• Old World Auctions (June 18): Lot 567. One of the Earliest & Most Desirable Printed Maps of Arabia - by Holle/Germanus (1482) Est. $55,000 - $65,000
    Old World Auctions (June 18): Lot 681. Zatta's Complete Atlas with 218 Maps in Full Contemporary Color (1779) Est. $27,500 - $35,000
    Old World Auctions (June 18): Lot 347. MacDonald Gill's Landmark "Wonderground Map" of London (1914) Est. $1,800 - $2,100
    Old World Auctions (June 18): Lot 1. Fries' "Modern" World Map with Portraits of Five Kings (1525) Est. $4,000 - $4,750
    Old World Auctions (June 18): Lot 539. Ortelius' Superb, Decorative Map of Cyprus in Full Contemporary Color (1573) Est. $1,100 - $1,400
    Old World Auctions (June 18): Lot 51. Mercator's Foundation Map for the Americas in Full Contemporary Color (1630) Est. $3,250 - $4,000
    Old World Auctions (June 18): Lot 667. Manuscript Bible Leaf with Image of Mary and Baby Jesus (1450) Est. $1,900 - $2,200
    Old World Auctions (June 18): Lot 226. "A Powerful Example of Color Used to Make a Point" (1895) Est. $400 - $600
    Old World Auctions (June 18): Lot 290. One of the Most Decorative Early Maps of South America - from Linschoten's "Itinerario" (1596) Est. $7,000 - $8,500
    Old World Auctions (June 18): Lot 62. Coronelli's Influential Map of North America with the Island of California (1688) Est. $10,000 - $12,000
    Old World Auctions (June 18): Lot 589. The First European-Printed Map of China - by Ortelius (1584) Est. $4,000 - $5,000
  • Forum Auctions
    A Sixth Selection of 16th and 17th Century English Books from the Fox Pointe Manor Library
    19th June 2025
    Forum, June 19: Euclid. The Elements of Geometrie, first edition in English of the first complete translation, [1570]. £20,000 to £30,000.
    Forum, June 19: Nicolay (Nicolas de). The Navigations, peregrinations and voyages, made into Turkie, first edition in English, 1585. £10,000 to £15,000.
    Forum, June 19: Shakespeare source book.- Montemayor (Jorge de). Diana of George of Montemayor, first edition in English, 1598. £6,000 to £8,000.
    Forum, June 19: Livius (Titus). The Romane Historie, first edition in English, translated by Philemon Holland, Adam Islip, 1600. £6,000 to £8,000.
    Forum Auctions
    A Sixth Selection of 16th and 17th Century English Books from the Fox Pointe Manor Library
    19th June 2025
    Forum, June 19: Robert Molesworth's copy.- Montaigne (Michel de). The Essayes Or Morall, Politike and Millitarie Discourses, first edition in English, 1603. £10,000 to £15,000.
    Forum, June 19: Shakespeare (William). The Tempest [&] The Two Gentlemen of Verona, from the Second Folio, [Printed by Thomas Cotes], 1632. £4,000 to £6,000.
    Forum, June 19: Boyle (Robert). Medicina Hydrostatica: or, Hydrostaticks Applyed to the Materia Medica, first edition, for Samuel Smith, 1690. £2,500 to £3,500.
    Forum, June 19: Locke (John). An Essay Concerning Humane Understanding in Four Books, first edition, second issue, 1690. £8,00 to £12,000.
  • ALDE, June 18: CHAPPE D'AUTEROCHE (JEAN). Voyage en Sibérie fait par ordre du Roi en 1761 contenant les mœurs…, Paris, 1768. €4,000 to €5,000.
    ALDE, June 18: HENNEPIN (LOUIS). Description de la Louisiane nouvellement découverte au Sud-Ouest de la Nouvelle France…, Paris, 1688. €3,000 to €4,000.
    ALDE, June 18: LA BOULLAYE-LE GOUZ (FRANÇOIS DE). Les Voyages et Observations, Paris, 1653. €1,500 to €2,000.
    ALDE, June 18: LE BRUN (CORNELIS DE BRUYN DIT CORNEILLE). Voyage au Levant, c'est à dire dans les principaux endroits de l'Asie mineure..., Delft, 1700. €6,000 to €8,000.
    ALDE, June 18: SAINT-NON (J.-CL. RICHARD, ABBÉ DE). Voyage pittoresque ou description du royaume de Naples et de Sicile, Paris, 1781-1786. €3,500 to €5,000.
    ALDE, June 18: (CALVIN JEAN). SÉNÈQUE. Annei Senecae..., Paris, 1532. €2,000 to €3,000.
    ALDE, June 18: ADRIEN LE CHARTREUX. De remediis utriusque fortunæ, [Cologne, vers 1470]. €5,000 to €6,000.
    ALDE, June 18: GAZA (THÉODORE). [...] Introductivæ grammatices libri quatuor. Ejusdem de mensibus opusculum sanequampulchrum, Venise, 1495. €8,000 to €10,000.
    ALDE, June 18: LACTANCE. De divinis institutionibus. De ira Dei. De opificio Dei. De phoenice carmen, Rome, 1468. €30,000 to €40,000.
    ALDE, June 18: LUTHER (MARTIN). Der Erste [– Achte und letze] Teil aller Bücher und Schrifften des thewren, seligen Mans Doct. Mart. Lutheri, Iéna, 1555-1568. €5,000 to €6,000.
    ALDE, June 18: POLITIEN (ANGE). Omnia opera, et alia quædam lectu Digna, Venise, 1498. €8,000 to €10,000.
    ALDE, June 18: SIDOINE APOLLINAIRE. Poema aureum ejusdemque Epistole, Milan, 1498. €3,000 to €4,000.
  • SD | Scandinavian Art & Rare Book Auctions
    The Øiesvold Collection
    June 14, 2025
    SD | Scandinavian Art & Rare Book Auctions, June: 14: HIERONYMUS MÜNTZER (1437 – 1508): (Northern and Central Europe) No title recto. Nuremberg, 1493.
    SD | Scandinavian Art & Rare Book Auctions, June: 14: SIGISMUND VON HERBERSTEIN (1486 – 1566): «Commentari della Moscovia et partmente della Russia.» Venice, 1550.
    SD | Scandinavian Art & Rare Book Auctions, June: 14: SEBASTIAN MÜNSTER: «Cosmographiae universalis Lib. VI in quibus iuxta certioris […]» Basel, 1559.
    SD | Scandinavian Art & Rare Book Auctions, June: 14: SEBASTIAN MÜNSTER: «Deerwunder und seltzame Thier / wie die in den Mitnächtigen Länder im Meer […]» Basel, c. 1550.
    SD | Scandinavian Art & Rare Book Auctions, June: 14: WILLEM BARENTSZ (1550 – 97): «Deliniatio cartæ trium navigationum per Batavos, ad Septentrionalem plagem [...]» Amsterdam, 1598.

