Rare Book Monthly

Articles - November - 2008 Issue

Stalin's Cartoonist Passes On

Yefimov depicted a greedy "Uncle Sam."

Yefimov depicted a greedy "Uncle Sam."


By Michael Stillman

A prolific political cartoonist passed away last month. His story is one of the more remarkable ones you will hear. Boris Yefimov is not a name well known in the West, but he was the preeminent cartoonist of the old Soviet Union. He lived to see the entire span of that empire from the inside, from its violent birth through its growth to major world power, and finally its very public collapse and death - all 70+ years of it. What's more, Yefimov saw almost two decades of Russian life both before and after the existence of the Soviet Empire. He was 108 years old when he died.

Boris Yefimov was born in 1900, son of a shoemaker, with ambitions to be a lawyer. In 1911, his father took him to watch Tsar Nicholas II drive by in his coach. He was not impressed. While Boris was not that politically astute, his brother, Mikhail, was. Mikhail was a student, soon to be journalist, when the Revolution broke out in 1917. He soon joined the cause, and by 1919, Boris followed suit. After Mikhail found work in the newspaper business, he invited his younger brother, who had shown a penchant for drawing, to apply for work as a cartoonist. Boris quickly became popular for his drawings.

While Boris never gained personal political influence (thankfully, as this enabled him to be a survivor), he became acquainted with the leading figures of the time. He met Lenin and Bukharin, and was a particular favorite of Trotsky. The latter was so fond of Yefimov's work he agreed to write an introduction to his first book of cartoons. Yefimov's publisher was reluctant to print the introduction, as by 1924, Trotsky and Stalin were becoming rivals, a rivalry in which Trotsky fared quite poorly. Still, the introduction was printed, and the editor paid for that decision with his life. Stalin had him executed. Yefimov was untouched.

Through the 1930s, the cartoonist would plod along doing the regime's bidding. He drew many cartoons of the show trials Stalin staged, appropriately displaying Stalin's rivals as villains. However, not even the greatest displays of loyalty guaranteed safety in Stalin's Soviet Union. Mikhail had many years earlier shown too much deference to Trotsky, and while Stalin could delay judgment, he never forgave. He had Mikhail carted off to the gulag in 1938, and about a year later, had him shot. Boris packed his suitcase when Mikhail was first taken away, as Stalin's custom was to punish his enemies' families as well. However, the knock on the door never came. Boris lost his job, but not his life.

Yefimov's unemployment lasted about as long as his brother's imprisonment, but with a much happier ending. He was rehired as a cartoonist. Yefimov attributed his remarkable survival to Stalin's enjoying his cartoons. He had a talent Stalin appreciated and perhaps felt no one else possessed. This began the greatest time in his career, though he faced his days in constant fear that at any time, some unperceived slight could result in Stalin's wrath and his sharing his brother's fate. Yefimov went to work drawing cartoons of Hitler and the Nazis, ones that portrayed them as the lowly beasts they were. The cartoonist shared these low opinions of those he mocked, so it was easy to put his heart into his work. Hitler placed Yefimov on a list of people to be killed once the Nazis overran Moscow, but he survived this tyrant as well, and lived to attend the Nuremberg trials and draw caricatures of the German war criminals.

After the war, relations between the Soviet Union and the other allied powers broke down, soon to be followed by the Cold War. Yefimov now had to picture western leaders, including Winston Churchill whom he admired, as villains. He complied. He depicted Churchill looking in a mirror and seeing Hitler's image. There was no choice. Either you pleased Stalin or you, and probably your family, would be executed. He went with the lesser of two evils. He would note in later years that he believed, or at least convinced himself, that horrible depictions of the West generated by the Soviets were probably true, so that he was supporting a government that was less evil than the ones he mocked. Sometimes survival requires convincing yourself of things you don't really believe.

