Rare Book Monthly

Articles - January - 2006 Issue

Simpler Solutions for Bookseller Automation

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By Renée Magriel Roberts

Long ago in a galaxy far, far away I was not a bookseller, but a VAR (value-added reseller) for AT&T. Our company designed automated accounting systems for retail/point-of-sales, as well as a wide variety of vertical markets. We modified standard accounting code, created comprehensive automation and transitional accounting plans, and provided not only hardware and software, but also ongoing training and support. The Force was with us, but we got to see the Dark Side of automation on more than one occasion.

When I looked at Monsoon automated pricing software in my last article (December, 2005 - http://www.americanaexchange.com/NewAE/aemonthly/article.asp?f=1&page=1&id=320) in AE Monthly, it was not only from the point of view of a bookseller and potential buyer, but also from the hard knowledge of being in the sales and development sides of the software business.

The Monsoon article received quite a bit of feedback from fellow booksellers, so I thought it might be useful to expand on some of the principles of good automation which I suggested in that piece. When I buy software there are things that I look for, both in the product and in the company from which I am purchasing.

First of all, I never, ever, pay a programmer to create custom software for me. Unless you are a programmer yourself, and completely capable of both understanding and taking over the evolution of a product, just skip this route. There are plenty of standard software packages, readily available and either free or inexpensive. Hiring a programmer (either an individual or a company) is tantamount to putting your entire business into the hands of a stranger who does not wake up in the morning with your best interests at the top of the list.

Take, for example, the sad experience of Global Book Mart, as quoted in the IOBA book site (www.ioba.org):
"In August of 2000, we learned that owning your equipment and owning your proprietary programming does not necessarily afford protection from unscrupulous parties. The computer programming firm retained to perform work on GBM demanded that we pay them approximately $187,000 which was not provided for in our contract, or in the alternative, to relinquish to them a controlling interest in GBM, or they would commandeer our equipment (which was physically housed in their facility to have a direct T1 connection), programming and data.

"These same programmers used our equipment to pirate the GBM database and bookseller data for use on a website they registered, http://www.bookcrawler.net which included the use of all of our proprietary code and copyrighted materials, with the exception of changing the name. We were even told by one of these parties that should GBM booksellers not be willing to contract with their new site, these programmers intended to purchase inventory and duplicate the efforts of booksellers. We consulted our attorney and notified all of our booksellers of these events on August 10, 2000. Within 2 hours of our notifying our booksellers, the programmers physically unplugged our servers and severed communications...."
If you want to be in the software business, YOU have to either be the programmer, or be as knowledgeable as the programmer. YOU have to have physical control over your servers, your applications, and your data, unless you feel that these things are expendable and/or are completely protected, both legally and physically.

Next, let's talk about what kind of software to use. I never use non-standard software and I try to avoid using software that has just come out on the market, unless it is an update of a product that I already have. I like my software to have all the bugs worked out of it --I do not like being used as a guinea pig. Software development is not an exact science, but a process of continuous improvement and evolution, as we can clearly see from the good and not-so-good versions of Windows.

Rare Book Monthly

  • Sotheby’sBooks, Manuscripts and Music from Medieval to ModernNow through July 10, 2025 Sotheby’sBooks, Manuscripts and Music from Medieval to ModernNow through July 10, 2025
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    Books, Manuscripts and Music from Medieval to Modern
    Now through July 10, 2025
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    Books, Manuscripts and Music from Medieval to Modern
    Now through July 10, 2025
    Sotheby’s, Ending July 10: Book of Hours by the Masters of Otto van Moerdrecht, Use of Sarum, in Latin, Southern Netherlands (Bruges), c.1450. £20,000 to £30,000.
    Sotheby’s, Ending July 10: Albert Einstein. Autograph letter signed, to Attilio Palatino, on his research into General Relativity, 12 May 1929. £12,000 to £18,000.
    Sotheby’s, Ending July 10: John Gould. The Birds of Europe, [1832-] 1837, 5 volumes, contemporary half morocco, subscriber’s copy. £40,000 to £60,000.
    Sotheby’s
    Books, Manuscripts and Music from Medieval to Modern
    Now through July 10, 2025
    Sotheby’s, Ending July 10: Ian Fleming. A collection of James Bond first editions, 8 volumes in all. £8,000 to £12,000.
    Sotheby’s, Ending July 10: J.K. Rowling. Harry Potter and the Philosopher's Stone, 1997, first edition, hardback issue. £50,000 to £70,000.
    Sotheby’s, Ending July 10: J.R.R. Tolkien. Autograph letter signed, to Amy Ronald, on Pauline Baynes's map of Middle Earth, 1970. £7,000 to £10,000.
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    July 23, 2025
    DOYLE, July 23: WALL, BERNHARDT. Greenwich Village. Types, Tenements & Temples. Estimate $300-500
    DOYLE, July 23: STOKES, I. N. PHELPS. The Iconography of Manhattan Island, 1498-1909. New York: Robert H. Dodd, 1915-28. Estimate: $3,000-5,000
    DOYLE, July 23: [AUTOGRAPH - US PRESIDENT]FRANKLIN D. ROOSEVELT. A signed photograph of Franklin D. Roosevelt. Estimate $500-800
    DOYLE, July 23: [ARION PRESS]. ABBOTT, EDWIN A. Flatland. A Romance of Many Dimensions. San Francisco, 1980. Estimate $2,000-3,000.
    DOYLE, July 23: TOLSTOY, LYOF N. and NATHAN HASKELL DOLE, translator. Anna Karénina ... in eight parts. New York: Thomas Y. Crowell & Co., [1886]. Estimate: $400-600
    DOYLE, July 23: ROWLING, J.K. Harry Potter and the Goblet of Fire. London: Bloomsbury, 2000. Estimate $1,200-1,800
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    Western Manuscripts and Miniatures
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    Western Manuscripts and Miniatures
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    Freeman’s | Hindman, July 8. FRANCESCO PETRARCH (b. Arezzo, 20 July 1304; d. Arqua Petrarca, 19 July 1374). $20,000-30,000.
    Freeman’s | Hindman, July 8. CIRCLE OF THE MASTER OF THE VITAE IMPERATORUM (active Milan, 1431-1459). $15,000-20,000.
    Freeman’s | Hindman, July 8. CIRCLE OF ATTAVANTE DEGLI ATTAVANTI (GABRIELLO DI VANTE) (active Florence, c. 1452-c. 1520/25). $15,000-20,000.
    Freeman’s | Hindman, July 8. FOLLOWER OF HERMAN SCHEERE (active London, c. 1405-1425). $15,000-20,000.
    Freeman’s | Hindman, July 8. An exceptionally rare, illuminated music leaf from a Mozarabic Antiphonal with sister leaves mostly in museum collections. $11,500-14,000.
    Freeman’s | Hindman, July 8. Exceptional leaf from a prestigious Antiphonary by a leading illuminator of the late Duecento. $11,500-14,000.
    Freeman’s | Hindman, July 8. CIRCLE OF THE MASTER OF MS REID 33 and SELWERD ABBEY SCRIPTORIUM (AGNES MARTINI?) (active The Netherlands, Groningen, c. 1468-1510). $10,000-15,000.
    Freeman’s | Hindman, July 8. Previously unknown illumination from one of the most renowned Gothic Choir Book sets of the Middle Ages. $6,000-8,000.

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