Rare Book Monthly

Articles - December - 2002 Issue

The Means of Book Trading That Dares Not Speak Its Name: eBay


Librarian X: “My bad experiences with using eBay include the following: receiving books in bad condition, receiving books that are not what I thought they would be. I once bought a Tibetan text. It was pretty and illustrated and was billed as an ancient text, supposedly 150 years old or more. When I bought it I knew it was a risk and indeed it turned out to be 15 years old at the outside. It was pretty but not what I wanted. So I gave it to a good friend (who actually likes it a lot and doesn’t care what it’s worth or how old it is.)”

Zubal: “You have to be careful about the descriptions of the books posted. Not that they’re necessarily dishonest, but many amateurs do not know how to describe books and condition correctly. I’d also buy nothing without seeing a picture of it. Another pet peeve of mine about eBay concerns the feedback [where buyers and sellers are meant to write up their experiences with each other and post them on the site]. Sometimes I get peeves, because I don’t do feedback. I just don’t have the time.”

Barlow: “It’s tough to judge the condition of books from a digital image. Also there are some flakes and cheats out there, although fewer than you’d think. I’ve encountered less than 10 in all my thousands of transactions. (Of course I keep a file of these, but it’s a very small file.) Other cons: Misdescriptions. You need to read the descriptions very carefully on eBay and see if it’s what you really want. Pictures help, although even pictures don’t always tell you what’s wrong with an item. Another huge problem are the people who are not intrinsically dishonest but who just don’t know how to describe an item, although some are intentionally misleading. One other thing I’d watch out for is anyone who starts their description with a disclaimer like ‘I don’t know anything about this, but…’ That’s a huge red flag.”

Barlow: “There is fraud on eBay, no question about it, but it appears mostly with more expensive items. That’s why most of the items I buy are generally inexpensive ($1000 maximum). If I were to spend $1000 or more on a book, I would definitely want to make sure that I could return it if I wasn’t happy with it. I’d want the right to return the item if it came in some state other than how it was described. I’d also probably want to know that the seller was an ABAA member. I might be tempted but not terribly willing to bid on a Baskerville Bible from someone who doesn’t know what they’re doing.”

Barlow: “Another problem is that unlike professional dealers and auction houses a lot of people who sell on eBay don’t have the faintest idea of how to wrap and package books, so that sometimes even if the item wasn’t damaged when you bought it it is when you get it. There are lots of naïve people out there who believe if they write ‘Do not fold or bend’ on a package the post office will actually heed that warning. Writing this on the outside of a box is in no way the same as careful packaging.”

Dealer Y: “One of the major difficulties I’ve had with eBay is that the majority of people who sell on it are not dealers and thus don’t know the first thing about describing condition and/or properly packaging an item. When you buy from a dealer you know there’s a certain level of expectation of honor amongst dealers. You buy books ‘on approval’, meaning that you’ll be able to return something if you’re not happy with it. The same is not necessarily true on eBay. I’ve had things arrive that were absolutely not the same pieces as those described. I’ve had entire boxes of china I bought on eBay arrive chipped in literally thousands of pieces. And the person who sent them packed them improperly but insisted that it wasn’t his fault but the U.S. Post Office’s. This would never happen with a dealer. So now I actually email them instructions on how to package books or other items once I complete a transaction on eBay. This sounds petty but I find that it pays to be proactive as with books a great deal of their value is lost if they arrive damaged.”

