Reimagining Winnie the Pooh - Like You Never Saw Him Before
- by Michael Stillman
Piglet and Winnie the Pooh sneak up on the unsuspecting damsel.
The subject of copyrights is back in the news as a bill has been proposed to Congress to reduce the length of copyright protection. Missouri Senator Josh Hawley's legislation has little to do with copyright principles. It is simply an attempt to revoke the Disney Company's copyright protection for Mickey Mouse as punishment for speaking out against anti-LGBTQ legislation. If Senator Hawley was paying attention, he would have known that the Mickey Mouse copyright is going to expire in another year anyway, but perhaps letting it expire naturally would mean missing out on an opportunity for grandstanding. Missed in all of this controversy is that every year copyrighted classics are seeing their copyrights expire naturally, and this year, another, perhaps even more cherished childhood figure, has had its copyright expire. Winnie the Pooh is no longer under copyright. The consequences are such that few would have foretold.
Winnie the Pooh is becoming the star of a new movie, but this time, no approval of a copyright owner will be needed. The filmmaker is free to treat Winnie however he pleases. This version is being made by Jagged Edge Productions, not a big name in the field. They make low-budget films. They have garnered no Oscars, not even a nomination in the past. For a peek at what type of film this may be, among their other films are the classics Easter Bunny Massacre and The Curse of Humpty Dumpty. As you might guess, they make horror movies, but mixed with some humor based on the absurdity of the premise.
Their latest film is titled Winnie the Pooh: Blood and Honey. Jagged Edge Productions has not announced a release date, nor have they said much about the film, though they have released some stills from the trailer. Between what has been released, and an interview of director Rhys Frake-Waterfield in Variety, we have learned a little. Christopher Robin has gone off to college, abandoning his stuffed animals to fend for themselves. Left to their own devices, the they do not work together to resolve their problems. Instead, they devolve, acting like the children from Lord of the Flies. Piglet and Winnie work together as a team, but we learn that by the time the cameras start rolling, they have already killed and eaten Eeyore. Eeyore thought his life was hard before. There are worse things than losing a tail.
Fortunately, Tigger escaped the dynamic duo. It's not because tigers are more dangerous. Tigger came along a little later so he is still under copyright.
As you can see from the photo, Pooh and Piglet do not much look like you remember them. They are not cuddly. As Director Frake-Waterfield explained, they have essentially gone feral. Pooh no longer wears his bright red sweater but there is another reason for this. That appeared in the later Disney version of Winnie the Pooh which is still under copyright. They did not want to use any attributes of the characters that are not in the public domain. The Director points out that no one will confuse his version of the story with Disney's and I agree he has a good point there.
In the scene shown above, the typical horror movie beautiful woman relaxes in a hot tub, unaware of the viscous killers behind her. We learn that they chloroform her, drag her out, and run over her with a car.
“Winnie the Pooh. Winnie the Pooh. Tubby little cubby all stuffed with fluff. He's Winnie the Pooh. Winnie the Pooh. Willy nilly silly old bear.”*
Lyrics copyrighted by the Walt Disney Music Company.
Forum Auctions Fine Books, Manuscripts and Works on Paper 17th July 2025
Forum Auctions Fine Books, Manuscripts and Works on Paper 17th July 2025
Forum, July 17: Lucianus Samosatensis. Dialogoi, editio princeps, second issue, Florence, Laurentius Francisci de Alopa, 1496. £10,000 to £15,000.
Forum, July 17: Boccaccio (Giovanni). Il Decamerone, Florence, Philippo di Giunta, 1516. £10,000 to £15,000.
Forum, July 17: Henry VII (King) & Philip the Fair (Duke of Burgundy). [Intercursus Magnus], [Commercial and Political Treaty between Henry VII and Philip Duke of Burgundy], manuscript copy in Latin, original vellum, 1499. £8,000 to £12,000.
Forum, July 17: Bible, English. The Holy Bible, Conteyning the Old Testament, and the New, Robert Barker, 1613. £4,000 to £6,000.
Forum, July 17: Bond (Michael). A Bear Called Paddington, first edition, signed presentation inscription from the author, 1958. £4,000 to £6,000.
Forum Auctions Fine Books, Manuscripts and Works on Paper 17th July 2025
Forum, July 17: Yeats (William Butler). The Secret Rose, first edition, with extensive autograph corrections, additions and amendments by the author for a new edition, 1897. £6,000 to £8,000.
Forum, July 17: Byron (George Gordon Noel, Lord). Childe Harold's Pilgrimage, bound in dark green morocco elaborately tooled in gilt and with 3 watercolours to fore-edge, by Fazakerley of Liverpool, 1841. £4,000 to £6,000.
