• ALDE
    Bibliothèque médicale Arthur Tatossian
    December 11, 2024
    ALDE, Dec. 11: ALBINUS (BERNHARD SIEGFIED). Tabulæ Sceleti et Musculorum corporis humanum, Londres, 1749. €4,000 to €5,000.
    ALDE, Dec. 11: BIDLOO (GOVARD). Anatomia humani corporis. Centum et quinque tabulis per artificiosiss. G. de Lairesse..., Amsterdam, 1685.
    ALDE, Dec. 11: BOURGERY (JEAN-MARC) – JACOB (NICOLAS-HENRI). Traité complet de l’anatomie de l’Homme comprenant la médecine opératoire, Paris, 1832. €4,000 to €5,000.
    ALDE
    Bibliothèque médicale Arthur Tatossian
    December 11, 2024
    ALDE, Dec. 11: CALDANI (LEOPOLDO MARCANTONIO ET FLORIANO). Icones anatomicae, Venice, 1801-14. €5,000 to €6,000.
    ALDE, Dec. 11: CARSWELL (ROBERT). Pathological Anatomy. Illustrations of the elementary forms of disease, London, 1838. €5,000 to €6,000.
    ALDE, Dec. 11: CASSERIUS (JULIUS) [GIULIO CASSERIO]. De vocis auditusq. organis historia anatomica singulari fide methodo ac industria concinnata tractatis duobus explicate, Ferrara, 1600-1601. €4,000 to €5,000.
    ALDE
    Bibliothèque médicale Arthur Tatossian
    December 11, 2024
    ALDE, Dec. 11: ESTIENNE (CHARLES). De dissectione partium corporis humani libri tres, Paris, 1545. €8,000 to €10,000.
    ALDE, Dec. 11: GAMELIN (JACQUES). Nouveau Recueil d'Ostéologie et de Myologie dessiné d'après nature... pour l’utilité des sciences et des arts, divisé en deux parties, Toulouse, 1779. €6,000 to €8,000.
    ALDE, Dec. 11: ROESSLIN (EUCHER). Des divers travaux et enfantemens des femmes et par quel moyen l'on doit survenir aux accidens…, Paris, 1536. €3,000 to €4,000.
    ALDE
    Bibliothèque médicale Arthur Tatossian
    December 11, 2024
    ALDE, Dec. 11: RUYSCH (FREDERICK). Thesaurus anatomicus - Anatomisch Cabinet, Amsterdam, 1701-1714. €3,000 to €4,000.
    ALDE, Dec. 11: VALVERDE (JUAN DE). Anatome corporis humani. Nunc primum a Michaele Michaele Columbo latine reddita, et additis novis aliquot tabulis exornata, Venetiis, 1589. €2,000 to €3,000.
    ALDE, Dec. 11: VESALIUS (ANDREAS). De humani Corporis Fabrica libri septem, Venetiis, 1568. €3,000 to €4,000.
  • Sotheby's
    Fine Books, Manuscripts & More
    Available for Immediate Purchase
    Sotheby’s: J.R.R. Tolkien. The Lord of the Rings Trilogy. 11,135 USD
    Sotheby’s: Edgar Allan Poe. The Raven and Other Poems, 1845. 33,000 USD
    Sotheby’s: Leo Tolstoy, Clara Bow. War and Peace, 1886. 22,500 USD
    Sotheby’s: Sir Arthur Conan Doyle. Adventures of Sherlock Holmes, 1902. 7,500 USD
    Sotheby’s: F. Scott Fitzgerald. This Side of Paradise, The Great Gatsby, and Others, 1920-1941. 24,180 USD
  • Doyle, Dec. 5: Minas Avetisian (1928-1975). Rest, 1973. $8,000 to $12,000.
    Doyle, Dec. 5: Anna Vaughn Hyatt Huntington (1876-1973). Yawning Tiger, conceived 1917. $3,000 to $5,000.
    Doyle, Dec. 5: Robert M. Kulicke (1924-2007). Full-Blown Red and White Roses in a Glass Vase, 1982. $3,000 to $5,000.
    Doyle, Dec. 5: Pablo Picasso (1881-1973). L’ATELIER DE CANNES (Bloch 794; Mourlot 279). The cover for Ces Peintres Nos Amis, vol. II. $1,000 to $1,500.
    Doyle, Dec. 5: LeRoy Neiman (1921-2012). THE BEACH AT CANNES, 1979. $1,200 to $1,800.
    Doyle, Dec. 5: Richard Avendon, the suite of eleven signed portraits from the Avedon/Paris portfolio. $150,000 to $250,000.
    Doyle, Dec. 5: Robert Mapplethorpe (1946-1989). Flowers in Vase, 1985. $20,000 to $30,000.
    Doyle, Dec. 5: Edward Weston (1886-1958). Nude, 1936. $20,000 to $30,000.
    Doyle, Dec. 5: Edward Weston (1886-1958). Juniper, High Sierra, 1937.
    Doyle, Dec. 5: Steven J. Levn (b. 1964). Plumage II, 2011. $6,000 to $8,000.
    Doyle, Dec. 5: Steven Meisel (b. 1954). Madonna, Miami, (from Sex), 1992. $6,000 to $9,000.
  • Gonnelli:
    Auction 55
    Antique prints, paintings and maps
    November 26st 2024
    Gonnelli: Stefano Della Bella, 23 animal plances,1641. Starting price 480€
    Gonnelli: Stefano Della Bella, Boar Hunt, 1654. Starting price 180€
    Gonnelli: Crispijn Van de Passe, The seven Arts, 1637. Starting price 600€
    Gonnelli: Giuseppe Maria Mitelli, La Maschera è cagion di molti mali, 1688. Starting price 320€
    Gonnelli: Biribissor’s game, 1804-15. Starting price 2800€
    Gonnelli: Nicolas II de Larmessin, Habitats,1700. Starting price 320€
    Gonnelli: Miniature “O”, 1400. Starting price 1800€
    Gonnelli: Jan Van der Straet, Hunt scenes, 1596. Starting Price 140€
    Gonnelli: Massimino Baseggio, Costantinople, 1787. Starting price 480€
    Gonnelli: Kawanabe Kyosai, Erotic scene lighten up by a candle, 1860. Starting price 380€
    Gonnelli: Duck shaped dropper, 1670. Starting price 800€

