• Sotheby's
    Fine Books, Manuscripts & More
    Available for Immediate Purchase
    Sotheby’s: J.R.R. Tolkien. The Lord of the Rings Trilogy. 11,135 USD
    Sotheby’s: Edgar Allan Poe. The Raven and Other Poems, 1845. 33,000 USD
    Sotheby’s: Leo Tolstoy, Clara Bow. War and Peace, 1886. 22,500 USD
    Sotheby’s: Sir Arthur Conan Doyle. Adventures of Sherlock Holmes, 1902. 7,500 USD
    Sotheby’s: F. Scott Fitzgerald. This Side of Paradise, The Great Gatsby, and Others, 1920-1941. 24,180 USD
  • Doyle, Dec. 5: Minas Avetisian (1928-1975). Rest, 1973. $8,000 to $12,000.
    Doyle, Dec. 5: Anna Vaughn Hyatt Huntington (1876-1973). Yawning Tiger, conceived 1917. $3,000 to $5,000.
    Doyle, Dec. 5: Robert M. Kulicke (1924-2007). Full-Blown Red and White Roses in a Glass Vase, 1982. $3,000 to $5,000.
    Doyle, Dec. 5: Pablo Picasso (1881-1973). L’ATELIER DE CANNES (Bloch 794; Mourlot 279). The cover for Ces Peintres Nos Amis, vol. II. $1,000 to $1,500.
    Doyle, Dec. 5: LeRoy Neiman (1921-2012). THE BEACH AT CANNES, 1979. $1,200 to $1,800.
    Doyle, Dec. 5: Richard Avendon, the suite of eleven signed portraits from the Avedon/Paris portfolio. $150,000 to $250,000.
    Doyle, Dec. 5: Robert Mapplethorpe (1946-1989). Flowers in Vase, 1985. $20,000 to $30,000.
    Doyle, Dec. 5: Edward Weston (1886-1958). Nude, 1936. $20,000 to $30,000.
    Doyle, Dec. 5: Edward Weston (1886-1958). Juniper, High Sierra, 1937.
    Doyle, Dec. 5: Steven J. Levn (b. 1964). Plumage II, 2011. $6,000 to $8,000.
    Doyle, Dec. 5: Steven Meisel (b. 1954). Madonna, Miami, (from Sex), 1992. $6,000 to $9,000.
  • Gonnelli:
    Auction 55
    Antique prints, paintings and maps
    November 26st 2024
    Gonnelli: Stefano Della Bella, 23 animal plances,1641. Starting price 480€
    Gonnelli: Stefano Della Bella, Boar Hunt, 1654. Starting price 180€
    Gonnelli: Crispijn Van de Passe, The seven Arts, 1637. Starting price 600€
    Gonnelli: Giuseppe Maria Mitelli, La Maschera è cagion di molti mali, 1688. Starting price 320€
    Gonnelli: Biribissor’s game, 1804-15. Starting price 2800€
    Gonnelli: Nicolas II de Larmessin, Habitats,1700. Starting price 320€
    Gonnelli: Miniature “O”, 1400. Starting price 1800€
    Gonnelli: Jan Van der Straet, Hunt scenes, 1596. Starting Price 140€
    Gonnelli: Massimino Baseggio, Costantinople, 1787. Starting price 480€
    Gonnelli: Kawanabe Kyosai, Erotic scene lighten up by a candle, 1860. Starting price 380€
    Gonnelli: Duck shaped dropper, 1670. Starting price 800€
  • Doyle, Dec. 6: An extensive archive of Raymond Chandler’s unpublished drafts of fantasy stories. $60,000 to $80,000.
    Doyle, Dec. 6: RAND, AYN. Single page from Ayn Rand’s handwritten first draft of her influential final novel Atlas Shrugged. $30,000 to $50,000.
    Doyle, Dec. 6: Ernest Hemingway’s first book with interesting provenance. Three Stories & Ten Poems. $20,000 to $30,000.
    Doyle, Dec. 6: Hemingway’s second book, one of 170 copies. In Our Time. $15,000 to $25,000.
    Doyle, Dec. 6: A finely colored example of Visscher’s double hemisphere world map, with a figured border. $12,000 to $18,000.
    Doyle, Dec. 6: Raymond Chandler’s Olivetti Studio 44 Typewriter. $10,000 to $20,000.
    Doyle, Dec. 6: Antonio Ordóñez's “Suit of Lights” owned by Ernest Hemingway. $10,000 to $20,000.
    Doyle, Dec. 6: A remarkable Truman archive featuring an inscribed beam from the White House construction. $8,000 to $12,000.
    Doyle, Dec. 6: The fourth edition of Audubon’s The Birds of America. $8,000 to $12,000.
    Doyle, Dec. 6: The original typed manuscript for Chandler’s only opera. The Princess and the Pedlar: An Entirely Original Comic Opera. $8,000 to $12,000.
    Doyle, Dec. 6: A splendidly illustrated treatise on ancient Peru and its Incan civilization. $7,000 to $10,000.
    Doyle, Dec. 6: A superb copy of Claude Lorrain’s Liber Veritatis from Longleat House. $5,000 to $8,000.

