Where It All Began - A Visit to the American Antiquarian Society
- by Michael Stillman
Rolling shelves hold great volumes of material in a compact space. Photo courtesy of AAS.
Many of the books and papers written by the fellows are now part of the collections. That brings us to a side point. Not only does the Society hold an enormous amount of the pre-1877 material in existence, it also possesses many works about the material of this era. Newer books about the subjects of the AAS’ collections are also held at Antiquarian Hall. This includes 3,250 volumes of bibliographic material available in the Hall’s reading room.
The Society also sponsors numerous other educational programs. It publishes books, offers lectures and seminars, and even has a program geared toward area schools. An actor recreates the personage of founder Isaiah Thomas and visits schools to tell his story and that of the founding of the nation.
Asked about the AAS’ mission, Ms. Dunlap speaks of two, preserving the nation’s early printed history, and making it available for research. However, as important as the research is, there’s no question that the first mission is preservation. This is why the AAS is focused on having originals of everything, not electronic or photo copies. “The AAS will always retain the physical connection,” she says. “People give us material that has been scanned elsewhere. Others don’t need to have the originals. This is our role. In a world where everyone has seen a copy, one place should have the originals.”
She goes on to say “What amazes me is it was all thought up by one person. We do exactly what Isaiah Thomas told us in 1812 and for the same reason. It’s his passion for collecting one piece of everything that was available. He saw the nation created by the power of the press. He felt it was his obligation to preserve this. I find that very inspiring.”
To understand the “passion for collecting one piece of everything,” you need to see each piece as part of a puzzle, rather than stand alone documents, as amazing as many of the individual pieces are. For example, the ledgers of an individual business are not very exciting by themselves, but if you have them from many businesses, spread over a range of time, you can see business evolve and grow. That’s where you begin to see a picture of how America grew during her early years. As Ellen Dunlap explains, “What surprised me most is not ‘oh my God, look at this book.’ Here it’s the comprehensive nature that we have everything. Individual items are not necessarily interesting, but the entire collection gives you the picture of how everything interacts.” And this is what makes Antiquarian Hall such an extraordinary place for research. You can truly follow the evolution of any aspect of America’s early history because, more than anywhere else, the AAS comes closest to having everything.
So why do the collections stop with 1876? Ms. Dunlap cites several reasons for this cut off. The primary reason is that the AAS’ mission is to be comprehensive in what it collects, but this requires setting some limits. Otherwise, the project becomes unmanageable. 1876 was selected as it marks the end of a significant era, Reconstruction, and also is the nation’s centennial. Additionally, it’s the time where the U.S. copyright office begins requiring that copies of all books be sent there, giving the government the opportunity to amass the best collection of all U.S. publications going forward, and at no cost. Finally, Ms. Dunlap noted that printing takes off astronomically in this era, making comprehensive collecting of printed Americana an overwhelming task for a private institution like the Society. However, in some areas, like Alaska, or even the West in general, the AAS collections do continue to a later date because there was very little material printed before 1877. And, as noted before, the AAS does collect later printed material about the earlier items that form the basis of their collections.
Forum Auctions Fine Books, Manuscripts and Works on Paper 17th July 2025
Forum Auctions Fine Books, Manuscripts and Works on Paper 17th July 2025
Forum, July 17: Lucianus Samosatensis. Dialogoi, editio princeps, second issue, Florence, Laurentius Francisci de Alopa, 1496. £10,000 to £15,000.
Forum, July 17: Boccaccio (Giovanni). Il Decamerone, Florence, Philippo di Giunta, 1516. £10,000 to £15,000.
Forum, July 17: Henry VII (King) & Philip the Fair (Duke of Burgundy). [Intercursus Magnus], [Commercial and Political Treaty between Henry VII and Philip Duke of Burgundy], manuscript copy in Latin, original vellum, 1499. £8,000 to £12,000.
Forum, July 17: Bible, English. The Holy Bible, Conteyning the Old Testament, and the New, Robert Barker, 1613. £4,000 to £6,000.
Forum, July 17: Bond (Michael). A Bear Called Paddington, first edition, signed presentation inscription from the author, 1958. £4,000 to £6,000.
Forum Auctions Fine Books, Manuscripts and Works on Paper 17th July 2025
Forum, July 17: Yeats (William Butler). The Secret Rose, first edition, with extensive autograph corrections, additions and amendments by the author for a new edition, 1897. £6,000 to £8,000.
Forum, July 17: Byron (George Gordon Noel, Lord). Childe Harold's Pilgrimage, bound in dark green morocco elaborately tooled in gilt and with 3 watercolours to fore-edge, by Fazakerley of Liverpool, 1841. £4,000 to £6,000.