Rare Book Monthly

Articles - February - 2020 Issue

Sad Day for the Book Trade: Commentary on Carnegie Library Thefts

Gregory Priore, 63, (left) archivist at the Carnegie Library and John Schulman, 56, (right) of Caliban Bookshop (Allegheny County photo).

Gregory Priore, 63, (left) archivist at the Carnegie Library and John Schulman, 56, (right) of Caliban Bookshop (Allegheny County photo).

By now the whole book world has heard that rare book librarian Gregory Priore, 63, who was the archivist and manager of Pittsburgh’s Carnegie Library William R. Oliver Special Collections Room from 1992 until April 2017 and an equally well known Pittsburgh dealer in fine books, John Schulman, 56, co-owner of the Caliban Bookshop, have both pleaded guilty to thefts from the library that could run into the millions. The pillaging of the collection was said to have run for years and was part of an ongoing scheme by the two men to personally profit from their clandestine actions. This truly is a sad day for the book trade and one that makes us question our basic assumptions and practices.

 

Who among us has handled rare and valuable material and has not been tempted to steal?

 

In my own career I worked at the Rare Books Department of the University of California Library at Berkeley in the 1960s. I had the keys to the stacks which also included the Bancroft Library. I was a youngster and my entire job was to see that nobody brought a pen into the room, to watch the readers to make sure they did not steal or write in the books and to return the material after use.

 

I watched the patrons; but, there was nobody watching me.

 

In those days there were no security cameras, there were very few other people with access to the stacks and the collection was brilliant. It would have been easy to pilfer. Yet, it never crossed my mind to lift a volume here or there.

 

Likewise as a college student I was a research assistant at the Archives of American Art, then located in the Detroit Institute of Art. Even in my low level intern type position I could wander at will around the private areas of the museum which housed the archives and holdings of the museum not on display. It was a veritable treasure house, and temptations lurked around every corner. I did not take, and nobody I knew even considered taking (although must admit when I first saw their Joseph Cornell assemblage collection it did cross my mind - they had so many and treated them so casually, would they even miss one?). Instead, I visited the Cornell cache almost daily, privately admiring the work which was housed higgledy-piggledy on shelves without any security.

 

And a few years later, as a young military wife during the Vietnam era, I became a curator at the Heron Museum of Art in Indianapolis. During my time at the museum, a member of the renowned Lilly family gifted their mansion, their artwork, books and decorative arts to our museum.