Rare Book Monthly

Articles - October - 2015 Issue

10 More Tips from an e-Bay Power Seller

Smaller is better: Sometimes, especially in science fiction, the earliest version is in digest or paperback format. "The Fireman" the first incarnation of Fahrenheit 451 came out in Galaxy in 1951, the true first was the Ballantine paperback of 1953.

Smaller is better: Sometimes, especially in science fiction, the earliest version is in digest or paperback format. "The Fireman" the first incarnation of Fahrenheit 451 came out in Galaxy in 1951, the true first was the Ballantine paperback of 1953.

Here are 10 bookish tips for those who sell books and antiquarian paper online. Perhaps the best way to summarize these suggestions is by saying anyone can have a book, magazine, map, photo or other kind of old paper, but what the really good dealer adds is knowledge that sets what they have to offer apart from others and inspires confidence.



1 SMALLER IS BETTER

In today’s market smaller is better, and that includes vintage paperbacks and older digest sized specialty magazines such as science fiction. Looking at a shelf of paperbacks, look for the short ones, they are apt to be older. When in doubt about the actual publication date be guided by the cover price. The lower the price the older the paperback. Some of the most collectible science fiction came out first in paperback or in digest sized magazines. For example, Ray Bradbury’s “Fahrenheit 451” came out first as the novella “The Fireman” in Galaxy, Feb. 1951; it was expanded and published as a Ballantine paperback in 1953. The paperback is considered the true first edition.



2 SMALLER IS LESS EXPENSIVE TO SHIP BY AIR

First class packages are a good value. They are not expensive to ship, the classification goes up to 13 oz. and it goes by air. There’s a lot of small cool stuff that can be well packed and still under 13 oz. Words like “mini, tiny, wee, petite, itsy-bity" and even the old stand by ”small” are all sell words that describe a size. “Little” is good.



3 DATES TO KNOW:  Zip Code, Bar Code, ISBN Number

Trying to date something where the feel of the paper doesn’t match the date on the copyright page? There are several useful dates to know.



Zip codes first began in mid 1961 and became universal rapidly. No zip code on the publisher’s address usually means pre-1961. ISBN numbers come into use in the late 1960s and early 1970s and are slightly different depending on whether the item is American or English. If it’s got an ISBN number it is apt to be post-1970. Bar codes were first used in 1974 and were not widespread until a few years later.



So no matter what the printed copyright date says, if it has a bar code or an ISBN, it’s published sometime in the 70s or later, sometimes much later.