Rare Book Monthly

  • Sotheby’s
    Book Week
    December 9-17, 2025
    Sotheby’s, Dec. 11: Darwin and Wallace. On the Tendency of Species to form Varieties..., [in:] Journal of the Proceedings of the Linnean Society, Vol. III, No. 9., 1858, Darwin announces the theory of natural selection. £100,000 to £150,000.
    Sotheby’s, Dec. 11: J.K. Rowling. Harry Potter and the Philosopher's Stone, 1997, first edition, hardback issue, inscribed by the author pre-publication. £100,000 to £150,000.
    Sotheby’s, Dec. 11: Wolfgang Amadeus Mozart. Autograph sketchleaf including a probable draft for the E flat Piano Quartet, K.493, 1786. £150,000 to £200,000.
    Sotheby’s, Dec. 12: Hooke, Robert. Micrographia: or some Physiological Descriptions of Minute Bodies made by Magnifying Glasses. London: James Allestry for the Royal Society, 1667. $12,000 to $15,000.
    Sotheby’s, Dec. 12: Chappuzeau, Samuel. The history of jewels, first edition in English. London: T.N. for Hobart Kemp, 1671. $12,000 to $18,000.
    Sotheby’s, Dec. 12: Sowerby, James. Exotic Mineralogy, containing his most realistic mineral depictions, London: Benjamin Meredith, 1811, Arding and Merrett, 1817. $5,000 to $7,000.
  • Heritage Auctions
    Rare Books Signature Auction
    December 15, 2025
    Heritage, Dec. 15: John Donne. Poems, By J. D. With Elegies on the Author's Death. London: M[iles]. F[lesher]. for John Marriot, 1633.
    Heritage, Dec. 15: Edgar Rice Burroughs. Tarzan of the Apes.
    Heritage, Dec. 15: F. Scott Fitzgerald. Tender is the Night. A Romance.
    Heritage, Dec. 15: Bram Stoker. Dracula. Westminster: Archibald Constable & Co., 1897.
    Heritage, Dec. 15: Jerry Thomas. How to Mix Drinks, or the Bon-Vivant's Companion, Containing Clear and Reliable Directions for Mixing All the Beverages Used in the United States…
  • Rare Book Hub is now mobile-friendly!
  • Swann
    Maps & Atlases, Natural History & Color Plate Books
    December 9, 2025
    Swann, Dec. 9: Lot 156: Cornelis de Jode, Americae pars Borealis, double-page engraved map of North America, Antwerp, 1593.
    Swann, Dec. 9: Lot 206: John and Alexander Walker, Map of the United States, London and Liverpool, 1827.
    Swann, Dec. 9: Lot 223: Abraham Ortelius, Typus Orbis Terrarum, hand-colored double-page engraved world map, Antwerp, 1575.
    Swann
    Maps & Atlases, Natural History & Color Plate Books
    December 9, 2025
    Swann, Dec. 9: Lot 233: Aaron Arrowsmith, Chart of the World, oversize engraved map on 8 sheets, London, 1790 (circa 1800).
    Swann, Dec. 9: Lot 239: Fielding Lucas, A General Atlas, 81 engraved maps and diagrams, Baltimore, 1823.
    Swann, Dec. 9: Lot 240: Anthony Finley, A New American Atlas, 15 maps engraved by james hamilton young on 14 double-page sheets, Philadelphia, 1826.
    Swann
    Maps & Atlases, Natural History & Color Plate Books
    December 9, 2025
    Swann, Dec. 9: Lot 263: John Bachmann, Panorama of the Seat of War, portfolio of 4 double-page chromolithographed panoramic maps, New York, 1861.
    Swann, Dec. 9: Lot 265: Sebastian Münster, Cosmographei, Basel: Sebastian Henricpetri, 1558.
    Swann, Dec. 9: Lot 271: Abraham Ortelius, Epitome Theatri Orteliani, Antwerp: Johann Baptist Vrients, 1601.
    Swann
    Maps & Atlases, Natural History & Color Plate Books
    December 9, 2025
    Swann, Dec. 9: Lot 283: Joris van Spilbergen, Speculum Orientalis Occidentalisque Indiae, Leiden: Nicolaus van Geelkercken for Jodocus Hondius, 1619.
    Swann, Dec. 9: Lot 285: Levinus Hulsius, Achtzehender Theil der Newen Welt, 14 engraved folding maps, Frankfurt: Johann Frederick Weiss, 1623.
    Swann, Dec. 9: Lot 341: John James Audubon, Carolina Parrot, Plate 26, London, 1827.

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