• Forum Auctions
    A Sixth Selection of 16th and 17th Century English Books from the Fox Pointe Manor Library
    19th June 2025
    Forum, June 19: Euclid. The Elements of Geometrie, first edition in English of the first complete translation, [1570]. £20,000 to £30,000.
    Forum, June 19: Nicolay (Nicolas de). The Navigations, peregrinations and voyages, made into Turkie, first edition in English, 1585. £10,000 to £15,000.
    Forum, June 19: Shakespeare source book.- Montemayor (Jorge de). Diana of George of Montemayor, first edition in English, 1598. £6,000 to £8,000.
    Forum, June 19: Livius (Titus). The Romane Historie, first edition in English, translated by Philemon Holland, Adam Islip, 1600. £6,000 to £8,000.
    Forum Auctions
    A Sixth Selection of 16th and 17th Century English Books from the Fox Pointe Manor Library
    19th June 2025
    Forum, June 19: Robert Molesworth's copy.- Montaigne (Michel de). The Essayes Or Morall, Politike and Millitarie Discourses, first edition in English, 1603. £10,000 to £15,000.
    Forum, June 19: Shakespeare (William). The Tempest [&] The Two Gentlemen of Verona, from the Second Folio, [Printed by Thomas Cotes], 1632. £4,000 to £6,000.
    Forum, June 19: Boyle (Robert). Medicina Hydrostatica: or, Hydrostaticks Applyed to the Materia Medica, first edition, for Samuel Smith, 1690. £2,500 to £3,500.
    Forum, June 19: Locke (John). An Essay Concerning Humane Understanding in Four Books, first edition, second issue, 1690. £8,00 to £12,000.
  • Sotheby’s
    New York Book Week
    12-26 June
    Sotheby’s, June 25: Theocritus. Theocriti Eclogae triginta, Venice, Aldo Manuzio, February 1495/1496. 220,000 - 280,000 USD
    Sotheby’s, June 26: Fitzgerald, F. Scott. The Great Gatsby, 1925. 40,000 - 60,000 USD
    Sotheby’s, June 26: Blake, William. Songs of Innocence and of Experience, Printed ca. 1381-1832. 400,000 - 600,000 USD
    Sotheby’s, June 26: Lincoln, Abraham. Thirteenth Amendment, signed by Abraham Lincoln. 8,000,000 - 12,000,000 USD
    Sotheby’s, June 26: Galieli, Galileo. First Edition of the Foundation of Modern Astronomy, 1610. 300,000 - 400,000 USD
  • Finarte
    Books, Autographs & Prints
    June 24 & 25, 2025
    Finarte, June 24-25: ALIGHIERI, DANTE / LANDINO, CRISTOFORO. Comento di Christophoro Landino Fiorentino sopra la Comedia di Danthe Alighieri poeta fiorentino, 1481. €40,000 to €50,000.
    Finarte, June 24-25: ALIGHIERI, DANTE. La Commedia [Commento di Christophorus Landinus]. Aggiunta: Marsilius Ficinus, Ad Dantem gratulatio [in latino e Italiano], 1487. €40,000 to €60,000.
    Finarte, June 24-25: ALIGHIERI, DANTE. Il Convivio, 1490. €20,000 to €25,000.
    Finarte
    Books, Autographs & Prints
    June 24 & 25, 2025
    Finarte, June 24-25: BANDELLO, MATTEO. La prima [-quarta] parte de le nouelle del Bandello, 1554. €7,000 to €9,000.
    Finarte, June 24-25: LEGATURA – PLUTARCO. Le vies des hommes illustres, grecs et romaines translates, 1567. €10,000 to €12,000.
    Finarte, June 24-25: TOLOMEO, CLAUDIO. Ptolemeo La Geografia di Claudio Ptolemeo Alessandrino, Con alcuni comenti…, 1548. €4,000 to €6,000.
    Finarte
    Books, Autographs & Prints
    June 24 & 25, 2025
    Finarte, June 24-25: FESTE - COPPOLA, GIOVANNI CARLO. Le nozze degli Dei, favola [...] rappresentata in musica in Firenze…, 1637. €6,000 to €8,000.
    Finarte, June 24-25: SPINOZA, BARUCH. Opera posthuma, 1677. €8,000 to €12,000.
    Finarte, June 24-25: PUSHKIN, ALEXANDER. Borus Godunov, 1831. €30,000 to €50,000.
    Finarte
    Books, Autographs & Prints
    June 24 & 25, 2025
    Finarte, June 24-25: LIBRO D'ARTISTA - LECUIRE, PIERRE. Ballets-minute, 1954. €35,000 to €40,000.
    Finarte, June 24-25: LIBRO D'ARTISTA - MAJAKOVSKIJ, VLADIMIR / LISSITZKY, LAZAR MARKOVICH. Dlia Golosa, 1923. €7,000 to €10,000.
    Finarte, June 24-25: LIBRO D'ARTISTA - MATISSE, HENRI / MONTHERLANT, HENRY DE. Pasiphaé. Chant de Minos., 1944. €22,000 to €24,000.
  • Bonhams, June 16-25: 15th-CENTURY TREATISE ON SYPHILIS. GRÜNPECK. 1496. $20,000 - $30,000
    Bonhams, June 16-25: THE NORMAN COPY OF BENIVIENI'S TREATISE ON PATHOLOGY. 1507. $12,000 - $18,000
    Bonhams, June 16-25: FRACASTORO. Syphilis sive Morbus Gallicus. 1530. $8,000 - $12,000
    Bonhams, June 16-25: THE FIRST PUBLISHED WORK ON SKIN DISEASES. MERCURIALIS. De morbis cutaneis... 1572. $10,000 - $15,000
    Bonhams, June 16-25: BIDLOO. Anatomia humani corporis... 1685. $6,000 - $9,000
    Bonhams, June 16-25: THE NORMAN COPY OF DOUGLASS'S EARLY AMERICAN WORK ON INNOCULATION AND SMALLPOX. 1722. $20,000 - $30,000
    Bonhams, June 16-25: LIND'S FIRST TREATISE ON SCURVY. 1753. $15,000 - $20,000
    Bonhams, June 16-25: RARE JENNER SIGNED CIRCULAR ON VACCINATION. 1821. $4,000 - $6,000
    Bonhams, June 16-25: MOST BEAUTIFUL OF MEDICAL ILLUSTRATIONS. BRIGHT. Reports of Medical Cases... 1827-1831. $10,000 - $15,000
    Bonhams, June 16-25: FLORENCE NIGHTINGALE PRESENTATION COPY TO HER MOTHER. 1860. $6,000 - $8,000
    Bonhams, June 16-25: LORENZO TRAVER'S MANUSCRIPT JOURNAL OF BURNSIDE'S NORTH CAROLINA EXPEDITION. TRAVER, Lorenzo. $2,000 - $3,000
    Bonhams, June 16-25: ONE OF THE EARLIEST PHOTOGRAPHIC BOOKS ON DERMATOLOGY. HARDY. Clinique Photographique... 1868. $3,000 - $5,000

