Rare Book Monthly

Articles - June - 2021 Issue

Peeking into the World of Rare Books

Old books in the era of social media

Old books in the era of social media

Rare Book Hub is heavy on old books and paper so it’s reasonable to spend an hour and a half watching a movie on the subject:  The Booksellers directed by D. W. Young.  It was released in September 2019, just a nano second ago in the world of old books.  Nope, I hadn’t been aware but thoroughly enjoyed  it recently.

 

It’s 98 minutes of absorbing dialogue making the case that dealers are the gatekeepers to the great books.  So it has been for 3 centuries.

 

Dealers and librarians have long deserved praise for their efforts to organize and structure the rare book field.  Joseph Sabin was both a dealer and an auctioneer in the second half of the 19th century, when he began his Bibliotheca Americana in 1867 [to be completed posthumously in 1936].  Charles Evans as a librarian created his American Bibliography, adding intellectual structure to the world of collectible books during his 31 year project that completed in 1934.  In the 1950’s Wright Howes, a specialist dealer, introduced Usiana to help the interested to understand and identify early non-fiction Americana.  In his era his book was a boon to understand the relationship between issue, rarity and value.  Such tools have always been essential and widely appreciated.  To dealers and librarians, we owe a profound debt.

 

With  the advent of the internet a different kind of resource emerged; the listing sites that the knowledgeable could initially apply their understanding to look for rarities being offered at low prices.  For this reason during the early years the internet was the skilled dealer’s friend although, since 2001 the garter snake turned into a python as Abebooks alone now lists more than 170 million items.  Scale turned the selling sites into a new kind of reference.

 

Into the transformational year 2019 The Booksellers, filmed between 2015-18, was introduced and spoken of as if the traditional dealer dominated game was continuing, just as Covid-19 was rewriting the script creating a sense of nostalgia for the bookselling world we have long appreciated.  In the juxta-position of the emerging world and the world on view in the film we could see that world was already slipping away.

 

Catalogues and book fairs are now being reconsidered. 

 

Realizing the high expense and limited reach of paper catalogues, dealers are now issuing electronic catalogues. They can now reach everyone everywhere, rather than just a handful of people on their mailing list, and they can update and add to their catalogues in real time. With Covid-19, they opened up virtual fairs, and while with the winding down of Covid-19 live fairs are returning, the virtual fair, with all its advantages in terms of reach and updating, and access any time of the day for any number of days, and lower costs for both dealers and buyers, has become a permanent part of the landscape. And while auctions have eaten into the market, dealers are increasingly responding with an if you can't beat them join them answer by starting their own auctions.

 

So to me this film, wonderfully done, feels out-of-date but can I also say “not-to-be-missed.”

 

I look forward to the next film that will reflect the many changes that are transforming the field:  the first being the surge of both new auction houses and more sales being offered by the established houses; the reliance on auction history as guides to rarity and value; and the intensification of collecting scope based both on what’s possible over variable time frames.  Dealers’ advantage was knowledge and these days information is much more widely shared.  But, as the builder of the largest database of auction and bibliographical history, I want to acknowledge that what separates the facts and the great copies is the wisdom great dealers possess.

 

When you sit down to see the film appreciate that America’s great Americanist, Bill Reese, made his last appearance, in this film.  He was, for more than 20 years, the captain that steered, by suggestion and example, how the principal dealers should be adjusting.

 

It is our tough luck that he passed away 2 years ago.  And our tougher luck that this recent film is feeling dated so quickly.

 

To see this movie on your phone, iPad and computer you have many opinions.. To pursue them search for “The Booksellers”:

 

  1. For free if you are an Amazon Prime member
  2. On Vudu for free
  3. On YouTube from $3.99

 

Here is the story in the New York Times that woke me from my slumber

https://www.nytimes.com/2020/03/05/arts/design/booksellers-movie-antiquarian-book-fair.html

 

 


Posted On: 2021-06-02 02:45
User Name: mairin

Always happy to see this 2019 documentary again, Bruce, terrific viewing.
Thank you for this. I knew & dearly loved many of these bibliophilic haunts & destinations; so sad that some are now gone, but a new generation is rising up!
- Maureen E. Mulvihill, Collector
(Brooklyn, 1982-2012)
___________________


