Rare Book Monthly

Articles - November - 2021 Issue

American Arts and Crafts Museum Opens in St. Petersburg

The American Arts and Crafts Museum (from the museum's website).

The American Arts and Crafts Museum (from the museum's website).

A museum dedicated to the American Arts and Crafts movement recently opened in St. Petersburg, Florida. Founded by local philanthropist Rudy Ciccarello, it is an impressive structure, “a work of art itself” as noted on the museum's website. It is a five-story building containing 137,000 square feet of space. Along with 40,000 feet of galleries, there is a store, café, restaurant with private dining rooms, reference library, theater, studio, event space for weddings and other occasions, and outdoor green space. It is located in the city's downtown arts district.

 

The Arts and Crafts movement developed in Britain in the second half of the 19th century. It was a reaction to the rapid industrialization of that era. Factories were poring out goods made by machines, cheaper and more plentiful than those made by hand, but often of inferior quality and lesser beauty. People from various art forms rebelled against the development, seeking a return to more basic but beautiful creations, better combining form and appearance. The leader of this movement was William Morris, a British textile designer, later author, fervent socialist, and finally, book publisher. It is that final calling in life that ties Morris so closely with the fine press movement and makes it such a fundamental part of the arts and crafts movement.

 

It was also Morris' ardent socialism that connected the movement to egalitarian political beliefs. Guilds were formed with artists working together, while the focus on hand-crafting led naturally to favoring workers' rights vis-a-vis industrialists who replaced artisans with machines.

 

Morris founded the Kelmscott Press in 1891, and for the remaining five years of his life it was the primary focus of his attention. It was his answer to the poor quality frequently emerging from the new rotary presses. He returned to hand-printing, and designed his books himself, their resembling more the books of centuries earlier than the mass-produced ones of the late 19th century. His most notable creation was his edition of the works of Geoffrey Chaucer, known simply as the Kelmscott Chaucer. In all, the Kelmscott Press published 53 books, 23 written by Morris, between 1891 and 1898, two years after Morris' death, when all of the projects he started were completed.

 

The Arts and Crafts movement soon spread to Europe and then America. Along with its impact in various types of art, Morris' presence made it very influential in the book world. The private press, featuring hand-printing, beautiful designs, and limited print runs, became a fixture in fine printing in America. This type of printing remains at the center of books as art today, though styles have changed at times. High quality workmanship and beauty are a major part of the collectible book world, even if automated presses printing reading copies in high volumes dominate the mass market.

 

Among the first two exhibitions is one from a name well-known to American private press collectors. It is that of Roycroft. Roycroft was a community of artists and craftsmen formed in upstate New York by Elbert Hubbard in 1895. The participants, known as “Roycrofters,” were followers of the Arts and Crafts movement. Eventually, there were almost 500 people working at Roycroft, with the guild operating from 14 buildings. The campus remains today as a historic site. It all started after Hubbard visited Europe, where he met Morris. Hubbard wrote a book, but found himself unable to find a publisher. Thus was born the Roycroft Press. At its height, Hubbard had assembled a team of printers, typesetters, designers and bookbinders. Eventually, this led to the establishment of furniture, leather, metalworking, pottery, jewelry, lighting and other shops. It all grew out of his book business (sort of like Amazon!).

 

Hubbard died in the sinking of the Lusitania in 1915, a victim of World War I. Management went to his son, but the cooperative fell into a long period of decline, finally closing in 1938. Today, many people collect Roycroft books, that have the advantage of not being nearly as pricey as those from Kelmscott and some other private presses. Most were printed in sizable runs and consequently aren't that rare. Ones published after Hubbard's death, in particular, are less expensive and form a great starting point for new collectors.

 

The other initial exhibition is entitled Lenses Embracing the Beautiful: Pictorial Photographs from the Two Red Roses Foundation. It displays photographs and rare books from around the world, from the 1890s to 1940s. Both exhibitions run through January 9, 2022.

