• <b>Forum Auctions: Fine Books, Manuscripts and Works on Paper. March 28, 2019</b>
    <b>Forum Auctions, Mar 28:</b> Greco (Gioachino). <i>Primo modo del gioco de Partito…</i> Manuscript, France, 1624 or 1625. A collection of partiti, or 'chess problems' by one of the most important figures in the history of chess. £20,000 to £30,000.
    <b>Forum Auctions, Mar 28:</b> Herodotus. <i>Historiae,</i> translated into Latin by Lorenzo Valla and edited by Antonio Mancinelli. Venice, 1494. £15,000 to £20,000.
    <b>Forum Auctions, Mar 28:</b> Darwin (Charles). Autograph Letter signed to his cousin Reginald Darwin, Down, Beckenham, Kent, 27th March 1879. £12,000 to £18,000.
    <b>Forum Auctions: Fine Books, Manuscripts and Works on Paper. March 28, 2019</b>
    <b>Forum Auctions, Mar 28:</b> Nicolay (Nicolas de). <i>The Navigations, peregrinations and voyages, made into Turkie,</i> first edition in English, Imprinted at London by Thomas Dawson, 1585. £10,000 to £15,000.
    <b>Forum Auctions, Mar 28:</b> Saint-Exupéry (Antoine de). <i>The Little Prince,</i> number 66 of 525 copies signed by the author, 1943. £8,000 to £12,000.
    <b>Forum Auctions, Mar 28:</b> Catlin (George, 1796-1872). Tuch-ee, A Celebrated War Chief of the Cherokees, watercolour, [circa 1834]. £6,000 to £8,000.
    <b>Forum Auctions: Fine Books, Manuscripts and Works on Paper. March 28, 2019</b>
    <b>Forum Auctions, Mar 28:</b> Genetics.- A collection of c.300 pamphlets on genetics comprising many of the major contributions from the first half of the 20th century. £5,000 to £7,000.
    <b>Forum Auctions, Mar 28:</b> India.- Rajasthan.- Kota School (probably late 18th c.). Elephant in a landscape with chains around his feet, brush and black ink with opaque pigments. £5,000 to £7,000.
    <b>Forum Auctions, Mar 28:</b> Commelin (Caspar). <i>Horti medici Amstelaedamensis plantae rariores et exoticae,</i> first edition, 48 finely hand-coloured engraved plates, Leiden, F.Haringh, 1706. £4,000 to £6,000.
    <b>Forum Auctions: Fine Books, Manuscripts and Works on Paper. March 28, 2019</b>
    <b>Forum Auctions, Mar 28:</b> Plague-water and cookery & medical recipes.- Jackson (Mrs Sarah). Medical and cookery recipes, manuscript in several hands, title and 134pp., 1688-1755. £4,000 to £6,000.
    <b>Forum Auctions, Mar 28:</b> Vernet (<i>After</i> Joseph, 1714-1789). <i>[Vues des ports de France],</i> sixteen plates (of 18), etchings and engravings by Charles Nicolas Cochin fils and Jacques Philippe Le Bas, [c.1760-1780]. £4,000 to £6,000.
    <b>Forum Auctions, Mar 28:</b> Detmold (Edward Julius, 1883-1957). Parrots and Butterflies, watercolour. £2,500 to £3,500.
  • <b>Swann Auction Galleries, Mar 28:</b> <i>The Negro Travelers' Green Book,</i> edited by Victor H. Green, New York, 1958. $2,500 to $3,500.
    <b>Swann Auction Galleries, Mar 28:</b> Phillis Wheatley, <i>Poems on Various Subjects, Religious & Moral,</i> London, 1773. $15,000 to $25,000.
    <b>Swann Auction Galleries, Mar 28:</b> David Ruggles, <i>The Mirror of Liberty,</i> first issue of the first magazine edited by an African American, New York, 1838. $8,000 to $12,000.
