• Dominic Winter Auctioneers
    Printed Books, Maps & Ephemera
    Printing Woodblocks by Thomas & John Bewick
    12 December 2024
    Dominic Winter, Dec. 12: Gell (William). The Topography of Troy, and its Vicinity, 1804. £2,000 to £3,000.
    Dominic Winter, Dec. 12: Low (David). The Breeds of the Domestic Animals of the British Islands, 1842. £1,500 to £2,000.
    Dominic Winter, Dec. 12: North America. Moll (Herman)..., This Map of North America..., circa 1725. £1,000 to £1,500.
    Dominic Winter Auctioneers
    Printed Books, Maps & Ephemera
    Printing Woodblocks by Thomas & John Bewick
    12 December 2024
    Dominic Winter, Dec. 12: Bible [English]. [The Holie Bible conteynyng the Olde Testament and the Newe, 1568]. £3,000 to £5,000.
    Dominic Winter, Dec. 12: Chaucer (Geoffrey). The Workes of Our Ancient and Learned English Poet, newly Printed, 1602. £1,500 to £2,000. £1,500 to £2,000.
    Dominic Winter, Dec. 12: Cuffee (Paul). Memoir of Captain Paul Cuffee, A Man of Color, Liverpool, 1811. £300 to £500.
    Dominic Winter Auctioneers
    Modern First Editions & Illustrated Books, Playing Cards, Toys & Games
    13 December 2024
    Dominic Winter, Dec. 13: Milne (A. A.) The House at Pooh Corner, signed limited edition, 1928. £3,000 to £5,000.
    Dominic Winter, Dec. 13: Huxley (Aldous). Brave New World, limited signed edition, 1932. £2,000 to £3,000.
    Dominic Winter, Dec. 13: Orwell (George). Animal Farm, 1st edition, 1945. £2,000 to £3,000.
    Dominic Winter Auctioneers
    Modern First Editions & Illustrated Books, Playing Cards, Toys & Games
    13 December 2024
    Dominic Winter, Dec. 13: Rowling (J. K.). Harry Potter and the Philosopher's Stone, 1st edition, 1st impression, 1997. £30,000 to £50,000.
    Dominic Winter, Dec. 13: Tolkien (J. R. R.) The Lord of the Rings, 3 volumes, 1st edition, 1954-55. £2,000 to £3,000.
    Dominic Winter, Dec. 13: Wells (H. G.) The War of the Worlds, 1st edition, 1st issue, 1898. £1,000 to £1,500.
  • Doyle, Dec. 6: An extensive archive of Raymond Chandler’s unpublished drafts of fantasy stories. $60,000 to $80,000.
    Doyle, Dec. 6: RAND, AYN. Single page from Ayn Rand’s handwritten first draft of her influential final novel Atlas Shrugged. $30,000 to $50,000.
    Doyle, Dec. 6: Ernest Hemingway’s first book with interesting provenance. Three Stories & Ten Poems. $20,000 to $30,000.
    Doyle, Dec. 6: Hemingway’s second book, one of 170 copies. In Our Time. $15,000 to $25,000.
    Doyle, Dec. 6: A finely colored example of Visscher’s double hemisphere world map, with a figured border. $12,000 to $18,000.