 

The walls were covered with Fragonards, the drawers were filled with Goya prints, the closets were jammed with Lalique and Spode, endless antique silver tea services, the finest cut glass epergnes, punch bowls, porcelain figurines -- just a massive amount of rare, expensive beautiful stuff.

 

There was no inventory, in fact it was my job to to make the inventory. I drove daily from my little cabin where the families of enlisted men lived out on the wrong side of town, across the railroad tracks to spend my work day at one of the grandest estates in Indianapolis.

 

Many days I was the only person in that huge home going through the china, the silver, the books and prints and making the preliminary notes for accessioning. Nobody was watching; I was alone. There was more than you could possibly imagine, and no one but me knew what it was in those closets and drawers. Yet I never once thought of pocketing a candlestick or a tea cup. I loved the Goya Los Caprichos prints but not for an instant did I consider stealing a few, or partnering with an outside dealer to make some quick cash on the side.

 

So what has happened here? What makes people steal, especially people in a position of trust? Why would a rare books librarian collude with an apparently reputable dealer to ravage a prominent collection and how could it have gone on for years without anyone being any the wiser? And more importantly, what’s to be done on the security side to keep it from happening again?

 

It is interesting to note that the thefts came to light when an appraisal was ordered for insurance purposes; it was then that the list of missing items began to emerge. During the subsequent investigation it appeared that cannibalizing the collection was an inside job. Two trusted inside people who weren’t being watched just helped themselves.

 

It makes us all, all who work in positions of trust, look bad. Very bad.

 

Here’s a comment from Vic Zoschak, outgoing president of the ABAA. In an email he wrote: John Schulman (Caliban Books) has not been an ABAA member since the summer of 2018. In July of that summer, the allegations of theft were made public, and we in the ABAA were shocked and disappointed to hear of same. Shortly after they did become public, Mr. Schulman resigned his ABAA membership. As to Mr Schulman’s recent guilty plea, we only know what was reported in the Pittsburgh Gazette.

 

With all that in mind, I’ll share with you the statement I made earlier on Jan. 14th to the ABAA membership regarding the Carnegie Library thefts:

 

To the membership-

 

The Antiquarian Booksellers’ Association of America is committed to honesty and integrity. Any profession, even one with a long-standing reputation for trust and ethical behavior such as ours, can be subject to bad actors. In this instance, your Association has used this unfortunate situation as an opportunity to look inward. As a result, in conjunction with ILAB, we are now in the final stages of developing an international stolen books database that will provide law enforcement and the rare book community with an effective tool to identify, track, and recover stolen books. We will be a stronger trade as a result.”

 

While that’s good as a policy statement after a theft has occurred, it doesn’t really address the question of how to prevent theft in the first place. Where is the watch bird watching you? Do we all need a regular audit? What other security practices will keep insider fingers out of the cookie jar?

 

Many of us do have agreements with university and special collections to help them market duplicates and donations that do not contribute to their core mission. How will those transactions look in light of this disgraceful incident?

 

What about the folks who unwittingly bought stolen merchandise thinking it came from a reputable source? What will become of those transactions? This was not a one time thing, this was an ongoing scam that covered years.

 

And even more troubling, the book trade, the stuffiest, prissiest, most high nosed (.....”After you my dear Alphonse…”) occupation on the planet just took a hit to our collective reputations which we did not deserve. Worse yet, I suspect we will all be tarred with the same brush and it will take a long time to recover.

 

Bad. Very bad.

