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Sotheby’s
New York Book Week
12-26 JuneSotheby’s, June 25: Theocritus. Theocriti Eclogae triginta, Venice, Aldo Manuzio, February 1495/1496. 220,000 - 280,000 USDSotheby’s, June 26: Fitzgerald, F. Scott. The Great Gatsby, 1925. 40,000 - 60,000 USDSotheby’s, June 26: Blake, William. Songs of Innocence and of Experience, Printed ca. 1381-1832. 400,000 - 600,000 USDSotheby’s, June 26: Lincoln, Abraham. Thirteenth Amendment, signed by Abraham Lincoln. 8,000,000 - 12,000,000 USDSotheby’s, June 26: Galieli, Galileo. First Edition of the Foundation of Modern Astronomy, 1610. 300,000 - 400,000 USD -
Finarte
Books, Autographs & Prints
June 24 & 25, 2025Finarte, June 24-25: ALIGHIERI, DANTE / LANDINO, CRISTOFORO. Comento di Christophoro Landino Fiorentino sopra la Comedia di Danthe Alighieri poeta fiorentino, 1481. €40,000 to €50,000.Finarte, June 24-25: ALIGHIERI, DANTE. La Commedia [Commento di Christophorus Landinus]. Aggiunta: Marsilius Ficinus, Ad Dantem gratulatio [in latino e Italiano], 1487. €40,000 to €60,000.Finarte, June 24-25: ALIGHIERI, DANTE. Il Convivio, 1490. €20,000 to €25,000.Finarte
Books, Autographs & Prints
June 24 & 25, 2025Finarte, June 24-25: BANDELLO, MATTEO. La prima [-quarta] parte de le nouelle del Bandello, 1554. €7,000 to €9,000.Finarte, June 24-25: LEGATURA – PLUTARCO. Le vies des hommes illustres, grecs et romaines translates, 1567. €10,000 to €12,000.Finarte, June 24-25: TOLOMEO, CLAUDIO. Ptolemeo La Geografia di Claudio Ptolemeo Alessandrino, Con alcuni comenti…, 1548. €4,000 to €6,000.Finarte
Books, Autographs & Prints
June 24 & 25, 2025Finarte, June 24-25: FESTE - COPPOLA, GIOVANNI CARLO. Le nozze degli Dei, favola [...] rappresentata in musica in Firenze…, 1637. €6,000 to €8,000.Finarte, June 24-25: SPINOZA, BARUCH. Opera posthuma, 1677. €8,000 to €12,000.Finarte, June 24-25: PUSHKIN, ALEXANDER. Borus Godunov, 1831. €30,000 to €50,000.Finarte
Books, Autographs & Prints
June 24 & 25, 2025Finarte, June 24-25: LIBRO D'ARTISTA - LECUIRE, PIERRE. Ballets-minute, 1954. €35,000 to €40,000.Finarte, June 24-25: LIBRO D'ARTISTA - MAJAKOVSKIJ, VLADIMIR / LISSITZKY, LAZAR MARKOVICH. Dlia Golosa, 1923. €7,000 to €10,000.Finarte, June 24-25: LIBRO D'ARTISTA - MATISSE, HENRI / MONTHERLANT, HENRY DE. Pasiphaé. Chant de Minos., 1944. €22,000 to €24,000. -
Bonhams, June 16-25: 15th-CENTURY TREATISE ON SYPHILIS. GRÜNPECK. 1496. $20,000 - $30,000Bonhams, June 16-25: THE NORMAN COPY OF BENIVIENI'S TREATISE ON PATHOLOGY. 1507. $12,000 - $18,000Bonhams, June 16-25: FRACASTORO. Syphilis sive Morbus Gallicus. 1530. $8,000 - $12,000Bonhams, June 16-25: THE FIRST PUBLISHED WORK ON SKIN DISEASES. MERCURIALIS. De morbis cutaneis... 1572. $10,000 - $15,000Bonhams, June 16-25: BIDLOO. Anatomia humani corporis... 1685. $6,000 - $9,000Bonhams, June 16-25: THE NORMAN COPY OF DOUGLASS'S EARLY AMERICAN WORK ON INNOCULATION AND SMALLPOX. 1722. $20,000 - $30,000Bonhams, June 16-25: LIND'S FIRST TREATISE ON SCURVY. 1753. $15,000 - $20,000Bonhams, June 16-25: RARE JENNER SIGNED CIRCULAR ON VACCINATION. 1821. $4,000 - $6,000Bonhams, June 16-25: MOST BEAUTIFUL OF MEDICAL ILLUSTRATIONS. BRIGHT. Reports of Medical Cases... 1827-1831. $10,000 - $15,000Bonhams, June 16-25: FLORENCE NIGHTINGALE PRESENTATION COPY TO HER MOTHER. 1860. $6,000 - $8,000Bonhams, June 16-25: LORENZO TRAVER'S MANUSCRIPT JOURNAL OF BURNSIDE'S NORTH CAROLINA EXPEDITION. TRAVER, Lorenzo. $2,000 - $3,000Bonhams, June 16-25: ONE OF THE EARLIEST PHOTOGRAPHIC BOOKS ON DERMATOLOGY. HARDY. Clinique Photographique... 1868. $3,000 - $5,000
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Dominic Winter Auctioneers
June 18 & 19
Printed Books & Maps, Children's & Illustrated Books, Modern First EditionsDominic Winter, June 18-19: World. Van Geelkercken (N.), Orbis Terrarum Descriptio Duobis..., circa 1618. £4,000-6,000.Dominic Winter, June 18-19: Moll (Herman). A New Exact Map of the Dominions of the King of Great Britain..., circa 1715. £2,000-3,000.Dominic Winter, June 18-19: Churchill (Winston S.). The World Crisis, 5 volumes bound in 6, 1st edition, 1923-31. £1,000-1,500Dominic Winter Auctioneers
June 18 & 19
Printed Books & Maps, Children's & Illustrated Books, Modern First EditionsDominic Winter, June 18-19: Darwin (Charles). On the Origin of Species, 2nd edition, 2nd issue, 1860. £1,500-2,000.Dominic Winter, June 18-19: Roberts (David). The Holy Land, 6 volumes in 3, 1st quarto ed, 1855-56. £1,500-2,000.Dominic Winter, June 18-19: Saint-Exupéry (Antoine de, 1900-1944). Pilote de guerre (Flight to Arras), 1942. £10,000-15,000.Dominic Winter Auctioneers