Rare Book Monthly

Articles - October - 2015 Issue

10 More Tips from an e-Bay Power Seller

Smaller is better: Sometimes, especially in science fiction, the earliest version is in digest or paperback format. "The Fireman" the first incarnation of Fahrenheit 451 came out in Galaxy in 1951, the true first was the Ballantine paperback of 1953.

Smaller is better: Sometimes, especially in science fiction, the earliest version is in digest or paperback format. "The Fireman" the first incarnation of Fahrenheit 451 came out in Galaxy in 1951, the true first was the Ballantine paperback of 1953.

Here are 10 bookish tips for those who sell books and antiquarian paper online. Perhaps the best way to summarize these suggestions is by saying anyone can have a book, magazine, map, photo or other kind of old paper, but what the really good dealer adds is knowledge that sets what they have to offer apart from others and inspires confidence.



1 SMALLER IS BETTER

In today’s market smaller is better, and that includes vintage paperbacks and older digest sized specialty magazines such as science fiction. Looking at a shelf of paperbacks, look for the short ones, they are apt to be older. When in doubt about the actual publication date be guided by the cover price. The lower the price the older the paperback. Some of the most collectible science fiction came out first in paperback or in digest sized magazines. For example, Ray Bradbury’s “Fahrenheit 451” came out first as the novella “The Fireman” in Galaxy, Feb. 1951; it was expanded and published as a Ballantine paperback in 1953. The paperback is considered the true first edition.



2 SMALLER IS LESS EXPENSIVE TO SHIP BY AIR

First class packages are a good value. They are not expensive to ship, the classification goes up to 13 oz. and it goes by air. There’s a lot of small cool stuff that can be well packed and still under 13 oz. Words like “mini, tiny, wee, petite, itsy-bity" and even the old stand by ”small” are all sell words that describe a size. “Little” is good.