Rare Book Monthly

Articles - December - 2017 Issue

The Lingering Allure of the Manuscript: The Jay T. Snider Collection of Illustrated & Decorated Manuscripts at Christie's

Highlights manuscripts from Christie's sale of Fine Printed Books and Manuscripts Including Americana

Highlights manuscripts from Christie's sale of Fine Printed Books and Manuscripts Including Americana

Editor's Note: Christie's sale on December 5th of Fine Printed Books and Manuscripts Including Americana contains a beautiful selection of manuscripts from the Jay T. Snider Collection. This is Books & Manuscripts specialist at Christie's Rhiannon Knol's take on the significance of manuscripts in the field.

 

After over 500 years of the Gutenberg Galaxy, what explains the lingering allure of the manuscript? This question finds a ready answer in the diverse and lucid collection of Jay T. Snider, which spans centuries and continents yet broadcasts—in both its whole and its every part—what the artist Ben Shahn described as “an immediate sense of the hand that made the letters… the joy of workmanship that no time or weathering can erase.” While the category ‘illuminated manuscript’ is usually associated with medieval Europe, none here predate the invention of printing in the West. Gutenberg’s printing press may have industrialized book production, but it could never totally displace the role of the written word and the painted image.

 

While print means copies, a manuscript signifies an original, not mechanically produced, but handmade. Manuscripts bring us into the realm of the private diary, the personal sketchbook, and the draft—the places where human imagination, artistry, and knowledge germinate. Take, for example, a notebook in the Snider collection kept by several generations of nuns at the convent of Saint Godelieve (lot 145). Inside, numerous neat hands in French and Flemish record the collective knowledge of the convent on dyeing, paper making, embroidery, and other textile crafts. Inside its covers (themselves a manuscript salvaged from a Medieval antiphonal) scraps of inspiration have been lovingly preserved: illuminated borders from books of hours, a prayer card, cut-out paintings of fruit. On the other side of the Atlantic in the same century, Bethlemite monks in Mexico were crafting a large illuminated missal (lot 159). Although the Spanish had been printing in the New World for nearly two centuries, the manuscript tradition was alive and well—producing Baroque masterpieces which combined European and Native traditions of art and book production to honor the glory of God.

