• Finarte, Nov 20-21: Alighieri, Dante - La Commedia, [col commento di Jacopo della Lana e Martino Paolo Nidobeato, curata da Martino Paolo Nidobeato e Guido da Terzago. Aggiunto Il Credo], 1478
    Finarte, Nov 20-21: Alighieri, Dante - La Commedia [Commento di Christophorus Landinus, edita da Piero da Figino. Aggiunte le Rime diverse; Marsilius Ficinius, Ad Dantem gratulatio], 1491
    Finarte, Nov 20-21: Lactantius, Lucius Coelius Firmianus - Opera, 1465
    Finarte, Nov 20-21: Alighieri, Dante - Le terze rime di Dante, 1502
    Finarte, Nov 20-21: Boccaccio, Giovanni - Il Decamerone. Di messer Giouanni Boccaccio, 1516
    Finarte, Nov 20-21: Giordano Bruno - Candelaio comedia del Bruno nolano achademico di nulla achademia; detto il fastidito. In tristitia hilaris: in hilaritate tristis, 1582
    Finarte, Nov 20-21: Petrarca, Francesco - Le cose volgari di Messer Francesco Petrarcha, 1504
    Finarte, Nov 20-21: Legatura - Manoscritto - Medici - Cosimo III de' Medici / Solari, Giuseppe - I Ritratti Medicei overo Glorie e Grandezze della sempre sereniss. Casa Medici..., 1678
    Finarte, Nov 20-21: Alighieri, Dante - La Divina Commedia di Dante Alighieri con varie annotazioni, e copiosi Rami adornata, 1757
    Finarte, Nov 20-21: Lot containing 80 printed guides and publications dedicated to travel and itineraries in Italy
  • Ketterer Rare Books
    Auction November 25th
    Ketterer Rare Books, Nov. 25:
    H. Schedel, Liber chronicarum, 1493. Est: € 25,000
    Ketterer Rare Books, Nov. 25:
    P. O. Runge, Farben-Kugel, 1810. Est: € 8,000
    Ketterer Rare Books, Nov. 25:
    W. Kandinsky, Klänge, 1913. Est: € 20,000
    Ketterer Rare Books
    Auction November 25th
    Ketterer Rare Books, Nov. 25:
    W. Burley, De vita et moribus philosophorum, 1473. Est: € 4,000
    Ketterer Rare Books, Nov. 25:
    M. B. Valentini, Viridarium reformatum seu regnum vegetabile, 1719. Est: € 12,000
    Ketterer Rare Books, Nov. 25:
    PAN, 10 volumes, 1895-1900. Est: € 15,000
    Ketterer Rare Books
    Auction November 25th
    Ketterer Rare Books, Nov. 25:
    J. de Gaddesden, Rosa anglica practica medicinae, 1492. Est: € 12,000
    Ketterer Rare Books, Nov. 25:
    M. Merian, Todten-Tanz, 1649. Est: € 5,000
    Ketterer Rare Books, Nov. 25:
    D. Hammett, Red harvest, 1929. Est: € 11,000
    Ketterer Rare Books
    Auction November 25th
    Ketterer Rare Books, Nov. 25:
    Book of hours, Horae B. M. V., 1503. Est: € 9,000
    Ketterer Rare Books, Nov. 25:
    J. Miller, Illustratio systematis sexualis Linneai, 1792. Est: € 8,000
    Ketterer Rare Books, Nov. 25:
    F. Hundertwasser, Regentag – Look at it on a rainy day, 1972. Est: € 8,000
  • Sotheby's
    Fine Books, Manuscripts & More
    Available for Immediate Purchase
    Sotheby’s: J.R.R. Tolkien. The Lord of the Rings Trilogy. 11,135 USD
    Sotheby’s: Edgar Allan Poe. The Raven and Other Poems, 1845. 33,000 USD
    Sotheby’s: Leo Tolstoy, Clara Bow. War and Peace, 1886. 22,500 USD
    Sotheby’s: Sir Arthur Conan Doyle. Adventures of Sherlock Holmes, 1902. 7,500 USD
    Sotheby’s: F. Scott Fitzgerald. This Side of Paradise, The Great Gatsby, and Others, 1920-1941. 24,180 USD
  • Doyle, Dec. 5: Minas Avetisian (1928-1975). Rest, 1973. $8,000 to $12,000.
    Doyle, Dec. 5: Anna Vaughn Hyatt Huntington (1876-1973). Yawning Tiger, conceived 1917. $3,000 to $5,000.
    Doyle, Dec. 5: Robert M. Kulicke (1924-2007). Full-Blown Red and White Roses in a Glass Vase, 1982. $3,000 to $5,000.
    Doyle, Dec. 5: Pablo Picasso (1881-1973). L’ATELIER DE CANNES (Bloch 794; Mourlot 279). The cover for Ces Peintres Nos Amis, vol. II. $1,000 to $1,500.
    Doyle, Dec. 5: LeRoy Neiman (1921-2012). THE BEACH AT CANNES, 1979. $1,200 to $1,800.
    Doyle, Dec. 5: Richard Avendon, the suite of eleven signed portraits from the Avedon/Paris portfolio. $150,000 to $250,000.
    Doyle, Dec. 5: Robert Mapplethorpe (1946-1989). Flowers in Vase, 1985. $20,000 to $30,000.
    Doyle, Dec. 5: Edward Weston (1886-1958). Nude, 1936. $20,000 to $30,000.
    Doyle, Dec. 5: Edward Weston (1886-1958). Juniper, High Sierra, 1937.
    Doyle, Dec. 5: Steven J. Levn (b. 1964). Plumage II, 2011. $6,000 to $8,000.
    Doyle, Dec. 5: Steven Meisel (b. 1954). Madonna, Miami, (from Sex), 1992. $6,000 to $9,000.