3 DATES TO KNOW:  Zip Code, Bar Code, ISBN Number

Trying to date something where the feel of the paper doesn’t match the date on the copyright page? There are several useful dates to know.



Zip codes first began in mid 1961 and became universal rapidly. No zip code on the publisher’s address usually means pre-1961. ISBN numbers come into use in the late 1960s and early 1970s and are slightly different depending on whether the item is American or English. If it’s got an ISBN number it is apt to be post-1970. Bar codes were first used in 1974 and were not widespread until a few years later.



So no matter what the printed copyright date says, if it has a bar code or an ISBN, it’s published sometime in the 70s or later, sometimes much later.



4 EVERY SPECIALTY FIELD HAS REFERENCE DATES - INCLUDE THEM

As people increasingly search for more and more specific kinds of antiquarian paper materials, it’s important not just to include a date, but also to include a date that puts the material in context. If you’re offering an early cartoon about the perils of flying published in 1909, don’t just say “1909.” It’s better to say, “1909, only six years after the  Wright Brothers first flight in 1903.”  If you don’t know the benchmark date, then look it up. If the material you are offering is in some way prophetic and the forecast turned out to be right, don’t neglect to  say so, it’s it’s apt to make the item appear more valuable and significant. Also mention if it was wrong, the wronger the better. Don’t just say “historic,” give the actual publication date, and a companion benchmark date that puts it in context, and if there is some futuristic element, right or wrong, point it out.



5 A FEW THINGS TO KNOW ABOUT BOOK OF THE MONTH CLUB EDITIONS

You have doubtless encountered books that carry the Book of the Month Club imprint. With rare exceptions these books are of lesser value because they were printed in very large editions and thus were very common. The best way not to get stuck with them is not to take them in in the first place. A typical BCE (Book Club Edition) has no price on the dust jacket, is a little smaller than the size the book was first issued, and frequently the binding has a small dimple (a little impressed mark about the size of a blunt pencil point) on the back board near the bottom close to the spine. A book without a dust jacket that has that little dimple is almost certainly a BCE.



6 DATING LITTLE GOLDEN BOOKS

Some of the early Little Golden Books bring a decent price, but where do you find the the actual edition indicated? Clever those publishing folks, they hid the mark inside the back cover. Open the back of the book. With the book open press down on the pages in the book. Gently look underneath the back cover below the bottom staple near the bottom edge of the last page. There should be a letter in the margin near the spine. The lower the letter the earlier the printing. The letter “A” designates a first.

 

A WORD ABOUT DUST JACKETS

Sad to say much of the current value of rare and scarce books, especially fiction, resides in the dust jacket. A book with a dust jacket, no matter how ratty that jacket might be, is worth more than one without. A book with a priced dust jacket is worth more than a book with a price clipped jacket. So don’t forget to mention when that book you’re selling has a complete priced dust jacket and include the original price shown.



8 WHEN TO FIX IT AND WHEN TO LEAVE IT ALONE?

Most of the time you don’t want to be the one who repairs a book. Especially if you think it might have significant value, leave it alone. It’s not your job to fix it; it’s your job to describe it accurately. With less than perfect dust jackets put them in jacket protectors and let the tension of the backing keep the jacket intact and prevent further deterioration. For older books (especially those with interesting bindings) you almost never want to fix it. You want to describe what’s wrong (backstrip detached but present, hinge broken or tender, etc.) and let the buyer decide if it’s worth it to them to send it out for repairs. The exceptions are low value books that need simple mending  - then use a linen backed adhesive tape for repairing broken hinges and Filmoplast or other inert archival tape to fix small edge tears. Don’t use Scotch tape. Don’t tape the dust jacket to the boards. When in doubt do nothing.



10 HAND SIGNED, FLAT SIGNED, SIGNED IN THE PLATE, INSCRIBED?

An real signature or inscription by the author can substantial value, just be sure you describe what you actually have. “Hand signed” by the author, illustrator or photographer means a real signature on the item. If there is a signature, inscription or date, it is important to note them. The term “flat” signed” has come to mean a book that is not inscribed to a particular person, it just has the autograph. However in the higher end more agust regions of bookselling world this term is vehemently opposed, and while it is useful to know what it is intended to mean, it is seldom (OK never) a good idea to include that particular terminology in your description if you want to be taken seriously by the elders of the tribe. No matter which descriptive term you use to describe a handwritten signature, remember it is not difficult to forge signatures so be cautious.  If it is a book or poster that you are taking to get signed, ask that it be dated, particularly if it is close to the original date of issue. “Signed in the plate” is another way of saying a printed signature (looks like a signature but it is a reproduction). “Inscribed” can a variety of meanings: Inscribed by a prior owner can mean something like “Happy birthday, Love Mom”, while inscribed by the author can be a much more significant, “A fond memory of Havana, regards Ernest Hemingway.”



