduced consigner’s fees. Presto the houses’ net margins are restored and collectible paper’s place in their pantheons remain secure.
This does not suggest that the collectible paper auction market is unhealthy, rather than when an auction house makes policy based on expensive paintings and other high ticket material, collectible paper’s consignor fees are going to be firmer.
In any event, many rising mid-tier auction houses may find themselves benefiting from the focus on higher value material by their stately brethren, leaving them opportunities to sell superb material that falls outside of their target range.
Certainly the vast majority of Collectible Paper will continue to flow easily into those rooms that are open to it. Adjustments in fees will be resolved. And because a fresh wave of Collectible Paper, primarily ephemera is now looking for auction rooms to accommodate them, many houses will offer them a safe harbor.
Fonsie Mealy’s, Dec. 11-12: A Rare Complete Run of the Cuala Press Broadsides. €5,500 to €7,000.
Fonsie Mealy’s, Dec. 11-12: Rare First Edition of a Classic Work. [Stafford (Thos.)] Pacata Hibernia, Ireland Appeased and Reduced…, 1633. €1,500 to €2,000.
Fonsie Mealy’s, Dec. 11-12: Yeats (W.B.) The Poems of W.B. Yeats, 2 vols. Lond. (MacMillan & Co.) 1949. Signed by author, limited edition. €1,250 to €1,750.
Fonsie Mealy’s, Dec. 11-12: Fishing: Literal Translation into English of the Earliest Known Book on Fowling and Fishing, Written originally in Flemish and Printed at Antwerp in 1492. London (Chiswick Press) 1872. €1,500 to €2,000.
Fonsie Mealy’s, Dec. 11-12: Fishing: Blacker's - Art of Fly Making, etc., Comprising Angling & Dying of Colours..., Rewritten & Revised. Lond. 1855. €250 to €350.
Fonsie Mealy’s, Dec. 11-12: Joyce (James). Finnegans Wake,, London (Faber & Faber Ltd.) 1939, Lim. Edn. No. 269 (425) copies, Signed by the Author (in green pen). €3,000 to €4,000.
Fonsie Mealy’s, Dec. 11-12: Synge (J.M.) & Yeats (Jack B.) illus. The Aran Islands,, D. (Maunsel & Co. Ltd.) 1907, Signed Limited Edn. €4,000 to €5,000.
Fonsie Mealy’s, Dec. 11-12: Meyer (Dr. A.B.) Unser Auer -, Rackel-Und Birkwild und Seine Abarten, Wien (Verlag Von Adolph W. Kunast) 1887. €2,500 to €3,500.
Fonsie Mealy’s, Dec. 11-12: Carve (Thomas). Itinerarium R.D. Thomas Carve Tripperariensis, Sacellani Maioris in Fortisima iuxta…,, Moguntia (Mainz) impriemebat Nicolaus Heyll, 1639. €1,500 to €2,000.
Fonsie Mealy’s, Dec. 11-12: Grose (Francis). The Antiquities of Ireland, 2 vols. folio London (for S. Hooper) 1791. First Edition. €3,000 to €5,000.
Fonsie Mealy’s, Dec. 11-12: Heaney (Seamus) & Le Brocquy (Louis) artist. Ugolino, D. (Dolmen Press) 1979, Signed Limited Edition No. 87 (125) Copies. €3,500 to €4,500.
Doyle, Dec. 5: Anna Vaughn Hyatt Huntington (1876-1973). Yawning Tiger, conceived 1917. $3,000 to $5,000.
Doyle, Dec. 5: Robert M. Kulicke (1924-2007). Full-Blown Red and White Roses in a Glass Vase, 1982. $3,000 to $5,000.
Doyle, Dec. 5: Pablo Picasso (1881-1973). L’ATELIER DE CANNES (Bloch 794; Mourlot 279). The cover for Ces Peintres Nos Amis, vol. II. $1,000 to $1,500.
Doyle, Dec. 5: LeRoy Neiman (1921-2012). THE BEACH AT CANNES, 1979. $1,200 to $1,800.
Doyle, Dec. 5: Richard Avendon, the suite of eleven signed portraits from the Avedon/Paris portfolio. $150,000 to $250,000.
Doyle, Dec. 5: Robert Mapplethorpe (1946-1989). Flowers in Vase, 1985. $20,000 to $30,000.
Doyle, Dec. 5: Edward Weston (1886-1958). Nude, 1936. $20,000 to $30,000.
Doyle, Dec. 5: Edward Weston (1886-1958). Juniper, High Sierra, 1937.
Doyle, Dec. 5: Steven J. Levn (b. 1964). Plumage II, 2011. $6,000 to $8,000.
Doyle, Dec. 5: Steven Meisel (b. 1954). Madonna, Miami, (from Sex), 1992. $6,000 to $9,000.
ALDE, Dec. 9: BLAEU (JOAN) ET BORGOGNIO (GIO TOMASO). Theatre des Estats de son Altesse Royale le duc de Savoye…, La Haye, 1700. €25,000 to €30,000.
ALDE, Dec. 9: BROWNE (JAMES D. HOWE). Ten Scenes in the last Ascent of Mont Blanc including five Views from the Summit. London, 1853. €6,000 to €8,000.
ALDE, Dec. 9: FELLOWS (CHARLES). A Narrative of an Ascent to the Summit of Mont-Blanc. London, 1827. €30,000 to €40,000.
ALDE, Dec. 9: HACQUET (BELSAZAR). Physikalisch= Politische Reise aus den Dinarischen durch die Julischen…, Leipzig, 1785. €3,000 to €4,000.
ALDE, Dec. 9: HAWES (BENJAMIN). A Narrative of an Ascent to the Summit of Mont-Blanc made during the summer of 1827 by Mr. William Hawes and Mr. Charles Fellows, 1828.
ALDE, Dec. 9: MARTEL (PIERRE) ET WINDHAM (WILLIAM). An account of the glacieres or ice Alps in Savoy, in two letters…, London, 1744. €6,000 to €8,000.
ALDE, Dec. 9: PITSCHNER (WILHELM). Der Mont Blanc Darstellung des Besteigung desselben am 31 Juli, 1 und 2 August 1859…, Berlin, 1860-1864. €8,000 to €10,000.
ALDE, Dec. 9: SCHEUCHZER (JOHANN JACOB). Natur-Geschichte des Schweizerlandes, samt seinen Reisen über die Schweitzerische Gebürge. Zurich, 1746. €3,000 to €4,000.
ALDE, Dec. 9: STUMPF (JOANNES). Gemeiner loblicher Eydgnosschaft Stetten, Landen, und Völckeren Chronicwirdiger Thaatenbeschreybung. Zurich, Christoph Froschauer, 1548. €2,500 to €3,500.
ALDE, Dec. 9: WALTON (ELIJAH) ET BONNEY (THOMAS GEORGE). The Peaks and valleys of the Alps. London, 1868. €3,000 to €4,000.
ALDE, Dec. 9: WYTTENBACH (JACOB SAMUEL). Vues remarquables des montagnes de la Suisse, avec leur description. Amsterdam, 1785. €15,000 to €20,000.