What is the most frequently asked question in the used and rare book field? What is my book worth?
- by Bruce E. McKinney
May I quote Zero Mostel?: Money, Money, Money
Everyone in the rare book business is asked everyday “what is my book worth?” and the question almost always gets a careful listen because once in a great while the book or books you have are very good. But that said, the process is time consuming and rarely successful for the person providing perspective.
For people who have these questions there are a few straightforward ways to find out, without spending a dime or anyone’s time. You should go to the listing sites; Biblio, Alibris, Abebooks or Rare Book Hub that provide listings of books for sale. Or, if you are diligent, go to all of them. There you will get a free appraisal simply by putting the author last name, a few words from the title, and the date published into the advanced search fields. Then BINGO you get a variety of answers. Now what should you do?
The chances are the book you are looking up will match almost identical copies offered for sale. And then low and behold you notice someone is offering a copy for $500.- “These people must be smart because they know something that the other fools, who have priced theirs at $75, don’t.” This then leads to the cracking open of a beer or sarsaparilla followed by: “Wow Daddy, we’re rich” because you have boxes of books to look up and $500.- times all the books you have is – let’s see – a New Car, in fact a German one, possibly a 7 series, a convertible at that.
If only it were that easy.
Looking up books that are listed for sale is easy and I suggest doing it before you seek free advice. Unfortunately, the expensive copy listed that you find has probably been posted by a nut who is determined not to leave a penny on the table. It is not illegal to put a crazy asking price on anything.
Now you start to study your copy and quickly confirm you’re an optimist. By reading the descriptions that others have written you start to see some differences though. The term “with original artwork” sounds good until it’s disclosed that Maria, the seller’s daughter and no relation to the author, when she was 3, colored in the pictures. Sorry! Somewhere else you noticed the term “original color.” This must be what it means. This is too easy.
I suggest you make a list of the books you have because they are going to start to blur.
Try to be honest. Try to grade them. Make notes about anything that appears to be missing such as, “it’s complete except for 1 page” which is usually the title page. Ouch! OR, you only have one page – the title page – and you heard that if a book is missing its title page it loses at least 90% of its value. That must mean the title page, by itself is worth 90% of what the whole book is worth. No! No! and No!
About 1 person in a 100 is going to find they have material of saleable value. If you are the lucky one now you can call dealers or whoever you consult. They’ll be looking for evidence of retail prices at and above $500 not including the person who listed their $75 book for $500.
For those books you conclude are valuable you’ll want to offer them in list form, with pictures of the higher value examples, to a specialist in the category of which your book or books is a part. In other words, don’t expect a specialist in opera to know much about your Life of Lincoln [unless it was made into an opera].
Many people will be willing to help but don’t abuse their trust. Do a little bit of homework and identify the things you have that are of value.
Ultimately you are going to sell the material. If you sell to a dealer you’ll get less money [because, once they buy your copy, they’ll assume its market risk]. Their distinct advantage is that they usually pay on the spot. Many, many people take that deal. Others will opt to send their material to auction and it will be roughly 6 months from submission until you receive payment [the amount of which will not be known until the book sells].
Now get started. A few beers from now you can go online to Mercedes Benz to plan your purchase.
If you need further help, after determining your material is probably of substantial value, you can contact us or a professional advisor. Here is one:
SD Scandinavian Art & Rare Book Auctions The Odfjell Collection Polar – History – Ornithology – Colour Plate Books Ending December 4th
Scandinavian Art & Rare Books Auctions, Dec. 4: ROALD AMUNDSEN: «Sydpolen» [ The South Pole] 1912. First edition in jackets and publisher's slip case.
Scandinavian Art & Rare Books Auctions, Dec. 4: AMUNDSEN & NANSEN: «Fram over Polhavet» [Farthest North] 1897. AMUNDSEN's COPY!
Scandinavian Art & Rare Books Auctions, Dec. 4: ERNEST SHACKLETON [ed.]: «Aurora Australis» 1908. First edition. The NORWAY COPY.
Scandinavian Art & Rare Books Auctions, Dec. 4: ERNEST SHACKLETON: «The heart of the Antarctic» + SUPPLEMENT «The Antarctic Book», 1909.
Scandinavian Art & Rare Books Auctions, Dec. 4: SHACKLETON, BERNACCHI, CHERRY-GARRARD [ed.]: «The South Polar Times» I-III, 1902-1911.
SD Scandinavian Art & Rare Book Auctions The Odfjell Collection Polar – History – Ornithology – Colour Plate Books Ending December 4th
Scandinavian Art & Rare Books Auctions, Dec. 4: [WILLEM BARENTSZ & HENRY HUDSON] - SAEGHMAN: «Verhael van de vier eerste schip-vaerden […]», 1663.