Rare Book Monthly

  • SD Scandinavian Art & Rare Book Auctions
    The Odfjell Collection
    Polar – History – Ornithology – Colour Plate Books
    Ending December 4th
    Scandinavian Art & Rare Books Auctions, Dec. 4: ROALD AMUNDSEN: «Sydpolen» [ The South Pole] 1912. First edition in jackets and publisher's slip case.
    Scandinavian Art & Rare Books Auctions, Dec. 4: AMUNDSEN & NANSEN: «Fram over Polhavet» [Farthest North] 1897. AMUNDSEN's COPY!
    Scandinavian Art & Rare Books Auctions, Dec. 4: ERNEST SHACKLETON [ed.]: «Aurora Australis» 1908. First edition. The NORWAY COPY.
    Scandinavian Art & Rare Books Auctions, Dec. 4: ERNEST SHACKLETON: «The heart of the Antarctic» + SUPPLEMENT «The Antarctic Book», 1909.
    Scandinavian Art & Rare Books Auctions, Dec. 4: SHACKLETON, BERNACCHI, CHERRY-GARRARD [ed.]: «The South Polar Times» I-III, 1902-1911.
    SD Scandinavian Art & Rare Book Auctions
    The Odfjell Collection
    Polar – History – Ornithology – Colour Plate Books
    Ending December 4th
    Scandinavian Art & Rare Books Auctions, Dec. 4: [WILLEM BARENTSZ & HENRY HUDSON] - SAEGHMAN: «Verhael van de vier eerste schip-vaerden […]», 1663.
    Scandinavian Art & Rare Books Auctions, Dec. 4: TERRA NOVA EXPEDITION | LIEUTENANT HENRY ROBERTSON BOWERS: «At the South Pole.», Gelatin Silver Print. [10¾ x 15in. (27.2 x 38.1cm.) ].
    Scandinavian Art & Rare Books Auctions, Dec. 4: ELEAZAR ALBIN: «A natural History of Birds.» + «A Supplement», 1738-40. Wonderful coloured plates.
    Scandinavian Art & Rare Books Auctions, Dec. 4: PAUL GAIMARD: «Voyage de la Commision scientific du Nord, en Scandinavie, […]», c. 1842-46. ONLY HAND COLOURED COPY KNOWN WITH TWO ORIGINAL PAINTINGS BY BIARD.
    Scandinavian Art & Rare Books Auctions, Dec. 4: JAMES JOYCE: «Ulysses», 1922. FIRST EDITION IN ORIGINAL WRAPPERS.
  • Sotheby’s
    Book Week
    December 9-17, 2025
    Sotheby’s, Dec. 11: Darwin and Wallace. On the Tendency of Species to form Varieties..., [in:] Journal of the Proceedings of the Linnean Society, Vol. III, No. 9., 1858, Darwin announces the theory of natural selection. £100,000 to £150,000.
    Sotheby’s, Dec. 11: J.K. Rowling. Harry Potter and the Philosopher's Stone, 1997, first edition, hardback issue, inscribed by the author pre-publication. £100,000 to £150,000.
    Sotheby’s, Dec. 11: Wolfgang Amadeus Mozart. Autograph sketchleaf including a probable draft for the E flat Piano Quartet, K.493, 1786. £150,000 to £200,000.
    Sotheby’s, Dec. 12: Hooke, Robert. Micrographia: or some Physiological Descriptions of Minute Bodies made by Magnifying Glasses. London: James Allestry for the Royal Society, 1667. $12,000 to $15,000.
    Sotheby’s, Dec. 12: Chappuzeau, Samuel. The history of jewels, first edition in English. London: T.N. for Hobart Kemp, 1671. $12,000 to $18,000.
    Sotheby’s, Dec. 12: Sowerby, James. Exotic Mineralogy, containing his most realistic mineral depictions, London: Benjamin Meredith, 1811, Arding and Merrett, 1817. $5,000 to $7,000.
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  • Swann
    Maps & Atlases, Natural History & Color Plate Books
    December 9, 2025
    Swann, Dec. 9: Lot 156: Cornelis de Jode, Americae pars Borealis, double-page engraved map of North America, Antwerp, 1593.
    Swann, Dec. 9: Lot 206: John and Alexander Walker, Map of the United States, London and Liverpool, 1827.
    Swann, Dec. 9: Lot 223: Abraham Ortelius, Typus Orbis Terrarum, hand-colored double-page engraved world map, Antwerp, 1575.
    Swann
    Maps & Atlases, Natural History & Color Plate Books
    December 9, 2025
    Swann, Dec. 9: Lot 233: Aaron Arrowsmith, Chart of the World, oversize engraved map on 8 sheets, London, 1790 (circa 1800).
    Swann, Dec. 9: Lot 239: Fielding Lucas, A General Atlas, 81 engraved maps and diagrams, Baltimore, 1823.
    Swann, Dec. 9: Lot 240: Anthony Finley, A New American Atlas, 15 maps engraved by james hamilton young on 14 double-page sheets, Philadelphia, 1826.
    Swann
    Maps & Atlases, Natural History & Color Plate Books
    December 9, 2025
    Swann, Dec. 9: Lot 263: John Bachmann, Panorama of the Seat of War, portfolio of 4 double-page chromolithographed panoramic maps, New York, 1861.
    Swann, Dec. 9: Lot 265: Sebastian Münster, Cosmographei, Basel: Sebastian Henricpetri, 1558.
    Swann, Dec. 9: Lot 271: Abraham Ortelius, Epitome Theatri Orteliani, Antwerp: Johann Baptist Vrients, 1601.
    Swann
    Maps & Atlases, Natural History & Color Plate Books
    December 9, 2025
    Swann, Dec. 9: Lot 283: Joris van Spilbergen, Speculum Orientalis Occidentalisque Indiae, Leiden: Nicolaus van Geelkercken for Jodocus Hondius, 1619.
    Swann, Dec. 9: Lot 285: Levinus Hulsius, Achtzehender Theil der Newen Welt, 14 engraved folding maps, Frankfurt: Johann Frederick Weiss, 1623.
    Swann, Dec. 9: Lot 341: John James Audubon, Carolina Parrot, Plate 26, London, 1827.

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