    <b>Swann Auction Galleries, Mar 28:</b> Lorraine Hansberry, <i>A Raisin in the Sun,</i> draft typescript, inscribed by the playwright, circa 1958. $3,000 to $4,000.
    <b>Swann Auction Galleries, Mar 28:</b> Pair of letterpress broadsides for Ira Aldridge’s historic first 2 performances at London’s Theatre Royal, 1833. $10,000 to $15,000.
    <b>Swann Auction Galleries, Mar 28:</b> Archive of letters to John Augustine Washington III at Mount Vernon, many of which discuss the lives of enslaved persons, 1837-61. $20,000 to $30,000.
    <b>Swann Auction Galleries, Mar 28:</b> Important archive of letters and photographs of Charles White and his spouse, Frances B. White, 1956-60. $4,000 to $6,000.
    <b>Swann Auction Galleries, Mar 28:</b> Papers of educator Sister Makinya Sibeko-Kouate, one of the leading popularizers of Kwanzaa, 1940-1975. $6,000 to $9,000.
    <b>Swann Auction Galleries, Mar 28:</b> Stock certificate of the Negro Factories Corporation, signed by Marcus Garvey, 1920. $3,000 to $4,000.
    <b>Swann Auction Galleries, Mar 28:</b> Benjamin Banneker, <i>Bannaker’s Maryland . . . Almanack and Ephemeris, for the Year of our Lord 1796,</i> Baltimore, 1795. $15,000 to $25,000.
    <b>Swann Auction Galleries, Mar 28:</b> Frederick Douglass, previously unknown carte-de-visite by Samuel M. Fassett, Washington DC, 1878. $3,000 to $4,000.
    <b>Swann Auction Galleries, Mar 28:</b> <i>First Annual Report of the New York Committee of Vigilance,</i> New York, 1837. $3,000 to $4,000.
  • <b>Chiswick Auctions: Books & Illustrated Art including Cartoons. March 28, 2019</b>
    <b>Chiswick Auctions, Mar 28:</b> Silver Binding.- [Torah], German 13 Loth silver binding, hinged clasp, 12mo, Sulzbach, 1805. £2,500 to £3,500.
    <b>Chiswick Auctions, Mar 28:</b> Picasso (Pablo). Minotaure vaincu, plate 89 from La Suite Vollard, etching, dated 29 May 1933, pencil, plate 190 x 265 mm, Paris, A. Vollard, 1939. £5,000 to £6,000.
    <b>Chiswick Auctions, Mar 28:</b> Dali (Salvador) & Alighieri (Dante). <i>La Divina Commedia,</i> 6 vols, NUMBER 478 of 2,900 copies, 100 numbered colour lithograph plates by Salvador Dalì, folio, Verona, 1963-1964. £3,000 to £4,000.
    <b>Chiswick Auctions: Books & Illustrated Art including Cartoons. March 28, 2019</b>
    <b>Chiswick Auctions, Mar 28:</b> Miniature Sepher Torah Nevi'im U'Kethuvim, prepared by Menachem M. Scholz, original cloth, housed within original gilt tooled metal case, with magnifying glass inset, 33x25 mm, Warsaw, c. 1880. £1,200 to £1,800.
    <b>Chiswick Auctions, Mar 28:</b> Scarfe (Gerald). ‘Men of Snow’ [Tony Blair, William Hague & 'Robin' Cook], original ink, watercolour & gouache drawing, signed, 600 x 435 mm, n.d. with 2 others (3). £800 to £1,200
    <b>Chiswick Auctions, Mar 28:</b> Francklyn (Gilbert), Paine (Thomas). <i>Rights of Man…</i>, FIRST EDITION [and] <i>Rights of Man. Part the Second…,</i> Printed for J. S. Jordan, 1791-92, [and 1 other]. £700 to £1,000
    <b>Chiswick Auctions: Books & Illustrated Art including Cartoons. March 28, 2019</b>