    Doyle, Dec. 6: Raymond Chandler’s Olivetti Studio 44 Typewriter. $10,000 to $20,000.
    Doyle, Dec. 6: Antonio Ordóñez's “Suit of Lights” owned by Ernest Hemingway. $10,000 to $20,000.
    Doyle, Dec. 6: A remarkable Truman archive featuring an inscribed beam from the White House construction. $8,000 to $12,000.
    Doyle, Dec. 6: The fourth edition of Audubon’s The Birds of America. $8,000 to $12,000.
    Doyle, Dec. 6: The original typed manuscript for Chandler’s only opera. The Princess and the Pedlar: An Entirely Original Comic Opera. $8,000 to $12,000.
    Doyle, Dec. 6: A splendidly illustrated treatise on ancient Peru and its Incan civilization. $7,000 to $10,000.
    Doyle, Dec. 6: A superb copy of Claude Lorrain’s Liber Veritatis from Longleat House. $5,000 to $8,000.
  • High Bids Win
    Letterpress & Bindery Auction
    Nov. 20 – Dec. 5, 2024
    High Bids Win, Nov. 20 – Dec. 5: Book Press 10 1/2× 15 1/4" Platen , 2 1/2" Daylight.
    High Bids Win, Nov. 20 – Dec. 5: The Tubbs Mfg Co. wooden-type cabinet 27” w by 37” h by 22” deep.
    High Bids Win, Nov. 20 – Dec. 5: G.P.Gordon printing press 7” by 11” with treadle. Needs rollers, trucks, and grippers. Missing roller spring.
    High Bids Win
    Letterpress & Bindery Auction
    Nov. 20 – Dec. 5, 2024
    High Bids Win, Nov. 20 – Dec. 5: D & C Ventris curved wood type 2” tall 5/8” wide.
    High Bids Win, Nov. 20 – Dec. 5: Wood Type 1 1/4” tall.
    High Bids Win, Nov. 20 – Dec. 5: Quarter Case with Lead Triangles.
    High Bids Win
    Letterpress & Bindery Auction
    Nov. 20 – Dec. 5, 2024
    High Bids Win, Nov. 20 – Dec. 5: Page & Co wood type 1 1/4” tall 1/4” wide.
    High Bids Win, Nov. 20 – Dec. 5: Awt 578 type hi gauge.
    High Bids Win, Nov. 20 – Dec. 5: Quarter Case with Lead Penline Flourishes.
    High Bids Win
    Letterpress & Bindery Auction
    Nov. 20 – Dec. 5, 2024
    High Bids Win, Nov. 20 – Dec. 5: Quarter Case with Lead Penline Flourishes.
    High Bids Win, Nov. 20 – Dec. 5: Quarter Case with Lead Cents and Pound Signs.
    High Bids Win, Nov. 20 – Dec. 5: Wooden type cabinet 27” w by 19” d by 38” h.
  • Sotheby's
    Fine Books, Manuscripts & More
    Available for Immediate Purchase
    Sotheby’s: J.R.R. Tolkien. The Lord of the Rings Trilogy. 11,135 USD
    Sotheby’s: Edgar Allan Poe. The Raven and Other Poems, 1845. 33,000 USD
    Sotheby’s: Leo Tolstoy, Clara Bow. War and Peace, 1886. 22,500 USD
    Sotheby’s: Sir Arthur Conan Doyle. Adventures of Sherlock Holmes, 1902. 7,500 USD
    Sotheby’s: F. Scott Fitzgerald. This Side of Paradise, The Great Gatsby, and Others, 1920-1941. 24,180 USD

