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Forum Auctions
A Sixth Selection of 16th and 17th Century English Books from the Fox Pointe Manor Library
19th June 2025Forum, June 19: Euclid. The Elements of Geometrie, first edition in English of the first complete translation, [1570]. £20,000 to £30,000.Forum, June 19: Nicolay (Nicolas de). The Navigations, peregrinations and voyages, made into Turkie, first edition in English, 1585. £10,000 to £15,000.Forum, June 19: Shakespeare source book.- Montemayor (Jorge de). Diana of George of Montemayor, first edition in English, 1598. £6,000 to £8,000.Forum, June 19: Livius (Titus). The Romane Historie, first edition in English, translated by Philemon Holland, Adam Islip, 1600. £6,000 to £8,000.Forum Auctions
A Sixth Selection of 16th and 17th Century English Books from the Fox Pointe Manor Library
19th June 2025Forum, June 19: Robert Molesworth's copy.- Montaigne (Michel de). The Essayes Or Morall, Politike and Millitarie Discourses, first edition in English, 1603. £10,000 to £15,000.Forum, June 19: Shakespeare (William). The Tempest [&] The Two Gentlemen of Verona, from the Second Folio, [Printed by Thomas Cotes], 1632. £4,000 to £6,000.Forum, June 19: Boyle (Robert). Medicina Hydrostatica: or, Hydrostaticks Applyed to the Materia Medica, first edition, for Samuel Smith, 1690. £2,500 to £3,500.Forum, June 19: Locke (John). An Essay Concerning Humane Understanding in Four Books, first edition, second issue, 1690. £8,00 to £12,000. -
Sotheby’s
New York Book Week
12-26 JuneSotheby’s, June 25: Theocritus. Theocriti Eclogae triginta, Venice, Aldo Manuzio, February 1495/1496. 220,000 - 280,000 USDSotheby’s, June 26: Fitzgerald, F. Scott. The Great Gatsby, 1925. 40,000 - 60,000 USDSotheby’s, June 26: Blake, William. Songs of Innocence and of Experience, Printed ca. 1381-1832. 400,000 - 600,000 USDSotheby’s, June 26: Lincoln, Abraham. Thirteenth Amendment, signed by Abraham Lincoln. 8,000,000 - 12,000,000 USDSotheby’s, June 26: Galieli, Galileo. First Edition of the Foundation of Modern Astronomy, 1610. 300,000 - 400,000 USD -
Finarte
Books, Autographs & Prints
June 24 & 25, 2025Finarte, June 24-25: ALIGHIERI, DANTE / LANDINO, CRISTOFORO. Comento di Christophoro Landino Fiorentino sopra la Comedia di Danthe Alighieri poeta fiorentino, 1481. €40,000 to €50,000.Finarte, June 24-25: ALIGHIERI, DANTE. La Commedia [Commento di Christophorus Landinus]. Aggiunta: Marsilius Ficinus, Ad Dantem gratulatio [in latino e Italiano], 1487. €40,000 to €60,000.Finarte, June 24-25: ALIGHIERI, DANTE. Il Convivio, 1490. €20,000 to €25,000.Finarte
Books, Autographs & Prints
June 24 & 25, 2025Finarte, June 24-25: BANDELLO, MATTEO. La prima [-quarta] parte de le nouelle del Bandello, 1554. €7,000 to €9,000.Finarte, June 24-25: LEGATURA – PLUTARCO. Le vies des hommes illustres, grecs et romaines translates, 1567. €10,000 to €12,000.Finarte, June 24-25: TOLOMEO, CLAUDIO. Ptolemeo La Geografia di Claudio Ptolemeo Alessandrino, Con alcuni comenti…, 1548. €4,000 to €6,000.Finarte
Books, Autographs & Prints
June 24 & 25, 2025Finarte, June 24-25: FESTE - COPPOLA, GIOVANNI CARLO. Le nozze degli Dei, favola [...] rappresentata in musica in Firenze…, 1637. €6,000 to €8,000.Finarte, June 24-25: SPINOZA, BARUCH. Opera posthuma, 1677. €8,000 to €12,000.Finarte, June 24-25: PUSHKIN, ALEXANDER. Borus Godunov, 1831. €30,000 to €50,000.Finarte
Books, Autographs & Prints
June 24 & 25, 2025Finarte, June 24-25: LIBRO D'ARTISTA - LECUIRE, PIERRE. Ballets-minute, 1954. €35,000 to €40,000.Finarte, June 24-25: LIBRO D'ARTISTA - MAJAKOVSKIJ, VLADIMIR / LISSITZKY, LAZAR MARKOVICH. Dlia Golosa, 1923. €7,000 to €10,000.Finarte, June 24-25: LIBRO D'ARTISTA - MATISSE, HENRI / MONTHERLANT, HENRY DE. Pasiphaé. Chant de Minos., 1944. €22,000 to €24,000.
Rare Book Monthly
Articles - December - 2002 Issue
Conversing with Mr. Americana: Talking Books With Bill Reese
the floor, giving the impression of controlled chaos) and we start what will turn out to be our very lengthy conversation. A selective paraphrase of this conversation follows. AT stands for this reporter; BR of course stands for Bill Reese. And so we begin.
His Life and Work:
AT: You are one of the most revered Americana dealers in the rare book business and have been for some time. Can you tell our readers how and why you started in the rare books business? Please tell us something of your personal as well as your professional background, if you will.
BR: As a child, I was always interested in American history. As I read books, I came to realize at a young age that there were source books that were not readily available in libraries. I started by looking for these books, especially at the Smith College book sales that the college used to conduct. As a child I was also strongly interested in works by John James Audubon. My dad had a few of them and he also was fascinated by these prints. Somehow between these two interests, I realized at an early age that there was such a thing as antiquarian book and print dealers. I started going to The Old Print Shop in New York City and to Sessler’s in Philadelphia and hanging out there. If there was a turning point for me it was when I was twelve. It was during the Christmas holidays and I didn’t want to get hauled around from department store to department store. Instead my parents took me to Sessler’s and the woman who ran it, Mabel Zahn, told my folks they could leave me there and she’d look after me. This must have been in 1967 or so. Mabel Zahn took out a $55,000 Audubon portfolio and spent an hour going through it sheet by sheet with me.
Another phase of my interest in rare books emerged when I was in college. I went to Yale [where he was an American History major], and the decisive thing was that I thought that the Beinecke Library was the best rare book library in the world. Since there weren’t many undergraduates at that time who showed an interest in rare books, the curators sort of took me under their wings. Through them I then met many leading figures in the rare book world, including Peter Decker and Donald Gallup.
I started visiting Peter Decker in New York City. He had run a shop on 57th Street in New York but was retired then. I learned a tremendous amount from Peter, but at that time was somewhat conflicted: I had gone to school with academic aspirations and the intention of going on to graduate school in American History. But I found myself getting more and more drawn in by the rare book business. I talked often with Peter about getting into the rare book business.