Rare Book Monthly

Articles - August - 2023 Issue

He Wrote 100 Books in Nine Months

Some of Tim Boucher and AI's books and covers.

Some of Tim Boucher and AI's books and covers.

Tim Boucher is a Canadian writer who has been toiling in obscurity for a couple of decades before hitting the wires recently with an odd achievement. He wrote 100 books in about 9 months. Not even the most prolific authors in history, such as L. Ron Hubbard and Barbara Cartland, reached that pinnacle. How did he do it?

 

The answer is he had a lot of help. That did not come from typical co-authors. His helper was AI – artificial intelligence. That is the wonderful “brain” that powers services like ChatGPT, the intelligence some fear will soon take over the world and possibly eliminate the human race if it feels we are in its way. Boucher may not be anticipating anything quite so apocalyptic from AI, but even he is concerned that it can be misused. If Nietzsche was right that God is Dead, killed by His own creations, then maybe AI will do the same to its creator.

 

Boucher hasn't become a totally passive observer to the books he writes. He favors science fiction and guides AI in his direction. His specialty is lore. Think of writers like Tolkien or Rowling. Their writing is built around fictional worlds, not real but consistently applied through a series of books. Boucher's 100 follow this pattern. They are not sequels or prequels, but are based on a common lore which ties them together.

 

It should also be noted that there are no great massive novels, no War and Peace among his books. They run 2,000 to 5,000 words. Additionally, they contain 40 to 140 images, also generated by AI. That's not quite a novel, maybe not even a novella. But, he does sell them, priced accordingly at $1.99 to $3.99. There are no best sellers here, and he depends on his day job, but it does provide a nice bonus on the side. I can't say whether his books are good or not. I haven't read them. I can't. I cannot read as fast as he writes. He told Newsweek it takes him about 6-8 hours to “write” a book, but has written one in as little as three.

 

AI is a wonderful tool. I determined that Hubbard and Cartland were particularly prolific authors by asking ChatGPT to list some. It took “Chat” just a few seconds. I have also asked “Chat” to write me some stories based on real people and it has willingly obliged. They weren't bad though I don't think they would qualify as great literature. They could compete with many pulp writers, though. AI can also create not-bad art and songs that probably match the quality of 90% of what you hear on the radio today. It will undoubtedly get better in time. It is all kind of creepy as it makes you wonder what that means for artists. But is it art if it is generated by a computer? And if not, what is it if it is better than what most “artists” create? Those are some difficult questions I don't know how to answer.

 

I think one place where AI still falls short is in creativity. ChatGPT gathers its answers from pre-existing data. It draws from what others created at lightening speed. Still, it is all derivative. Then again, most writing is derivative too, at least to some and usually a large degree. How much really is creative versus combining of what has came before, perhaps in new ways? Some people must be creating things that are truly new or else we never would move forward. Does creativity require, as my instincts tell me, a conscious mind, or will AI someday create things that are truly new?

 

I am certifiably old. High tech for me is knowing how to aim the TV antenna for best reception. Music came to me on the radio, AM no less. Books were always printed on paper. I will react to new technologies the way a young person does when you give them the keys to a car and watch what happens when they discover it has a stick shift. Still, I hope to hang around long enough to observe many more new advances of which I am in awe, but can only vaguely understand, and be able to remind the young how much harder life was for me and my generation.

Rare Book Monthly

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    Sotheby’s: The Shem Tov Bible, 1312 | A Masterpiece from the Golden Age of Spain. Sold: 6,960,000 USD
    Sotheby’s: Ten Commandments Tablet, 300-800 CE | One of humanity's earliest and most enduring moral codes. Sold: 5,040,000 USD
    Sotheby’s: William Blake | Songs of Innocence and of Experience. Sold: 4,320,000 USD
    Sotheby’s: The Declaration of Independence | The Holt printing, the only copy in private hands. Sold: 3,360,000 USD
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    Sotheby’s: Thomas Taylor | The original cover art for Harry Potter and the Philosopher's Stone. Sold: 1,920,000 USD
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    Gonnelli Goya y Lucientes Francisco, Los Proverbios.1877. Starting price 1000 €
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    Gonnelli: Andrea Del Sarto [school of], San Giovanni Battista, 1570. Starting price 25000€
    Gonnelli: Carlo Maratta, Virgin Mary and Jesus, 1660. Starting Price 1200€
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    Gonnelli: Marc’Antonio Dal Re, Ville di Delizia o Siano Palaggi Camparecci nello Stato di Milano Divise in Sei Tomi Con espressevi le Piante…, Tomo Primo, 1726. Starting price 7000€
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    Swann, May 15: Lot 4: Helena Bochoráková-Dittrichová, Z Mého Detství Drevoryty, Prague: Obzina, 1929. First trade edition, signed by the artist. $4,000 to $6,000.
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    Swann, May 15: Lot 10: Nancy Cunard, Negro Anthology, with a tipped-in A.L.S. to Karl Marx's niece, 1934. First edition. $3,000 to $5,000.
    Swann, May 15: Lot 14: Margaret Fuller, Woman in the Nineteenth Century, 1845. First edition. $4,000 to $6,000.
    Swann, May 15: Lot 17: Lorraine Hansberry, A Raisin in the Sun, inscribed first edition, 1959. $2,000 to $3,000.
    Swann, May 15: Lot 28: Margaret Hill Morris, Private Journal Kept during a Portion of the Revolutionary War, for the Amusement of a Sister, 1836. First edition. $3,000 to $4,000.
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    Swann, May 15: Lot 43: Gertrude Stein, Portrait of Mabel Dodge at the Villa Curonia, signed presentation copy with photograph of Stein, 1912. First edition. $8,000 to $12,000.
    Swann, May 15: Lot 48: Virginia Woolf, To the Lighthouse, first edition in the scarce dust jacket, 1927. $6,000 to $8,000.
    Swann, May 15: Lot 54: Katherine Dunham, large archive of material from her attorney, 1951-53. $20,000 to $30,000.
    Swann, May 15: Lot 55: Margaret Fuller Signed Autograph Letter, New York City, 1846. $3,000 to $5,000.
    Swann, May 15: Lot 92: Sonia Delaunay, illus. & Tristan Tzara, Juste Present, deluxe edition with original gouache, 1961. $20,000 to $25,000.
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    Leland Little, May 21: The Limited Paumanok Edition of The Complete Writings of Walt Whitman.
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