• ALDE, June 18: CHAPPE D'AUTEROCHE (JEAN). Voyage en Sibérie fait par ordre du Roi en 1761 contenant les mœurs…, Paris, 1768. €4,000 to €5,000.
    ALDE, June 18: HENNEPIN (LOUIS). Description de la Louisiane nouvellement découverte au Sud-Ouest de la Nouvelle France…, Paris, 1688. €3,000 to €4,000.
    ALDE, June 18: LA BOULLAYE-LE GOUZ (FRANÇOIS DE). Les Voyages et Observations, Paris, 1653. €1,500 to €2,000.
    ALDE, June 18: LE BRUN (CORNELIS DE BRUYN DIT CORNEILLE). Voyage au Levant, c'est à dire dans les principaux endroits de l'Asie mineure..., Delft, 1700. €6,000 to €8,000.
    ALDE, June 18: SAINT-NON (J.-CL. RICHARD, ABBÉ DE). Voyage pittoresque ou description du royaume de Naples et de Sicile, Paris, 1781-1786. €3,500 to €5,000.
    ALDE, June 18: (CALVIN JEAN). SÉNÈQUE. Annei Senecae..., Paris, 1532. €2,000 to €3,000.
    ALDE, June 18: ADRIEN LE CHARTREUX. De remediis utriusque fortunæ, [Cologne, vers 1470]. €5,000 to €6,000.
    ALDE, June 18: GAZA (THÉODORE). [...] Introductivæ grammatices libri quatuor. Ejusdem de mensibus opusculum sanequampulchrum, Venise, 1495. €8,000 to €10,000.
    ALDE, June 18: LACTANCE. De divinis institutionibus. De ira Dei. De opificio Dei. De phoenice carmen, Rome, 1468. €30,000 to €40,000.
    ALDE, June 18: LUTHER (MARTIN). Der Erste [– Achte und letze] Teil aller Bücher und Schrifften des thewren, seligen Mans Doct. Mart. Lutheri, Iéna, 1555-1568. €5,000 to €6,000.
    ALDE, June 18: POLITIEN (ANGE). Omnia opera, et alia quædam lectu Digna, Venise, 1498. €8,000 to €10,000.
    ALDE, June 18: SIDOINE APOLLINAIRE. Poema aureum ejusdemque Epistole, Milan, 1498. €3,000 to €4,000.
  • SD | Scandinavian Art & Rare Book Auctions
    The Øiesvold Collection
    June 14, 2025
    SD | Scandinavian Art & Rare Book Auctions, June: 14: HIERONYMUS MÜNTZER (1437 – 1508): (Northern and Central Europe) No title recto. Nuremberg, 1493.
    SD | Scandinavian Art & Rare Book Auctions, June: 14: SIGISMUND VON HERBERSTEIN (1486 – 1566): «Commentari della Moscovia et partmente della Russia.» Venice, 1550.
    SD | Scandinavian Art & Rare Book Auctions, June: 14: SEBASTIAN MÜNSTER: «Cosmographiae universalis Lib. VI in quibus iuxta certioris […]» Basel, 1559.
    SD | Scandinavian Art & Rare Book Auctions, June: 14: SEBASTIAN MÜNSTER: «Deerwunder und seltzame Thier / wie die in den Mitnächtigen Länder im Meer […]» Basel, c. 1550.
    SD | Scandinavian Art & Rare Book Auctions, June: 14: WILLEM BARENTSZ (1550 – 97): «Deliniatio cartæ trium navigationum per Batavos, ad Septentrionalem plagem [...]» Amsterdam, 1598.
  • Sotheby's
    Bibliothèque Jacques Dauchez - Autour de Dubuffet
    5-19 June
    Sotheby’s, June 5-19: Bissière, Roger. Cantique à notre frère soleil de saint François. 1954. 1,000 - 1,500 EUR
    Sotheby’s, June 5-19: Céline, Louis-Ferdinand. La vie & l’œuvre de Philippe Ignace Semmelweis. 1924. Rare édition originale, avec envoi. Joint : La Quinine en thérapeutique, 1925. 4,000 - 6,000 EUR
    Sotheby’s, June 5-19: Céline, Louis-Ferdinand. Mort à crédit. 1936. Édition originale. Bel exemplaire sur Hollande. 2,500 - 3,500 EUR
    Sotheby's
    Bibliothèque Jacques Dauchez - Autour de Dubuffet
    5-19 June
    Sotheby’s, June 5-19: Chillida, Eduardo ─ Emil Cioran. Face aux instants. 1985. Un des 100 exemplaires sur Arches. Eau-forte signée. 600 - 800 EUR
    Sotheby’s, June 5-19: Dubuffet, Jean. Ler dla canpane. L’Art Brut, 1948. Édition originale. 3,000 - 5,000 EUR
    Sotheby’s, June 5-19: Dubuffet, Jean. L'Herne Jean Dubuffet. 1973. Un des 100 exemplaires du tirage de luxe avec une sérigraphie originale en couleurs. 1,000 - 1,500 EUR
  • Finarte
    Books, Autographs & Prints
    June 24 & 25, 2025
    Finarte, June 24-25: ALIGHIERI, DANTE / LANDINO, CRISTOFORO. Comento di Christophoro Landino Fiorentino sopra la Comedia di Danthe Alighieri poeta fiorentino, 1481. €40,000 to €50,000.
    Finarte, June 24-25: ALIGHIERI, DANTE. La Commedia [Commento di Christophorus Landinus]. Aggiunta: Marsilius Ficinus, Ad Dantem gratulatio [in latino e Italiano], 1487. €40,000 to €60,000.
    Finarte, June 24-25: ALIGHIERI, DANTE. Il Convivio, 1490. €20,000 to €25,000.
    Finarte
    Books, Autographs & Prints
    June 24 & 25, 2025
    Finarte, June 24-25: BANDELLO, MATTEO. La prima [-quarta] parte de le nouelle del Bandello, 1554. €7,000 to €9,000.
    Finarte, June 24-25: LEGATURA – PLUTARCO. Le vies des hommes illustres, grecs et romaines translates, 1567. €10,000 to €12,000.
    Finarte, June 24-25: TOLOMEO, CLAUDIO. Ptolemeo La Geografia di Claudio Ptolemeo Alessandrino, Con alcuni comenti…, 1548. €4,000 to €6,000.
    Finarte
    Books, Autographs & Prints
    June 24 & 25, 2025
    Finarte, June 24-25: FESTE - COPPOLA, GIOVANNI CARLO. Le nozze degli Dei, favola [...] rappresentata in musica in Firenze…, 1637. €6,000 to €8,000.
    Finarte, June 24-25: SPINOZA, BARUCH. Opera posthuma, 1677. €8,000 to €12,000.
    Finarte, June 24-25: PUSHKIN, ALEXANDER. Borus Godunov, 1831. €30,000 to €50,000.
    Finarte
    Books, Autographs & Prints
    June 24 & 25, 2025
    Finarte, June 24-25: LIBRO D'ARTISTA - LECUIRE, PIERRE. Ballets-minute, 1954. €35,000 to €40,000.
    Finarte, June 24-25: LIBRO D'ARTISTA - MAJAKOVSKIJ, VLADIMIR / LISSITZKY, LAZAR MARKOVICH. Dlia Golosa, 1923. €7,000 to €10,000.
    Finarte, June 24-25: LIBRO D'ARTISTA - MATISSE, HENRI / MONTHERLANT, HENRY DE. Pasiphaé. Chant de Minos., 1944. €22,000 to €24,000.

