• <b>Swann Auction Galleries Dec 17:</b> Currier & Ives, <i>The Mississippi in Time of Peace,</i> hand-colored lithograph, 1865. $6,000 to $9,000.
    <b>Swann Auction Galleries Dec 17:</b> Hartmann Schedel, <i>Liber Cronicarum...,</i> Nuremberg, 1493. $40,000 to $60,000.
    <b>Swann Auction Galleries Dec 17:</b> Claudius Ptolemaeus, <i>Geographicae Enarrationis Libri Octo,</i> Lyons, 1535. $20,000 to $25,000.
    <b>Swann Auction Galleries Dec 17:</b> Thomas Jefferys, <i>The American Atlas,</i> London, 1776-77. $10,000 to $15,000.
    <b>Swann Auction Galleries Dec 17:</b> John Speed, <i>A Prospect of the Most Famous Parts of the World,</i> 20 miniature maps, London, 1665. $2,000 to $3,000.
    <b>Swann Auction Galleries Dec 17:</b> <i>Biblia Das ist: Die Gantze Heilige Schrifft Durch D. Martin Luther Verteutscht,</i> illustrated cartographic Bible, Basel, 1665. $1,500 to $2,500.
    <b>Swann Auction Galleries Dec 17:</b> Early Hawaiian-language school geography, Lahainaluna Seminary, 1840. $2,500 to $3,500.
    <b>Swann Auction Galleries Dec 17:</b> Cornelis de Jode, <i>Africae Vera Forma, et Situs,</i> Antwerp, 1593. $4,000 to $6,000.
    <b>Swann Auction Galleries Dec 17:</b> Maria Vincenzo Coronelli, <i>America Settentrionale Colle Nuove Scoperte Sin All Anno,</i> Venice, 1688. $7,000 to $10,000.
    <b>Swann Auction Galleries Dec 17:</b> Johann Christoph Volkamer, <i>Nürnbergische Hesperides,</i> Nuremberg, 1708-1714. $12,000 to $18,000.
    <b>Swann Auction Galleries Dec 17:</b> Johann Bayer, <i>Uranometria, Omnium Asterismorum Continens Schemata...,</i> 51 celestial charts, c. 1603. $5,000 to $7,500.
    <b>Swann Auction Galleries Dec 17:</b> Manuscript map of Commodore Perry’s Black Ship squadron at Edo Bay, with manuscript sketchbook, ink & watercolor, Japan, c. 1853. $2,500 to $3,500.
  • <b>Christie’s London, Dec. 11:</b> SHAKESPEARE, William. <i>Comedies, Histories and Tragedies. Published according to the true Originall Copies.</i> The second Impression. London, 1632. £120,000 to £180,000.
    <b>Christie’s London, Dec. 11:</b> [GOETHE, Johann Wolfgang von (1749–1832)]. <i>Das Römische Carneval.</i> Berlin and Gotha, 1789. £20,000 to £30,000.
    <b>Christie’s London, Dec. 11:</b> [SHAKESPEARE, William]. Manuscript part for a contemporary analogue to <i>Henry IV,</i> part I, n.p. [perhaps Oxford or London], n.d. [c.1580s – before c.1620]. £25,000 to £35,000.
    <b>Christie’s London, Dec. 11:</b> GOETHE, Johann Wolfgang von (1749–1832). <i>Faust. Ein Fragment... Ächte Ausgabe.</i> Leipzig: Georg Joachim Göschen, 1790. £3,000 to £5,000.
    <b>Christie’s London, Dec. 11:</b> SHAKESPEARE, William. <i>The Tragedy of Hamlet Prince of Denmark. As it is now Acted at his Highness the Duke of York's Theatre.</i> London, 1683. £60,000 to £90,000.
    <b>Christie’s London, Dec. 11:</b> [GOETHE, Johann Wolfgang von (1749–1832)]. <i>Die Leiden des jungen Werthers.</i> Leipzig: Weygand, 1774. £15,000 to £20,000.
  • <b>Christie’s London, Dec. 11:</b> ALBUM AMICORUM OF SCHELOMITH FLAUM. Autograph album containing drawings, autograph quotations and signatures from over 47 contributors, India, Europe, America, Israel and elsewhere, 1923–50. £40,000 to £60,000.
