Tim Boucher is a Canadian writer who has been toiling in obscurity for a couple of decades before hitting the wires recently with an odd achievement. He wrote 100 books in about 9 months. Not even the most prolific authors in history, such as L. Ron Hubbard and Barbara Cartland, reached that pinnacle. How did he do it?
The answer is he had a lot of help. That did not come from typical co-authors. His helper was AI – artificial intelligence. That is the wonderful “brain” that powers services like ChatGPT, the intelligence some fear will soon take over the world and possibly eliminate the human race if it feels we are in its way. Boucher may not be anticipating anything quite so apocalyptic from AI, but even he is concerned that it can be misused. If Nietzsche was right that God is Dead, killed by His own creations, then maybe AI will do the same to its creator.
Boucher hasn't become a totally passive observer to the books he writes. He favors science fiction and guides AI in his direction. His specialty is lore. Think of writers like Tolkien or Rowling. Their writing is built around fictional worlds, not real but consistently applied through a series of books. Boucher's 100 follow this pattern. They are not sequels or prequels, but are based on a common lore which ties them together.
It should also be noted that there are no great massive novels, no War and Peace among his books. They run 2,000 to 5,000 words. Additionally, they contain 40 to 140 images, also generated by AI. That's not quite a novel, maybe not even a novella. But, he does sell them, priced accordingly at $1.99 to $3.99. There are no best sellers here, and he depends on his day job, but it does provide a nice bonus on the side. I can't say whether his books are good or not. I haven't read them. I can't. I cannot read as fast as he writes. He told Newsweek it takes him about 6-8 hours to “write” a book, but has written one in as little as three.
AI is a wonderful tool. I determined that Hubbard and Cartland were particularly prolific authors by asking ChatGPT to list some. It took “Chat” just a few seconds. I have also asked “Chat” to write me some stories based on real people and it has willingly obliged. They weren't bad though I don't think they would qualify as great literature. They could compete with many pulp writers, though. AI can also create not-bad art and songs that probably match the quality of 90% of what you hear on the radio today. It will undoubtedly get better in time. It is all kind of creepy as it makes you wonder what that means for artists. But is it art if it is generated by a computer? And if not, what is it if it is better than what most “artists” create? Those are some difficult questions I don't know how to answer.
I think one place where AI still falls short is in creativity. ChatGPT gathers its answers from pre-existing data. It draws from what others created at lightening speed. Still, it is all derivative. Then again, most writing is derivative too, at least to some and usually a large degree. How much really is creative versus combining of what has came before, perhaps in new ways? Some people must be creating things that are truly new or else we never would move forward. Does creativity require, as my instincts tell me, a conscious mind, or will AI someday create things that are truly new?
I am certifiably old. High tech for me is knowing how to aim the TV antenna for best reception. Music came to me on the radio, AM no less. Books were always printed on paper. I will react to new technologies the way a young person does when you give them the keys to a car and watch what happens when they discover it has a stick shift. Still, I hope to hang around long enough to observe many more new advances of which I am in awe, but can only vaguely understand, and be able to remind the young how much harder life was for me and my generation.
Sotheby’s: The Shem Tov Bible, 1312 | A Masterpiece from the Golden Age of Spain. Sold: 6,960,000 USD
Sotheby’s: Ten Commandments Tablet, 300-800 CE | One of humanity's earliest and most enduring moral codes. Sold: 5,040,000 USD
Sotheby’s: William Blake | Songs of Innocence and of Experience. Sold: 4,320,000 USD
Sotheby’s: The Declaration of Independence | The Holt printing, the only copy in private hands. Sold: 3,360,000 USD
Sotheby's Sell Your Fine Books & Manuscripts
Sotheby’s: Thomas Taylor | The original cover art for Harry Potter and the Philosopher's Stone. Sold: 1,920,000 USD
Sotheby’s: Machiavelli | Il Principe, a previously unrecorded copy of the book where modern political thought began. Sold: 576,000 GBP
Sotheby’s: Leonardo da Vinci | Trattato della pittura, ca. 1639, a very fine pre-publication manuscript. Sold: 381,000 GBP
Sotheby’s: Henri Matisse | Jazz, Paris 1947, the complete portfolio. Sold: 312,000 EUR
Fonsie Mealy’s Rare Books & Collectors’ Sale April 30th & May 1st
Fonsie Mealy’s, Apr 30-May 1: Taylor (Geo.) & Skinner (A.) Maps of the Roads of Ireland, Surveyed 1777. Lond. & Dublin 1778. €500 to €750.
Fonsie Mealy’s, Apr 30-May 1: Messingham (Thos.) Florilegium Insulae Sanctorum seu Vitae et Acta Sanctorum Hibernia, Paris 1624. €350 to €500.
Fonsie Mealy’s, Apr 30-May 1: Heaney (Seamus). The Haw Lantern, L. (Faber & Faber) 1987, First Edn., Signed and dated. €225 to €350.