On older  material, especially prints and maps the abbreviation “del.” stands for delineator - the name of the person who drew the picture, i.e. artist, (it’s usually on the left under the edge of the image.) The  abbreviation “sc.” or a number of other terms starting with the letters “sc” gives the name of the engraver or firm that did the engraving. This is usually found at the right below the edge of the image.  If you see “del” or “sc” point it out along with the names that follow.


Posted On: 2015-10-01 08:09
User Name: edition

Interesting article. I have fixed 20+ SciFi books and after your comments I'm unsure about if it was the right decision. For instance a professional fixed an ExLib Doubleday of Dick's "Do Androids Dream of Electric Sheep". With ExLibs, replacing the end papers make such a difference. Of course I have chosen the appearance (color and thickness) of the endpapers exactly as the original. The book looks so much better, on first sight almost new. There is still a handwritten number on the front page that tells you that is an ExLib. I have paid $150 for the professional restauration. Was this a good decision?


Posted On: 2015-10-01 15:53
User Name: sasb

Excellent article. I would add, regarding book club editions, that often they feel less hefty in in the hand - just lighter than they ought to be. Also some quite modern book club books lack a bar code.


Posted On: 2015-10-01 19:33
User Name: old_susanhalas

As the author of the article I have received quite a few comments from other dealers objecting to the use of the term "flat signed" ever under any circumstances. Readers should be aware that even though the term has come to mean an item with only the signature of the author, there is a back story to its use in the trade that has a less than ethical connotation and thus the sentiment seems to be to avoid its use altogether. As one correspondent put it the word is "tainted with questionable practices." I myself do not use it but when I see it used, that is usually what it means. Susan Halas


Posted On: 2015-10-01 19:36
User Name: old_susanhalas

In response to the reader who asked if paying $150 to "restore" an ex-library copy to something approaching its original state, I can't say for sure. It depends on your own taste and that of your customers. As long as when you sell it you indicate the extent of the restoration is is your choice to do it or not do it. The main point is to indicate that work has been done.


Posted On: 2015-10-02 13:49
User Name: mcbr1depub

Please be accurate: ZIP code began July 1, 1963. It took a while for it to be used universally in printed matter: for example, postcards from the 1960s may or may not have ZIP code in the publisher's address, even though the card may show a motel parking lot scene with a 1968 Pontiac. Else fine or near fine article.

McBride/Publisher
The Jumping Frog


Posted On: 2015-10-06 16:24
User Name: Fattrad1

You failed to mention the use of hand laid paper and archival acid free glue for book repairs.