    <b>Christie’s London, Dec. 11:</b> FLEMING, Ian (1908–1964). <i>Live and Let Die.</i> London: Jonathan Cape, 1954. £15,000 to £20,000.
    <b>Christie’s London, Dec. 11:</b> HISTORY OF CINEMA. Animal Farm (1954), an animation archive from the Halas and Batchelor studios, [c.1954]. £20,000 to £30,000.
    <b>Christie’s London, Dec. 11:</b> LE HAY, Jacques – [Charles de FERRIOL]. <i>Recueil de Cent Estampes representant differentes Nations du Levant...</i> Paris, 1714. [With:] <i>Explication des cents Estampes.</i> Paris, 1715. £25,000 to £35,000.
    <b>Christie’s London, Dec. 11:</b> THE LAST JUDGEMENT, historiated initial 'A' on a leaf from an Antiphonal on vellum illuminated by Nikolaus Bertschi [Augsburg, first quarter 16th century]. £7,000 to £10,000.
    <b>Christie’s London, Dec. 11:</b> VALTURIUS, Robertus (1413–1484). <i>De re militari.</i> [Verona:] Johannes Nicolai de Verona, 1472. £170,000 to £250,000.
  • <b>Bonhams, Dec. 5:</b> SHAKESPEARE, WILLIAM. <i>Macbeth: A Tragedy.</i> London, 1673. FIRST SEPARATE AND FIRST QUARTO EDITION. THE CHARLTON HESTON COPY. $80,000 to $120,000.
    <b>Bonhams, Dec. 5:</b> HEMINGWAY, ERNEST. <i>In Our Time.</i> Paris, 1924. FIRST EDITION, PRESENTATION COPY. $20,000 to $30,000.
    <b>Bonhams, Dec. 5:</b> HAWTHORNE, NATHANIEL. <i>Fanshawe, A Tale.</i> Boston, 1828. FIRST EDITION OF AUTHOR'S FIRST BOOK. $20,000 to $30,000.
    <b>Bonhams, Dec. 5:</b> THOREAU, HENRY DAVID. <i>Walden; Or, Life in the Woods.</i> Boston, 1854. FINE COPY OF THE FIRST EDITION. $10,000 to $15,000.
    <b>Bonhams, Dec. 5:</b> SHAKESPEARE, WILLIAM. <i>Comedies, Histories, and Tragedies.</i> London, 1685. THE FOURTH FOLIO, Brewster/Bentley issue. $20,000 to $30,000.
    <b>Bonhams, Dec. 5:</b> STEIG, WILLIAM. Original maquette and 58 finished drawings for <i>The Agony in the Kindergarten,</i> one of Steig's most important books. $10,000 to $15,000.
    <b>Bonhams, Dec. 5:</b> VERNE, JULES. <i>A Journey to the Centre of the Earth.</i> New York & London, 1872. FIRST EDITION, RARE AMERICAN ISSUE, with Scribner & Welford cancel title. $5,000 to $8,000.
    <b>Bonhams, Dec. 5:</b> KING, STEPHEN. <i>Carrie.</i> New York, 1974. INSCRIBED FIRST EDITION, OF AUTHOR'S FIRST BOOK. $1,200 to $1,800.
    <b>Bonhams, Dec. 4:</b> APPLE MACINTOSH PROTOTYPE. 1983. The earliest known Macintosh with "Twiggy" drive, one of only two known working machines. $120,000 to $180,000.
    <b>Bonhams, Dec. 4:</b> PLATO. <i>Timaeus</i> [AND] <i>Critias</i> [from Ficini's 1484 Opera]. A LANDMARK OF SCIENTIFIC THOUGHT. $80,000 to $120,000.
    <b>Bonhams, Dec. 4:</b> LOVELACE, AUGUSTA ADA. Sketch of the Analytical Engine Invented by Charles Babbage Esq. London, 1843. FIRST EDITION, JOURNAL ISSUE, MOST IMPORTANT PAPER IN EARLY DIGITAL COMPUTING. $15,000 to $20,000.
    <b>Bonhams, Dec. 4:</b> APPLE-1 COMPUTER. Signed by Steve Wozniak, used in development of Apple II. $200,000 to $300,000.
    <b>Bonhams, Dec. 4:</b> DARWIN, CHARLES. 1809-1882. <i>On the Origin of Species By Means of Natural Selection.</i> London, 1859. FIRST EDITION. $80,000 to $120,000.