4 EVERY SPECIALTY FIELD HAS REFERENCE DATES - INCLUDE THEM

As people increasingly search for more and more specific kinds of antiquarian paper materials, it’s important not just to include a date, but also to include a date that puts the material in context. If you’re offering an early cartoon about the perils of flying published in 1909, don’t just say “1909.” It’s better to say, “1909, only six years after the  Wright Brothers first flight in 1903.”  If you don’t know the benchmark date, then look it up. If the material you are offering is in some way prophetic and the forecast turned out to be right, don’t neglect to  say so, it’s it’s apt to make the item appear more valuable and significant. Also mention if it was wrong, the wronger the better. Don’t just say “historic,” give the actual publication date, and a companion benchmark date that puts it in context, and if there is some futuristic element, right or wrong, point it out.



5 A FEW THINGS TO KNOW ABOUT BOOK OF THE MONTH CLUB EDITIONS

You have doubtless encountered books that carry the Book of the Month Club imprint. With rare exceptions these books are of lesser value because they were printed in very large editions and thus were very common. The best way not to get stuck with them is not to take them in in the first place. A typical BCE (Book Club Edition) has no price on the dust jacket, is a little smaller than the size the book was first issued, and frequently the binding has a small dimple (a little impressed mark about the size of a blunt pencil point) on the back board near the bottom close to the spine. A book without a dust jacket that has that little dimple is almost certainly a BCE.



6 DATING LITTLE GOLDEN BOOKS

Some of the early Little Golden Books bring a decent price, but where do you find the the actual edition indicated? Clever those publishing folks, they hid the mark inside the back cover. Open the back of the book. With the book open press down on the pages in the book. Gently look underneath the back cover below the bottom staple near the bottom edge of the last page. There should be a letter in the margin near the spine. The lower the letter the earlier the printing. The letter “A” designates a first.

 

A WORD ABOUT DUST JACKETS

Sad to say much of the current value of rare and scarce books, especially fiction, resides in the dust jacket. A book with a dust jacket, no matter how ratty that jacket might be, is worth more than one without. A book with a priced dust jacket is worth more than a book with a price clipped jacket. So don’t forget to mention when that book you’re selling has a complete priced dust jacket and include the original price shown.



8 WHEN TO FIX IT AND WHEN TO LEAVE IT ALONE?

Most of the time you don’t want to be the one who repairs a book. Especially if you think it might have significant value, leave it alone. It’s not your job to fix it; it’s your job to describe it accurately. With less than perfect dust jackets put them in jacket protectors and let the tension of the backing keep the jacket intact and prevent further deterioration. For older books (especially those with interesting bindings) you almost never want to fix it. You want to describe what’s wrong (backstrip detached but present, hinge broken or tender, etc.) and let the buyer decide if it’s worth it to them to send it out for repairs. The exceptions are low value books that need simple mending  - then use a linen backed adhesive tape for repairing broken hinges and Filmoplast or other inert archival tape to fix small edge tears. Don’t use Scotch tape. Don’t tape the dust jacket to the boards. When in doubt do nothing.



10 HAND SIGNED, FLAT SIGNED, SIGNED IN THE PLATE, INSCRIBED?

An real signature or inscription by the author can substantial value, just be sure you describe what you actually have. “Hand signed” by the author, illustrator or photographer means a real signature on the item. If there is a signature, inscription or date, it is important to note them. The term “flat” signed” has come to mean a book that is not inscribed to a particular person, it just has the autograph. However in the higher end more agust regions of bookselling world this term is vehemently opposed, and while it is useful to know what it is intended to mean, it is seldom (OK never) a good idea to include that particular terminology in your description if you want to be taken seriously by the elders of the tribe. No matter which descriptive term you use to describe a handwritten signature, remember it is not difficult to forge signatures so be cautious.  If it is a book or poster that you are taking to get signed, ask that it be dated, particularly if it is close to the original date of issue. “Signed in the plate” is another way of saying a printed signature (looks like a signature but it is a reproduction). “Inscribed” can a variety of meanings: Inscribed by a prior owner can mean something like “Happy birthday, Love Mom”, while inscribed by the author can be a much more significant, “A fond memory of Havana, regards Ernest Hemingway.”