 

The heightened possibilities offered by words interplaying with images in handwritten and painted works also make these ideal vehicles for communicating scientific knowledge. A nineteenth-century illustrated manuscript recension of an ancient Indian veterinary text reveals this accretion of knowledge over time, with recipes added in several hands (lot 163). At the same time, a handsome manuscript document of the butterflies of Estonia underscores the importance of the scientific eye working in concert with the hand to capture the splendor of nature (lot 162). In 19th-century China, artists painted watercolors for the export market, producing astonishing renderings of native flora for discerning foreign scholars who did not trust engravings done by artists who had never seen their subjects (lot 155), as well as luminous gem-like miniatures to meet the tastes of collectors from London to Moscow (lot 156).

 

Across Europe and America, artists and travelers recorded their views of the world on a human scale. The American folk artist Lewis Miller captured the bustling cities of Germany in his “Reise Journal” (lot 150) while British engineer and draftsman Henry Drayson did the same for the dramatic landscapes of the American Northeast (lot 152). Princess Maria Anna of Prussia and Elisa D’Angleville both kept albums of their work as artists, tracing not only the development of their skills and the settings of their daily lives, but the landscapes of their interior life as well (lots 148 and 149).

 

Edo Japan’s manuscript tradition thrived alongside print, as scholars recorded ancient knowledge in elaborately folded books, calligraphers vaunted their art, and scribes copied secret or censored material for private circulation (lots 164-168). Manuscripts are also, of course, the province of secret knowledge. The Russian Old Believers, an often-persecuted breakaway sect from the Orthodox church, preserved centuries of ancient tradition in their manuscripts (lots 157 and 158). Cut off from the structures of the church, their sect spurred a growth in literacy as members took interpretive control into their own hands—their visionary theological manuscripts revealing a non-systematic knowledge infused with natural rationalism and creative imagination. 

 

Handwriting is one of the tracks of the body, a leaving behind of the traces of human identity. Communities are recorded, sometimes created, in the pages of books. During the Medieval period, the operation of the memory itself was figured as a form of writing, with the writing of the scribe on vellum (made from animal skin) likened to experiences and emotions inscribing themselves onto the living flesh of the mind. Still today this metaphor has longevity, not lost to old technologies but resurrected for the language of computers and the digital, which write memory in bits and bytes onto the hard drive. The manuscript as an object offers a rare intimacy with the human mind of the long dead past.

 

Thus, when Marco Verricci presented his album of fantastical cities to Doge Marino Grimani in 1595, he was not giving a gift of paper and ink but of the imagination itself, pressed into the service of the glory of Venice (lot 169). In the age of print—and the era of the email—the manuscript is not less relevant at all, but only more precious and imbued with human meaning.

