Book fairs have always been important for booksellers. Great material on shelves does not often make it into libraries, private or public, without exposure however indirect, to the world at large. But over-exposure is considered bad form and no exposure fatal so shows have evolved into events that function at two levels: first dealer to dealer and then dealer to collector. The dealer fair occurs before the doors open to the public.
For many, perhaps most, dealers who have more great material than great customers, the pre-public show is their chance to sell to better connected dealers who can bargain for, buy, or borrow interesting material they expect to sell to libraries and collectors. The book, manuscript and ephemera business is ultimately a ten thousand piece puzzle that many conceptually understand but few successfully execute.
The collector understands little of this. Most think the show is about the material on display and, in most years, many try hard to find things to buy. This can be tough given that dealers cover a range of subjects and periods from pre-Gutenberg to recent limited printings, everything from poetry to science and all the stops in between. If, at the show, you find spot-on material you are very lucky and it happens often because dealers, with decades of experience, often correctly select what will be hot or of broad interest. What dealers bring however is only a fig leaf. What they leave home is a forest.
One way for collectors to view shows is as windows into the dealer's world. Thinking in these terms, shows become particularly interesting. At the recent Book fairs, about 200 exhibitors displayed 40,000 to 50,000 items, a massive number no doubt but a tiny fraction of what they own. So you're thinking, "if I'm interested, I'll look them up on line." You assume their inventory is substantially posted. It's not. There are dealers that have half of their stock on line but they are rare. Many, probably most, dealers have almost nothing posted. A reasonable estimate is that, at most, 20% of what dealers have is searchable on the net. The rest is mostly uncatalogued.
Not so many years ago most dealers had shops. That is no longer the case. In 1986 "The Collector's Guide to Antiquarian Bookstores" listed 30 shops in Maine. Today the ABAA lists 13. Today some remain but most dealers now sell at shows, list on line, issue catalogs from time to time and receive the occasional visitor. The day of the main street shop, in the antiquarian field, even in places where the rent is low, fades into the sunset. With their closing the opportunity for casual browsing disappears. This leaves shows with the extra task of providing some of the magic shops used to provide and it isn't easy. Browsing bookshops has always been low key, walking fairs a tiring proposition that encourages brisk exchanges.
Heritage, Dec. 15: Jerry Thomas. How to Mix Drinks, or the Bon-Vivant's Companion, Containing Clear and Reliable Directions for Mixing All the Beverages Used in the United States…
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Bonhams, Dec. 8-18: Autograph Letter Signed ("Martinus Luther") to His Friend the Theologian Gerhard Wiskamp ("Gerardo Xantho Lampadario"). $100,000 - $150,000.
Bonhams, Dec. 8-18: An Exceptionally Fine Copy of Austenís Emma: A Novel in Three Volumes. $40,000 - $60,000.
Bonhams, Dec. 8-18: Presentation Copy of Ernest Hemmingwayís A Farewell to Arms for Edward Titus of the Black Mankin Press. $30,000 - $50,000.
Bonhams, Dec. 8-18: Autograph Manuscript Signed Integrally for "The Songs of Pooh," by Alan Alexander. $30,000 - $50,000.
Bonhams, Dec. 8-18: Autograph Manuscript of "Three Fragments from Gˆtterd‰mmerung" by Richard Wagner. $30,000 - $50,000.
Bonhams, Dec. 8-18: Original Preliminary Artwork, for the First Edition of Snow Crash. $20,000 - $30,000.
Bonhams, Dec. 8-18: Autograph Letter Signed ("T.R. Malthus") to Economist Nassau Senior on Wealth, Labor and Adam Smith. $20,000 - $30,000.
Bonhams, Dec. 8-18: History of the Peloponnesian War by Thucydides Finely Bound by Michael Wilcox. $20,000 - $30,000.
Bonhams, Dec. 8-18: First Edition of Lewis and Clark: Travels to the Source of the Missouri River and Across the American Continent to the Pacific Ocean. $8,000 - $12,000.
Bonhams, Dec. 8-18: Original Artwork for the First Edition of Neal Stephenson's Groundbreaking Novel Snow Crash. $100,000 - $150,000.
Bonhams, Dec. 8-18: A Complete Set Signed Deluxe Editions of King's The Dark Tower Series by Stephen King. $8,000 - $12,000.
Bonhams, Dec. 8-18: Autograph Letter Signed ("John Adams") to James Le Ray de Chaumont During the Crucial Years of the Revolutionary War. $8,000 - $12,000.
Sotheby’s Book Week December 9-17, 2025
Sotheby’s, Dec. 11: Darwin and Wallace. On the Tendency of Species to form Varieties..., [in:] Journal of the Proceedings of the Linnean Society, Vol. III, No. 9., 1858, Darwin announces the theory of natural selection. £100,000 to £150,000.
Sotheby’s, Dec. 11: J.K. Rowling. Harry Potter and the Philosopher's Stone, 1997, first edition, hardback issue, inscribed by the author pre-publication. £100,000 to £150,000.
Sotheby’s, Dec. 11: Wolfgang Amadeus Mozart. Autograph sketchleaf including a probable draft for the E flat Piano Quartet, K.493, 1786. £150,000 to £200,000.
Sotheby’s, Dec. 12: Hooke, Robert. Micrographia: or some Physiological Descriptions of Minute Bodies made by Magnifying Glasses. London: James Allestry for the Royal Society, 1667. $12,000 to $15,000.
Sotheby’s, Dec. 12: Chappuzeau, Samuel. The history of jewels, first edition in English. London: T.N. for Hobart Kemp, 1671. $12,000 to $18,000.
Sotheby’s, Dec. 12: Sowerby, James. Exotic Mineralogy, containing his most realistic mineral depictions, London: Benjamin Meredith, 1811, Arding and Merrett, 1817. $5,000 to $7,000.