Rare Book Monthly

Articles - December - 2019 Issue

Cartouche ou Le Vice Puni: First, Pirate and Best Editions...

96e3afe4-b0c2-4a1b-854f-50ddb26edd9f

Louis-Dominique Cartouche (1693-1721), the most famous French robber of the Ancien Régime, inspired many writers including Nicolas Racot de Grandval, who published Le Vice Puni, ou Cartouche (Anvers, 1725), an epic poem telling his dramatic fate. It’s been reprinted many times so let’s find out about the first, the pirate and the best editions of this work.

 

1. Whodunit?

This burlesque poem first came out anonymously but has been credited to Grandval (1676-1753) by Antoine Alexandre Barbier (Dictionnaire des ouvrages anonymes—Paris, 1822). “It was reprinted with the name of the author,” he explains (in the 1760 edition—Pierre Prault). The first edition features a riddle about the identity of the author. The title page reads: “At Nicolas Grand-VEAU”, as well as “available at the Harpsichord’s”—Grand-VAL was a playwright but also a professional harpsichord player. The title page claims that the book was printed in Anvers, Belgium—a fake address, as it was published without “permission”.

 

2. False leads and guilty editions

The website languefrancaise.net is specialized in French language, including slang. They list not less than 5 editions of Le Vice Puni for the sole year 1725, and 3 more for 1726.

 

Barbier claims that Le Vice Puni first came in 1723, which is not the case. In 1726, the bookseller Pierre Prault printed an edition with two additional texts, Lettres à M Grandval and Réflexions sur une critique.... The website languefrancaise.net reads: “At the very end of the privilege of these two texts, there’s an allusion to “the former regulations, confirmed by the regulation of February 28, 1723.” I guess this indication, although not concerning Le Vice Puni, is at the root of the myth of the 1723 edition, and that it has never existed.

 

Thus, the true first edition was published in 1725, “Á Anvers, chez Nicolas Grandveau, à l’enseigne du Clavecin.” It is an in-8 volume, and it comes with a nice allegoric frontispiece by Bonnart (drawer) and JB Scottin (engraver): it shows justice triumphing over Laverne, the goddess of robbers, as Cartouche is taken to prison in the background. The title pages being identical, the only difference with the second edition (Anvers, 1725) lies in the number of pages—111 for the first and 158 for the second. The slang specialist Yve-Plessis states (Bibliographie raisonnée de l’Argot...—Genève, 1968) that this second edition comes with 13 engravings, and languefrancaise.net reproduces the information—but it comes with the frontispiece only.

 

The third edition (Anvers, 1725—158 pp) is a counterfeited one. Grandval printed a fourth edition (Anvers, 1725—158 pp) with the mention “Nouvelle édition”, and a fifth edition (Prault, 1726—119 pp), for which he obtained a “permission”. He left it to “Pierr (sic) Prault”, located “Quay de Gresves, Au Paradis”, in Paris. It features a warning about the counterfeited third edition: “A furtive edition of this poem is currently being distributed (he’s talking about the one mentioned above), and it features so many mistakes that their listing would fill a small volume, not to mention the irregular punctuation. Here’s what the reader who doesn’t want to be mistaken must know to make out the true edition that was put together in the presence of the author: 1. You’ll find the names of the drawer and engraver at the bottom of the first engraving. 2. The second verse of the first Chant features the name Cartouche in small capital letters. 3. The font is larger, and it is better printed. 4. The ornaments and the first vignette are fined and more delicate.” R. Yve-Plessis adds that the word “enseigne” in the address “à l’enseigne du clavecin” features a capital “E”—absent from the legitimate one—and that the erratum on the last preliminary page is missing. As far as the “Prault edition” is concerned, he states: “Probably the same than the preceding one (Anvers, 1725—119pp., published without permission) to which a new title page only has been added; indeed, we find the same printing errors.” Pierre Prault, he adds, was already distributing the first editions.

 

Pierre Prault put out a sixth edition of 167 pages in 1726, and then a seventh one of 119. About the latter, Yve-Plessis wonders: “Another counterfeited edition? The frontispiece by Bonnart is not signed—the 16 engravings are, but they are of poor quality.”

