Doyle, Dec. 6: An extensive archive of Raymond Chandler’s unpublished drafts of fantasy stories. $60,000 to $80,000.
Doyle, Dec. 6: RAND, AYN. Single page from Ayn Rand’s handwritten first draft of her influential final novel Atlas Shrugged. $30,000 to $50,000.
Doyle, Dec. 6: Ernest Hemingway’s first book with interesting provenance. Three Stories & Ten Poems. $20,000 to $30,000.
Doyle, Dec. 6: Hemingway’s second book, one of 170 copies. In Our Time. $15,000 to $25,000.
Doyle, Dec. 6: A finely colored example of Visscher’s double hemisphere world map, with a figured border. $12,000 to $18,000.
Doyle, Dec. 6: Raymond Chandler’s Olivetti Studio 44 Typewriter. $10,000 to $20,000.
Doyle, Dec. 6: Antonio Ordóñez's “Suit of Lights” owned by Ernest Hemingway. $10,000 to $20,000.
Doyle, Dec. 6: A remarkable Truman archive featuring an inscribed beam from the White House construction. $8,000 to $12,000.
Doyle, Dec. 6: The fourth edition of Audubon’s The Birds of America. $8,000 to $12,000.
Doyle, Dec. 6: The original typed manuscript for Chandler’s only opera. The Princess and the Pedlar: An Entirely Original Comic Opera. $8,000 to $12,000.
Doyle, Dec. 6: A splendidly illustrated treatise on ancient Peru and its Incan civilization. $7,000 to $10,000.
Doyle, Dec. 6: A superb copy of Claude Lorrain’s Liber Veritatis from Longleat House. $5,000 to $8,000.
Ketterer Rare Books Auction November 25th
Ketterer Rare Books, Nov. 25: H. Schedel, Liber chronicarum, 1493. Est: € 25,000
Ketterer Rare Books, Nov. 25: P. O. Runge, Farben-Kugel, 1810. Est: € 8,000
Ketterer Rare Books, Nov. 25: W. Kandinsky, Klänge, 1913. Est: € 20,000
Ketterer Rare Books Auction November 25th
Ketterer Rare Books, Nov. 25: W. Burley, De vita et moribus philosophorum, 1473. Est: € 4,000
Ketterer Rare Books, Nov. 25: M. B. Valentini, Viridarium reformatum seu regnum vegetabile, 1719. Est: € 12,000
High Bids Win, Nov. 20 – Dec. 5: Quarter Case with Lead Penline Flourishes.
High Bids Win, Nov. 20 – Dec. 5: Quarter Case with Lead Cents and Pound Signs.
High Bids Win, Nov. 20 – Dec. 5: Wooden type cabinet 27” w by 19” d by 38” h.
ALDE Bibliothèque médicale Arthur Tatossian December 11, 2024
ALDE, Dec. 11: ALBINUS (BERNHARD SIEGFIED). Tabulæ Sceleti et Musculorum corporis humanum, Londres, 1749. €4,000 to €5,000.
ALDE, Dec. 11: BIDLOO (GOVARD). Anatomia humani corporis. Centum et quinque tabulis per artificiosiss. G. de Lairesse..., Amsterdam, 1685.
ALDE, Dec. 11: BOURGERY (JEAN-MARC) – JACOB (NICOLAS-HENRI). Traité complet de l’anatomie de l’Homme comprenant la médecine opératoire, Paris, 1832. €4,000 to €5,000.
ALDE Bibliothèque médicale Arthur Tatossian December 11, 2024
ALDE, Dec. 11: CALDANI (LEOPOLDO MARCANTONIO ET FLORIANO). Icones anatomicae, Venice, 1801-14. €5,000 to €6,000.
ALDE, Dec. 11: CARSWELL (ROBERT). Pathological Anatomy. Illustrations of the elementary forms of disease, London, 1838. €5,000 to €6,000.
ALDE, Dec. 11: CASSERIUS (JULIUS) [GIULIO CASSERIO]. De vocis auditusq. organis historia anatomica singulari fide methodo ac industria concinnata tractatis duobus explicate, Ferrara, 1600-1601. €4,000 to €5,000.
ALDE Bibliothèque médicale Arthur Tatossian December 11, 2024
ALDE, Dec. 11: ESTIENNE (CHARLES). De dissectione partium corporis humani libri tres, Paris, 1545. €8,000 to €10,000.