Rare Book Monthly

Articles - March - 2020 Issue

A Survey about Book Fairs

The opinions of buyers will matter

The opinions of buyers will matter

Many thousands of our members are frequent guests at book, manuscript, map and ephemera fairs.  Such events are time-old traditions that increasingly seem to be a step behind the many changes that have remade these fields electronically.  And this is important because the efficient use of time online underlies all assumptions about behavior.

 

If book fairs are less time efficient this survey considers some changes that will radically re-think and re-organize what book fairs may become.

 

Please share your opinions.

 

A Survey

 

How do you interact with rare book shows and fairs?

 

How many shows do you visit during an average year?

 

1 to 24

 

Your purposes for such visits

 

To meet dealers to buy material

To find interesting material

To offer to sell material to dealers

 

Material of interest such as

  Books,

  Manuscripts

  Ephemera

  Photography

  Objects

 

Material at shows is not consistently organized and sequentially displayed.

 

Do you find shows to be an efficient use of your time?

 

If a database of all material offered at a show could be a single search, and be marked as “I’d like to buy this” or “I’m making an expression of interest” would you find this capability useful?

 

Please note that dealers displaying material rarely offer more than 5% or 1/20th of their entire inventory.  If, displaying dealers offer a “show database” that includes both [1] searches of all inventory on the floor and [2] all material is held by exhibiting dealers, would you to be interested to make purchases?

 

Would you regularly use such databases?

 

Would you be more likely buy material if you could systematically search from show dealers.

 

If the show database was posted 21 days ahead of a fair would you be more likely to buy at a fair?

 

And if the full stock of participating dealers could be identified before the show are you open to have the displaying dealers to direct ship to you?

 

We will publish the results of this survey in the April issue of Rare Book Monthly.

 

 

 


Posted On: 2020-03-01 15:21
User Name: zephyrbook

Exhibit at 12-14 shows per year, and attend at least another 4-6.

To sell material, buy material, build client base

Books, Manuscripts, Ephemera, Photography & Objects

I have been exhibiting at Antiquarian Book Fairs and Antique Shows on a consistent basis since I apprenticed in the trade in 1987. And yes, the concentrated amount of time is quite efficient for me, far more than a brick & mortar shop which I operated for 13 1/2 years.

Success at book fairs requires many permutations. I maintain a database of over 4500 names which are continually culled. I send 100s of postcards and letters, emails, and catalogues to potential clients at the respective cities or areas in which I will be attending. I will say that snail mail return rate is far higher than any other medium. As such I physically spoke to, sold to, interacted with, and queried 87 of the 227 customers to which I sent postcards, passes & letters to in Pasadena for the recent show.

I cannot speak for every dealer, but I will tell you that much of the material I bring to a Show is specifically for the Show, and is not listed online, downloaded into an electronic format, and is intended for customers to discover through serendipity. Furthermore, I am often making decisions on what to pack the day before I leave for a show, so preparing a database weeks in advance would offer little appeal, or advantage to me.

Customers who regularly purchase from me, interact with me, and/or make an effort will receive advance email versions of the catalogue and occasionally paper copies.

I attend book fairs and other similar venues for buying when I can actually see, touch, and look at the material. I often buy things which would be very difficult to describe to me in a physical description, and often I am purchasing items for an entirely different purpose than what the dealer, or seller may have intended originally.


Posted On: 2020-03-01 20:52
User Name: johnwindle

This section doesn;t work


Posted On: 2020-03-02 02:18
User Name: wormandcandy

Attend approx. 6-8 book fairs a year. The amount of material is overwhelming yet the rush and anticipation of discovery is exciting. Many ABAA book members already list their material on the discreet ABAA search engine rendering the proposed idea - although thoughtful - redundant. How would the proposal alter in any meaningful way the search sources that already exist? Most of the dealers also have business and promotional material which further directs clients to individual store/dealer websites.

Looking to evolve these traditional fairs in light of current business models is absolutely critical. Yet increasing the magnitude of inventory is less so than a thorough evaluation of the fair structure and format - beginning with the demographics.

The book fair model doesn't need more inventory data bases, it needs a ground-shifting move away from its narrowing, shrinking demographic.

For example, consider the "Printed Matter" fairs. Attendance numbers are astronomical and the demographics of the attendees and exhibitors vast. Prices are modest yet the excitement is palpable. An old ABAA hand - art book and ephemera dealer - attends both and reports sales at Printed Matter fair 3x-4x higher than ABAA fairs. I'm 65+, and the Printed Matter fair is exhilarating - brimming with young as well as mature book people whereas ABAA events (which I enjoy greatly) tend to be demographically limited to a very narrow group of enthusiasts in the upper range of age and affluence.