Rare Book Monthly

  • High Bids Win
    Letterpress & Bindery Auction
    Nov. 20 – Dec. 5, 2024
    High Bids Win, Nov. 20 – Dec. 5: Book Press 10 1/2× 15 1/4" Platen , 2 1/2" Daylight.
    High Bids Win, Nov. 20 – Dec. 5: The Tubbs Mfg Co. wooden-type cabinet 27” w by 37” h by 22” deep.
    High Bids Win, Nov. 20 – Dec. 5: G.P.Gordon printing press 7” by 11” with treadle. Needs rollers, trucks, and grippers. Missing roller spring.
    High Bids Win
    Letterpress & Bindery Auction
    Nov. 20 – Dec. 5, 2024
    High Bids Win, Nov. 20 – Dec. 5: D & C Ventris curved wood type 2” tall 5/8” wide.
    High Bids Win, Nov. 20 – Dec. 5: Wood Type 1 1/4” tall.
    High Bids Win, Nov. 20 – Dec. 5: Quarter Case with Lead Triangles.
    High Bids Win
    Letterpress & Bindery Auction
    Nov. 20 – Dec. 5, 2024
    High Bids Win, Nov. 20 – Dec. 5: Page & Co wood type 1 1/4” tall 1/4” wide.
    High Bids Win, Nov. 20 – Dec. 5: Awt 578 type hi gauge.
    High Bids Win, Nov. 20 – Dec. 5: Quarter Case with Lead Penline Flourishes.
    High Bids Win
    Letterpress & Bindery Auction
    Nov. 20 – Dec. 5, 2024
    High Bids Win, Nov. 20 – Dec. 5: Quarter Case with Lead Penline Flourishes.
    High Bids Win, Nov. 20 – Dec. 5: Quarter Case with Lead Cents and Pound Signs.
    High Bids Win, Nov. 20 – Dec. 5: Wooden type cabinet 27” w by 19” d by 38” h.
  • Doyle, Dec. 6: An extensive archive of Raymond Chandler’s unpublished drafts of fantasy stories. $60,000 to $80,000.
    Doyle, Dec. 6: RAND, AYN. Single page from Ayn Rand’s handwritten first draft of her influential final novel Atlas Shrugged. $30,000 to $50,000.
    Doyle, Dec. 6: Ernest Hemingway’s first book with interesting provenance. Three Stories & Ten Poems. $20,000 to $30,000.
    Doyle, Dec. 6: Hemingway’s second book, one of 170 copies. In Our Time. $15,000 to $25,000.
    Doyle, Dec. 6: A finely colored example of Visscher’s double hemisphere world map, with a figured border. $12,000 to $18,000.
    Doyle, Dec. 6: Raymond Chandler’s Olivetti Studio 44 Typewriter. $10,000 to $20,000.
    Doyle, Dec. 6: Antonio Ordóñez's “Suit of Lights” owned by Ernest Hemingway. $10,000 to $20,000.
    Doyle, Dec. 6: A remarkable Truman archive featuring an inscribed beam from the White House construction. $8,000 to $12,000.
    Doyle, Dec. 6: The fourth edition of Audubon’s The Birds of America. $8,000 to $12,000.
    Doyle, Dec. 6: The original typed manuscript for Chandler’s only opera. The Princess and the Pedlar: An Entirely Original Comic Opera. $8,000 to $12,000.
    Doyle, Dec. 6: A splendidly illustrated treatise on ancient Peru and its Incan civilization. $7,000 to $10,000.
    Doyle, Dec. 6: A superb copy of Claude Lorrain’s Liber Veritatis from Longleat House. $5,000 to $8,000.
  • Ketterer Rare Books
    Auction November 25th
    Ketterer Rare Books, Nov. 25:
    H. Schedel, Liber chronicarum, 1493. Est: € 25,000
    Ketterer Rare Books, Nov. 25:
    P. O. Runge, Farben-Kugel, 1810. Est: € 8,000
    Ketterer Rare Books, Nov. 25:
    W. Kandinsky, Klänge, 1913. Est: € 20,000
    Ketterer Rare Books
    Auction November 25th
    Ketterer Rare Books, Nov. 25:
    W. Burley, De vita et moribus philosophorum, 1473. Est: € 4,000
    Ketterer Rare Books, Nov. 25:
    M. B. Valentini, Viridarium reformatum seu regnum vegetabile, 1719. Est: € 12,000
    Ketterer Rare Books, Nov. 25:
    PAN, 10 volumes, 1895-1900. Est: € 15,000
    Ketterer Rare Books
    Auction November 25th
    Ketterer Rare Books, Nov. 25:
    J. de Gaddesden, Rosa anglica practica medicinae, 1492. Est: € 12,000
    Ketterer Rare Books, Nov. 25:
    M. Merian, Todten-Tanz, 1649. Est: € 5,000
    Ketterer Rare Books, Nov. 25:
    D. Hammett, Red harvest, 1929. Est: € 11,000
    Ketterer Rare Books
    Auction November 25th
    Ketterer Rare Books, Nov. 25:
    Book of hours, Horae B. M. V., 1503. Est: € 9,000
    Ketterer Rare Books, Nov. 25:
    J. Miller, Illustratio systematis sexualis Linneai, 1792. Est: € 8,000
    Ketterer Rare Books, Nov. 25:
    F. Hundertwasser, Regentag – Look at it on a rainy day, 1972. Est: € 8,000

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