History is the imprecise masquerading as the certain. Read history and it always contains opinion dressed as perspective because history is not all the facts, it's specific facts selected by writers. To dress up the text and confer credibility the occasional statement of uncertainty is included implying the rest of what's said is "known." What would history look like without perspective? Possibly something like a Google devoted entirely to all of history's disparate facts. It might tell us everything and nothing. Interpretation is that important. But because history is interpretation it is always subjective. It is also immense in scope and thereby provides finite opportunities for the amateur and the interested to understand specific history uniquely, even perhaps better than experts do. Just don't expect to find consistent confirmation of your research in the big books. The popularizer of history, often an adept story teller, employs an impressionistic approach to tell a coherent story that both explains who we were and by extension who we are. The historian looks intensively into the underlying facts and often clarifies, even debunks conventional wisdom. Between them we have the story leaning toward myth and the facts converted into story. The reader is in the middle.
We of course prefer myth masquerading as fact although it says more about us than it does about the past. When we do confront the past, for safety and convenience, we first separate ourselves from it. It isn't us; it's never us. When confronted we most often omit and what we cannot omit we sometimes deny. Our popular histories hence are more comforting than accurate. It's them. It's not us. Throw a thousand grains of sand into the air and see the sparkle of a few. Writers of popular history write of these while the darker grains are left to academics, lost, forgotten and ignored. What Al Gore characterizes as "inconvenient truths" about a planet under siege it turns out is also applicable to our approach to history. In wilfull ignorance we lose much, not just much of the crucial facts but also the opportunity to understand who we were, what we did, and why we did it. The past wasn't necessarily bad but neither will the future be necessarily better unless we come to terms with it.
This is relevant today because it has become possible, even easy, to reconstruct the past from the enormous volume of ephemera of all types - pamphlets, broadsides, newspapers and magazines, that is increasingly visible. The detailed stories that emerge may confirm, deny or elaborate what we believe. The outcome hardly matters. The principal difference is between believing and knowing. We can learn from what we know. We can only hope from what we believe. Anyone with computer access can do it and the scale and scope of such collecting is always under the control of the collector/researcher. The flow of material is constant. The collector engages and disengages and reengages when time permits.
Looking intently into the past will certainly confirm a substantial portion of mainstream historical narrative be it forms of transportation, demographics or attitudes toward alcohol in the 1840s. At the same time, in the details, the story is always different, perhaps true but not true enough. Other aspects of our understanding and expectation will emerge as fiction. What's compelling today is the opportunity to parse the details in ways inconceivable just a decade ago. And it doesn’t require special access and passes. It simply requires imagination, experience and awareness that unknown material regularly crosses our horizon at unpredictable times, is present briefly and disappears quickly. Those who understand and are interested in aspects of this lost history will pursue such material.
Forum Auctions Fine Books, Manuscripts and Works on Paper 17th July 2025
Forum Auctions Fine Books, Manuscripts and Works on Paper 17th July 2025
Forum, July 17: Lucianus Samosatensis. Dialogoi, editio princeps, second issue, Florence, Laurentius Francisci de Alopa, 1496. £10,000 to £15,000.
Forum, July 17: Boccaccio (Giovanni). Il Decamerone, Florence, Philippo di Giunta, 1516. £10,000 to £15,000.
Forum, July 17: Henry VII (King) & Philip the Fair (Duke of Burgundy). [Intercursus Magnus], [Commercial and Political Treaty between Henry VII and Philip Duke of Burgundy], manuscript copy in Latin, original vellum, 1499. £8,000 to £12,000.
Forum, July 17: Bible, English. The Holy Bible, Conteyning the Old Testament, and the New, Robert Barker, 1613. £4,000 to £6,000.
Forum, July 17: Bond (Michael). A Bear Called Paddington, first edition, signed presentation inscription from the author, 1958. £4,000 to £6,000.
Forum Auctions Fine Books, Manuscripts and Works on Paper 17th July 2025
Forum, July 17: Yeats (William Butler). The Secret Rose, first edition, with extensive autograph corrections, additions and amendments by the author for a new edition, 1897. £6,000 to £8,000.
Forum, July 17: Byron (George Gordon Noel, Lord). Childe Harold's Pilgrimage, bound in dark green morocco elaborately tooled in gilt and with 3 watercolours to fore-edge, by Fazakerley of Liverpool, 1841. £4,000 to £6,000.
Forum, July 17: Miró (Juan), Wassily Kandinsky, John Buckland-Wright, Stanley William Hayter and others.- Spender (Stephen). Fraternity, one of 101 copies, with signed engravings by 9 artists. £6,000 to £8,000.
