Rare Book Monthly

Articles - August - 2018 Issue

Arsenic and Old Books

Pretty poison.

Pretty poison.

Researchers at the University of Southern Denmark's library made a startling discovery recently about three of their 16th and 17th century books. Their covers are filled with poison. To be exact, they contain serious concentrations of arsenic. The bindings are probably more recent, likely the 19th century. Still, there are no murderous motives here, no makings of an Agatha Christie mystery. Arsenic was regularly used for a variety of purposes in those days.

 

The discovery came innocently enough. Bookbinders in past times often used paper or velum from even older books and manuscripts in their bindings. Those older books were just trash then, but today, it is often the case that the books they bound are of less interest than the older material used in the bindings. They may hold lost or unique writings that fill gaps in human knowledge. Still, the libraries or other owners who hold these books don't necessarily want them torn apart. The answer is to use modern, x-ray technologies that enable researchers to look through the covers and read the ink on the pages used in those bindings.

 

In the case of the books at the University of Southern Denmark, researchers discovered there was old parchment used in the bindings. Unfortunately, the x-rays were having a hard time reaching the elements used in writing the letters. There was a wall of green paint in the way. The x-rays revealed that the green paint was made from arsenic. It is most likely what is known as "Paris green" or "emerald green,"a substance that was used both as paint and poison. That was an unfortunate combination as it led to the use of a poisonous substance on items regularly handled by humans.

 

Among its uses as paint, Paris green was commonly used in wallpaper in the 19th century. People didn't realize its dangers. Even as they became aware of its toxic qualities, the belief remained that as long as you didn't lick your wallpaper, you would be all right. Unfortunately, it is not quite that simple. Notably in England where the pigment was commonly used and damp weather is abundant, mold can grow on the paper. It releases a toxic gas which contains the wallpaper's arsenic. Children were literally dying in their bedrooms. It is one of the reasons why people believed drier weather to be healthier. They became ill in their wallpapered homes in a damp climate, but not where dry weather prevented mold from growing.

 

Other places where the pigment was used included paintings. If you have an impressionist painting with shiny green, you should refrain from licking it. Clean with a soft, dry brush instead. Various other products regularly touched by humans, who might then put their fingers in their mouths, included items that can be worn, or toys children used for play.

 

Meanwhile, Paris green had another use. The reason it was most commonly known as Paris rather than emerald green is they used to throw it in the Paris sewers to kill the rats. People regularly kept some in their homes for that purpose. Later on, it was commonly used as an insecticide on crops. It was sprayed on apples and other fruits to prevent worms. In America, it was used to control the native Colorado potato beetle, noted for destroying potato crops. It was used in spray to kill gypsy moths invading northern forests and disease-carrying mosquitoes. It was applied to kill moths that attack tobacco plants, giving you a chance to smoke as well as eat the substance.

 

So, why was Paris green used in a bookbinding? Obviously, not for its color, since however attractive it may be, the arsenic paint was buried under the covers. Most likely, it was applied to prevent insect damage. Just as it can keep worms from boring through apples, arsenic can keep bookworms from boring through books. Now all it needs is a layer of asbestos in the covers and the books can be safe from fire damage too.

 

The Danish library will now store its poisonous books in separate boxes in a ventilated cabinet. It also plans to digitize the books so they don't have to be physically handled. Of course, the computers and monitors you use to view those digitized copies are probably laden with toxic heavy metals such as lead, cadmium, and mercury. There is no escaping the environment. You pick your poison.

 

The complete story of the discovery by Jakob Povl Holck and Kaare Lund Rasmussen of the University of Southern Denmark can be found on the website of The Conversation. 

