Rare Book Monthly

Articles - October - 2016 Issue

Old Books / New Editions. Part I.

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Welcome to this first installment in my three-part essay series on new editions of 17th-century women writers. We begin with Stuart courtier and poet-painter, Lady Anne Killigrew (London, 1660-1685). Lady Anne's writings have received three (yes, three) editions in recent years, most recently Margaret J. M. Ezell's Killigrew (Toronto, 2013; cover displayed here). We shall identify the distinguishing features of Lady's Anne elegant poetry-book (1686), and its continuing value among collectors and book historians. We also shall assess the editorial practice and methodologies of the new Ezell Killigrew, and probe some unsettled issues of Lady Anne's biography and authorship. Finally, we shall muse on the likelihood of an authoritative Killigrew in future years. < Click here, for essay >  


Posted On: 2016-10-07 21:26
User Name: mairin111

7th October 2016.
Posting for Elaine Pfeiffer, Collector. Berlin / NYC.
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Hello, everyone. So it's all eyes on Lady Anne! This essay and Ezell's "Killigrew" are impressive developments from the scholarly end of the book business. Thank you, Rare Book Hub; and thank you, Maureen Mulvihill, for this first essay in your Old Books / New Editions series. Killigrew is an attractive case of a literary novice pressed into a posthumous fame; how much she desired that fame must be sorted out. Hasn't anyone rummaged through the Killigrew and Coleraine papers by now? I don't see that they have (archival excavation must be next). She is one of the least examined of early women poets, so we are grateful for this spectacular essay and its attention to the new edition. Maureen, Harold Love's anthology of Restoration verse (Penguin) ignores several women writers, including Killigrew; and in the excellent anthology, Reading Early Modern Women (Routledge), from Helen Ostovich and Elizabeth Sauer (a brilliant gathering of illustrated 'pages'), Killigrew is under-represented with just one short, but informative, piece on her self-portrait, by Robert Evans. So it's high time that Anne Killigrew receive a new, 21st-century 'face'. Maureen's essay will advance the interests of Killigrew, the new edition, and the Other Voice series from Toronto. Thanks, also, for good information on recent book valuations for Killigrew, plus all the (necessary) images and caption notes. And I like the contexts on book history, book arts, and textual editing (and news of the book's errata). This is a significant essay, not least for its comments on the imperatives of modern scholarly editions. May it be appreciated and widely read. (A price above rubies, Maureen.) ///
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Posted On: 2016-10-08 18:17
User Name: alice185

Many thanks to Rare Book Hub and Maureen Mulvihill. An outstanding essay on Killigrew, which raises good questions about her biography and about the nature of fame for early modern women writers; extrinsic factors such as early death, social class, or activity in multiple artistic or intellectual fields could be powerful drivers of reputation. Thanks also for the comments on the nature of editing, and on the appreciation of the materiality of the original edition. Looking forward to the other essays in the series.
Alice Browne
http://blog.historians.org/2015/05/aha-member-spotlight-alice-browne/


Posted On: 2016-10-11 15:17
User Name: heldridge

Loved this piece, and the images. I'm thankful that Killigrew is getting this attention and that more is surfacing on her brief but impactful life.
D. Heldridge
Collector
San Francisco


Posted On: 2016-10-13 03:20
User Name: mairin111

Anne Killigrew & Jonathan Swift.
We are grateful to Hermann Real, co-director, Ehrenpreis Centre for Swift Studies, Münster, Germany, who, having seen my Killigrew essay, alerted me to Swift's interest in Killigrew, evidently, and the (documentable) fact that Swift's library included a copy of Killigrew's poetry-book of 1686. Many thanks to Dr Real for this important information. He also has requested an inscribed color copy of my Killigrew essay for his Archives at the Swift Centre in Germany. Interestingly, the Swift-Killigrew connection is not mentioned in three (3) recent books on Swift, by Damrosch, Mahony, and Glendinning; nor in 3 editions, to date, of Killigrew's poetry, from Morton, Hoffmann, and Ezell. So an interesting new connection for scholars to investigate. Maureen E. Mulvihill.

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Posted On: 2016-10-13 13:28
User Name: igrundy

It's great to see this kind of detailed scrutiny applied both to the work of an early modern poet and to scholarly treatments of her. Why did Anne Killigrew achieve an immediate posthumous fame which, remarkably, she has succeeded in holding onto? Other girl-poets untimely dead, whose grieving relatives printed their poems, like Grace Gethin and Mary Monck, achieved no such reputation. I'd like to think the reason is the quality of Killigrew's writing. Orlando: Women's Writing in the British Isles (which we are happy to see cited here) calls her "a poet of power and originality." And her painting! Thanks to Maureen Mulvihill for showing us her "Venus Attired by the Graces". This may be an apprentice work, but it is beautiful and striking. If it lived in London instead of at Falmouth in Cornwall it would surely by now grace the covers of several paperback books! And thanks for uncovering the fact that Swift owned a copy of Killigrew's poems. Now, did he buy it or did someone give it to him? And who? The trouble with scholars is that they're never satisfied. Along with the message of thanks comes the message, Give us more!