    <b>Chiswick Auctions, Mar 28:</b> Chagall (Marc). Le Jeu des Acrobates (Acrobats at Play), HORS COMMERCE PROOF, lithograph, from The Lithographs of Chagall, 320 x 240 mm, André Sauret, 1963. £1,800 to £2,200
    <b>Chiswick Auctions, Mar 28:</b> [Harris (John)]. <i>The History of The Old Woman who had Three Sons Jerry, James, and John…,</i> 12mo, J. Harris, 1815. £200 to £300
    <b>Chiswick Auctions, Mar 28:</b> Royal Binding.- Staël-Holstein (Germaine de). <i>De la littèrature considerée dans ses rapports avec les institutions sociales…,</i> 2 vols, second edition, Crapelet, Paris, [1801]. £400 to £600
    <b>Chiswick Auctions: Books & Illustrated Art including Cartoons. March 28, 2019</b>
    <b>Chiswick Auctions, Mar 28:</b> Ancient History.- La Baune (Jacques de). <i> Panegyrici Veteres,</i> Paris, 1676. [with] Wesseling (Petrus, ed.). <i> Vetera Romanorum itineraria…</i> £800 to £1,200
    <b>Chiswick Auctions, Mar 28:</b> Edward (Gibbon). <i> History of the Decline and Fall of the Roman Empire…</i> Multiple editions and languages [English and French]. £300 to £400
    <b>Chiswick Auctions, Mar 28:</b> Curtis (William). <i> Flora Londinensis,</i> FIRST EDITION, 2 vols in 3. 119 hand-coloured plates of 454. £500 to £700
  • <b>Arenberg Auctions: Rare Books, Manuscripts, Maps, and Works on Paper. March 29 & 30, 2019</b>
    <b>Arenberg Auctions, Mar 29 & 30:</b> QUAST, Pieter Jansz. - [A Quack doctor on a market square.] €3.500 to €4.500
    <b>Arenberg Auctions, Mar 29 & 30:</b><br>"Il Callotto resuscitato. Oder Ne¸ eingerichtes Zwerchen Cabinet." €6.000 to €7.000
    <b>Arenberg Auctions, Mar 29 & 30:</b> MELLISS, Mrs. John Charles - 135 compositions of which 66 used to illustrate John Melliss' work on Saint Helena. €9.000 to €10.000
    <b>Arenberg Auctions: Rare Books, Manuscripts, Maps, and Works on Paper. March 29 & 30, 2019</b>
    <b>Arenberg Auctions, Mar 29 & 30:</b> LUCA, Ghérasim. - <i>Apostroph' apocalypse. Eaux-fortes de Wifredo Lam.</i> €3.000 to €4.000
    <b>Arenberg Auctions, Mar 29 & 30:</b> REDOUTÉ, Pierre-Joseph - <i>Les Roses. Décrites par C.A. Thory.</i> €3.000 to €4.000
    <b>Arenberg Auctions, Mar 29 & 30:</b> CORONELLI, Vincenzo - A magnificent pair of globes, terrestrial and celestial. €175.000 to €250.000
    <b>Arenberg Auctions: Rare Books, Manuscripts, Maps, and Works on Paper. March 29 & 30, 2019</b>
    <b>Arenberg Auctions, Mar 29 & 30:</b> BLAEU, Joan - <i>Le Grand Atlas, ou Cosmographie Blaviaene, en laquelle est exactement descritte la Terre, la Mer, et le Ciel.</i> €170.000 to €250.000
    <b>Arenberg Auctions, Mar 29 & 30:</b> GOULD, John - A century of birds from the Himalaya mountains. €10.000 to €12.000
    <b>Arenberg Auctions, Mar 29 & 30:</b> LEVAILLANT, François - Histoire naturelle des perroquets. €50.000 to €70.000
    <b>Arenberg Auctions: Rare Books, Manuscripts, Maps, and Works on Paper. March 29 & 30, 2019</b>
    <b>Arenberg Auctions, Mar 29 & 30:</b> MAXIMILIAN III JOSEPH - Patent of nobility. €800 to €1.000
    <b>Arenberg Auctions, Mar 29 & 30:</b> Manuale parochiale sacerdotum. €800 to €1.200
    <b>Arenberg Auctions, Mar 29 & 30:</b> LONGUS - Les amours pastorales de Daphnis et Chloé. €1.250 to €1.500