Rare Book Monthly

Articles - June - 2019 Issue

West-Indian Apocalypse, “Year Minus 1.”

Between 1788 and 1790, Stanislas de Wimpffen resided in the French West-Indian colony of Saint-Domingue (Haiti). He failed to make a fortune, but he gave an intimate description of a corrupted society based on slavery, and about to sink in a pool of blood. Actually, the island caught fire a few months after his departure! Wimpffen’s narrative, Voyage à Saint-Domingue pendant les années 1788, 1789 et 1790 (Paris, 1797), first came out in England—and this is no accident.

 

This is a typical book from the post-French Révolution (1789) period, printed on cheap paper, and bound in half low-quality leather. The title and number plates, on the backs of the two in-8 volumes, are also very cheap, and the gilding is minimalist—there’s a folding chart at the end of volume 2, but no engraving or map. We know little about the printer, R.L. Cocheris, who was “active approximately 1796—approximately 1800” (archive.org). Based in Paris, he published a few books including Bayard’s Voyages dans l'intérieur des Etats-Unis (1797), and some posthumous editions of Diderot alongside François Buisson, another bookseller from Paris.

 

According to the title page, our book was printed “Year 5 of the Republic.” In September 1792, with the intention to erase all royal symbols from the public square, the Revolutionary government decided to shift from the “old” Gregorian calendar to a Republican one. Names of months were changed, and civilization was staring all over again, not from a Christian perspective—since the Church was the natural ally of royalty—but from a Republican one! 1792 then became “Year 1”. So, whenever you come across a book printed “Year ‘something’ of the Republic”, just add ‘something’ to 1792 in order to get the actual date of printing. Thus, our book was from “1797 old style”—as specified (in brackets) on the title page. These new years were from September to September so that a book published “Year 5” might actually be from 1798—this calendar remained effective until 1806. The Republic was a sort of a new religion, and everything was going through its filter. When talking about his author in the preface, the printer calls him a “man of Court”, adding at once: “if Republicans will forgive the expression”. Then, on the last page of the second volume, we find not the regular King’s Privilege (authorization of printing), of course—but a legal statement, placing “this edition under the protection of the law and the probity of the citizens.” The printer dated it as follows: “In Paris, on Vendémiaire the 10th, Year VI of the French Republic (October 1st, 1798), which is one and indivisible.”

