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Forum Auctions
A Sixth Selection of 16th and 17th Century English Books from the Fox Pointe Manor Library
19th June 2025Forum, June 19: Euclid. The Elements of Geometrie, first edition in English of the first complete translation, [1570]. £20,000 to £30,000.Forum, June 19: Nicolay (Nicolas de). The Navigations, peregrinations and voyages, made into Turkie, first edition in English, 1585. £10,000 to £15,000.Forum, June 19: Shakespeare source book.- Montemayor (Jorge de). Diana of George of Montemayor, first edition in English, 1598. £6,000 to £8,000.Forum, June 19: Livius (Titus). The Romane Historie, first edition in English, translated by Philemon Holland, Adam Islip, 1600. £6,000 to £8,000.Forum Auctions
A Sixth Selection of 16th and 17th Century English Books from the Fox Pointe Manor Library
19th June 2025Forum, June 19: Robert Molesworth's copy.- Montaigne (Michel de). The Essayes Or Morall, Politike and Millitarie Discourses, first edition in English, 1603. £10,000 to £15,000.Forum, June 19: Shakespeare (William). The Tempest [&] The Two Gentlemen of Verona, from the Second Folio, [Printed by Thomas Cotes], 1632. £4,000 to £6,000.Forum, June 19: Boyle (Robert). Medicina Hydrostatica: or, Hydrostaticks Applyed to the Materia Medica, first edition, for Samuel Smith, 1690. £2,500 to £3,500.Forum, June 19: Locke (John). An Essay Concerning Humane Understanding in Four Books, first edition, second issue, 1690. £8,00 to £12,000. -
Sotheby’s
New York Book Week
12-26 JuneSotheby’s, June 25: Theocritus. Theocriti Eclogae triginta, Venice, Aldo Manuzio, February 1495/1496. 220,000 - 280,000 USDSotheby’s, June 26: Fitzgerald, F. Scott. The Great Gatsby, 1925. 40,000 - 60,000 USDSotheby’s, June 26: Blake, William. Songs of Innocence and of Experience, Printed ca. 1381-1832. 400,000 - 600,000 USDSotheby’s, June 26: Lincoln, Abraham. Thirteenth Amendment, signed by Abraham Lincoln. 8,000,000 - 12,000,000 USDSotheby’s, June 26: Galieli, Galileo. First Edition of the Foundation of Modern Astronomy, 1610. 300,000 - 400,000 USD -
Finarte
Books, Autographs & Prints
June 24 & 25, 2025Finarte, June 24-25: ALIGHIERI, DANTE / LANDINO, CRISTOFORO. Comento di Christophoro Landino Fiorentino sopra la Comedia di Danthe Alighieri poeta fiorentino, 1481. €40,000 to €50,000.Finarte, June 24-25: ALIGHIERI, DANTE. La Commedia [Commento di Christophorus Landinus]. Aggiunta: Marsilius Ficinus, Ad Dantem gratulatio [in latino e Italiano], 1487. €40,000 to €60,000.Finarte, June 24-25: ALIGHIERI, DANTE. Il Convivio, 1490. €20,000 to €25,000.Finarte
Books, Autographs & Prints
June 24 & 25, 2025Finarte, June 24-25: BANDELLO, MATTEO. La prima [-quarta] parte de le nouelle del Bandello, 1554. €7,000 to €9,000.Finarte, June 24-25: LEGATURA – PLUTARCO. Le vies des hommes illustres, grecs et romaines translates, 1567. €10,000 to €12,000.Finarte, June 24-25: TOLOMEO, CLAUDIO. Ptolemeo La Geografia di Claudio Ptolemeo Alessandrino, Con alcuni comenti…, 1548. €4,000 to €6,000.Finarte
Books, Autographs & Prints
June 24 & 25, 2025Finarte, June 24-25: FESTE - COPPOLA, GIOVANNI CARLO. Le nozze degli Dei, favola [...] rappresentata in musica in Firenze…, 1637. €6,000 to €8,000.Finarte, June 24-25: SPINOZA, BARUCH. Opera posthuma, 1677. €8,000 to €12,000.Finarte, June 24-25: PUSHKIN, ALEXANDER. Borus Godunov, 1831. €30,000 to €50,000.Finarte
Books, Autographs & Prints
June 24 & 25, 2025Finarte, June 24-25: LIBRO D'ARTISTA - LECUIRE, PIERRE. Ballets-minute, 1954. €35,000 to €40,000.Finarte, June 24-25: LIBRO D'ARTISTA - MAJAKOVSKIJ, VLADIMIR / LISSITZKY, LAZAR MARKOVICH. Dlia Golosa, 1923. €7,000 to €10,000.Finarte, June 24-25: LIBRO D'ARTISTA - MATISSE, HENRI / MONTHERLANT, HENRY DE. Pasiphaé. Chant de Minos., 1944. €22,000 to €24,000.
Rare Book Monthly
Articles - December - 2009 Issue
We Shall not Pass this way Again
By early August it became clear, from the general results at auction, that the market was holding, stabilizing if not recovering. By the end of the month, when major sales for the fall season were committed and many announced it became apparent consignors, many unconvinced, had withheld some or all of their commitments. What the market then needed was a collection of significant material with low reserves to be sold at public auction to establish the current valuation.
At that moment, looking at the shortage of premium material and statistics suggesting an emerging market recovery, I decided to send the de Orbe Novo Collection into the rooms in December.
As to where to sell I gave some consideration to selling in England but the material, though of European interest, was clearly American. I thought initially about sending $250,000 each to Sotheby's, Christie's, Bloomsbury and Swann but, when the discussion opened with Bloomsbury they quickly sent two experts, Tom Lamb and Richard Austin, to San Francisco to spend two days evaluating material. Within a few hours they offered a single owner sale in November [later changed to December].
In consigning I requested, and Bloomsbury subsequently agreed, to provide in their online version the full text electronic footnoting we have developed on AE - to directly link items offered with substantial portions of their auction history.
As the consignor I could insist that reserves be set low enough to engage multiple bidders. Consistent with this I asked E. M. Granger of 42 Line to create a bookplate specifically for the eighty-one items in the sale. It reads simply Liceat Decernere Foro which translates as "Let the market decide."
In keeping with my belief in clarity I set one further requirement: that purchase information for each book be included in the description. The source, be it dealer or auction house, the year purchased and the price paid be given. I bought this material from the best sources, often with the advice of others. I believe their involvement adds substantially to the appeal of the material.
Providing this information also invests in this sale a sense of drama. Whether a collector, rare book librarian, dealer or bystander the inner workings of the world of books at the highest level, will for a few hours, be on public display.
I believe, because of the clarity provided, that this sale will be written about, discussed and ultimately remembered as a benchmark. When any of the eighty-one items in the years to come return to the rooms, auction houses will invariably note and auction scribes pay attention to how such copies have fared through time. They'll pull out their abacus, slide rules and calculators and exhale a hummmm. What the hummmm will mean I don't know. But if you live long enough you will.
For myself I expect a future footnote in auction and dealer catalogues will from time to time raise the questions "what's this and who was that?" In that way this story will come to light again. My name isn't on the book plate although my illegible signature is. It will be only the most diligent that look and an even smaller group that acquire the facts to recreate the story generations hence. But it will happen and it will be the very people, who in life I most admired, who will sort the facts from the distance that passing times provides, and render a verdict that I will accept.