Rare Book Monthly

Articles - May - 2016 Issue

Cartouche, or The Thieves of the 5th Republic

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The economic crisis, the Panama Papers affair, the Protection of trade secrets law and the many financial scandals lately revealed in France have weakened the current 5th Republic and generated a general discontent reminiscent of the Régence of Louis XV (1715-1723). The bankruptcy following the system of Law (the first attempt to impose paper-money) occurred in 1720. One year later, Louis-Dominique Cartouche was broken on the wheel. The police of the time, hoping to restore the authority of the Régent, turned Cartouche into a diabolical gang leader. But for the people of Paris, he was a champion of the Have-nots. The system had created a monster that would partake in its destruction. And it was foretold in a short play, Cartouche ou Les Voleurs, given in Paris a few days before the bandit was put to death.

 

 

Louis-Dominique Cartouche has never been the master of his own destiny. This petty thug of La Courtille was made « the chief of the thieves of Paris » by the police, « the apostle of social justice » by the revolutionaries in 1789 and even a « priest hater » in the late 19th century. The play Cartouche ou Les Voleurs (Cartouche or the Thieves) tells us why he has always been seen as a popular hero. This remarkable 36-page play written by Marc-Antoine Legrand was given for the first time as Cartouche was waiting for his execution in the nearby prison of Le Châtelet. Although some witnesses described it as a “gentle comedy”, it is actually a fierce satire. Our copy is quite modest and answers all the characteristics of the peddling books as listed by the Médiathèque Grand Troyes: “Raw paper, used fonts, mute front cover usually made of a blue-grey paper—used to wrap sugar loafs—, rare engravings and always printed with second-hands woods.” It smells of the noisy streets of the Ancien Régime, where it was printed 300 years ago; in Paris for the first edition, or in Troyes—with no date—by “Antoine Garnier1”, as far as ours is concerned.

 

Louis-Dominique Cartouche was the first public enemy number one in French history; quite a celebrity. Everyone in Paris was talking about him and his cronies. The police, who were then mutating to fight crime more efficiently, drew an excessively dark portrait of him, using him as a pretext to clean Paris’ infected streets. They also read every book dealing with him before permitting their publication—hence their boring moral. These are exactly the yoke that the fake and anonymous autobiography of 1789, Les Amours et la vie de Cartouche—recently reprinted (DREAD Editions)—broke asunder. Published in the aftermath of the Révolution—the printer of the first edition pretended that the manuscript had been recovered from the ruins of the captured Bastille—, it enjoyed the new freedom of speech granted to all printers. Cartouche was let loose: “The boring probity of my father had always been contrary to my desire, “he” says. He intended to find an honest situation in life for me, but as I hardly understood this sentence—which is not realistic—I cared about nothing but reaching my goals by the shortest way.” Thus, our bandit became a prophet of the Révolution, a “general” fighting an unfair system—in a word, the revenger of the Have-nots.

 

 

In Cartouche, Histoire authentique (Paris, 1859), Barthelemy Maurice says that Legrand’s play was granted permission of publishing as soon as March 1719—which is weird, since Cartouche’s name was almost unknown by then. It was then entitled LeR. de C. (or R. of C.) for Le Règne (or reign), or Royaume (kingdom) of Cartouche. But the police of books disliked it, as they realized “that it was a satire against the people trying to arrest Cartouche” (Maurice). They were right; it was offensive—because it made people laugh. In Act I, scene XI, a crew of watchmen has just spotted Cartouche. “We are brave men,” says the Exempt (policeman) in charge. “Strong as lions!” retorts one of his men named La Valeur (Mr Bravery). But as Cartouche walks towards them with one of his cronies, the Exempt suggests a tactical retreat. “You’re right,” says Mr Bravery, “they are two, and we’re only twelve. The fight is unfair.”

