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Gros & Delettrez
Livres & Manuscrits Arméniens
Jeudi 12 juin 2025
Paris, FrancisGros & Delettrez, June 12: BIBLE, Venise 1733, reliure arménienneGros & Delettrez, June 12: CHARAKNOTS, manuscrit XVIIe-XVIIIe siècleGros & Delettrez, June 12: CHARAKNOTS, manuscrit daté 1606, reliure arménienneGros & Delettrez, June 12: CHARAKNOTS, manuscrit début XVIIIe siècle, reliure arménienneGros & Delettrez, June 12: CHARAKNOTS, Amsterdam 1664Gros & Delettrez, June 12: CHARAKNOTS, Amsterdam 1702, reliure arménienneGros & Delettrez, June 12: DICTIONNAIRE arménien, manuscrit XVIIe-XVIIIe siècle.Gros & Delettrez, June 12: EVANGILE, manuscrit 1735-1737, reliure arménienneGros & Delettrez, June 12: LIVRE DE PRIERES, Grégoire de Narek, manuscritGros & Delettrez, June 12: GEOGRAPHIE, Ghoukas INDJIDJIAN, Venise 1802-1806Gros & Delettrez, June 12: MANUSCRIT THEOLOGIQUE, XVIe-XVIIe siècleGros & Delettrez, June 12: MASHTOTS, manuscrit XVIIIe-XIXe siècle, reliure arménienneGros & Delettrez, June 12: LETTRE ENCYCLIQUE, manuscrit XIXe siècleGros & Delettrez, June 12: NOUVEAU TESTAMENT, Amsterdam 1668, reliure arménienne -
Rose City Book & Paper Fair
June 14-15, 2025
1000 NE Multnomah, Portland
ROSECITYBOOKFAIR.COM -
Swann, June 17: Lot 13: Arthur Rackham, Candlelight, pen and ink, circa 1900.Swann, June 17: Lot 28: Harold Von Schmidt, "I Asked Jim If He Wanted To Accompany Us To Teach The Hanneseys A Lesson.", oil on canvas, 1957.Swann, June 17: Lot 96: Arthur Szyk, Thumbelina, gouache and pencil, 1945.Swann, June 17: Lot 101: D.R. Sexton, The White Rabbit And Bill The Lizard, watercolor and gouache, 1932.Swann, June 17: Lot 127: Miguel Covarrubias, Bradypus Tridactilus. Three-Toed Sloth, gouache, circa 1953.Swann, June 17: Lot 132: William Pène Du Bois, 2 Illustrations: Balloon Merry Go Round On The Ground And In The Air, pen and ink and wash, 1947.Swann, June 17: Lot 137: Lee Lorenz, Confetti Hourglass, mixed media, 1973.Swann, June 17: Lot 181: Norman Rockwell, Portrait Of Floyd Jerome Patten (Editor At Boy's Life Magazine), charcoal, circa 1915.Swann, June 17: Lot 188: Ludwig Bemelmans, Rue De Buci, Paris, casein, watercolor, ink and gouache, 1955.Swann, June 17: Lot 263: Maurice Sendak, Sundance Childrens Theater Poster Preliminary Sketch, pencil, 1988.
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Rare Book Monthly
Book Catalogue Reviews - February - 2008 Issue
A.E. Crowell Decoys offered by Stephen O'Brien Fine Arts
By Michael Stillman
Here is a catalogue uncommon for our reviews. It is certainly not of books, and only tangentially might be called “ephemeral." However, one of the favorite subjects for book collectors is sports and sportsmen, and in the days before baseball and football were massively popular, sports hunting was of keen interest, particularly for those of means. This brings us to the latest catalogue of Stephen O'Brien Jr. Fine Arts. It is entitled Select Carvings by A. Elmer Crowell (1862-1952) . Crowell was both a master sportsman and artist, and those who collect in the field of hunting, particularly of waterfowl, will certainly appreciate these fine carvings.
Crowell grew up on a cranberry farm in East Harwich (Cape Cod), Massachusetts. Though not a hunter, his father gave young Crowell a shotgun when he was twelve. Crowell took to hunting like...well...a duck to water. He began devising ways to get waterfowl to stop at the lake near his home on their migrations. Although he carved some decoys early on, Elmer's preferred means was live decoys. He would train tethered ducks and geese to lure wild ones their way. He became something of a legend, and hunters sought his help.
Around 1900, Dr. John C. Phillips, sportsman, author, and Associate Curator of Birds at the zoological library at Harvard, hired Crowell, who would remain in his employ for ten years. Along with building better blinds and training his live decoys, Crowell began carving more. He carved both decoys and simply decorative works. However, this would remain a secondary activity until 1912 when Massachusetts passed a law outlawing the sale of migratory birds. Depletion of these bird species by clever techniques such as those employed by Crowell alarmed conservationists, who won their battle with the hunters in the state legislature. Unable to trade in live decoys any longer, Crowell turned to his carving skills to fashion wooden decoys and decorative carvings. This he would do for most of the remainder of his long life.
It is impossible to describe Crowell's carvings with words, other than to note that his great familiarity with the species he carved enabled him to achieve exceptional reality in his works. He carved and painted with meticulous attention to detail. His works are prized by collectors, the best having reached prices in excess of $1 million. Of course, not all are quite so pricey, but you probably would not want to use one of Crowell's carvings as an active decoy today. However, one would look spectacular on the shelf next to your antiquarian hunting books.
Stephen O'Brien may be reached at 617-536-0536 or visited online at www.americansportingart.com. The gallery is located on Newbury Street in Boston.