Rare Book Monthly

  • Rose City Book & Paper Fair
    June 14-15, 2025
    1000 NE Multnomah, Portland
    ROSECITYBOOKFAIR.COM
  • Swann, June 17: Lot 13: Arthur Rackham, Candlelight, pen and ink, circa 1900.
    Swann, June 17: Lot 28: Harold Von Schmidt, "I Asked Jim If He Wanted To Accompany Us To Teach The Hanneseys A Lesson.", oil on canvas, 1957.
    Swann, June 17: Lot 96: Arthur Szyk, Thumbelina, gouache and pencil, 1945.
    Swann, June 17: Lot 101: D.R. Sexton, The White Rabbit And Bill The Lizard, watercolor and gouache, 1932.
    Swann, June 17: Lot 127: Miguel Covarrubias, Bradypus Tridactilus. Three-Toed Sloth, gouache, circa 1953.
    Swann, June 17: Lot 132: William Pène Du Bois, 2 Illustrations: Balloon Merry Go Round On The Ground And In The Air, pen and ink and wash, 1947.
    Swann, June 17: Lot 137: Lee Lorenz, Confetti Hourglass, mixed media, 1973.
    Swann, June 17: Lot 181: Norman Rockwell, Portrait Of Floyd Jerome Patten (Editor At Boy's Life Magazine), charcoal, circa 1915.
    Swann, June 17: Lot 188: Ludwig Bemelmans, Rue De Buci, Paris, casein, watercolor, ink and gouache, 1955.
    Swann, June 17: Lot 263: Maurice Sendak, Sundance Childrens Theater Poster Preliminary Sketch, pencil, 1988.
  • Fonsie Mealy’s
    Chatsworth Summer Fine Art Sale
    18th June 2025
    Fonsie Mealy, June 18: William IV, c1830, oversized slope-top Rosewood Davenport Desk, Attributed to Gillows of Lancaster. With Provenance to Oscar Wilde.
    Fonsie Mealy, June 18: William IV, c1830, oversized slope-top Rosewood Davenport Desk, Attributed to Gillows of Lancaster. With Provenance to Oscar Wilde.
    Fonsie Mealy, June 18: William IV, c1830, oversized slope-top Rosewood Davenport Desk, Attributed to Gillows of Lancaster. With Provenance to Oscar Wilde.
    Fonsie Mealy, June 18: French Bateau Bed, exhibition piece from the Exposition Universelle—The Paris World’s Fair, 1878. Third quarter of the 19th century. With Provenance to Oscar Wilde.
  • Rare Book Hub is now mobile-friendly!
  • Sotheby's
    Bibliothèque Jacques Dauchez - Autour de Dubuffet
    5-19 June
    Sotheby’s, June 5-19: Bissière, Roger. Cantique à notre frère soleil de saint François. 1954. 1,000 - 1,500 EUR
    Sotheby’s, June 5-19: Céline, Louis-Ferdinand. La vie & l’œuvre de Philippe Ignace Semmelweis. 1924. Rare édition originale, avec envoi. Joint : La Quinine en thérapeutique, 1925. 4,000 - 6,000 EUR
    Sotheby’s, June 5-19: Céline, Louis-Ferdinand. Mort à crédit. 1936. Édition originale. Bel exemplaire sur Hollande. 2,500 - 3,500 EUR
    Sotheby's
    Bibliothèque Jacques Dauchez - Autour de Dubuffet
    5-19 June
    Sotheby’s, June 5-19: Chillida, Eduardo ─ Emil Cioran. Face aux instants. 1985. Un des 100 exemplaires sur Arches. Eau-forte signée. 600 - 800 EUR
    Sotheby’s, June 5-19: Dubuffet, Jean. Ler dla canpane. L’Art Brut, 1948. Édition originale. 3,000 - 5,000 EUR
    Sotheby’s, June 5-19: Dubuffet, Jean. L'Herne Jean Dubuffet. 1973. Un des 100 exemplaires du tirage de luxe avec une sérigraphie originale en couleurs. 1,000 - 1,500 EUR
  • Finarte
    Books, Autographs & Prints
    June 24 & 25, 2025
    Finarte, June 24-25: ALIGHIERI, DANTE / LANDINO, CRISTOFORO. Comento di Christophoro Landino Fiorentino sopra la Comedia di Danthe Alighieri poeta fiorentino, 1481. €40,000 to €50,000.
    Finarte, June 24-25: ALIGHIERI, DANTE. La Commedia [Commento di Christophorus Landinus]. Aggiunta: Marsilius Ficinus, Ad Dantem gratulatio [in latino e Italiano], 1487. €40,000 to €60,000.
    Finarte, June 24-25: ALIGHIERI, DANTE. Il Convivio, 1490. €20,000 to €25,000.
    Finarte
    Books, Autographs & Prints
    June 24 & 25, 2025
    Finarte, June 24-25: BANDELLO, MATTEO. La prima [-quarta] parte de le nouelle del Bandello, 1554. €7,000 to €9,000.
    Finarte, June 24-25: LEGATURA – PLUTARCO. Le vies des hommes illustres, grecs et romaines translates, 1567. €10,000 to €12,000.
    Finarte, June 24-25: TOLOMEO, CLAUDIO. Ptolemeo La Geografia di Claudio Ptolemeo Alessandrino, Con alcuni comenti…, 1548. €4,000 to €6,000.
    Finarte
    Books, Autographs & Prints
    June 24 & 25, 2025
    Finarte, June 24-25: FESTE - COPPOLA, GIOVANNI CARLO. Le nozze degli Dei, favola [...] rappresentata in musica in Firenze…, 1637. €6,000 to €8,000.
    Finarte, June 24-25: SPINOZA, BARUCH. Opera posthuma, 1677. €8,000 to €12,000.
    Finarte, June 24-25: PUSHKIN, ALEXANDER. Borus Godunov, 1831. €30,000 to €50,000.
    Finarte
    Books, Autographs & Prints
    June 24 & 25, 2025
    Finarte, June 24-25: LIBRO D'ARTISTA - LECUIRE, PIERRE. Ballets-minute, 1954. €35,000 to €40,000.
    Finarte, June 24-25: LIBRO D'ARTISTA - MAJAKOVSKIJ, VLADIMIR / LISSITZKY, LAZAR MARKOVICH. Dlia Golosa, 1923. €7,000 to €10,000.
    Finarte, June 24-25: LIBRO D'ARTISTA - MATISSE, HENRI / MONTHERLANT, HENRY DE. Pasiphaé. Chant de Minos., 1944. €22,000 to €24,000.

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