Rare Book Monthly

Articles - August - 2017 Issue

Collections can get Complicated

I’ve known for many years that book collecting, if it was ever only books, is rarely books alone today.  Book collecting was once a huge field that required decades of experience.  Today informational databases approach Einstein levels of volume and complexity providing clear pictures of rarity and value while selling databases such as Abe Books and Biblio show enormous availability.  The word rare has always been a general term but the best databases today show it item by item, selling sites to tell you how many are available and RBH to tell you what the market is saying it’s worth.  

 

As a practical matter as a collector of Hudson Valley material I’ve found increasing change, even volatility, in what has long been a gradually rising market.  More and better material continues coming out and to achieve good results while plebian material is losing ground.  Behind this activity it appears that dealers and book collectors are aging-out, recognizing it’s time to sell.  The effect is an increasingly tense flow of better and better collectible material that is prompting auction houses to require even better material and lower estimates to get into their rooms.  It’s noticeable and exciting.

 

As a collector, now 70 but soon enough 71, I understand my obligation to organize my collection of Hudson River Valley material in ways that will be understandable to the auction house, institutions or dealer that will sweep clean my Aegean Stables.  I love the acquisitions but understand that what is transparent and appealing to me will be, for the most part, a burden to others.

 

So I’m re-organizing this collection as a sale and have started with the assumption that the 5,000 items I have will be fitted into about three hundred lots.  To do it I’m giving myself until the end of August in 2018 to complete this work.  The auction house or dealer who takes this upon themselves, hopefully well into the future, will understand what they have as will my family.  This example of the emerging new collecting seems to naturally focus on deeper, narrower, more intense subjects.  Whether there’s a market for this remains to be seen but as a collector, it’s a beautiful experience.