On older  material, especially prints and maps the abbreviation “del.” stands for delineator - the name of the person who drew the picture, i.e. artist, (it’s usually on the left under the edge of the image.) The  abbreviation “sc.” or a number of other terms starting with the letters “sc” gives the name of the engraver or firm that did the engraving. This is usually found at the right below the edge of the image.  If you see “del” or “sc” point it out along with the names that follow.


Posted On: 2015-10-01 08:09
User Name: edition

Interesting article. I have fixed 20+ SciFi books and after your comments I'm unsure about if it was the right decision. For instance a professional fixed an ExLib Doubleday of Dick's "Do Androids Dream of Electric Sheep". With ExLibs, replacing the end papers make such a difference. Of course I have chosen the appearance (color and thickness) of the endpapers exactly as the original. The book looks so much better, on first sight almost new. There is still a handwritten number on the front page that tells you that is an ExLib. I have paid $150 for the professional restauration. Was this a good decision?


Posted On: 2015-10-01 15:53
User Name: sasb

Excellent article. I would add, regarding book club editions, that often they feel less hefty in in the hand - just lighter than they ought to be. Also some quite modern book club books lack a bar code.


Posted On: 2015-10-01 19:33
User Name: old_susanhalas

As the author of the article I have received quite a few comments from other dealers objecting to the use of the term "flat signed" ever under any circumstances. Readers should be aware that even though the term has come to mean an item with only the signature of the author, there is a back story to its use in the trade that has a less than ethical connotation and thus the sentiment seems to be to avoid its use altogether. As one correspondent put it the word is "tainted with questionable practices." I myself do not use it but when I see it used, that is usually what it means. Susan Halas


Posted On: 2015-10-01 19:36
User Name: old_susanhalas

In response to the reader who asked if paying $150 to "restore" an ex-library copy to something approaching its original state, I can't say for sure. It depends on your own taste and that of your customers. As long as when you sell it you indicate the extent of the restoration is is your choice to do it or not do it. The main point is to indicate that work has been done.


Posted On: 2015-10-02 13:49
User Name: mcbr1depub

Please be accurate: ZIP code began July 1, 1963. It took a while for it to be used universally in printed matter: for example, postcards from the 1960s may or may not have ZIP code in the publisher's address, even though the card may show a motel parking lot scene with a 1968 Pontiac. Else fine or near fine article.

McBride/Publisher
The Jumping Frog


Posted On: 2015-10-06 16:24
User Name: Fattrad1

You failed to mention the use of hand laid paper and archival acid free glue for book repairs.


