The bouquinistes of Paris have won! Their boxes won’t be removed during the Olympic Games. We talked to Jérôme Callais, the president of the association of the Parisian Booksellers (or bouquinistes).
“Yes, this is a victory!” Jerôme Callais rejoices on the phone. “Our main concern was to make sure they wouldn’t touch our boxes, and they won’t!” After several months of tense negotiations with the city of Paris and the Préfecture, French President Macron stepped in. He declared on TV that the boxes would stay where they are. Period. It all started last year, when the city of Paris decided that a part of the legendary boxes that linger on the parapets overlooking the Seine would be removed for the Olympic games. A matter of security they said—the bouquinistes were very reluctant, so the city of Paris kindly offered to restore their boxes before returning them. The bouquinistes didn’t buy it. “Some of these boxes are more than 100 years old, and they are very fragile. Furthermore, it was like opening Pandora’s box. We don’t represent much to them—we don’t pay them anything, and they’re trying to get back the banks of the Seine for other projects. We were like tramps to them, we didn’t really matter.” But it all changed with the widespread support they got from all over. Intellectuals, booksellers and journalists all lined up behind them. “We want to thank everyone. It seems that the bouquinistes matter after all! I was right to say we are part of the French DNA—our boxes are part of the living patrimony of Paris.” Like one of our followers on Instagram puts it: this is the victory of common sense.
President Macron didn’t intervene just like that. Jérôme Callais wrote to him several times, and he even received a handwritten answer. In the meantime, Jérôme reminded everyone the bouquinistes are part of the French culture. It wasn’t an easy task as some bouquinistes themselves were doubtful. “Some are doing good—those with the best spots; but a lot of us hardly make ends meet,” Jérôme confesses. “Some weren’t confident. They shrugged when I told them we were part of French history and that people loved us. But now they know!”
Jérôme has even found new people to talk to at the city of Paris: “We have a new partner, and our last meeting was quite exciting. Apparently, we’re now talking to someone who cares. I think they’ve understood that we can work together, and that we have a lot to give to Paris.” It would be the perfect time to clean up the business too. Nowadays, many of these bouquinites are selling nothing but worthless “pacotille” (cheap junk). Small Eiffel Towers “made in China”, cheap reproductions of post cards, some “I Love Paris” T-shirts... This has nothing to do with the original bouquinistes, and it’s ruining their image. “Some are pushing it too far nowadays, and I’ve been asking for years the city of Paris to implement established rules about selling on the banks of the Seine. Pacotille is hurting our image, because there is too much of it but at the same time it’s also part of our tradition.” Jérôme had to sell some himself, at one point: “I was going through rough times, and pacotille saved my business, and helped me to get back on my feet. Should it stop, a hundred of bouquinistes would lock down their boxes tomorrow. We need to find a balance, here.”
If you ever come to Paris to enjoy the Olympic Games, don’t worry: the boxes will be there, as they’ve always been since they were officially authorized 1891. And it’s quite fair, as Paris wouldn’t exactly be herself without them.
SD Scandinavian Art & Rare Book Auctions The Odfjell Collection Polar – History – Ornithology – Colour Plate Books Ending December 4th
Scandinavian Art & Rare Books Auctions, Dec. 4: ROALD AMUNDSEN: «Sydpolen» [ The South Pole] 1912. First edition in jackets and publisher's slip case.
Scandinavian Art & Rare Books Auctions, Dec. 4: AMUNDSEN & NANSEN: «Fram over Polhavet» [Farthest North] 1897. AMUNDSEN's COPY!
Scandinavian Art & Rare Books Auctions, Dec. 4: ERNEST SHACKLETON [ed.]: «Aurora Australis» 1908. First edition. The NORWAY COPY.
Scandinavian Art & Rare Books Auctions, Dec. 4: ERNEST SHACKLETON: «The heart of the Antarctic» + SUPPLEMENT «The Antarctic Book», 1909.
Scandinavian Art & Rare Books Auctions, Dec. 4: SHACKLETON, BERNACCHI, CHERRY-GARRARD [ed.]: «The South Polar Times» I-III, 1902-1911.
SD Scandinavian Art & Rare Book Auctions The Odfjell Collection Polar – History – Ornithology – Colour Plate Books Ending December 4th
Scandinavian Art & Rare Books Auctions, Dec. 4: [WILLEM BARENTSZ & HENRY HUDSON] - SAEGHMAN: «Verhael van de vier eerste schip-vaerden […]», 1663.