 

Our book is also deeply rooted in its time because it regards the French colony of Saint-Domingue (Haiti), which the author left a few months before the general rebellion broke out, in August 1791! As a matter of fact, it first came out in England (A Voyage to Santo Domingo—London, 1797), with a very political preface, in which Wimpffen describes the best way to capture the colony of Saint-Domingue. At the time, resenting the abolitionist measures of the French revolutionary government, many planters turned to the English colonists of the nearby island of Jamaica, and offered to deliver them the colony, providing they would intervene against the rebellious Negroes—the English did try to capture Saint-Domingue, but were eventually repelled by the troops of the black hero Toussaint Louverture. This preface, wisely expunged from the French edition, which came out a few months later, clearly shows on which side Wimpffen’s bread was buttered. A slave owner, who desperately tried to “make it” in the plantation business, he portrayed a society that disappeared shortly afterwards; his testimony thus became a time capsule, and we’re about to open it—let’s go back to the West-Indian Apocalypse, “Year minus 1”.

 

Alexandre Stanislas de Wimpffen (17..- 18...), was a German Baron, who had received a French education. He enjoyed writing letters to his friends while travelling. In 1788, he published Lettres d’un Voyageur (Amstedram, 1788), relating a travel that took him from England to South Africa. The same year, he embarked at Le Havre, France, on the Venus—this time, he was going to Saint-Domingue after his dreams of riches, but the awakening was a rude one. “The cracking of whips, the smothered cries, and the indistinct groans of the Negroes, who never see the day break but to curse it; who are never recalled of a feeling of their existence, but by sufferings—this is what takes place of the crowing of the early cock.” Wimpffen introduces himself as deeply opposed to “the infamous traffic we maintain on the coasts of Africa”—he means slavery. Yet, as he intended to become a planter, he had to become a slave owner. His position towards slavery appears to be ambivalent—and quite significant of the mentalities of his time. An educated man, he often sounds like an educated fool. To him, the colony was a wild world with no refinement, where “the disgusting alliance of all the absurdities of ignorance and sottishness (sic) affecting talents, with all the vices of an immorality, which cannot even allege seduction as an excuse, (...) presents the humiliating picture of humanity in the last stage of degradation.” He had heard so much about the capital Port-au-Prince, while in Europe! People there described it as “the residence of the civil and military power, the capital of the richest country on the face of the globe! the throne of luxury ! the centre of voluptuousness!” It turned out to be but “two rows of huts” and “a chaotic mass of wooden barracks.” The white women he met were just “prostitute from the hospitals*, abandoned wretches** raked up from the mud of the capital.” The freed Mulattoes “remain in a state of abjectness (...). If I visit a rich Mulatto (...) he will ask me to dinner; but if he be correct, he will not presume to sit at table with me.” He felt sorry for the slaves, although they stink “like house-leeks”; of course, when he heard about that young lady, “one of the handsomest in the island”, who had thrown her Negro cook into the oven “yet glowing with heat” because he had ruined a dish, he was outraged.

 

  • The French edition reads “from la Salpétrière”, which is a refuge for the poorest in Paris.

  • The French edition reads “salopes”, or bitches.