Forum, July 17: Sowerby (George Brettingham). Album comprising 22 leaves of original watercolour drawings of fossil remains of Cheltenham and Vicinity, [c.1840]. £6,000 to £8,000.
Forum, July 17: Mathematics.- Blue paper copy.- Euclid. De gli Elementi, Urbino, Appresso Domenico Frisolino, 1575. £12,000 to £18,000.
Sotheby’s Books, Manuscripts and Music from Medieval to Modern Now through July 10, 2025
Sotheby’s Books, Manuscripts and Music from Medieval to Modern Now through July 10, 2025
Sotheby’s, Ending July 10: Book of Hours by the Masters of Otto van Moerdrecht, Use of Sarum, in Latin, Southern Netherlands (Bruges), c.1450. £20,000 to £30,000.
Sotheby’s, Ending July 10: Albert Einstein. Autograph letter signed, to Attilio Palatino, on his research into General Relativity, 12 May 1929. £12,000 to £18,000.
Sotheby’s, Ending July 10: John Gould. The Birds of Europe, [1832-] 1837, 5 volumes, contemporary half morocco, subscriber’s copy. £40,000 to £60,000.
Sotheby’s Books, Manuscripts and Music from Medieval to Modern Now through July 10, 2025
Sotheby’s, Ending July 10: Ian Fleming. A collection of James Bond first editions, 8 volumes in all. £8,000 to £12,000.
Sotheby’s, Ending July 10: J.K. Rowling. Harry Potter and the Philosopher's Stone, 1997, first edition, hardback issue. £50,000 to £70,000.
Sotheby’s, Ending July 10: J.R.R. Tolkien. Autograph letter signed, to Amy Ronald, on Pauline Baynes's map of Middle Earth, 1970. £7,000 to £10,000.
DOYLE, July 23: STOKES, I. N. PHELPS. The Iconography of Manhattan Island, 1498-1909. New York: Robert H. Dodd, 1915-28. Estimate: $3,000-5,000
DOYLE, July 23: [AUTOGRAPH - US PRESIDENT]FRANKLIN D. ROOSEVELT. A signed photograph of Franklin D. Roosevelt. Estimate $500-800
DOYLE, July 23: [ARION PRESS]. ABBOTT, EDWIN A. Flatland. A Romance of Many Dimensions. San Francisco, 1980. Estimate $2,000-3,000.
DOYLE, July 23: TOLSTOY, LYOF N. and NATHAN HASKELL DOLE, translator. Anna Karénina ... in eight parts. New York: Thomas Y. Crowell & Co., [1886]. Estimate: $400-600
DOYLE, July 23: ROWLING, J.K. Harry Potter and the Goblet of Fire. London: Bloomsbury, 2000. Estimate $1,200-1,800
Freeman’s | Hindman Western Manuscripts and Miniatures July 8, 2025
Freeman’s | Hindman Western Manuscripts and Miniatures July 8, 2025
Freeman’s | Hindman, July 8. FRANCESCO PETRARCH (b. Arezzo, 20 July 1304; d. Arqua Petrarca, 19 July 1374). $20,000-30,000.
Freeman’s | Hindman, July 8. CIRCLE OF THE MASTER OF THE VITAE IMPERATORUM (active Milan, 1431-1459). $15,000-20,000.
Freeman’s | Hindman, July 8. CIRCLE OF ATTAVANTE DEGLI ATTAVANTI (GABRIELLO DI VANTE) (active Florence, c. 1452-c. 1520/25). $15,000-20,000.
Freeman’s | Hindman, July 8. FOLLOWER OF HERMAN SCHEERE (active London, c. 1405-1425). $15,000-20,000.
Freeman’s | Hindman, July 8. An exceptionally rare, illuminated music leaf from a Mozarabic Antiphonal with sister leaves mostly in museum collections. $11,500-14,000.
Freeman’s | Hindman, July 8. Exceptional leaf from a prestigious Antiphonary by a leading illuminator of the late Duecento. $11,500-14,000.
Freeman’s | Hindman, July 8. CIRCLE OF THE MASTER OF MS REID 33 and SELWERD ABBEY SCRIPTORIUM (AGNES MARTINI?) (active The Netherlands, Groningen, c. 1468-1510). $10,000-15,000.
Freeman’s | Hindman, July 8. Previously unknown illumination from one of the most renowned Gothic Choir Book sets of the Middle Ages. $6,000-8,000.