Forum, July 17: Miró (Juan), Wassily Kandinsky, John Buckland-Wright, Stanley William Hayter and others.- Spender (Stephen). Fraternity, one of 101 copies, with signed engravings by 9 artists. £6,000 to £8,000.
Forum, July 17: Sowerby (George Brettingham). Album comprising 22 leaves of original watercolour drawings of fossil remains of Cheltenham and Vicinity, [c.1840]. £6,000 to £8,000.
Forum, July 17: Mathematics.- Blue paper copy.- Euclid. De gli Elementi, Urbino, Appresso Domenico Frisolino, 1575. £12,000 to £18,000.
Sotheby’s Books, Manuscripts and Music from Medieval to Modern Now through July 10, 2025
Sotheby’s Books, Manuscripts and Music from Medieval to Modern Now through July 10, 2025
Sotheby’s, Ending July 10: Book of Hours by the Masters of Otto van Moerdrecht, Use of Sarum, in Latin, Southern Netherlands (Bruges), c.1450. £20,000 to £30,000.
Sotheby’s, Ending July 10: Albert Einstein. Autograph letter signed, to Attilio Palatino, on his research into General Relativity, 12 May 1929. £12,000 to £18,000.
Sotheby’s, Ending July 10: John Gould. The Birds of Europe, [1832-] 1837, 5 volumes, contemporary half morocco, subscriber’s copy. £40,000 to £60,000.
Sotheby’s Books, Manuscripts and Music from Medieval to Modern Now through July 10, 2025
Sotheby’s, Ending July 10: Ian Fleming. A collection of James Bond first editions, 8 volumes in all. £8,000 to £12,000.
Sotheby’s, Ending July 10: J.K. Rowling. Harry Potter and the Philosopher's Stone, 1997, first edition, hardback issue. £50,000 to £70,000.
Sotheby’s, Ending July 10: J.R.R. Tolkien. Autograph letter signed, to Amy Ronald, on Pauline Baynes's map of Middle Earth, 1970. £7,000 to £10,000.
DOYLE, July 23: STOKES, I. N. PHELPS. The Iconography of Manhattan Island, 1498-1909. New York: Robert H. Dodd, 1915-28. Estimate: $3,000-5,000
DOYLE, July 23: [AUTOGRAPH - US PRESIDENT]FRANKLIN D. ROOSEVELT. A signed photograph of Franklin D. Roosevelt. Estimate $500-800
DOYLE, July 23: [ARION PRESS]. ABBOTT, EDWIN A. Flatland. A Romance of Many Dimensions. San Francisco, 1980. Estimate $2,000-3,000.
DOYLE, July 23: TOLSTOY, LYOF N. and NATHAN HASKELL DOLE, translator. Anna Karénina ... in eight parts. New York: Thomas Y. Crowell & Co., [1886]. Estimate: $400-600
DOYLE, July 23: ROWLING, J.K. Harry Potter and the Goblet of Fire. London: Bloomsbury, 2000. Estimate $1,200-1,800
Freeman’s | Hindman Western Manuscripts and Miniatures July 8, 2025
Freeman’s | Hindman Western Manuscripts and Miniatures July 8, 2025
Freeman’s | Hindman, July 8. FRANCESCO PETRARCH (b. Arezzo, 20 July 1304; d. Arqua Petrarca, 19 July 1374). $20,000-30,000.
Freeman’s | Hindman, July 8. CIRCLE OF THE MASTER OF THE VITAE IMPERATORUM (active Milan, 1431-1459). $15,000-20,000.
Freeman’s | Hindman, July 8. CIRCLE OF ATTAVANTE DEGLI ATTAVANTI (GABRIELLO DI VANTE) (active Florence, c. 1452-c. 1520/25). $15,000-20,000.
Freeman’s | Hindman, July 8. FOLLOWER OF HERMAN SCHEERE (active London, c. 1405-1425). $15,000-20,000.
Freeman’s | Hindman, July 8. An exceptionally rare, illuminated music leaf from a Mozarabic Antiphonal with sister leaves mostly in museum collections. $11,500-14,000.
Freeman’s | Hindman, July 8. Exceptional leaf from a prestigious Antiphonary by a leading illuminator of the late Duecento. $11,500-14,000.
Freeman’s | Hindman, July 8. CIRCLE OF THE MASTER OF MS REID 33 and SELWERD ABBEY SCRIPTORIUM (AGNES MARTINI?) (active The Netherlands, Groningen, c. 1468-1510). $10,000-15,000.
Freeman’s | Hindman, July 8. Previously unknown illumination from one of the most renowned Gothic Choir Book sets of the Middle Ages. $6,000-8,000.