Rare Book Monthly

  • Ketterer Rare Books
    Auction November 25th
    Ketterer Rare Books, Nov. 25:
    H. Schedel, Liber chronicarum, 1493. Est: € 25,000
    Ketterer Rare Books, Nov. 25:
    P. O. Runge, Farben-Kugel, 1810. Est: € 8,000
    Ketterer Rare Books, Nov. 25:
    W. Kandinsky, Klänge, 1913. Est: € 20,000
    Ketterer Rare Books
    Auction November 25th
    Ketterer Rare Books, Nov. 25:
    W. Burley, De vita et moribus philosophorum, 1473. Est: € 4,000
    Ketterer Rare Books, Nov. 25:
    M. B. Valentini, Viridarium reformatum seu regnum vegetabile, 1719. Est: € 12,000
    Ketterer Rare Books, Nov. 25:
    PAN, 10 volumes, 1895-1900. Est: € 15,000
    Ketterer Rare Books
    Auction November 25th
    Ketterer Rare Books, Nov. 25:
    J. de Gaddesden, Rosa anglica practica medicinae, 1492. Est: € 12,000
    Ketterer Rare Books, Nov. 25:
    M. Merian, Todten-Tanz, 1649. Est: € 5,000
    Ketterer Rare Books, Nov. 25:
    D. Hammett, Red harvest, 1929. Est: € 11,000
    Ketterer Rare Books
    Auction November 25th
    Ketterer Rare Books, Nov. 25:
    Book of hours, Horae B. M. V., 1503. Est: € 9,000
    Ketterer Rare Books, Nov. 25:
    J. Miller, Illustratio systematis sexualis Linneai, 1792. Est: € 8,000
    Ketterer Rare Books, Nov. 25:
    F. Hundertwasser, Regentag – Look at it on a rainy day, 1972. Est: € 8,000
  • Swann, Nov. 21: Lot 37: Archive of the pioneering woman artist Arrah Lee Gaul, most 1911-59. $3,000 to $4,000.
    Swann, Nov. 21: Lot 66: Letter describing the dropping water level at Owens Lake near Death Valley, long before it was drained, Keeler, CA, 26 July 1904. $3,000 to $4,000
    Swann, Nov. 21: Lot 102: To Horse, To Horse! My All for a Horse! The Washington Cavalry, illustrated Civil War broadside, Philadelphia, 1862. $4,000 to $6,000
    Swann, Nov. 21: Lot 135: Album of cyanotype views of the Florida panhandle and beyond, 224 photographs, 174 of them cyanotypes, Apalachicola, FL and elsewhere, circa 1895-1896. $1,200 to $1,800
    Swann, Nov. 21: Lot 154: Catalogue of the Library of the United States, as acquired from Thomas Jefferson, Washington, 1815. $15,000 to $25,000
    Swann, Nov. 21: Lot 173: New Englands First Fruits, featuring the first description of Harvard in print, London, 1643. $40,000 to $60,000
    Swann, Nov. 21: Lot 177: John P. Greene, Original manuscript diary of a mission to western New York with Joseph Smith, 1833. $60,000 to $90,000
    Swann, Nov. 21: Lot 243: P.E. Larson, photographer, Such is Life in the Far West: Early Morning Call in a Gambling Hall, Goldfield, NV, circa 1906. $2,500 to $3,500
    Swann, Nov. 21: Lot 261: Fred W. Sladen, Diaries of a WWII colonel commanding troops from Morocco to Italy to France, 1942-44. $3,000 to $4,000
    Swann, Nov. 21: Lot 309: Los mexicanos pintados por si mismos, por varios autores, a Mexican plate book. Mexico, 1854-1855. $2,000 to $3,000
    Swann, Nov. 21: Lot 8: Diaries of a prospector / trapper in the remote Alaska wilderness, 5 manuscript volumes. Alaska, 1917-64. $1,500 to $2,500.
  • Finarte, Nov 20-21: Alighieri, Dante - La Commedia, [col commento di Jacopo della Lana e Martino Paolo Nidobeato, curata da Martino Paolo Nidobeato e Guido da Terzago. Aggiunto Il Credo], 1478
    Finarte, Nov 20-21: Alighieri, Dante - La Commedia [Commento di Christophorus Landinus, edita da Piero da Figino. Aggiunte le Rime diverse; Marsilius Ficinius, Ad Dantem gratulatio], 1491
    Finarte, Nov 20-21: Lactantius, Lucius Coelius Firmianus - Opera, 1465
    Finarte, Nov 20-21: Alighieri, Dante - Le terze rime di Dante, 1502
    Finarte, Nov 20-21: Boccaccio, Giovanni - Il Decamerone. Di messer Giouanni Boccaccio, 1516
    Finarte, Nov 20-21: Giordano Bruno - Candelaio comedia del Bruno nolano achademico di nulla achademia; detto il fastidito. In tristitia hilaris: in hilaritate tristis, 1582
    Finarte, Nov 20-21: Petrarca, Francesco - Le cose volgari di Messer Francesco Petrarcha, 1504
    Finarte, Nov 20-21: Legatura - Manoscritto - Medici - Cosimo III de' Medici / Solari, Giuseppe - I Ritratti Medicei overo Glorie e Grandezze della sempre sereniss. Casa Medici..., 1678
    Finarte, Nov 20-21: Alighieri, Dante - La Divina Commedia di Dante Alighieri con varie annotazioni, e copiosi Rami adornata, 1757
    Finarte, Nov 20-21: Lot containing 80 printed guides and publications dedicated to travel and itineraries in Italy

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