Fonsie Mealy’s, Apr 30-May 1: Valencey (Lt. Col. Chas.) Collectanea de Rebus Hibernicis, Vols. I-IV, 4 vols. Dublin 1786. €400 to €600.
Fonsie Mealy’s, Apr 30-May 1: Powerscourt (Viscount). A Description and History of Powerscourt, Lond. 1903. €350 to €500.
Fonsie Mealy’s, Apr 30-May 1: Moryson (Fynes). An Itinerary ... Containing His Ten Yeeres Travel Through the Twelve Dominions of Germany, Bohermerland, Sweitzerland…, Lond. (John Beale) 1617. €700 to €1,000.
Fonsie Mealy’s, Apr 30-May 1: After Buffon, Birds of Europe, c. 1820. Approx. 120 fine hd. cold. plts., mor. backed boards. €125 to €250.
Fonsie Mealy’s, Apr 30-May 1: Dunlevy (Andrew). An Teagasg Criosduidhe De Reir Ceasda agus Freagartha... The Catechism or Christian Doctrine by Way of Question and Answer, Paris (James Guerin) 1742. €400 to €700.
Fonsie Mealy’s, Apr 30-May 1:The Georgian Society Records of Eighteen-Century Domestic Architecture in Dublin, 5 vols. Complete, Dublin 1909-1913. €500 to €750.
Fonsie Mealy’s, Apr 30-May 1: Scale (Bernard). An Hibernian Atlas or General Description of the Kingdom of Ireland, L. (Robert Sayer & John Bennet) 1776. €625 to €850.
Fonsie Mealy’s, Apr 30-May 1: [Johnson (Rev. Samuel)]. Julian the Apostate Being a Short Account of his Life, together with a Comparison of Popery and Paganism,L. (Langley Curtis) 1682. €300 to €400.
Fonsie Mealy’s, Apr 30-May 1: Nichlson (Wm.) Illustrator. An Almanac of Twelve Sports, Lond. 1898. €300 to €400.
Fonsie Mealy’s, Apr 30-May 1: Heaney (Seamus) trans. The Light of the Leaves, 2 vols., Mexico (Imprenta de los Tropicos/Bunholt) 1999. €1,500 to €2,000.
Fonsie Mealy’s, Apr 30-May 1: Fleming (Ian). Moonraker, L. (Jonathan Cape) 1955. €1,500 to €2,000.
Bonhams, Apr. 21-29: ANDERSEN'S EXTREMELY RARE FIRST APPEARANCE IN PRINT. "Scene af: Røverne i Vissenberg i Fyen." in Harpen, 1822.
Bonhams, Apr. 21-29: FIRST ISSUE OF THE FIRST THREE FAIRY TALE PAMPHLETS, WITH ALL INDICES AND TITLE PAGES. Eventyr, fortalte for Børn. 1835-1837.
Bonhams, Apr. 21-29: THE FIRST FAIRY TALES WITH A SIGNED CARTE DE VISITE OF ANDERSEN AS FRONTIS. Eventyr, fortalte for Børn. 1835-1837.
Bonhams, Apr. 21-29: KARL LAGERFELD. Original pastel and ink drawing in gold, red and black for Andersen's The Emperor's New Clothes (1992), "La cassette de l'Empereur."
Bonhams, Apr. 21-29: PRESENTATION COPY OF THE SIXTH PAMPHLET FOR PETER KOCH. Eventyr, Fortalte For Børn, Second Series, Third Pamphlet. 1841. Publisher's wrappers, complete with all pre- and post-matter.
Bonhams, Apr. 21-29: HANS CHRISTIAN ANDERSEN RARE AUTOGRAPH QUOTATION SIGNED IN ENGLISH from "The Ugly Duckling," c.1860s.
Bonhams, Apr. 21-29: HEINRICH LEFLER, ORIGINAL WATERCOLOR FOR ANDERSEN'S SNOW QUEEN, "Die Schneekönigin," 1910.
Bonhams, Apr. 21-29: FIRST EDITION OF ANDERSEN'S FAIRY TALES IN ENGLISH. Wonderful Stories for Children. London, 1846.
Bonhams, Apr. 21-29: ANDERSEN ON MEETING CHARLES DICKENS. Autograph Letter Signed ("H.C. Andersen") in English to William Jerdan, July 20, 1847.
Bonhams, Apr. 21-29: PRESENTATION COPY FOR EDGAR COLLIN. Nye Eventyr og Historier. Anden Raekke. 1861.
Bonhams, Apr. 21-29: DOLL HOUSE FURNITURE BY HANS CHRISTIAN ANDERSON, DECORATED WITH FANTASTICAL CUT-OUTS, for the children of Jonna Stampe (née Drewsen), his godchildren.
Bonhams, Apr. 21-29: PRESENTATION COPY FOR GEORG BRANDES. Dryaden. Et Eventyr fra Udstillingstiden i Paris 1867. 1868.