Rare Book Monthly

  • Gros & Delettrez
    Livres & Manuscrits Arméniens
    Jeudi 12 juin 2025
    Paris, Francis
    Gros & Delettrez, June 12: BIBLE, Venise 1733, reliure arménienne
    Gros & Delettrez, June 12: CHARAKNOTS, manuscrit XVIIe-XVIIIe siècle
    Gros & Delettrez, June 12: CHARAKNOTS, manuscrit daté 1606, reliure arménienne
    Gros & Delettrez, June 12: CHARAKNOTS, manuscrit début XVIIIe siècle, reliure arménienne
    Gros & Delettrez, June 12: CHARAKNOTS, Amsterdam 1664
    Gros & Delettrez, June 12: CHARAKNOTS, Amsterdam 1702, reliure arménienne
    Gros & Delettrez, June 12: DICTIONNAIRE arménien, manuscrit XVIIe-XVIIIe siècle.
    Gros & Delettrez, June 12: EVANGILE, manuscrit 1735-1737, reliure arménienne
    Gros & Delettrez, June 12: LIVRE DE PRIERES, Grégoire de Narek, manuscrit
    Gros & Delettrez, June 12: GEOGRAPHIE, Ghoukas INDJIDJIAN, Venise 1802-1806
    Gros & Delettrez, June 12: MANUSCRIT THEOLOGIQUE, XVIe-XVIIe siècle
    Gros & Delettrez, June 12: MASHTOTS, manuscrit XVIIIe-XIXe siècle, reliure arménienne
    Gros & Delettrez, June 12: LETTRE ENCYCLIQUE, manuscrit XIXe siècle
    Gros & Delettrez, June 12: NOUVEAU TESTAMENT, Amsterdam 1668, reliure arménienne
  • Rose City Book & Paper Fair
    June 14-15, 2025
    1000 NE Multnomah, Portland
    ROSECITYBOOKFAIR.COM
  • Swann, June 12: Lot 3:
    Thomas McKenney and James Hall, History of the Indian Tribes of North America, 1848-1854. Estimate $3,000 to $4,000.
    Swann, June 12: Lot 8:
    Invoice to the Town of Boston for advertising pre-revolutionary content in the Boston Post Boy, manuscript document, Boston, July 1768. Estimate $5,000 to $7,500.
    Swann, June 12: Lot 13:
    Clairac and Nicola, L'Ingenieur de Campagne; or, Field
    Swann, June 12: Lot 81:
    Journals of Major Robert Rogers . . . of the Several Excursions he Made . . . upon the Continent of North America, London, 1765. Estimate $4,000 to $6,000.
    Swann, June 12: Lot 99:
    Photograph albums and papers from the family of W.G. Fargo, photo albums containing 442 photographs, 1865-88. Estimate $3,000 to $4,000.
    Swann, June 12: Lot 112:
    Isaac Leeser, Discourses on the Jewish Religion, 10 volumes, Philadelphia: Sherman & Co., 1866-1868. Estimate $6,000 to $9,000.
    Swann, June 12: Lot 176:
    Frederick Douglass, Narrative of the Life of Frederick Douglass, an American Slave, Boston, 1845. Estimate $4,000 to $6,000.
    Swann, June 12: Lot 190:
    Thomas Hariot, Admiranda narratio fida tamen, de commodis et incolarum ritibus Virginiae, 1590. Estimate $25,000 to $35,000.
    Swann, June 12: Lot 200:
    Correspondence of a regimental cavalry commander in Wyoming and Utah, July 1865 to February 1866. Estimate $4,000 to $6,000.
    Swann, June 12: Lot 226:
    Maturino Gilberti, Vocabulario en lengua de Mechuacan / Aqui comienca el vocabulario en la lengua Castellana y Mechuacana, 1559. Estimate $8,000 to $12,000.
  • Sotheby's
    Bibliothèque Jacques Dauchez - Autour de Dubuffet
    5-19 June
    Sotheby’s, June 5-19: Bissière, Roger. Cantique à notre frère soleil de saint François. 1954. 1,000 - 1,500 EUR
    Sotheby’s, June 5-19: Céline, Louis-Ferdinand. La vie & l’œuvre de Philippe Ignace Semmelweis. 1924. Rare édition originale, avec envoi. Joint : La Quinine en thérapeutique, 1925. 4,000 - 6,000 EUR
    Sotheby’s, June 5-19: Céline, Louis-Ferdinand. Mort à crédit. 1936. Édition originale. Bel exemplaire sur Hollande. 2,500 - 3,500 EUR
    Sotheby's
    Bibliothèque Jacques Dauchez - Autour de Dubuffet
    5-19 June
    Sotheby’s, June 5-19: Chillida, Eduardo ─ Emil Cioran. Face aux instants. 1985. Un des 100 exemplaires sur Arches. Eau-forte signée. 600 - 800 EUR
    Sotheby’s, June 5-19: Dubuffet, Jean. Ler dla canpane. L’Art Brut, 1948. Édition originale. 3,000 - 5,000 EUR
    Sotheby’s, June 5-19: Dubuffet, Jean. L'Herne Jean Dubuffet. 1973. Un des 100 exemplaires du tirage de luxe avec une sérigraphie originale en couleurs. 1,000 - 1,500 EUR

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