• Doyle, Dec. 6: An extensive archive of Raymond Chandler’s unpublished drafts of fantasy stories. $60,000 to $80,000.
    Doyle, Dec. 6: RAND, AYN. Single page from Ayn Rand’s handwritten first draft of her influential final novel Atlas Shrugged. $30,000 to $50,000.
    Doyle, Dec. 6: Ernest Hemingway’s first book with interesting provenance. Three Stories & Ten Poems. $20,000 to $30,000.
    Doyle, Dec. 6: Hemingway’s second book, one of 170 copies. In Our Time. $15,000 to $25,000.
    Doyle, Dec. 6: A finely colored example of Visscher’s double hemisphere world map, with a figured border. $12,000 to $18,000.
    Doyle, Dec. 6: Raymond Chandler’s Olivetti Studio 44 Typewriter. $10,000 to $20,000.
    Doyle, Dec. 6: Antonio Ordóñez's “Suit of Lights” owned by Ernest Hemingway. $10,000 to $20,000.
    Doyle, Dec. 6: A remarkable Truman archive featuring an inscribed beam from the White House construction. $8,000 to $12,000.
    Doyle, Dec. 6: The fourth edition of Audubon’s The Birds of America. $8,000 to $12,000.
    Doyle, Dec. 6: The original typed manuscript for Chandler’s only opera. The Princess and the Pedlar: An Entirely Original Comic Opera. $8,000 to $12,000.
    Doyle, Dec. 6: A splendidly illustrated treatise on ancient Peru and its Incan civilization. $7,000 to $10,000.
    Doyle, Dec. 6: A superb copy of Claude Lorrain’s Liber Veritatis from Longleat House. $5,000 to $8,000.
  • Swann, Nov. 21: Lot 37: Archive of the pioneering woman artist Arrah Lee Gaul, most 1911-59. $3,000 to $4,000.
    Swann, Nov. 21: Lot 66: Letter describing the dropping water level at Owens Lake near Death Valley, long before it was drained, Keeler, CA, 26 July 1904. $3,000 to $4,000
    Swann, Nov. 21: Lot 102: To Horse, To Horse! My All for a Horse! The Washington Cavalry, illustrated Civil War broadside, Philadelphia, 1862. $4,000 to $6,000
    Swann, Nov. 21: Lot 135: Album of cyanotype views of the Florida panhandle and beyond, 224 photographs, 174 of them cyanotypes, Apalachicola, FL and elsewhere, circa 1895-1896. $1,200 to $1,800
    Swann, Nov. 21: Lot 154: Catalogue of the Library of the United States, as acquired from Thomas Jefferson, Washington, 1815. $15,000 to $25,000
    Swann, Nov. 21: Lot 173: New Englands First Fruits, featuring the first description of Harvard in print, London, 1643. $40,000 to $60,000
    Swann, Nov. 21: Lot 177: John P. Greene, Original manuscript diary of a mission to western New York with Joseph Smith, 1833. $60,000 to $90,000
    Swann, Nov. 21: Lot 243: P.E. Larson, photographer, Such is Life in the Far West: Early Morning Call in a Gambling Hall, Goldfield, NV, circa 1906. $2,500 to $3,500
    Swann, Nov. 21: Lot 261: Fred W. Sladen, Diaries of a WWII colonel commanding troops from Morocco to Italy to France, 1942-44. $3,000 to $4,000
    Swann, Nov. 21: Lot 309: Los mexicanos pintados por si mismos, por varios autores, a Mexican plate book. Mexico, 1854-1855. $2,000 to $3,000