 

So here are a few lots.  I may have eight hundred photographic postcards of the mid-Hudson Valley.  Most will be a single lot I think while about sixty-five, all disasters of one type or another, will be a separate and very appealing lot.

 

One room in our house contains only Joel Munsell printings.  Mr. Munsell was kind enough to document his output beginning in 1834 and continuing into the spring of 1871 and lists the number of copies printed for 990 of the 2,278 items he owned up to.  He published books, but was more important in the printing of short-lived and quickly forgotten pamphlets.  He also printed dealer catalogues.  I believe I have north of four hundred of his works.  This collection may in time help unravel two mysteries; why haven’t I been able to find examples of more of his works and, for the items known for which he has provided quantities printed, how do the quantities relate to appearances in libraries, at auction and online.  That research so far raises almost as many questions as it answers.  This collection which has been acquired item by item over fifteen years will be sold as a single lot without a reserve.  It is a compelling collection but only one lot.

 

Even as I’m looking [distantly] into the abyss I’m of course also still collecting and am grateful that my wife accepts my, to quote Groucho Marx approach, “hello I must be going.”  The impulse to collect increases with age, inevitably leading to the collector’s dying words, “I’ll take it!”  So of course I’m still buying.

 

For those that read my stories many know I have become enamored with Abraham Tomlinson, the Dutchess County insurance agent who acquired Revolutionary War material during the period 1840 to 1858.  He was not a collector but rather, in my opinion, an accumulator who once he had built his museum, marketed it to various New York libraries, and sold it to the Mercantile Library by if not before, 1860.  I have Tomlinson’s notes about what he was offering as well as Radford Curdy’s, the Dutchess County historian’s update seventy-five years later, to guide me and I now consider the possibility of pursuing pieces of his collection as they re-appear.  It sounds difficult but the task is made immeasurably easier by the fact that the material that passed through the hands of the Mercantile Library appears to have been stamped as a Tomlinson item.  Today that’s a no-no but I’m glad they did it.  Some of his material will certainly reappear if for no other reason than that he had so much and we now have sixty years of documented reappearances, about twenty at auction, dating to the 1940’s.

 

I also have paintings, both some somewhat important examples and many others that will resonate only with people very attached to the mid-Hudson Valley.  I frankly love these paintings, particularly the emotionally dark ones because the Ulster County I grew up in was dark.  Altogether I have about thirty of them.

 

And there are lithographs.  I really don’t know how many but I can spend hours looking at them one by one.

 

And water colors.  By absolutely a stroke of luck I was asked to look at a collection of 160 watercolors and drawings painted by - - - - -.  Two young men wanted to part with them for money and I paid $7,000.   This collection will someday be a single unreserved lot.  Mr. 0000 had an excellent eye for detail.  Mr. ----- had a canny eye which he used to great effect beginning in late 1848 and continuing into the final years of the 1850’s.  This is life in the Hudson Valley as he saw it, carefully detailed, a decade before photography would begin to be common.

 

And then there are Sanborn Atlases.  These generally large format books presented towns, cities and businesses [such as railroads] beginning in the 1870’s and continuing into the 1940’s.  These maps are so detailed they almost defy imagination.  I have perhaps a half dozen and would love to buy more.

 

So this is a piece of what I have collected.  It’s small piece but I’m simply getting under way.  How dealers or auction houses will feel about the material is difficult to guess.  In time, we’ll know.  For now, it’s simply a pleasure.

 

