Books For The Living, or the Pedantic Habit of Wearing White Gloves
- by Thibault Ehrengardt
The New York Times made it clear in a recent article: “For Rare Book Librarians, It’s Gloves Off. Seriously.” This old debate whether librarians should handle old books with white gloves is coming back again. The article reads: “The glove thing,” Maria Fredericks, the director of conservation at the Morgan Library and Museum said when contacted about the matter, sounding slightly weary. “It just won’t die.” How many times have you watched a curator on TV, leafing through an old book with careful, almost slow motion gestures? The white gloves are sending a message: this is not ordinary stuff. This is almost a ritual, and only a happy few are entitled to it—please stay far, and admire us. Actually, most people wearing white gloves just do what they’ve been taught; and there’s no big deal. Yet, using white gloves can also be part of the bourgeois “entre soi” that surrounds old books. There’s a silent class war going on here. Old books are for the elite. Although many booksellers will introduce themselves as old books servitors “passing culture on to the next generation”, some are actually closer to old time courtesans, sniffing wealthy people’s pockets with servile smiles. For them, using white gloves is just a way to look more important.
I’ve seen people acting funny with books: a renowned librarian threw a rare $10,000 travel book from the 16th century on a table in front of me, as if it were a bag of chips—the horrid sound it made still haunts me at night! The next day, a bookseller brutally opened a book for me, cracking the back like you break someone’s neck—I stared at him in panic. He stared back, smiling casually. Old books must be handled with care, no doubt. But white gloves are just useless pedantic accessories. The article of the NY Times lists all the reasons why we shouldn’t wear them: they reduce your sense of touch, and might cause you to tear a page, smear pigments or even drop the book. They attract dirt, make you sweat and generate moisture (which is not good for books). At the end of the day, “the best way to handle a rare book,” said Mark Dimunation, the longtime head of the rare books and special collections division at the Library of Congress, “is with clean hands and caution.”
These are all the “good” reason. But there’s another one—the best one, in my humble opinion. Actually, I’ve never needed any other. We might have the duty to pass these books on to the future generations, but they are for the living. We are the ones who can smell, and touch them right now! The texture of their paper is a delight to the naked fingers; so are the almost imperceptible edges left by the press around the engravings for example. Weren’t these books designed on purpose? I mean as attractive as possible with smooth leather bindings and golden backs? No detail was spared to make you desire them. And we should touch them with gloves? Reading an old book is a sensorial experience. These books come from far, and they must be passed on, yes; but they must be kept alive in the process. By “alive”, I don’t mean in perfect condition, but surrounded with human care. Without us, the living, they are but bits of leather and paper. Loving them might damage them? But what’s life, even of an old book, without love? As insipid an experience as handling an old book with white gloves.
SD Scandinavian Art & Rare Book Auctions The Odfjell Collection Polar – History – Ornithology – Colour Plate Books Ending December 4th
Scandinavian Art & Rare Books Auctions, Dec. 4: ROALD AMUNDSEN: «Sydpolen» [ The South Pole] 1912. First edition in jackets and publisher's slip case.
Scandinavian Art & Rare Books Auctions, Dec. 4: AMUNDSEN & NANSEN: «Fram over Polhavet» [Farthest North] 1897. AMUNDSEN's COPY!
Scandinavian Art & Rare Books Auctions, Dec. 4: ERNEST SHACKLETON [ed.]: «Aurora Australis» 1908. First edition. The NORWAY COPY.
Scandinavian Art & Rare Books Auctions, Dec. 4: ERNEST SHACKLETON: «The heart of the Antarctic» + SUPPLEMENT «The Antarctic Book», 1909.
Scandinavian Art & Rare Books Auctions, Dec. 4: SHACKLETON, BERNACCHI, CHERRY-GARRARD [ed.]: «The South Polar Times» I-III, 1902-1911.
SD Scandinavian Art & Rare Book Auctions The Odfjell Collection Polar – History – Ornithology – Colour Plate Books Ending December 4th
Scandinavian Art & Rare Books Auctions, Dec. 4: [WILLEM BARENTSZ & HENRY HUDSON] - SAEGHMAN: «Verhael van de vier eerste schip-vaerden […]», 1663.
Scandinavian Art & Rare Books Auctions, Dec. 4: TERRA NOVA EXPEDITION | LIEUTENANT HENRY ROBERTSON BOWERS: «At the South Pole.», Gelatin Silver Print. [10¾ x 15in. (27.2 x 38.1cm.) ].