    Swann, Nov. 21: Lot 8: Diaries of a prospector / trapper in the remote Alaska wilderness, 5 manuscript volumes. Alaska, 1917-64. $1,500 to $2,500.
  • Finarte, Nov 20-21: Alighieri, Dante - La Commedia, [col commento di Jacopo della Lana e Martino Paolo Nidobeato, curata da Martino Paolo Nidobeato e Guido da Terzago. Aggiunto Il Credo], 1478
    Finarte, Nov 20-21: Alighieri, Dante - La Commedia [Commento di Christophorus Landinus, edita da Piero da Figino. Aggiunte le Rime diverse; Marsilius Ficinius, Ad Dantem gratulatio], 1491
    Finarte, Nov 20-21: Lactantius, Lucius Coelius Firmianus - Opera, 1465
    Finarte, Nov 20-21: Alighieri, Dante - Le terze rime di Dante, 1502
    Finarte, Nov 20-21: Boccaccio, Giovanni - Il Decamerone. Di messer Giouanni Boccaccio, 1516
    Finarte, Nov 20-21: Giordano Bruno - Candelaio comedia del Bruno nolano achademico di nulla achademia; detto il fastidito. In tristitia hilaris: in hilaritate tristis, 1582
    Finarte, Nov 20-21: Petrarca, Francesco - Le cose volgari di Messer Francesco Petrarcha, 1504
    Finarte, Nov 20-21: Legatura - Manoscritto - Medici - Cosimo III de' Medici / Solari, Giuseppe - I Ritratti Medicei overo Glorie e Grandezze della sempre sereniss. Casa Medici..., 1678
    Finarte, Nov 20-21: Alighieri, Dante - La Divina Commedia di Dante Alighieri con varie annotazioni, e copiosi Rami adornata, 1757
    Finarte, Nov 20-21: Lot containing 80 printed guides and publications dedicated to travel and itineraries in Italy
  • Ketterer Rare Books
    Auction November 25th
    Ketterer Rare Books, Nov. 25:
    H. Schedel, Liber chronicarum, 1493. Est: € 25,000
    Ketterer Rare Books, Nov. 25:
    P. O. Runge, Farben-Kugel, 1810. Est: € 8,000
    Ketterer Rare Books, Nov. 25:
    W. Kandinsky, Klänge, 1913. Est: € 20,000
    Ketterer Rare Books
    Auction November 25th
    Ketterer Rare Books, Nov. 25:
    W. Burley, De vita et moribus philosophorum, 1473. Est: € 4,000
    Ketterer Rare Books, Nov. 25:
    M. B. Valentini, Viridarium reformatum seu regnum vegetabile, 1719. Est: € 12,000
    Ketterer Rare Books, Nov. 25:
    PAN, 10 volumes, 1895-1900. Est: € 15,000
    Ketterer Rare Books
    Auction November 25th
    Ketterer Rare Books, Nov. 25:
    J. de Gaddesden, Rosa anglica practica medicinae, 1492. Est: € 12,000
    Ketterer Rare Books, Nov. 25:
    M. Merian, Todten-Tanz, 1649. Est: € 5,000
    Ketterer Rare Books, Nov. 25:
    D. Hammett, Red harvest, 1929. Est: € 11,000
    Ketterer Rare Books
    Auction November 25th
    Ketterer Rare Books, Nov. 25:
    Book of hours, Horae B. M. V., 1503. Est: € 9,000
    Ketterer Rare Books, Nov. 25:
    J. Miller, Illustratio systematis sexualis Linneai, 1792. Est: € 8,000
    Ketterer Rare Books, Nov. 25:
    F. Hundertwasser, Regentag – Look at it on a rainy day, 1972. Est: € 8,000