Rare Book Monthly

  • Fonsie Mealy’s
    Chatsworth Summer Fine Art Sale
    18th June 2025
    Fonsie Mealy, June 18: William IV, c1830, oversized slope-top Rosewood Davenport Desk, Attributed to Gillows of Lancaster. With Provenance to Oscar Wilde.
    Fonsie Mealy, June 18: William IV, c1830, oversized slope-top Rosewood Davenport Desk, Attributed to Gillows of Lancaster. With Provenance to Oscar Wilde.
    Fonsie Mealy, June 18: William IV, c1830, oversized slope-top Rosewood Davenport Desk, Attributed to Gillows of Lancaster. With Provenance to Oscar Wilde.
    Fonsie Mealy, June 18: French Bateau Bed, exhibition piece from the Exposition Universelle—The Paris World’s Fair, 1878. Third quarter of the 19th century. With Provenance to Oscar Wilde.
  • Rare Book Hub is now mobile-friendly!
  • Old World Auctions (June 18): Lot 567. One of the Earliest & Most Desirable Printed Maps of Arabia - by Holle/Germanus (1482) Est. $55,000 - $65,000
    Old World Auctions (June 18): Lot 681. Zatta's Complete Atlas with 218 Maps in Full Contemporary Color (1779) Est. $27,500 - $35,000
    Old World Auctions (June 18): Lot 347. MacDonald Gill's Landmark "Wonderground Map" of London (1914) Est. $1,800 - $2,100
    Old World Auctions (June 18): Lot 1. Fries' "Modern" World Map with Portraits of Five Kings (1525) Est. $4,000 - $4,750
    Old World Auctions (June 18): Lot 539. Ortelius' Superb, Decorative Map of Cyprus in Full Contemporary Color (1573) Est. $1,100 - $1,400
    Old World Auctions (June 18): Lot 51. Mercator's Foundation Map for the Americas in Full Contemporary Color (1630) Est. $3,250 - $4,000
    Old World Auctions (June 18): Lot 667. Manuscript Bible Leaf with Image of Mary and Baby Jesus (1450) Est. $1,900 - $2,200
    Old World Auctions (June 18): Lot 226. "A Powerful Example of Color Used to Make a Point" (1895) Est. $400 - $600
    Old World Auctions (June 18): Lot 290. One of the Most Decorative Early Maps of South America - from Linschoten's "Itinerario" (1596) Est. $7,000 - $8,500
    Old World Auctions (June 18): Lot 62. Coronelli's Influential Map of North America with the Island of California (1688) Est. $10,000 - $12,000
    Old World Auctions (June 18): Lot 589. The First European-Printed Map of China - by Ortelius (1584) Est. $4,000 - $5,000
  • Forum Auctions
    A Sixth Selection of 16th and 17th Century English Books from the Fox Pointe Manor Library
    19th June 2025
    Forum, June 19: Euclid. The Elements of Geometrie, first edition in English of the first complete translation, [1570]. £20,000 to £30,000.
    Forum, June 19: Nicolay (Nicolas de). The Navigations, peregrinations and voyages, made into Turkie, first edition in English, 1585. £10,000 to £15,000.
    Forum, June 19: Shakespeare source book.- Montemayor (Jorge de). Diana of George of Montemayor, first edition in English, 1598. £6,000 to £8,000.
    Forum, June 19: Livius (Titus). The Romane Historie, first edition in English, translated by Philemon Holland, Adam Islip, 1600. £6,000 to £8,000.
    Forum Auctions
    A Sixth Selection of 16th and 17th Century English Books from the Fox Pointe Manor Library
    19th June 2025
    Forum, June 19: Robert Molesworth's copy.- Montaigne (Michel de). The Essayes Or Morall, Politike and Millitarie Discourses, first edition in English, 1603. £10,000 to £15,000.
    Forum, June 19: Shakespeare (William). The Tempest [&] The Two Gentlemen of Verona, from the Second Folio, [Printed by Thomas Cotes], 1632. £4,000 to £6,000.
    Forum, June 19: Boyle (Robert). Medicina Hydrostatica: or, Hydrostaticks Applyed to the Materia Medica, first edition, for Samuel Smith, 1690. £2,500 to £3,500.
    Forum, June 19: Locke (John). An Essay Concerning Humane Understanding in Four Books, first edition, second issue, 1690. £8,00 to £12,000.
  • Rose City Book & Paper Fair
    June 14-15, 2025
    1000 NE Multnomah, Portland
    ROSECITYBOOKFAIR.COM
  • Swann, June 17: Lot 13: Arthur Rackham, Candlelight, pen and ink, circa 1900.
    Swann, June 17: Lot 28: Harold Von Schmidt, "I Asked Jim If He Wanted To Accompany Us To Teach The Hanneseys A Lesson.", oil on canvas, 1957.
    Swann, June 17: Lot 96: Arthur Szyk, Thumbelina, gouache and pencil, 1945.
    Swann, June 17: Lot 101: D.R. Sexton, The White Rabbit And Bill The Lizard, watercolor and gouache, 1932.
    Swann, June 17: Lot 127: Miguel Covarrubias, Bradypus Tridactilus. Three-Toed Sloth, gouache, circa 1953.
    Swann, June 17: Lot 132: William Pène Du Bois, 2 Illustrations: Balloon Merry Go Round On The Ground And In The Air, pen and ink and wash, 1947.
    Swann, June 17: Lot 137: Lee Lorenz, Confetti Hourglass, mixed media, 1973.
    Swann, June 17: Lot 181: Norman Rockwell, Portrait Of Floyd Jerome Patten (Editor At Boy's Life Magazine), charcoal, circa 1915.
    Swann, June 17: Lot 188: Ludwig Bemelmans, Rue De Buci, Paris, casein, watercolor, ink and gouache, 1955.
    Swann, June 17: Lot 263: Maurice Sendak, Sundance Childrens Theater Poster Preliminary Sketch, pencil, 1988.

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