 

What comes next made the whole of Paris laugh. Cartouche goes straight to the watchmen: “Move," he says to the Exempt, "or I blow your nose away, just like a rabbit’s!” Legrand here adds a stage direction: “Cartouche and his crony peacefully walk through the group of watchmen and fires his gun. All the watchmen fall on the ground.” This ironic scene was inspired by a true and famous anecdote. Cornered inside a house by dozens of Exempts, Cartouche calmly walked out, pretending to be an innocent inhabitant of the house. In the street, he came across two bowmen from the police who asked him: “Is Cartouche taken, Sir?” Firing his two guns at them, he answered: “Not yet!” In Legrand’s play, the watchmen get back to their feet once Cartouche is away: “Come on, comrades, let’s retreat in good order (...), we did our duty.” That’s what this unloved police called “their duty.” Yet, the weak Régent Philippe d’Orléans tried to recapture his subjects’ respect by all means—not unlike our current President, François Hollande—, especially since the terrible failure of the Law system, which made the lives of poor people even more difficult. Consequently, Legrand was denied the right to give his play, “until the bandit was captured," underlines Maurice, "on October 14, 1721.

 

Clerk and Thief

 

As soon as October 20, Cartouche’s life was given at Palais-Royal! However, it was not Legrand’s play; but another one entitled Arlequin-Cartouche, written by some Italian comedians. According to the Mercure de France (November 1721) it was a mere “succession of hosers’ tricks hastily put together into scenes so to outdo another play.” Another play? Legrand’s, of course. On the following day, our author gave Cartouche ou Les Voleurs at Le Théâtre François. Edmond-Jean-François Barbier, a lawyer and a keen observer of his time, stated in his Journal: “It is attended by an amazing amount of people.” Of course, “respectable people” (Mercure) saw these plays as indecent. Barbier notes that representing the life of a man “who really exists, who is everyday questioned, and who shall be broken alive at the end of the day (...) is not quite acceptable.” Nevertheless, the play was an immediate success. The first evening, the opening play—Esope à la Cour, by Boursault—had to be interrupted as the audience clamoured for Cartouche ou Les Voleurs. In spite—or because—of this popular success, both plays were stopped by the police after a dozen of representations. But it was already all about this flamboyant thief, and people were ramming Le Châtelet to catch a glimpse at him. Barbier himself gave in to the temptation: “To add to impertinence, the little play Cartouche is printed. I bought a copy, as well as the death warrants of the broken, to testify of the foolishness of our country.” Thus, our little book ended up in the famous Barbier’s bookshelf! In the “foolishness” section, all right—but still.

 

The play takes us to the heart of a deregulated society and the author purposely confuses the issue. Who are the “thieves” of the subtitle? The “Cartouchians”, who rob a bourgeois in the street, or the same bourgeois, who offered the hand of his daughter to a man before “selling” her off to a highest bidder? The “Cartouchian” who steals the wallet of a passer-by? Or the latter—an aristocrat—,who earns a living by suing people, robbing them under the cover of the law? Legal doesn’t mean elegant. And who is the guarantor of moral values? The bold Cartouche, who exhorts his men to die “guns in hands”, or the Exempts who jump on the floor when they hear a gunshot? Even the “mouches” (informers) are triple-crossers! When a thief shows one to Cartouche, the latter answers: “He’s one us, he gives the police wrong information and keeps us informed on their doings. (...) This “mouche” is an honest man.” Well, he doesn’t appear less honest than any magistrate of the tile. After all, Gripaut, a former convict who joins the “Cartouchians” in the play, is about to buy a charge of Public Prosecutor. “After robbing people in so many ways in my life," he states, "I want to crown my career by becoming a Prosecutor.”