Rare Book Monthly

Articles - October - 2021 Issue

The Luckiest Bookseller Alive: A Career Biography of Joe Fay

Joe

Joe

Joe Fay recently joined the partnership that is McBride Rare Books (see here) so we asked him if he could provide us with his biography in the book trade. He did, and it is a fascinating journey, one anyone in the book trade or a book collector will want to read. Many of you will be able to relate to it. Without further ado, we bring you Joe's account of “the luckiest bookseller alive.”

 

 

By Joe Fay

 

I consider myself the luckiest bookseller in the world. Almost twenty years ago, after graduating from St. Edward’s University in Austin, and not being able to find work in a lukewarm job market where most people made movies or computers, I moved home to the DFW area. It was a move that set the path for the career that followed, as the Half Price Books near my mother’s house was hiring at the time. Lucky for me. I worked at Half Price Books for three years, where I stocked various parts of the store (as most HPB employees end up doing). It was while managing the reference section, which included a small shelf or two of “books about books” that my life really changed. That’s where I met Lawrence and Nancy Goldstone, A. Edward Newton, Helene Hanff, and, most importantly, Nicholas Basbanes. Or, at least, I met their books.

 

The short Epilogue of Basbanes’ seminal A Gentle Madness centers around the emergence of Daryl and Joan Hill at a Swann auction in New York in the 1990s. I think the whole account is three or four pages, but it was enough to ignite an interest in the world of rare book auctions. It made the rare book auction world sound like an absolutely fabulous and exciting place to be, where the most prominent dealers convene to battle for the greatest books (and sometimes they still do). Shortly afterwards, I searched the Internet for “auction house Dallas.” Google reported back with a place called Heritage Auction Galleries, now known by the more streamlined sobriquet of Heritage Auctions (also better for a website address, as HA.com sounds much better than HAG.com). So, after seeing that they indeed handled books and manuscripts, I applied to Heritage. Lucky for me, they were looking for an assistant to the venerable Tom Slater in Americana, who also oversaw books and manuscripts at the time. They hired me, and I worked for Tom for several months before Heritage decided to bring in book and manuscript specialists. My luck improved even more when the brilliant Sandra Palomino came on at Heritage to run the manuscripts department. And my life forever changed for the better when Heritage Book Shop closed (for awhile), and sent James Gannon careening into my life. Lucky me.

 

James Gannon taught me a mountain’s worth of what I know about the book business. His adventures and memoirs of a fascinating L.A.-based bookselling career fueled my imagination and eventually drove my thirst to work in the rare book trade. After eight of the most rewarding years of my life, in which the ownership of Heritage and James trusted me to manage the Rare Books Department, I began to put out feelers to various book dealers in the Antiquarian Booksellers Association of America. I was looking to catch on with a rare book dealer. Maybe I’d get lucky. Then, the impossible happened.

 

In the Spring of 2014, Nick Aretakis told me he was leaving the William Reese Company to strike out on his own. That meant HIS job at the Reese Company was open. Fine, I said. Some lucky bastard is going to get very lucky to work for Bill Reese, the best bookseller of his generation, and whose catalogues I devoured every time they showed up at Heritage. Turns out that lucky bastard was me. I flew to New Haven two days after I submitted my paperwork, and interviewed with Bill Reese and Terry Halladay at 409 Temple Street. It was a surreal affair. And then they hired me before I left. Over the next several years, I got to play on the same team with Bill Reese, the Babe Ruth of booksellers. I still can’t believe it happened. Sometimes the memories seem made up as dreams, but they’re not. I was lucky enough to spend some valuable years learning the book trade from one of its most natural practitioners. I miss him all the time, and I’m not remotely alone.

 

While at the Reese Company I also got to work alongside the scary-brilliant Terry Halladay. And Bill’s wife, Dorothy Hurt, who remains kind and generous to me. And Gwen Reese (no relation), who has found her true self while in New Haven. And Leslie, Leslie, Siobhan, Joe, Pat, and Cliff, who remain my Reese family. And also, since Bill passed away in 2018, I’ve worked with the one man on Earth who was brave enough to sit at Bill’s desk, Nick Aretakis. Nick returned to take over the wheel of the Reese machine and will continue to drive the Americana department. I wish him, and the Reese Company, only the best.

  

But now I’ve left 409 Temple Street, just last week. Much like Nick in 2014, I left to set my own path. The time had come for me to take the lessons from the long list of brilliant mentors, colleagues, and friends mentioned above, and do my own thing. Sort of.

 

While at the Reese Company, I worked alongside two people who turned out to be the plutonic rare-book-world-loves-of-my-life, Teri Osborn and James McBride. Teri was at the Reese Company for a decade, and along with being a whip smart bookseller and cataloguer, she was Bill’s invaluable right arm. Bill would be the first to tell you that. Despite being younger, she was my trainer and senior at the Reese Company, and showed epic patience in teaching me the ways of Force at the company. James is a blazing smart book historian with whom I share a great affinity for English football, the University of Texas, beer, baseball, barbecue, and taco sauce. Teri, James, and I were Bill’s support team. We complemented each other professionally, and had more fun than any three people working in a mostly-serious office should have had. But we always did the work. And we did it well. I’m lucky to call them both friends.

 

Teri, James, and I worked together as the cataloguing team, auction bidders, researchers, and advisors to Bill Reese for about two years before Bill’s health suddenly declined in the Spring of 2018. In the months before and after Bill died, we were tasked with running the daily operations of the Americana department at the Reese Company. That’s roughly akin to sitting in Einstein’s class, then being told to teach it. Yet we stood up and gave it our best effort. Much to our surprise and everlasting benefit, we did it well. We bought books, manuscripts, archives, and more, and actually sold them to real people. The grief and tragedy of Bill’s death, and our management of the business in his absence, forged a lasting, impenetrable bond between the three of us, like fellow soldiers in a war or the bus riders in the movie, Speed. When Teri and James were let go from the Reese Company, it really hurt all of us. But to their eternal credit, they took a negative situation and turned it on its head. They took a personal tragedy and made something great out of it - they started their own rare books and manuscript retail company from the ground up, called McBride Rare Books.