Rare Book Monthly

  • Rare Book Hub is now mobile-friendly!
  • Old World Auctions (June 18): Lot 567. One of the Earliest & Most Desirable Printed Maps of Arabia - by Holle/Germanus (1482) Est. $55,000 - $65,000
    Old World Auctions (June 18): Lot 681. Zatta's Complete Atlas with 218 Maps in Full Contemporary Color (1779) Est. $27,500 - $35,000
    Old World Auctions (June 18): Lot 347. MacDonald Gill's Landmark "Wonderground Map" of London (1914) Est. $1,800 - $2,100
    Old World Auctions (June 18): Lot 1. Fries' "Modern" World Map with Portraits of Five Kings (1525) Est. $4,000 - $4,750
    Old World Auctions (June 18): Lot 539. Ortelius' Superb, Decorative Map of Cyprus in Full Contemporary Color (1573) Est. $1,100 - $1,400
    Old World Auctions (June 18): Lot 51. Mercator's Foundation Map for the Americas in Full Contemporary Color (1630) Est. $3,250 - $4,000
    Old World Auctions (June 18): Lot 667. Manuscript Bible Leaf with Image of Mary and Baby Jesus (1450) Est. $1,900 - $2,200
    Old World Auctions (June 18): Lot 226. "A Powerful Example of Color Used to Make a Point" (1895) Est. $400 - $600
    Old World Auctions (June 18): Lot 290. One of the Most Decorative Early Maps of South America - from Linschoten's "Itinerario" (1596) Est. $7,000 - $8,500
    Old World Auctions (June 18): Lot 62. Coronelli's Influential Map of North America with the Island of California (1688) Est. $10,000 - $12,000
    Old World Auctions (June 18): Lot 589. The First European-Printed Map of China - by Ortelius (1584) Est. $4,000 - $5,000
  • Dominic Winter Auctioneers
    June 18 & 19
    Printed Books & Maps, Children's & Illustrated Books, Modern First Editions
    Dominic Winter, June 18-19: World. Van Geelkercken (N.), Orbis Terrarum Descriptio Duobis..., circa 1618. £4,000-6,000.
    Dominic Winter, June 18-19: Moll (Herman). A New Exact Map of the Dominions of the King of Great Britain..., circa 1715. £2,000-3,000.
    Dominic Winter, June 18-19: Churchill (Winston S.). The World Crisis, 5 volumes bound in 6, 1st edition, 1923-31. £1,000-1,500
    Dominic Winter Auctioneers
    June 18 & 19
    Printed Books & Maps, Children's & Illustrated Books, Modern First Editions
    Dominic Winter, June 18-19: Darwin (Charles). On the Origin of Species, 2nd edition, 2nd issue, 1860. £1,500-2,000.
    Dominic Winter, June 18-19: Roberts (David). The Holy Land, 6 volumes in 3, 1st quarto ed, 1855-56. £1,500-2,000.
    Dominic Winter, June 18-19: Saint-Exupéry (Antoine de, 1900-1944). Pilote de guerre (Flight to Arras), 1942. £10,000-15,000.
    Dominic Winter Auctioneers
    June 18 & 19
    Printed Books & Maps, Children's & Illustrated Books, Modern First Editions
    Dominic Winter, June 18-19: Austen (Jane, 1775-1817). Signature, cut from a letter, no date. £7,000-10,000
    Dominic Winter, June 18-19: Huxley (Aldous). Brave New World, 1st edition, with wraparound band, 1932. £4,000-6,000
    Dominic Winter, June 18-19: Tolkien (J. R. R.) The Hobbit, 1st edition, 2nd impression, 1937. £3,000-5,000
    Dominic Winter Auctioneers
    June 18 & 19
    Printed Books & Maps, Children's & Illustrated Books, Modern First Editions
    Dominic Winter, June 18-19: Rackham (Arthur, 1867-1939). Princess by the Sea (from Irish Fairy Tales), circa 1920. £4,000-6,000
    Dominic Winter, June 18-19: Kelmscott Press. The Story of the Glittering Plain, Walter Crane's copy, 1894. £3,000-4,000
    Dominic Winter, June 18-19: King (Jessie Marion, 1875-1949). The Summer House, watercolour. £4,000-6,000
  • Bonhams, June 16-24: KELMSCOTT PRESS. RUSKIN. The Nature of Gothic. 1892. $1,500 - $2,500
    Bonhams, June 16-24: ASHENDENE PRESS. The Wisdom of Jesus. 1932. $2,000 - $3,000
    Bonhams, June 16-24: CHARLOTTE BRONTE WRITES AS GOVERNESS. Autograph Letter Signed, 1851. $15,000 - $25,000
    Bonhams, June 16-24: FIRST AMERICAN EDITION OF WUTHERING HEIGHTS. BRONTE, Emily. New York, 1848. $3,000 - $5,000
    Bonhams, June 16-24: IAN FLEMING ASSOCIATION COPY. You Only Live Twice. London, 1964. $7,000 - $9,000
    Bonhams, June 16-24: DELUXE EDITION WITH ORIGINAL PAINTING. BUKOWSKI, Charles. War All the Time. 1984. $3,000 - $5,000
    Bonhams, June 16-24: EINSTEIN'S MOST POWERFUL STATEMENT ON THE ATOMIC BOMB. Original Typed Manuscript Signed, "On My Participation in the Atom Bomb Project," 1953. $100,000 - $150,000
    Bonhams, June 16-24: EINSTEIN ON SCIENCE, WAR AND MORALITY. Autograph Letter Signed, 1949. $20,000 - $30,000
    Bonhams, June 16-24: SOCIETY OF THE CINCINNATI. WASHINGTON, George. Engraved document signed, 1786. $8,000 - $12,000
    Bonhams, June 16-24: AN EARLY CHINESE-MADE 34-STAR U.S. CONSULAR FLAG. $8,000 - $12,000
    Bonhams, June 16-24: SIGNED PHOTOGRAPH OF LINCOLN WITH HIS SON TAD. 1864. $60,000 - $90,000
    Bonhams, June 16-24: MALCOLM X WRITES FROM KENYA. Postcard signed, 1964. $4,000 - $6,000

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