 

 

Slavery

 

There were 460,000 slaves in the colony at the time, and only 18,000 colonists. Wimpffen soon realized that “your colonies, such as they are, cannot exist without slavery. (...) You must then sanction slavery, or renounce the colonies.” The slaves were not all miserable, he states. There is peace of mind in slavery. What does a slave have to care about? To put it simply, “when the Negro has eaten his banana, he goes to sleep.” Obviously, this state of bliss didn’t concern bad cooks. In Saint-Domingue, Wimpffen realized that “the conquerors have assumed the manners of conquered.” The whole island resembled a giant brothel, where “the girls are a more valuable commodity than the boys, because (...) if they have the smallest pretentions to beauty, they have no great need of abilities to excite, among the unmarried whites, an emulation which assures them a price impossible to ascertain, since it is love, and what is more, self-love, which determines it.” When a female slave “wanted” to sleep with a White, she had to ask her master. She would receive money from her “lover”, so the master would collect his share, which made him—yes, a pimp. Slaves were not only sexually abused, but they were sexually exploited—a burning issue hardly discussed at the time, even by the abolitionists.

 

After three years’ time, Wimpffen’s efforts had not paid, and he grew disillusioned. “We must look forward to an epoch, which is not, perhaps, so distant as we may imagine;—that of a total cessation of the slave trade.” This world, he felt, was about to crumble. He left for the United States in 1790, regretting nothing—and no one. “The more I know the inhabitants, the more I felicitate myself on quitting it. I came hither with the noble ambition of occupying myself solely in acquiring a fortune; but destined to become a master, and consequently to possess slaves, I saw (the necessity) to know them—and I depart with much less esteem for the (Whites) than pity for the (Negroes). When a person is what the greater part of the planters are, he is made to have slaves; when he is what the greater part of slaves are, he is made to have a master: Tout le monde est ici à sa place/Everyone here is at their place.” As Voltaire’s Pangloss would say, all is well.

 

A few months later, Wimpffen left a colony that didn’t deserve him. Shortly afterwards, Saint-Domingue indeed sank in a bath of blood, only to resurface under the new name of freedom, Haiti—“Year 1 of the first black Republic ever.”

Thibault Ehrengardt

 

 

 

A Voyage to Santo Domingo,

In the Years 1788, 1789 and 1790.

By Francis Alexander Stanislas Baron de Wimpffen

London, Printed for T. Cadell Junior, and W. Davies

(successors to Mrs Cadell) in the strand; and J. Wright,

Opposite Old Bond-Street, Piccadilly, 1797.

In 1 Volume: half-title, title page, 4 pages (dedication), 12 pages (preface), 371 pages.

With a folding map of Santo Domingo and a frontispiece (portrait of the author).

 

 

Voyage à Saint-Domingue

pendant les années 1788, 1789 et 1790

Par le Baron de Wimpffen

Á Paris, Chez Cocheris, Imprimeur-Libraire, cloître Saint-Benoît, N°352, Section des Termes

An Cinquième de la République (1797, vieux style).

Vol.1 : Half-title, title page, 4 pages (Avis des éditeurs), 309 pages, 1page (errata).

Vol.2 : Half-title, title page, 265 pages, 1 page (errata). A folding chart (number of Negroes in each parish).

 

 