June 18 & 19
Printed Books & Maps, Children's & Illustrated Books, Modern First EditionsDominic Winter, June 18-19: Austen (Jane, 1775-1817). Signature, cut from a letter, no date. £7,000-10,000Dominic Winter, June 18-19: Huxley (Aldous). Brave New World, 1st edition, with wraparound band, 1932. £4,000-6,000Dominic Winter, June 18-19: Tolkien (J. R. R.) The Hobbit, 1st edition, 2nd impression, 1937. £3,000-5,000Dominic Winter Auctioneers
June 18 & 19
Printed Books & Maps, Children's & Illustrated Books, Modern First EditionsDominic Winter, June 18-19: Rackham (Arthur, 1867-1939). Princess by the Sea (from Irish Fairy Tales), circa 1920. £4,000-6,000Dominic Winter, June 18-19: Kelmscott Press. The Story of the Glittering Plain, Walter Crane's copy, 1894. £3,000-4,000Dominic Winter, June 18-19: King (Jessie Marion, 1875-1949). The Summer House, watercolour. £4,000-6,000
Rare Book Monthly
A Book Lover's Trip Through Dante's Commedia (or the Care and Preservation of Books)
To find your way to Paradiso, Dante suggests that instead of these tapes, would-be repairers use archival tape, or mending tissue, or double-faced acid-free tape.
Dante also suggests that you don't allow your books to be covered with, putting it politely, filth. The Talins recently received a load of texts that left a taste somewhat like camel dung in their mouths. You do not want to get a dread disease by opening a book. A helpful hint: if you see a cloud of dust when you touch the book, vacuum it.
Special circles in Inferno are reserved for the storers. People just love to store little items in their books, ranging from the pressed flower, to postcards, letters, newspaper articles, money, you name it. Things put in books swell the text and break the binding and create acid marks on the endpapers and the pages. If you want to go to Paradiso, put these extra items, if you must, between acid-free paper or tissue and preferably inside an acid-free box or folder, rather than inside the book.
The circles of the gluers find a special place in book Inferno, ranging from the relatively mild infractions of gluing pieces of the binding to the book, instead of keeping them for the bookbinder, to using the horrific "Elmer's Glue" or any other rigid glue, anywhere. If glue you must, then use a flexible, acid-free white glue to assure your place in Paradiso.
An extra-special place in Inferno is reserved for the users of a ghastly product called "Liquid Leather" which, I am told, has to be chipped with sharp metal tools from any book on which it is found.
Sloppy and/or neurotic personal habits will also land you in Inferno: Writing in books (unless you are the author) or stamping your name over and over and over and over and over again (including on the page edges); eating over a book and leaving the residual within its pages; folding the edges of pages as a book marker; and putting coffee cups on book covers will all buy you a trip over to the Stygian realm.
Now, I love librarians; as a group they safeguard our world's knowledge, are concerned with the greater good, and are largely underpaid. They are heroic, as we have seen in Iraq. Most of them are glorified in Paradiso.
However, a small number (usually those concerned with library book sales) have managed to find their way into the depths of Inferno. After safeguarding books for years, these individuals feel some personal need to just about destroy any books that are about to leave their care. They rip out endpapers, stamp "Discard" over and over again, leave rubber cement residue inside the rear board (where the pocket once was), and gouge the endpapers using the sharpest possible pencil with the new price. These practices, combined with the usual library habits of pasting or heavily taping dust jackets to the boards, stamping each and every plate with the library stamp, and adding other library identification reduce a book to barely "reading copy only" and most likely with a fast track to the dump.
And where are the bookbinders and booksellers? Well, most of us are in Purgatorio, fixing all these problems. Not to worry though. We'll move up into Paradiso eventually, even though it might take thirteen thousand years.
Renée Magriel Roberts can be reached at renee@roses-books.com.