 

Atypical editions

A very intriguing edition came out in 1726. The bookseller had fun creating a fake address for the title page: “Printed at Goodfortune of the Wheel” (Cartouche was broken on the wheel), “Place de Grève” (where robbers, including Cartouche, were executed), “At The Gallows’”. There’s no “permission”, of course; and no engraving except the frontispiece. It has 115 pages (a bookseller has recently listed a copy with 112 pages on the internet), and the slang dictionary is present.

 

A last interesting edition came out with no date at “Anvers, Nicolas Grandveau (...), At the Hanged Man’s.” It was until today the only known in-12 edition of Le Vice Puni—Brunet mentions one (Prault, 1726) but Yve-Plessis contradicts him, and affirms that there’s no in-12 edition at all. He’s wrong—here it is, and it has 77 pages (no frontispiece). The website languefrancaise.net states: “It seems like the text wasn’t shortened but the printer used a small font to reduce the number of pages. This is probably a cheap edition, like the Bibliothèque bleue‘s (famous collection of peddling books). This ‘Grandveau edition’ could be from around 1725.” While writing this article, I came across another in-12 edition from 1725 (Anvers, Nicolas Grandveau—102 pages)—the said copy is unbound as issued, and has no frontispiece and not dictionary. The title page vignette represents a fruit basket.

 

3. Engravings

The first illustrated edition is the Pierr (sic) Prault’s from 1725 (119 pp), which was printed “with permission”, and which comes with 16 (not 13) engravings—as shown by the copy available on googlebooks.com—I could find no copy with 13 engravings, and maybe there’s a confusion with the 13 Chants of the poem?

Most of these engravings are just ‘entertaining’, but a few are interesting, especially the two ones showing the training of the Cartouchiens. They are exercising in a dark quarry, on a dummy hanging from the ceiling: “Neatly dressed, wearing a blouse, without making it move you had to empty its pockets / Or else rained punches, kicks and slaps,” Grandval writes. Despite some burlesque aspects, his story of the life of Cartouche is very informative. We notice that for some unknown and weird reason, the execution of Cartouche is not represented here.

 

Le Vice Puni is mostly sought-after today by people interested in “argot” (slang). This is due to its dictionary. “The great success of Grandval’s poem, and all the noise around Cartouche a few years previously,” Yve-Plessis writes, “made “argot” quite fashionable (...). Thus, the arrest, trial and execution of Cartouche can be viewed as the most important factors of the diffusion of “argot” during the second quarter of the 18th century.” Cartouche was executed on November 28, 1721. At the end of the day, engraving or not, permission or not, vice is always punished.

 

 

 

 

Editions of Grandval’s Le Vice Puni

—Years 1725-1726”

 

(This table was inspired by the one published on languefrancaise.net)

 

Year

Bookseller

Place

Number

of pages

Illustrations

Remarks

 

 

 

 

 

 

1725-a

Grandveau

Anvers

111

1 Frontispiece

True first edition.

1725-b

Grandveau

Anvers

158

1 Frontispiece

Second edition / same title-page, different number of pages.

1725-c

Grandveau

Anvers

158

1 Frontispiece

Counterfeited edition

1725-d

Grandveau

Anvers

119

1 Frontispiece

A « new edition »

1725-e

Pierr (sic) Prault

Anvers, Paris

119

1 Frontispiece

+ 13 engravings.

First edition with permission and with full page engravings (13).

1725-f

Grandveau, à l'Enseigne des Pendus

Anvers

77

 

None

Unique known in-12 edition of Le Vice Puni (probably a peddling book).

1725-g

Granveau

Anvers

102

None

Another in-12 edition. The title page vignette represents a fruit basket.

 

 

 

 

 

 

1726-a

Pierre Prault

Anvers, Paris

167

1 Frontispiece

+ 16 engravings

First edition with full set (16) of engravings.

1726-b

Pierre Prault

Anvers, Paris

119

 

Counterfeited edition?

1726-c

Bonaventure

de la Roüe

Paris

112

1 Frontispiece

No permission.