Rare Book Monthly

  • Swann, Nov. 21: Lot 37: Archive of the pioneering woman artist Arrah Lee Gaul, most 1911-59. $3,000 to $4,000.
    Swann, Nov. 21: Lot 66: Letter describing the dropping water level at Owens Lake near Death Valley, long before it was drained, Keeler, CA, 26 July 1904. $3,000 to $4,000
    Swann, Nov. 21: Lot 102: To Horse, To Horse! My All for a Horse! The Washington Cavalry, illustrated Civil War broadside, Philadelphia, 1862. $4,000 to $6,000
    Swann, Nov. 21: Lot 135: Album of cyanotype views of the Florida panhandle and beyond, 224 photographs, 174 of them cyanotypes, Apalachicola, FL and elsewhere, circa 1895-1896. $1,200 to $1,800
    Swann, Nov. 21: Lot 154: Catalogue of the Library of the United States, as acquired from Thomas Jefferson, Washington, 1815. $15,000 to $25,000
    Swann, Nov. 21: Lot 173: New Englands First Fruits, featuring the first description of Harvard in print, London, 1643. $40,000 to $60,000
    Swann, Nov. 21: Lot 177: John P. Greene, Original manuscript diary of a mission to western New York with Joseph Smith, 1833. $60,000 to $90,000
    Swann, Nov. 21: Lot 243: P.E. Larson, photographer, Such is Life in the Far West: Early Morning Call in a Gambling Hall, Goldfield, NV, circa 1906. $2,500 to $3,500
    Swann, Nov. 21: Lot 261: Fred W. Sladen, Diaries of a WWII colonel commanding troops from Morocco to Italy to France, 1942-44. $3,000 to $4,000
    Swann, Nov. 21: Lot 309: Los mexicanos pintados por si mismos, por varios autores, a Mexican plate book. Mexico, 1854-1855. $2,000 to $3,000
    Swann, Nov. 21: Lot 8: Diaries of a prospector / trapper in the remote Alaska wilderness, 5 manuscript volumes. Alaska, 1917-64. $1,500 to $2,500.
  • Gonnelli:
    Auction 55
    Antique prints, paintings and maps
    November 26st 2024
    Gonnelli: Stefano Della Bella, 23 animal plances,1641. Starting price 480€
    Gonnelli: Stefano Della Bella, Boar Hunt, 1654. Starting price 180€
    Gonnelli: Crispijn Van de Passe, The seven Arts, 1637. Starting price 600€
    Gonnelli: Giuseppe Maria Mitelli, La Maschera è cagion di molti mali, 1688. Starting price 320€
    Gonnelli: Biribissor’s game, 1804-15. Starting price 2800€
    Gonnelli: Nicolas II de Larmessin, Habitats,1700. Starting price 320€
    Gonnelli: Miniature “O”, 1400. Starting price 1800€
    Gonnelli: Jan Van der Straet, Hunt scenes, 1596. Starting Price 140€
    Gonnelli: Massimino Baseggio, Costantinople, 1787. Starting price 480€
    Gonnelli: Kawanabe Kyosai, Erotic scene lighten up by a candle, 1860. Starting price 380€
    Gonnelli: Duck shaped dropper, 1670. Starting price 800€
  • Doyle, Dec. 6: An extensive archive of Raymond Chandler’s unpublished drafts of fantasy stories. $60,000 to $80,000.
    Doyle, Dec. 6: RAND, AYN. Single page from Ayn Rand’s handwritten first draft of her influential final novel Atlas Shrugged. $30,000 to $50,000.
    Doyle, Dec. 6: Ernest Hemingway’s first book with interesting provenance. Three Stories & Ten Poems. $20,000 to $30,000.
    Doyle, Dec. 6: Hemingway’s second book, one of 170 copies. In Our Time. $15,000 to $25,000.
    Doyle, Dec. 6: A finely colored example of Visscher’s double hemisphere world map, with a figured border. $12,000 to $18,000.
    Doyle, Dec. 6: Raymond Chandler’s Olivetti Studio 44 Typewriter. $10,000 to $20,000.
    Doyle, Dec. 6: Antonio Ordóñez's “Suit of Lights” owned by Ernest Hemingway. $10,000 to $20,000.
    Doyle, Dec. 6: A remarkable Truman archive featuring an inscribed beam from the White House construction. $8,000 to $12,000.
    Doyle, Dec. 6: The fourth edition of Audubon’s The Birds of America. $8,000 to $12,000.
    Doyle, Dec. 6: The original typed manuscript for Chandler’s only opera. The Princess and the Pedlar: An Entirely Original Comic Opera. $8,000 to $12,000.
    Doyle, Dec. 6: A splendidly illustrated treatise on ancient Peru and its Incan civilization. $7,000 to $10,000.
    Doyle, Dec. 6: A superb copy of Claude Lorrain’s Liber Veritatis from Longleat House. $5,000 to $8,000.

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