Scandinavian Art & Rare Books Auctions, Dec. 4: TERRA NOVA EXPEDITION | LIEUTENANT HENRY ROBERTSON BOWERS: «At the South Pole.», Gelatin Silver Print. [10¾ x 15in. (27.2 x 38.1cm.) ].
Scandinavian Art & Rare Books Auctions, Dec. 4: ELEAZAR ALBIN: «A natural History of Birds.» + «A Supplement», 1738-40. Wonderful coloured plates.
Scandinavian Art & Rare Books Auctions, Dec. 4: PAUL GAIMARD: «Voyage de la Commision scientific du Nord, en Scandinavie, […]», c. 1842-46. ONLY HAND COLOURED COPY KNOWN WITH TWO ORIGINAL PAINTINGS BY BIARD.
Scandinavian Art & Rare Books Auctions, Dec. 4: JAMES JOYCE: «Ulysses», 1922. FIRST EDITION IN ORIGINAL WRAPPERS.
Sotheby’s Book Week December 9-17, 2025
Sotheby’s, Dec. 11: Darwin and Wallace. On the Tendency of Species to form Varieties..., [in:] Journal of the Proceedings of the Linnean Society, Vol. III, No. 9., 1858, Darwin announces the theory of natural selection. £100,000 to £150,000.
Sotheby’s, Dec. 11: J.K. Rowling. Harry Potter and the Philosopher's Stone, 1997, first edition, hardback issue, inscribed by the author pre-publication. £100,000 to £150,000.
Sotheby’s, Dec. 11: Wolfgang Amadeus Mozart. Autograph sketchleaf including a probable draft for the E flat Piano Quartet, K.493, 1786. £150,000 to £200,000.
Sotheby’s, Dec. 12: Hooke, Robert. Micrographia: or some Physiological Descriptions of Minute Bodies made by Magnifying Glasses. London: James Allestry for the Royal Society, 1667. $12,000 to $15,000.
Sotheby’s, Dec. 12: Chappuzeau, Samuel. The history of jewels, first edition in English. London: T.N. for Hobart Kemp, 1671. $12,000 to $18,000.
Sotheby’s, Dec. 12: Sowerby, James. Exotic Mineralogy, containing his most realistic mineral depictions, London: Benjamin Meredith, 1811, Arding and Merrett, 1817. $5,000 to $7,000.
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Swann Maps & Atlases, Natural History & Color Plate Books December 9, 2025
Swann, Dec. 9: Lot 156: Cornelis de Jode, Americae pars Borealis, double-page engraved map of North America, Antwerp, 1593.
Swann, Dec. 9: Lot 206: John and Alexander Walker, Map of the United States, London and Liverpool, 1827.
Swann, Dec. 9: Lot 223: Abraham Ortelius, Typus Orbis Terrarum, hand-colored double-page engraved world map, Antwerp, 1575.
Swann Maps & Atlases, Natural History & Color Plate Books December 9, 2025
Swann, Dec. 9: Lot 233: Aaron Arrowsmith, Chart of the World, oversize engraved map on 8 sheets, London, 1790 (circa 1800).
Swann, Dec. 9: Lot 239: Fielding Lucas, A General Atlas, 81 engraved maps and diagrams, Baltimore, 1823.
Swann, Dec. 9: Lot 240: Anthony Finley, A New American Atlas, 15 maps engraved by james hamilton young on 14 double-page sheets, Philadelphia, 1826.
Swann Maps & Atlases, Natural History & Color Plate Books December 9, 2025
Swann, Dec. 9: Lot 263: John Bachmann, Panorama of the Seat of War, portfolio of 4 double-page chromolithographed panoramic maps, New York, 1861.
Swann, Dec. 9: Lot 265: Sebastian Münster, Cosmographei, Basel: Sebastian Henricpetri, 1558.
Swann, Dec. 9: Lot 271: Abraham Ortelius, Epitome Theatri Orteliani, Antwerp: Johann Baptist Vrients, 1601.
Swann Maps & Atlases, Natural History & Color Plate Books December 9, 2025
Swann, Dec. 9: Lot 283: Joris van Spilbergen, Speculum Orientalis Occidentalisque Indiae, Leiden: Nicolaus van Geelkercken for Jodocus Hondius, 1619.
Swann, Dec. 9: Lot 285: Levinus Hulsius, Achtzehender Theil der Newen Welt, 14 engraved folding maps, Frankfurt: Johann Frederick Weiss, 1623.
Swann, Dec. 9: Lot 341: John James Audubon, Carolina Parrot, Plate 26, London, 1827.