 

1. 

Antoine Garnier probably belonged to the powerful dynasty of the Garniers-Oudots, who made their fortune publishing peddling books during the 17th century in Troyes. The grey-blue papers they were wrapped with, gave the name of the “Bibliothèque Bleue” (or the Blue Collection). The first Garnier was Claude (circa 1535-1585); he was located in La Petite Tannerie Street, Troyes. His apprentice, Jean Oudot, later married his daughter and took over the printery when he passed away.

Rare Book Monthly

  • <b>Bonhams, Mar 12:</b> Walt Whitman. <i>Leaves of Grass.</i> First edition, first issue, SIGNED in block letters by Whitman. 1855. $200,000 to $300,000
    <b>Bonhams, Mar 12:</b> Isaac Newton's copy of John Greave's <i>Pyramidographia,</i> London, 1646. $50,000 to $70,000
    <b>Bonhams, Mar 12:</b> Colonel John Mosby. Robert E. Lee's autograph letter to Samuel Cooper reporting on Mosby's exploits, with Cooper's autograph note ordering his appointment to Major.
    <b>Bonhams, Mar 12:</b> Gyula Halasz Brassai. Large archive of autograph and typed letters, over 260, to his family including his wife Gilberte, 1947-1978. $40,000 to $60,000
    <b>Bonhams, Mar 12:</b> Archive of drawings and letters from Harper Lee to Charles Carruth, including an inscribed first edition of <i>To Kill a Mockingbird.</i> $20,000 to $30,000
    <b>Bonhams, Mar 11:</b> VESALIUS, ANDREAS. 1514-1564. <i>De humani corporis fabrica libri septem.</i> Basel: Johannes Oporinus, June 1543. $300,000 to $500,000
    <b>Bonhams, Mar 11:</b> HARVEY, WILLIAM. 1578-1657. <i>De motu cordis & sanguinis in animalibus Anatomica Exercitatio.</i> Leiden: Joannis Maire, 1639. $25,000 to $35,000
    <b>Bonhams, Mar 11:</b> BERENGARIO DA CARPI, GIACOMO. 1460-1530. <i>Isagogae breves perlucide ac uberrimae in Anatomiam humani corporis.</i> Bologna: Benedictus Hectoris, 15 July 1523. $15,000 to $25,000
    <b>Bonhams NY, Mar 11:</b> FRANKLIN, BENJAMIN. 1706-1790. <i>Experiments and Observations on Electricity, made at Philadelphia in America…</i> London, 1769. $10,000 to $15,000
    <b>Bonhams NY, Mar 11:</b> BENIVIENI, ANTONIO. 1443-1502. <i>De abditis nonnullis ac mirandis morborum et sanationum causis.</i>Florence: Filippo Giunta, 1507. $8,000 to $12,000
  • <b>Koller Auctions: Books & Autographs. March 26, 2019</b>
    <b>Koller Auctions, Mar 26:</b> Jacques Gamelin. <i>Nouveau recueil d'osteologie et de myologie, dessine d'apres nature...</i> 2 parts in 1 vol., large folio, 82 copper plates. CHF 12,000 to 18,000
    <b>Koller Auctions, Mar 26:</b> Melchior Pfintzing. <i>Die geverlicheiten und einsteils geschichten des loblichen streytparen...</i> 118 woodcut engravings, first edition. CHF 30,000 to 50,000
    <b>Koller Auctions, Mar 26:</b> Book of hours. Handwritten Latin text on vellum. With 17 large miniatures, Flanders, c.1460. CHF 70,000 to 90,000
    <b>Koller Auctions, Mar 26:</b> Maria Sibylla Merian. <i> Dissertatio de generatione et metamorphosibus insectorum Surinamensium,</i> 72 copper plates, Den Haag, 1726. CHF 60,000 to 90,000

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