Scandinavian Art & Rare Books Auctions, Dec. 4: TERRA NOVA EXPEDITION | LIEUTENANT HENRY ROBERTSON BOWERS: «At the South Pole.», Gelatin Silver Print. [10¾ x 15in. (27.2 x 38.1cm.) ].
Scandinavian Art & Rare Books Auctions, Dec. 4: ELEAZAR ALBIN: «A natural History of Birds.» + «A Supplement», 1738-40. Wonderful coloured plates.
Scandinavian Art & Rare Books Auctions, Dec. 4: PAUL GAIMARD: «Voyage de la Commision scientific du Nord, en Scandinavie, […]», c. 1842-46. ONLY HAND COLOURED COPY KNOWN WITH TWO ORIGINAL PAINTINGS BY BIARD.
Scandinavian Art & Rare Books Auctions, Dec. 4: JAMES JOYCE: «Ulysses», 1922. FIRST EDITION IN ORIGINAL WRAPPERS.
Sotheby’s Book Week December 9-17, 2025
Sotheby’s, Dec. 11: Darwin and Wallace. On the Tendency of Species to form Varieties..., [in:] Journal of the Proceedings of the Linnean Society, Vol. III, No. 9., 1858, Darwin announces the theory of natural selection. £100,000 to £150,000.
Sotheby’s, Dec. 11: J.K. Rowling. Harry Potter and the Philosopher's Stone, 1997, first edition, hardback issue, inscribed by the author pre-publication. £100,000 to £150,000.
Sotheby’s, Dec. 11: Wolfgang Amadeus Mozart. Autograph sketchleaf including a probable draft for the E flat Piano Quartet, K.493, 1786. £150,000 to £200,000.
Sotheby’s, Dec. 12: Hooke, Robert. Micrographia: or some Physiological Descriptions of Minute Bodies made by Magnifying Glasses. London: James Allestry for the Royal Society, 1667. $12,000 to $15,000.
Sotheby’s, Dec. 12: Chappuzeau, Samuel. The history of jewels, first edition in English. London: T.N. for Hobart Kemp, 1671. $12,000 to $18,000.
Sotheby’s, Dec. 12: Sowerby, James. Exotic Mineralogy, containing his most realistic mineral depictions, London: Benjamin Meredith, 1811, Arding and Merrett, 1817. $5,000 to $7,000.
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Swann Maps & Atlases, Natural History & Color Plate Books December 9, 2025
Swann, Dec. 9: Lot 156: Cornelis de Jode, Americae pars Borealis, double-page engraved map of North America, Antwerp, 1593.
Swann, Dec. 9: Lot 206: John and Alexander Walker, Map of the United States, London and Liverpool, 1827.
Swann, Dec. 9: Lot 223: Abraham Ortelius, Typus Orbis Terrarum, hand-colored double-page engraved world map, Antwerp, 1575.
Swann Maps & Atlases, Natural History & Color Plate Books December 9, 2025
Swann, Dec. 9: Lot 233: Aaron Arrowsmith, Chart of the World, oversize engraved map on 8 sheets, London, 1790 (circa 1800).
Swann, Dec. 9: Lot 239: Fielding Lucas, A General Atlas, 81 engraved maps and diagrams, Baltimore, 1823.
Swann, Dec. 9: Lot 240: Anthony Finley, A New American Atlas, 15 maps engraved by james hamilton young on 14 double-page sheets, Philadelphia, 1826.
Swann Maps & Atlases, Natural History & Color Plate Books December 9, 2025
Swann, Dec. 9: Lot 263: John Bachmann, Panorama of the Seat of War, portfolio of 4 double-page chromolithographed panoramic maps, New York, 1861.
Swann, Dec. 9: Lot 265: Sebastian Münster, Cosmographei, Basel: Sebastian Henricpetri, 1558.
Swann, Dec. 9: Lot 271: Abraham Ortelius, Epitome Theatri Orteliani, Antwerp: Johann Baptist Vrients, 1601.
Swann Maps & Atlases, Natural History & Color Plate Books December 9, 2025
Swann, Dec. 9: Lot 283: Joris van Spilbergen, Speculum Orientalis Occidentalisque Indiae, Leiden: Nicolaus van Geelkercken for Jodocus Hondius, 1619.
Swann, Dec. 9: Lot 285: Levinus Hulsius, Achtzehender Theil der Newen Welt, 14 engraved folding maps, Frankfurt: Johann Frederick Weiss, 1623.
Swann, Dec. 9: Lot 341: John James Audubon, Carolina Parrot, Plate 26, London, 1827.