Scandinavian Art & Rare Books Auctions, Dec. 4: ELEAZAR ALBIN: «A natural History of Birds.» + «A Supplement», 1738-40. Wonderful coloured plates.
Scandinavian Art & Rare Books Auctions, Dec. 4: PAUL GAIMARD: «Voyage de la Commision scientific du Nord, en Scandinavie, […]», c. 1842-46. ONLY HAND COLOURED COPY KNOWN WITH TWO ORIGINAL PAINTINGS BY BIARD.
Scandinavian Art & Rare Books Auctions, Dec. 4: JAMES JOYCE: «Ulysses», 1922. FIRST EDITION IN ORIGINAL WRAPPERS.
Sotheby’s Book Week December 9-17, 2025
Sotheby’s, Dec. 11: Darwin and Wallace. On the Tendency of Species to form Varieties..., [in:] Journal of the Proceedings of the Linnean Society, Vol. III, No. 9., 1858, Darwin announces the theory of natural selection. £100,000 to £150,000.
Sotheby’s, Dec. 11: J.K. Rowling. Harry Potter and the Philosopher's Stone, 1997, first edition, hardback issue, inscribed by the author pre-publication. £100,000 to £150,000.
Sotheby’s, Dec. 11: Wolfgang Amadeus Mozart. Autograph sketchleaf including a probable draft for the E flat Piano Quartet, K.493, 1786. £150,000 to £200,000.
Sotheby’s, Dec. 12: Hooke, Robert. Micrographia: or some Physiological Descriptions of Minute Bodies made by Magnifying Glasses. London: James Allestry for the Royal Society, 1667. $12,000 to $15,000.
Sotheby’s, Dec. 12: Chappuzeau, Samuel. The history of jewels, first edition in English. London: T.N. for Hobart Kemp, 1671. $12,000 to $18,000.
Sotheby’s, Dec. 12: Sowerby, James. Exotic Mineralogy, containing his most realistic mineral depictions, London: Benjamin Meredith, 1811, Arding and Merrett, 1817. $5,000 to $7,000.
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Swann Maps & Atlases, Natural History & Color Plate Books December 9, 2025
Swann, Dec. 9: Lot 156: Cornelis de Jode, Americae pars Borealis, double-page engraved map of North America, Antwerp, 1593.
Swann, Dec. 9: Lot 206: John and Alexander Walker, Map of the United States, London and Liverpool, 1827.
Swann, Dec. 9: Lot 223: Abraham Ortelius, Typus Orbis Terrarum, hand-colored double-page engraved world map, Antwerp, 1575.
Swann Maps & Atlases, Natural History & Color Plate Books December 9, 2025
Swann, Dec. 9: Lot 233: Aaron Arrowsmith, Chart of the World, oversize engraved map on 8 sheets, London, 1790 (circa 1800).
Swann, Dec. 9: Lot 239: Fielding Lucas, A General Atlas, 81 engraved maps and diagrams, Baltimore, 1823.
Swann, Dec. 9: Lot 240: Anthony Finley, A New American Atlas, 15 maps engraved by james hamilton young on 14 double-page sheets, Philadelphia, 1826.
Swann Maps & Atlases, Natural History & Color Plate Books December 9, 2025
Swann, Dec. 9: Lot 263: John Bachmann, Panorama of the Seat of War, portfolio of 4 double-page chromolithographed panoramic maps, New York, 1861.
Swann, Dec. 9: Lot 265: Sebastian Münster, Cosmographei, Basel: Sebastian Henricpetri, 1558.
Swann, Dec. 9: Lot 271: Abraham Ortelius, Epitome Theatri Orteliani, Antwerp: Johann Baptist Vrients, 1601.
Swann Maps & Atlases, Natural History & Color Plate Books December 9, 2025
Swann, Dec. 9: Lot 283: Joris van Spilbergen, Speculum Orientalis Occidentalisque Indiae, Leiden: Nicolaus van Geelkercken for Jodocus Hondius, 1619.
Swann, Dec. 9: Lot 285: Levinus Hulsius, Achtzehender Theil der Newen Welt, 14 engraved folding maps, Frankfurt: Johann Frederick Weiss, 1623.
Swann, Dec. 9: Lot 341: John James Audubon, Carolina Parrot, Plate 26, London, 1827.