It would be best to integrate the old and the new into one event - but given institutional traditions, that may take more time. So symbiotic shadow events are a needed first step.
Look to the California Fair in Pasadena on which you have posted 2 reviews. You report that the Shadow Fair had an enthusiastic reception. Had that shadow been geared toward a younger demographic with a variety of book, paper publishers, dealers and their clientele, the energy at the main fair would have had a referential overlap likely providing a healthy, new group of attendees already with a captured interest.

Of course the details of such events need to be carefully analyzed and projected, but unless the traditional book fair promoters (ABAA, etc.) cast their nets wider, e.g. from the shrinking demographic willing to paying $5,000 - let alone collect - a Hemingway first ed., such events will continue the apparent slide in dealer participation, business growth and customer development.

Whatever caution dealers posses re customer respect, the "Printed Matter" attendees do not damage, drop, deface or destroy the material at those events. They posses great regard and respect as you'd expect from the traditional customer.. Such events are not "the future" of the trade, they are the present. New York, Boston and SF/LA need to take heed.


Rare Book Monthly

  • Fonsie Mealy’s, Dec. 11-12: A Rare Complete Run of the Cuala Press Broadsides. €5,500 to €7,000.
    Fonsie Mealy’s, Dec. 11-12: Rare First Edition of a Classic Work. [Stafford (Thos.)] Pacata Hibernia, Ireland Appeased and Reduced…, 1633. €1,500 to €2,000.
    Fonsie Mealy’s, Dec. 11-12: Yeats (W.B.) The Poems of W.B. Yeats, 2 vols. Lond. (MacMillan & Co.) 1949. Signed by author, limited edition. €1,250 to €1,750.
    Fonsie Mealy’s, Dec. 11-12: Fishing: Literal Translation into English of the Earliest Known Book on Fowling and Fishing, Written originally in Flemish and Printed at Antwerp in 1492. London (Chiswick Press) 1872. €1,500 to €2,000.
    Fonsie Mealy’s, Dec. 11-12: Fishing: Blacker's - Art of Fly Making, etc., Comprising Angling & Dying of Colours..., Rewritten & Revised. Lond. 1855. €250 to €350.
    Fonsie Mealy’s, Dec. 11-12: Joyce (James). Finnegans Wake,, London (Faber & Faber Ltd.) 1939, Lim. Edn. No. 269 (425) copies, Signed by the Author (in green pen). €3,000 to €4,000.
    Fonsie Mealy’s, Dec. 11-12: Synge (J.M.) & Yeats (Jack B.) illus. The Aran Islands,, D. (Maunsel & Co. Ltd.) 1907, Signed Limited Edn. €4,000 to €5,000.
    Fonsie Mealy’s, Dec. 11-12: Meyer (Dr. A.B.) Unser Auer -, Rackel-Und Birkwild und Seine Abarten, Wien (Verlag Von Adolph W. Kunast) 1887. €2,500 to €3,500.
    Fonsie Mealy’s, Dec. 11-12: Carve (Thomas). Itinerarium R.D. Thomas Carve Tripperariensis, Sacellani Maioris in Fortisima iuxta…,, Moguntia (Mainz) impriemebat Nicolaus Heyll, 1639. €1,500 to €2,000.
    Fonsie Mealy’s, Dec. 11-12: Grose (Francis). The Antiquities of Ireland, 2 vols. folio London (for S. Hooper) 1791. First Edition. €3,000 to €5,000.
    Fonsie Mealy’s, Dec. 11-12: Heaney (Seamus) & Le Brocquy (Louis) artist. Ugolino, D. (Dolmen Press) 1979, Signed Limited Edition No. 87 (125) Copies. €3,500 to €4,500.