Forum, July 17: Miró (Juan), Wassily Kandinsky, John Buckland-Wright, Stanley William Hayter and others.- Spender (Stephen). Fraternity, one of 101 copies, with signed engravings by 9 artists. £6,000 to £8,000.
Forum, July 17: Sowerby (George Brettingham). Album comprising 22 leaves of original watercolour drawings of fossil remains of Cheltenham and Vicinity, [c.1840]. £6,000 to £8,000.
Forum, July 17: Mathematics.- Blue paper copy.- Euclid. De gli Elementi, Urbino, Appresso Domenico Frisolino, 1575. £12,000 to £18,000.
Sotheby’s Books, Manuscripts and Music from Medieval to Modern Now through July 10, 2025
Sotheby’s Books, Manuscripts and Music from Medieval to Modern Now through July 10, 2025
Sotheby’s, Ending July 10: Book of Hours by the Masters of Otto van Moerdrecht, Use of Sarum, in Latin, Southern Netherlands (Bruges), c.1450. £20,000 to £30,000.
Sotheby’s, Ending July 10: Albert Einstein. Autograph letter signed, to Attilio Palatino, on his research into General Relativity, 12 May 1929. £12,000 to £18,000.
Sotheby’s, Ending July 10: John Gould. The Birds of Europe, [1832-] 1837, 5 volumes, contemporary half morocco, subscriber’s copy. £40,000 to £60,000.
Sotheby’s Books, Manuscripts and Music from Medieval to Modern Now through July 10, 2025
Sotheby’s, Ending July 10: Ian Fleming. A collection of James Bond first editions, 8 volumes in all. £8,000 to £12,000.
Sotheby’s, Ending July 10: J.K. Rowling. Harry Potter and the Philosopher's Stone, 1997, first edition, hardback issue. £50,000 to £70,000.
Sotheby’s, Ending July 10: J.R.R. Tolkien. Autograph letter signed, to Amy Ronald, on Pauline Baynes's map of Middle Earth, 1970. £7,000 to £10,000.
DOYLE, July 23: STOKES, I. N. PHELPS. The Iconography of Manhattan Island, 1498-1909. New York: Robert H. Dodd, 1915-28. Estimate: $3,000-5,000
DOYLE, July 23: [AUTOGRAPH - US PRESIDENT]FRANKLIN D. ROOSEVELT. A signed photograph of Franklin D. Roosevelt. Estimate $500-800
DOYLE, July 23: [ARION PRESS]. ABBOTT, EDWIN A. Flatland. A Romance of Many Dimensions. San Francisco, 1980. Estimate $2,000-3,000.
DOYLE, July 23: TOLSTOY, LYOF N. and NATHAN HASKELL DOLE, translator. Anna Karénina ... in eight parts. New York: Thomas Y. Crowell & Co., [1886]. Estimate: $400-600
DOYLE, July 23: ROWLING, J.K. Harry Potter and the Goblet of Fire. London: Bloomsbury, 2000. Estimate $1,200-1,800
Freeman’s | Hindman Western Manuscripts and Miniatures July 8, 2025
Freeman’s | Hindman Western Manuscripts and Miniatures July 8, 2025
Freeman’s | Hindman, July 8. FRANCESCO PETRARCH (b. Arezzo, 20 July 1304; d. Arqua Petrarca, 19 July 1374). $20,000-30,000.
Freeman’s | Hindman, July 8. CIRCLE OF THE MASTER OF THE VITAE IMPERATORUM (active Milan, 1431-1459). $15,000-20,000.
Freeman’s | Hindman, July 8. CIRCLE OF ATTAVANTE DEGLI ATTAVANTI (GABRIELLO DI VANTE) (active Florence, c. 1452-c. 1520/25). $15,000-20,000.
Freeman’s | Hindman, July 8. FOLLOWER OF HERMAN SCHEERE (active London, c. 1405-1425). $15,000-20,000.
Freeman’s | Hindman, July 8. An exceptionally rare, illuminated music leaf from a Mozarabic Antiphonal with sister leaves mostly in museum collections. $11,500-14,000.
Freeman’s | Hindman, July 8. Exceptional leaf from a prestigious Antiphonary by a leading illuminator of the late Duecento. $11,500-14,000.
Freeman’s | Hindman, July 8. CIRCLE OF THE MASTER OF MS REID 33 and SELWERD ABBEY SCRIPTORIUM (AGNES MARTINI?) (active The Netherlands, Groningen, c. 1468-1510). $10,000-15,000.
Freeman’s | Hindman, July 8. Previously unknown illumination from one of the most renowned Gothic Choir Book sets of the Middle Ages. $6,000-8,000.