Rare Book Monthly

  • SD Scandinavian Art & Rare Book Auctions
    The Odfjell Collection
    Polar – History – Ornithology – Colour Plate Books
    Ending December 4th
    Scandinavian Art & Rare Books Auctions, Dec. 4: ROALD AMUNDSEN: «Sydpolen» [ The South Pole] 1912. First edition in jackets and publisher's slip case.
    Scandinavian Art & Rare Books Auctions, Dec. 4: AMUNDSEN & NANSEN: «Fram over Polhavet» [Farthest North] 1897. AMUNDSEN's COPY!
    Scandinavian Art & Rare Books Auctions, Dec. 4: ERNEST SHACKLETON [ed.]: «Aurora Australis» 1908. First edition. The NORWAY COPY.
    Scandinavian Art & Rare Books Auctions, Dec. 4: ERNEST SHACKLETON: «The heart of the Antarctic» + SUPPLEMENT «The Antarctic Book», 1909.
    Scandinavian Art & Rare Books Auctions, Dec. 4: SHACKLETON, BERNACCHI, CHERRY-GARRARD [ed.]: «The South Polar Times» I-III, 1902-1911.
    SD Scandinavian Art & Rare Book Auctions
    The Odfjell Collection
    Polar – History – Ornithology – Colour Plate Books
    Ending December 4th
    Scandinavian Art & Rare Books Auctions, Dec. 4: [WILLEM BARENTSZ & HENRY HUDSON] - SAEGHMAN: «Verhael van de vier eerste schip-vaerden […]», 1663.
    Scandinavian Art & Rare Books Auctions, Dec. 4: TERRA NOVA EXPEDITION | LIEUTENANT HENRY ROBERTSON BOWERS: «At the South Pole.», Gelatin Silver Print. [10¾ x 15in. (27.2 x 38.1cm.) ].
    Scandinavian Art & Rare Books Auctions, Dec. 4: ELEAZAR ALBIN: «A natural History of Birds.» + «A Supplement», 1738-40. Wonderful coloured plates.
    Scandinavian Art & Rare Books Auctions, Dec. 4: PAUL GAIMARD: «Voyage de la Commision scientific du Nord, en Scandinavie, […]», c. 1842-46. ONLY HAND COLOURED COPY KNOWN WITH TWO ORIGINAL PAINTINGS BY BIARD.
    Scandinavian Art & Rare Books Auctions, Dec. 4: JAMES JOYCE: «Ulysses», 1922. FIRST EDITION IN ORIGINAL WRAPPERS.
  • Sotheby’s
    Book Week
    December 9-17, 2025
    Sotheby’s, Dec. 11: Darwin and Wallace. On the Tendency of Species to form Varieties..., [in:] Journal of the Proceedings of the Linnean Society, Vol. III, No. 9., 1858, Darwin announces the theory of natural selection. £100,000 to £150,000.
    Sotheby’s, Dec. 11: J.K. Rowling. Harry Potter and the Philosopher's Stone, 1997, first edition, hardback issue, inscribed by the author pre-publication. £100,000 to £150,000.
    Sotheby’s, Dec. 11: Wolfgang Amadeus Mozart. Autograph sketchleaf including a probable draft for the E flat Piano Quartet, K.493, 1786. £150,000 to £200,000.
    Sotheby’s, Dec. 12: Hooke, Robert. Micrographia: or some Physiological Descriptions of Minute Bodies made by Magnifying Glasses. London: James Allestry for the Royal Society, 1667. $12,000 to $15,000.
    Sotheby’s, Dec. 12: Chappuzeau, Samuel. The history of jewels, first edition in English. London: T.N. for Hobart Kemp, 1671. $12,000 to $18,000.
    Sotheby’s, Dec. 12: Sowerby, James. Exotic Mineralogy, containing his most realistic mineral depictions, London: Benjamin Meredith, 1811, Arding and Merrett, 1817. $5,000 to $7,000.
  • Rare Book Hub is now mobile-friendly!
  • Swann
    Maps & Atlases, Natural History & Color Plate Books
    December 9, 2025
    Swann, Dec. 9: Lot 156: Cornelis de Jode, Americae pars Borealis, double-page engraved map of North America, Antwerp, 1593.
    Swann, Dec. 9: Lot 206: John and Alexander Walker, Map of the United States, London and Liverpool, 1827.
    Swann, Dec. 9: Lot 223: Abraham Ortelius, Typus Orbis Terrarum, hand-colored double-page engraved world map, Antwerp, 1575.
    Swann
    Maps & Atlases, Natural History & Color Plate Books
    December 9, 2025
    Swann, Dec. 9: Lot 233: Aaron Arrowsmith, Chart of the World, oversize engraved map on 8 sheets, London, 1790 (circa 1800).
    Swann, Dec. 9: Lot 239: Fielding Lucas, A General Atlas, 81 engraved maps and diagrams, Baltimore, 1823.
    Swann, Dec. 9: Lot 240: Anthony Finley, A New American Atlas, 15 maps engraved by james hamilton young on 14 double-page sheets, Philadelphia, 1826.
    Swann
    Maps & Atlases, Natural History & Color Plate Books
    December 9, 2025
    Swann, Dec. 9: Lot 263: John Bachmann, Panorama of the Seat of War, portfolio of 4 double-page chromolithographed panoramic maps, New York, 1861.
    Swann, Dec. 9: Lot 265: Sebastian Münster, Cosmographei, Basel: Sebastian Henricpetri, 1558.
    Swann, Dec. 9: Lot 271: Abraham Ortelius, Epitome Theatri Orteliani, Antwerp: Johann Baptist Vrients, 1601.
    Swann
    Maps & Atlases, Natural History & Color Plate Books
    December 9, 2025
    Swann, Dec. 9: Lot 283: Joris van Spilbergen, Speculum Orientalis Occidentalisque Indiae, Leiden: Nicolaus van Geelkercken for Jodocus Hondius, 1619.
    Swann, Dec. 9: Lot 285: Levinus Hulsius, Achtzehender Theil der Newen Welt, 14 engraved folding maps, Frankfurt: Johann Frederick Weiss, 1623.
    Swann, Dec. 9: Lot 341: John James Audubon, Carolina Parrot, Plate 26, London, 1827.

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