 

Over the years, we occasionally talked about working together again. Mainly it was casual banter, hoping for a future opportunity, thinking how cool it would be to bring the band back together. Recently, the talk got more serious. Then they pitched to me the opportunity of a partnership in McBride Rare Books. It was an offer, Vito Corleone might say, that I couldn’t refuse. This new partnership gives Teri, James, and I the opportunity to continue the work we started when Bill Reese passed away. It offers us a chance to have our own particular brand of fun again. It allows me a measure of freedom and autonomy to buy and sell books and manuscripts to the collectors and institutions I’ve come to know and appreciate, all within the structure of a partnership with two supremely talented booksellers. I just hope I measure up. If you see us, say hello, and wish us luck.


Posted On: 2021-10-02 21:39
User Name: americanax

I had the best experience working with you when I sold a few books at Heritage several years ago. I am no longer actively buying or selling, but I wanted to send you my good wishes on your new venture.
Elinor Eisemann


Rare Book Monthly

  • Gonnelli:
    Auction 55
    Antique prints, paintings and maps
    November 26st 2024
    Gonnelli: Stefano Della Bella, 23 animal plances,1641. Starting price 480€
    Gonnelli: Stefano Della Bella, Boar Hunt, 1654. Starting price 180€
    Gonnelli: Crispijn Van de Passe, The seven Arts, 1637. Starting price 600€
    Gonnelli: Giuseppe Maria Mitelli, La Maschera è cagion di molti mali, 1688. Starting price 320€
    Gonnelli: Biribissor’s game, 1804-15. Starting price 2800€
    Gonnelli: Nicolas II de Larmessin, Habitats,1700. Starting price 320€
    Gonnelli: Miniature “O”, 1400. Starting price 1800€
    Gonnelli: Jan Van der Straet, Hunt scenes, 1596. Starting Price 140€
    Gonnelli: Massimino Baseggio, Costantinople, 1787. Starting price 480€
    Gonnelli: Kawanabe Kyosai, Erotic scene lighten up by a candle, 1860. Starting price 380€
    Gonnelli: Duck shaped dropper, 1670. Starting price 800€
  • Sotheby's
    Fine Books, Manuscripts & More
    Available for Immediate Purchase
    Sotheby’s: J.R.R. Tolkien. The Lord of the Rings Trilogy. 11,135 USD
    Sotheby’s: Edgar Allan Poe. The Raven and Other Poems, 1845. 33,000 USD
    Sotheby’s: Leo Tolstoy, Clara Bow. War and Peace, 1886. 22,500 USD
    Sotheby’s: Sir Arthur Conan Doyle. Adventures of Sherlock Holmes, 1902. 7,500 USD
    Sotheby’s: F. Scott Fitzgerald. This Side of Paradise, The Great Gatsby, and Others, 1920-1941. 24,180 USD
  • Doyle, Dec. 5: Minas Avetisian (1928-1975). Rest, 1973. $8,000 to $12,000.
    Doyle, Dec. 5: Anna Vaughn Hyatt Huntington (1876-1973). Yawning Tiger, conceived 1917. $3,000 to $5,000.
    Doyle, Dec. 5: Robert M. Kulicke (1924-2007). Full-Blown Red and White Roses in a Glass Vase, 1982. $3,000 to $5,000.
    Doyle, Dec. 5: Pablo Picasso (1881-1973). L’ATELIER DE CANNES (Bloch 794; Mourlot 279). The cover for Ces Peintres Nos Amis, vol. II. $1,000 to $1,500.
    Doyle, Dec. 5: LeRoy Neiman (1921-2012). THE BEACH AT CANNES, 1979. $1,200 to $1,800.
    Doyle, Dec. 5: Richard Avendon, the suite of eleven signed portraits from the Avedon/Paris portfolio. $150,000 to $250,000.
    Doyle, Dec. 5: Robert Mapplethorpe (1946-1989). Flowers in Vase, 1985. $20,000 to $30,000.
    Doyle, Dec. 5: Edward Weston (1886-1958). Nude, 1936. $20,000 to $30,000.
    Doyle, Dec. 5: Edward Weston (1886-1958). Juniper, High Sierra, 1937.
    Doyle, Dec. 5: Steven J. Levn (b. 1964). Plumage II, 2011. $6,000 to $8,000.
    Doyle, Dec. 5: Steven Meisel (b. 1954). Madonna, Miami, (from Sex), 1992. $6,000 to $9,000.

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