Rare Book Monthly

  • SD Scandinavian Art & Rare Book Auctions
    The Odfjell Collection
    Polar – History – Ornithology – Colour Plate Books
    Ending December 4th
    Scandinavian Art & Rare Books Auctions, Dec. 4: ROALD AMUNDSEN: «Sydpolen» [ The South Pole] 1912. First edition in jackets and publisher's slip case.
    Scandinavian Art & Rare Books Auctions, Dec. 4: AMUNDSEN & NANSEN: «Fram over Polhavet» [Farthest North] 1897. AMUNDSEN's COPY!
    Scandinavian Art & Rare Books Auctions, Dec. 4: ERNEST SHACKLETON [ed.]: «Aurora Australis» 1908. First edition. The NORWAY COPY.
    Scandinavian Art & Rare Books Auctions, Dec. 4: ERNEST SHACKLETON: «The heart of the Antarctic» + SUPPLEMENT «The Antarctic Book», 1909.
    Scandinavian Art & Rare Books Auctions, Dec. 4: SHACKLETON, BERNACCHI, CHERRY-GARRARD [ed.]: «The South Polar Times» I-III, 1902-1911.
    SD Scandinavian Art & Rare Book Auctions
    The Odfjell Collection
    Polar – History – Ornithology – Colour Plate Books
    Ending December 4th
    Scandinavian Art & Rare Books Auctions, Dec. 4: [WILLEM BARENTSZ & HENRY HUDSON] - SAEGHMAN: «Verhael van de vier eerste schip-vaerden […]», 1663.
    Scandinavian Art & Rare Books Auctions, Dec. 4: TERRA NOVA EXPEDITION | LIEUTENANT HENRY ROBERTSON BOWERS: «At the South Pole.», Gelatin Silver Print. [10¾ x 15in. (27.2 x 38.1cm.) ].
    Scandinavian Art & Rare Books Auctions, Dec. 4: ELEAZAR ALBIN: «A natural History of Birds.» + «A Supplement», 1738-40. Wonderful coloured plates.
    Scandinavian Art & Rare Books Auctions, Dec. 4: PAUL GAIMARD: «Voyage de la Commision scientific du Nord, en Scandinavie, […]», c. 1842-46. ONLY HAND COLOURED COPY KNOWN WITH TWO ORIGINAL PAINTINGS BY BIARD.
    Scandinavian Art & Rare Books Auctions, Dec. 4: JAMES JOYCE: «Ulysses», 1922. FIRST EDITION IN ORIGINAL WRAPPERS.
  • Sotheby’s
    Book Week
    December 9-17, 2025
    Sotheby’s, Dec. 11: Darwin and Wallace. On the Tendency of Species to form Varieties..., [in:] Journal of the Proceedings of the Linnean Society, Vol. III, No. 9., 1858, Darwin announces the theory of natural selection. £100,000 to £150,000.
    Sotheby’s, Dec. 11: J.K. Rowling. Harry Potter and the Philosopher's Stone, 1997, first edition, hardback issue, inscribed by the author pre-publication. £100,000 to £150,000.
    Sotheby’s, Dec. 11: Wolfgang Amadeus Mozart. Autograph sketchleaf including a probable draft for the E flat Piano Quartet, K.493, 1786. £150,000 to £200,000.
    Sotheby’s, Dec. 12: Hooke, Robert. Micrographia: or some Physiological Descriptions of Minute Bodies made by Magnifying Glasses. London: James Allestry for the Royal Society, 1667. $12,000 to $15,000.
    Sotheby’s, Dec. 12: Chappuzeau, Samuel. The history of jewels, first edition in English. London: T.N. for Hobart Kemp, 1671. $12,000 to $18,000.
    Sotheby’s, Dec. 12: Sowerby, James. Exotic Mineralogy, containing his most realistic mineral depictions, London: Benjamin Meredith, 1811, Arding and Merrett, 1817. $5,000 to $7,000.
  • Rare Book Hub is now mobile-friendly!
  • Swann
    Maps & Atlases, Natural History & Color Plate Books
    December 9, 2025
    Swann, Dec. 9: Lot 156: Cornelis de Jode, Americae pars Borealis, double-page engraved map of North America, Antwerp, 1593.
    Swann, Dec. 9: Lot 206: John and Alexander Walker, Map of the United States, London and Liverpool, 1827.
    Swann, Dec. 9: Lot 223: Abraham Ortelius, Typus Orbis Terrarum, hand-colored double-page engraved world map, Antwerp, 1575.
    Swann
    Maps & Atlases, Natural History & Color Plate Books
    December 9, 2025
    Swann, Dec. 9: Lot 233: Aaron Arrowsmith, Chart of the World, oversize engraved map on 8 sheets, London, 1790 (circa 1800).
    Swann, Dec. 9: Lot 239: Fielding Lucas, A General Atlas, 81 engraved maps and diagrams, Baltimore, 1823.
    Swann, Dec. 9: Lot 240: Anthony Finley, A New American Atlas, 15 maps engraved by james hamilton young on 14 double-page sheets, Philadelphia, 1826.
    Swann
    Maps & Atlases, Natural History & Color Plate Books
    December 9, 2025
    Swann, Dec. 9: Lot 263: John Bachmann, Panorama of the Seat of War, portfolio of 4 double-page chromolithographed panoramic maps, New York, 1861.
    Swann, Dec. 9: Lot 265: Sebastian Münster, Cosmographei, Basel: Sebastian Henricpetri, 1558.
    Swann, Dec. 9: Lot 271: Abraham Ortelius, Epitome Theatri Orteliani, Antwerp: Johann Baptist Vrients, 1601.
    Swann
    Maps & Atlases, Natural History & Color Plate Books
    December 9, 2025
    Swann, Dec. 9: Lot 283: Joris van Spilbergen, Speculum Orientalis Occidentalisque Indiae, Leiden: Nicolaus van Geelkercken for Jodocus Hondius, 1619.
    Swann, Dec. 9: Lot 285: Levinus Hulsius, Achtzehender Theil der Newen Welt, 14 engraved folding maps, Frankfurt: Johann Frederick Weiss, 1623.
    Swann, Dec. 9: Lot 341: John James Audubon, Carolina Parrot, Plate 26, London, 1827.

Article Search

Archived Articles