    Fonsie Mealy’s, Dec. 11-12: Heaney (Seamus). Eleven Poems, Belfast (Festival publications - Queens University) [1965], First Edn., (First Issue) Signed. €2,500 to €3,500.
  • Doyle, Dec. 5: Minas Avetisian (1928-1975). Rest, 1973. $8,000 to $12,000.
    Doyle, Dec. 5: Anna Vaughn Hyatt Huntington (1876-1973). Yawning Tiger, conceived 1917. $3,000 to $5,000.
    Doyle, Dec. 5: Robert M. Kulicke (1924-2007). Full-Blown Red and White Roses in a Glass Vase, 1982. $3,000 to $5,000.
    Doyle, Dec. 5: Pablo Picasso (1881-1973). L’ATELIER DE CANNES (Bloch 794; Mourlot 279). The cover for Ces Peintres Nos Amis, vol. II. $1,000 to $1,500.
    Doyle, Dec. 5: LeRoy Neiman (1921-2012). THE BEACH AT CANNES, 1979. $1,200 to $1,800.
    Doyle, Dec. 5: Richard Avendon, the suite of eleven signed portraits from the Avedon/Paris portfolio. $150,000 to $250,000.
    Doyle, Dec. 5: Robert Mapplethorpe (1946-1989). Flowers in Vase, 1985. $20,000 to $30,000.
    Doyle, Dec. 5: Edward Weston (1886-1958). Nude, 1936. $20,000 to $30,000.
    Doyle, Dec. 5: Edward Weston (1886-1958). Juniper, High Sierra, 1937.
    Doyle, Dec. 5: Steven J. Levn (b. 1964). Plumage II, 2011. $6,000 to $8,000.
    Doyle, Dec. 5: Steven Meisel (b. 1954). Madonna, Miami, (from Sex), 1992. $6,000 to $9,000.
  • ALDE, Dec. 9: BLAEU (JOAN) ET BORGOGNIO (GIO TOMASO). Theatre des Estats de son Altesse Royale le duc de Savoye…, La Haye, 1700. €25,000 to €30,000.
    ALDE, Dec. 9: BROWNE (JAMES D. HOWE). Ten Scenes in the last Ascent of Mont Blanc including five Views from the Summit. London, 1853. €6,000 to €8,000.
    ALDE, Dec. 9: FELLOWS (CHARLES). A Narrative of an Ascent to the Summit of Mont-Blanc. London, 1827. €30,000 to €40,000.
    ALDE, Dec. 9: HACQUET (BELSAZAR). Physikalisch= Politische Reise aus den Dinarischen durch die Julischen…, Leipzig, 1785. €3,000 to €4,000.
    ALDE, Dec. 9: HAWES (BENJAMIN). A Narrative of an Ascent to the Summit of Mont-Blanc made during the summer of 1827 by Mr. William Hawes and Mr. Charles Fellows, 1828.
    ALDE, Dec. 9: MARTEL (PIERRE) ET WINDHAM (WILLIAM). An account of the glacieres or ice Alps in Savoy, in two letters…, London, 1744. €6,000 to €8,000.
    ALDE, Dec. 9: PITSCHNER (WILHELM). Der Mont Blanc Darstellung des Besteigung desselben am 31 Juli, 1 und 2 August 1859…, Berlin, 1860-1864. €8,000 to €10,000.
    ALDE, Dec. 9: SCHEUCHZER (JOHANN JACOB). Natur-Geschichte des Schweizerlandes, samt seinen Reisen über die Schweitzerische Gebürge. Zurich, 1746. €3,000 to €4,000.
    ALDE, Dec. 9: STUMPF (JOANNES). Gemeiner loblicher Eydgnosschaft Stetten, Landen, und Völckeren Chronicwirdiger Thaatenbeschreybung. Zurich, Christoph Froschauer, 1548. €2,500 to €3,500.
    ALDE, Dec. 9: WALTON (ELIJAH) ET BONNEY (THOMAS GEORGE). The Peaks and valleys of the Alps. London, 1868. €3,000 to €4,000.
    ALDE, Dec. 9: WYTTENBACH (JACOB SAMUEL). Vues remarquables des montagnes de la Suisse, avec leur description. Amsterdam, 1785. €15,000 to €20,000.

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