ALDE, Dec. 11: GAMELIN (JACQUES). Nouveau Recueil d'Ostéologie et de Myologie dessiné d'après nature... pour l’utilité des sciences et des arts, divisé en deux parties, Toulouse, 1779. €6,000 to €8,000.
ALDE, Dec. 11: ROESSLIN (EUCHER). Des divers travaux et enfantemens des femmes et par quel moyen l'on doit survenir aux accidens…, Paris, 1536. €3,000 to €4,000.
ALDE Bibliothèque médicale Arthur Tatossian December 11, 2024
ALDE, Dec. 11: VALVERDE (JUAN DE). Anatome corporis humani. Nunc primum a Michaele Michaele Columbo latine reddita, et additis novis aliquot tabulis exornata, Venetiis, 1589. €2,000 to €3,000.
ALDE, Dec. 11: VESALIUS (ANDREAS). De humani Corporis Fabrica libri septem, Venetiis, 1568. €3,000 to €4,000.
When you consider buying or bidding on examples of printed history often your first sense is to get into its commercial history. Why? Because printing creates identical examples and over time some of them appear at auction. When those records have been retained over decades and the centuries, the serious minded study them to develop an educated impression about their ever adjusting current value. Our primary database, Transactions+, is based upon two aspects of auction history. The first has been based on original auction documentation over the past 175 years. The other of course, has been to capture the present-day flow of material entering in the auction rooms. When these two flows meet present value is confirmed.
Over the past few months we have been adding auctions from the relatively dark ages of auction history, events that were staged in New York and Boston between 1850 to 1885. It’s compelling reading to read through lots that have since seen significant swings of relative value. Early printings of American material used to occasionally appear in the rooms and brought substantial sums while recent reprints [created between 1850 to 1870] brought good money too. The reprints have turned out to be dead money while the originals have gone through the roof. Who knew and predicted their very different outcomes?
During those years the American appreciation of England was reflected in both the extensive offerings and their prices. English cultural supremacy was a given, while American cultural values were emerging. Until their own values were enshrined, Americans they were willing to camp out under the English tent. That would diminish over time.
Today pamphlets and ephemera bring serious consideration and big money. Back then such material struggled in to get into the rooms and when they did, they arrived as bundles of multiple copies.
Manuscript material was shown deference but picking the winners and losers was an uncertain process. Some collectors early on cried “I want it all” and actually did it. Then years later they sent their treasures to the rooms as 2,000 to 4,000 item sales.
Whenever I see such excess, as a collector I can only applaud and moan. I can only imagine how these collector’s families felt.
If you would like to reimagine what it was like in those amazing times in the world of collectible paper, use your subscription and log-in. Select Advanced Search to the right of the Keyword Search.
On the lower right side select click on the field under Source. Then select these actiion houses by name
Doyle, Dec. 5: Anna Vaughn Hyatt Huntington (1876-1973). Yawning Tiger, conceived 1917. $3,000 to $5,000.
Doyle, Dec. 5: Robert M. Kulicke (1924-2007). Full-Blown Red and White Roses in a Glass Vase, 1982. $3,000 to $5,000.
Doyle, Dec. 5: Pablo Picasso (1881-1973). L’ATELIER DE CANNES (Bloch 794; Mourlot 279). The cover for Ces Peintres Nos Amis, vol. II. $1,000 to $1,500.
Doyle, Dec. 5: LeRoy Neiman (1921-2012). THE BEACH AT CANNES, 1979. $1,200 to $1,800.
Doyle, Dec. 5: Richard Avendon, the suite of eleven signed portraits from the Avedon/Paris portfolio. $150,000 to $250,000.
Doyle, Dec. 5: Robert Mapplethorpe (1946-1989). Flowers in Vase, 1985. $20,000 to $30,000.
Doyle, Dec. 5: Edward Weston (1886-1958). Nude, 1936. $20,000 to $30,000.
Doyle, Dec. 5: Edward Weston (1886-1958). Juniper, High Sierra, 1937.
Doyle, Dec. 5: Steven J. Levn (b. 1964). Plumage II, 2011. $6,000 to $8,000.
Doyle, Dec. 5: Steven Meisel (b. 1954). Madonna, Miami, (from Sex), 1992. $6,000 to $9,000.