Rare Book Monthly

  • <b>Sotheby’s, Dec. 18:</b> <i>The Birds of America; from Original Drawings by John James Audubon</i> $6,000,000 to $8,000,000.
    <b>Sotheby’s, Dec. 18:</b> <i>The Birds of America; from Original Drawings by John James Audubon</i> $6,000,000 to $8,000,000.
    <b>Sotheby’s, Dec. 18:</b> <i>The Birds of America; from Original Drawings by John James Audubon</i> $6,000,000 to $8,000,000.
    <b>Sotheby’s, Dec. 18:</b> <i>The Birds of America; from Original Drawings by John James Audubon</i> $6,000,000 to $8,000,000.
    <b>Sotheby’s, Dec. 18:</b> <i>The Birds of America; from Original Drawings by John James Audubon</i> $6,000,000 to $8,000,000.
  • <b>Christie’s London, Dec. 11:</b> AN EARLY DUTCH POCKET GLOBE ATTRIBUTED TO WILLEM BLAEU, AFTER C.1618. £70,000 to £100,000.
    <b>Christie’s London, Dec. 11:</b> BLAEU, Johannes (1596-1673). £50,000 to £70,000.
    <b>Christie’s London, Dec. 11:</b> BLAEU, Johannes. <i>Theatrum Statuum Regiae Celsitudinis Sabaudiae Ducis, Pedemontii principis, ... pars prima, exhibens Pedemontium ...</i> Amsterdam, 1682. £70,000 to £100,000.
    <b>Christie’s London, Dec. 11:</b> DUDLEY, Sir Robert, self-styled Duke of Northumberland and Earl of Warwick. <i>Arcano del Mare.</i> Florence, 1661. £500,000 to £700,000.
    <b>Christie’s London, Dec. 11:</b> The Mainz Psalter: <i>Psalterium Benedictinum cum canticis et hymnis,</i> for Bursfeld use. [Mainz:] Johann Fust and Peter Schoeffer, 29 August 1459. £5,000 to £10,000.
  • <b>Sotheby’s, Dec. 18:</b> CLEMENS, SAMUEL L. <i>The Adventures of Tom Sawyer by Mark Twain.</i> Hartford: The American Publishing Company, 1876. $14,000 to $18,000.
    <b>Sotheby’s, Dec. 18:</b> BATEMAN, JAMES. <i>The Orchidaceae of Mexico and Guatemala.</i> London: J. Ridgway & Sons for the author, [1837]-1843. $60,000 to $80,000.
    <b>Sotheby’s, Dec. 18:</b> WHITMAN, WALT. <i>Leaves of Grass.</i> Brooklyn: [For the author by Andrew and James Rome,] 1855. $150,000 to $200,000.
    <b>Sotheby’s, Dec. 18:</b> LEE, HARPER. Three “Seckatary Hawkins”-related books inscribed and signed by Harper Lee. $60,000 to $80,000.
    <b>Sotheby’s, Dec. 18:</b> POE, EDGAR ALLAN. <i>The Raven.</i> New York: Wiley and Putnam, 1845. $120,000 to $180,000.
  • <b>Chiswick Auctions<br>Seeking Consignments.</b> Churchill (Winston) & Others. 1944 Commonwealth Prime Ministers’ Conference, 27 April 1944. £8,000 to £12,000.
    <b>Chiswick Auctions<br>Seeking Consignments.</b> Joyce (James). <i>Ulysses.</i> First English edition, 1922. £800 to £1,200.
    <b>Chiswick Auctions<br>Seeking Consignments.</b> Belzoni (Giovanni Battista). <i>Plates Illustrated of the Researches and Operations...in Egypt and Nubia,</i> FIRST EDITION, 1821-1822. £14,375 inc Buyers Premium.
    <b>Chiswick Auctions<br>Seeking Consignments.</b> Astor (John Jacob). A collection of rare letters, 9 January 1812- 4 September 1837. £26,000 inc Buyers Premium.
    <b>Chiswick Auctions<br>Seeking Consignments.</b> Rowling (J.K.) <i>Harry Potter and the Philosopher's Stone,</i> FIRST EDITION, first issue, 1997. £27,500 inc Buyers Premium.
    <b>Chiswick Auctions<br>Seeking Consignments.</b> Royal Family. Photograph of Queen Elizabeth, George VI, Princess Elizabeth and Princess Margaret, signed, 1946. £3,640 inc Buyers Premium.
    <b>Chiswick Auctions<br>Seeking Consignments.</b> Collodi (Carlo). <i>Le avventure di Pinocchio. Storia di un burattino,</i> FIRST EDITION, 1883. £8,401 inc Buyers Premium.

Article Search

Archived Articles

Ask Questions