Information, its processing, distribution, search and retrieval is passing through the eye of the needle, to paraphrase the New Testament, the old structures of information giving way to the new: books into databases into full text searches - accessible online by computer and phone.
It turns out society's commitment is to information, not to form, and this is tough news for all things printed. The group, that prefers books to electronic data, is shrinking, the old forms ever less supported, the new forms gathering adherents, support, new applications and momentum, the implications for the world of printed material profound.
The world of print divides into sellers, acquirers and services and each segment faces unique challenges.
The sellers: dealers, online databases, auctions and eBay; the buyers: libraries, collectors and preservationists, and the resources: online databases.
For each of these segments the implications and impact are different. For preservationists the web causes a reconsideration of what constitutes preservation. Some will be satisfied with electronic text, others with electronic facsimiles. Traditionalists will insist on actual copies.
Libraries face a changing world where remotely accessible online resources and traffic are exploding and foot traffic is declining. Rare book rooms are a library tradition but are costly and only infrequently used. In the search for budget the rare book rooms will be called upon again and again to remake their case. Ultimately declining use will trump tradition and many libraries substantially de-accession. Sales and transfers on a huge scale are inevitable.
The listing sites too are in a perilous state. They are very large and increasingly expensive for those who list. Someone is going to create a unified database and provide for free what the listing sites charge for. Look for free listings in exchange for credit card processing.
eBay seems to have lost confidence in what it does best: sell at auction. For books it is shifting emphasis to a listing model. It looks like a classic case of snatching defeat from the jaws of victory.
Dealers sell in many ways: by catalogue, online, at shows and sometimes in their own shops. It works for some and is a declining equation for others. For years it was possible to do well simply by being in the game. These days you need great material, great descriptions and great prices. It also helps if you have a great location.
Auctions are a growing presence. AE, in its upcoming auctions, covers 160 venues and that number is increasing. The market is becoming transparent and in time favors lower commission sellers. But that is years away. For now, the world is still adjusting to the idea of a single universal search and auctions as an industry.
The great mystery is the collector. Dealers want to sell to them. Libraries want their interest and involvement and some day possibly their collections. Collectors however are increasingly shunning traditional venues in favor of personally invented approaches that are more based on preferences, experience and operating systems than time efficient logic. For a compelling in-person presentation it is difficult but possible to get collectors to come out into the light but if so but they'll want a neutral presentation that explains how to collect efficiently. As to what they buy and who they buy from, that is their business and they seem to want to keep it that way. Who tells the story and how they tell it may well spell the difference in whether dealers a generation from now can look back in relief or regret. The new collector today is simply collecting in new ways. They are still out there but they have more choices and are less visible.
Over the next six months I'll interview a representative cross-section of participants in each category and write about their perspectives on the future of book collecting. Certainly the field has a future. What I want to find out is whether it will be as glorious ahead as it has been in the past. It will certainly be different.
Swann, Apr. 10: Lot 1: Bob Dylan, his high school classmate's yearbook with his senior portrait, signed and inscribed to her, 1959. $10,000 to $20,000.
Swann, Apr. 10: Lot 1: Bob Dylan, his high school classmate's yearbook with his senior portrait, signed and inscribed to her, 1959. $10,000 to $20,000.
Swann, Apr. 10: Lot 4: Various entertainers, Group of 30 items, signed or inscribed, various dates. $1,500 to $2,500.
Swann, Apr. 10: Lot 27: John Adams, Autograph Letter Signed to Benjamin Rush introducing Archibald Redford, Paris, 1783. $35,000 to $50,000.
Swann, Apr. 10: Lot 36: Robert Gould Shaw, Autograph Letter Signed to his father from Camp Andrew, Boston, 1861. $10,000 to $15,000.
Swann, Apr. 10: Lot 53: Martin Luther King Jr., Time magazine cover, signed and inscribed "Best Wishes," 1957. $5,000 to $7,500.
Swann, Apr. 10: Lot 127: Paul Gauguin, Autograph Letter regarding payment for paintings, with woodcut letterhead, 1900. $6,000 to $9,000.
Swann, Apr. 10: Lot 169: Suck: First European Sex Paper, complete group of eight issues, 1969-1974. $800 to $1,200.
Swann, Apr. 10: Lot 173: Black Panthers, The Racist Dog Policemen Must Withdraw Immediately From Our Communities, poster, 1969. $2,000 to $3,000.
Swann, Apr. 10: Lot 187: Marc Attali & Jacques Delfau, Les Erotiques du Regard, first edition, Paris, 1968. $300 to $500.
Swann, Apr. 10: Lot 213: Andy Warhol, Warhol's Index Book, first printing, New York, 1967. $800 to $1,200.
Swann, Apr. 10: Lot 215: Cookie Mueller, Archive of 17 items, including 4 items inscribed and signed. $3,000 to $4,000.
Swann, Apr. 10: Lot 249: Jamie Reid, The Ten Lessons / The Great Rock 'n' Roll Swindle; Sex Pistols, chromogenic print with collage, signed, circa 1980. $20,000 to $30,000.
Sotheby's Sell Your Fine Books & Manuscripts
Sotheby's Sell Your Fine Books & Manuscripts
Sotheby’s: The Shem Tov Bible, 1312 | A Masterpiece from the Golden Age of Spain. Sold: 6,960,000 USD
Sotheby’s: Ten Commandments Tablet, 300-800 CE | One of humanity's earliest and most enduring moral codes. Sold: 5,040,000 USD
Sotheby’s: William Blake | Songs of Innocence and of Experience. Sold: 4,320,000 USD
Sotheby’s: The Declaration of Independence | The Holt printing, the only copy in private hands. Sold: 3,360,000 USD
Sotheby's Sell Your Fine Books & Manuscripts
Sotheby’s: Thomas Taylor | The original cover art for Harry Potter and the Philosopher's Stone. Sold: 1,920,000 USD
Sotheby’s: Machiavelli | Il Principe, a previously unrecorded copy of the book where modern political thought began. Sold: 576,000 GBP
Sotheby’s: Leonardo da Vinci | Trattato della pittura, ca. 1639, a very fine pre-publication manuscript. Sold: 381,000 GBP
Sotheby’s: Henri Matisse | Jazz, Paris 1947, the complete portfolio. Sold: 312,000 EUR
Bonhams, Apr. 8: First report outside of the colonies of the American Revolution, from American accounts. Printed broadsheet, The London Evening-Post, May 30, 1775. $20,000 - $30,000
Bonhams, Apr. 8: Joyce, James. The earliest typescript pages from Finnegans Wake ever to appear at auction, annotated by Joyce, 1923. $30,000 - $50,000
Bonhams, Apr. 8: Joyce's Ulysses, 1923, one of only seven copies known, printed to replace copies destroyed in customs. $10,000 - $15,000
Bonhams, Apr. 8: ATHANASIUS KIRCHER'S COPY, INSCRIBED. Saggi di naturali esperienze fatte nell' Accademia del Cimento, 1667. $2,000 - $3,000
Bonhams, Apr. 8: Bernoulli's Ars conjectandi, 1713. "... first significant book on probability theory." $15,000 - $25,000
Bonhams, Apr. 8: Aristotle's Politica. Oeconomica. 1469. The first printed work on political economy. $80,000 - $120,000
Bonhams, Apr. 8: John Graunt's Natural and political observations...., 1662. The first printed work of epidemiology and demographics. $20,000 - $30,000
Bonhams, Apr. 8: William Playfair's Commercial and Political Atlas, 1786. The first work to pictorially represent information in graphics. $15,000 - $25,000
Bonhams, Apr. 8: Anson's A Voyage Round the World, 1748. THE J.R. ABBEY-LORD WARDINGTON COPY, BOUND BY JOHN BRINDLEY. $8,000 - $12,000
Bonhams, Apr. 8: La Perouse's Voyage de La Perouse autour du monde..., 1797. LARGE FINE COPY IN ORIGINAL BOARDS. $8,000 - $12,000
Bonhams, Apr. 8: Charles Schulz original 8-panel Peanuts Sunday comic strip, 1992, pen and ink over pencil, featuring Charlie Brown, Snoopy and Lucy as a psychiatrist. $20,000 - $30,000