Rare Book Monthly

  • <center><b>Chiswick Auctions<br>Books & Works on Paper<br>September 25, 2019</b>
    <b>Chiswick Auctions, Sep. 25:</b> Rowling (J.K.) <i>Harry Potter and the Philosopher's Stone,</i> FIRST EDITION, first issue, 8vo, 1997. £15,000 to £20,000
    <b>Chiswick Auctions, Sep. 25:</b> Bible, Italian.- Malermi Bible, woodcut illustrations, folio, Lazaro de Soardi & Bernardino Benali, Venice,1517. £8,000 to £12,000
    <b>Chiswick Auctions, Sep. 25:</b> Germany.- Homann (Johann Baptist). <i>Atlas von Deutschland,</i> engraved half title, hand coloured, 87 double page engraved maps, [folio, Erben, Nuremberg, 1753]. £8,000 to £10,000
    <center><b>Chiswick Auctions<br>Books & Works on Paper<br>September 25, 2019</b>
    <b>Chiswick Auctions, Sep. 25:</b> [Mirk (John)].- <i>Liber festivalis et Quatuor sermons</i> [bound with], [Le Roy (Pierre)] <i>A Pleasant Satyre or Poesie,</i> first edition in English, Widdow Orwin for Thomas Man, 1595, 8vo. £1,500 to £2,000
    <b>Chiswick Auctions, Sep. 25:</b> Antoninus Florentinus (Saint Archbishop of Florence). <i>Confessionale: Defecerunt…,</i> 8vo, Pietro Quarengi, Venice, 15 February 1499. £1,000 to £1,500
    <b>Chiswick Auctions, Sep. 25:</b> Jesuit Letters.- [Froes (Father Luigi) & et al.)] Avvisi del Giapone de gli anni 1582, 1583, 1584…, 1586 [bound with] Avvisi della Cina et Giapone…, FIRST EDITIONS, Rome. £1,000 to £1,500
    <center><b>Chiswick Auctions<br>Books & Works on Paper<br>September 25, 2019</b>
    <b>Chiswick Auctions, Sep. 25:</b> Plutarch & Probus (Aemilius). <i>Plutarchi Cheronei et Aemilii Probi Illustrium,</i> folio, Nicolas de Pratis for Jean-Petit, Paris, 1521. £1,000 to £1,500
    <b>Chiswick Auctions, Sep. 25:</b> Bible.- English. <i>The Byble in Englyshe of the Largest and Greatest volume,</i> elaborate woodcut border, text vignettes, folio, 1541. £1,000 to £1,500
    <b>Chiswick Auctions, Sep. 25:</b> Fore-edge Painting.- Lord George Byron, The Giaour, a Fragment of a Turkish Tale, bound with 10 other titles, 4 plates marked 'Proof.', 1813. £800 to £1,200
    <center><b>Chiswick Auctions<br>Books & Works on Paper<br>September 25, 2019</b>
    <b>Chiswick Auctions, Sep. 25:</b> Manson (John). Twelve by Sixteen Papers of John Mason, a collection of 50 sheets of paper, some watermarked, 12 x 16”, c.1978. £800 to £1,200
    <b>Chiswick Auctions, Sep. 25:</b> Fleming (Ian). <i>Dr. No,</i> FIRST EDITION, original boards, dust-jacket, 8vo, 1958. £700 to £900
    <b>Chiswick Auctions, Sep. 25:</b> Eliot (T.S.) <i>Four Quartets,</i> NUMBER 121 of 290 COPIES, signed by author, 1960. £400 to £600
  • <b>Swann Auction Galleries Illustration Art:</b> Eric Carle, <i>The Very Hungry Caterpillar,</i> hand-painted collage. Sold for a record $20,000.
    <b>Swann Auction Galleries Illustration Art:</b> Charles Addams, <i>Couple passing a giant bird house,</i> watercolor cartoon for <i>The New Yorker,</i> 1948. Sold for $16,250.
    <b>Swann Auction Galleries Illustration Art:</b> Miriam Troop, <i>Rain on Laundry Day,</i> oil on canvas, cover for <i>The Saturday Evening Post,</i> 1940. Sold for $40,000.
    <b>Swann Auction Galleries Illustration Art:</b> Rockwell Kent, <i>To All Fascists,</i> ink broadside for The League of American Writers, circa 1937. Sold for $6,500.
    <b>Swann Auction Galleries Illustration Art:</b> Jo Mielziner, <i>Pet Shop Drop,</i> backdrop design for <i>Pal Joey</i> on Broadway, 1940. Sold for a record $55,000.
    <b>Swann Auction Galleries Illustration Art:</b> Lee Brown Coye, acrylic cover illustration for the 25th anniversary of <i>Weird Tales,</i> 1944. Sold for $18,750.
    <b>Swann Auction Galleries Illustration Art:</b> Virgil Finlay, <i>The Outsider & Others,</i> pen & ink dust jacket illustration for H.P. Lovecraft's book, 1939. Sold for $5,500.
    <b>Swann Auction Galleries Illustration Art:</b> Al Hirschfeld, <i>Paul Robeson as Othello,</i> illustration for <i>The New York Times,</i> 1942. Sold for $68,750
    <b>Swann Auction Galleries Illustration Art:</b> Frederic Remington, pen & ink illustration for <i>A Scout with the Buffalo Soldiers</i> in <i>The Century</i> magazine, 1889. Sold for $17,500.
  • <b>Bonhams, Sep. 17:</b> EARLY AVIATION PHOTOGRAPHY ARCHIVE. Chronicling 20th century aviation from the earliest Wright Brothers images through commercial and military applications. $50,000 to $70,000.
    <b>Bonhams, Sep. 17:</b> SPUTNIK-1 EMC/EMI LAB MODEL, 1957. Full scale vintage test model of the Sputnik-1 satellite, Moscow, [February, 1957]. $400,000 to $600,000.
    <b>Bonhams, Sep. 17:</b> FIRST TELEPHONE CALL TO THE MOON. Partial transcription signed by Apollo 11 astronauts and President Nixon. $20,000 to $30,000.
    <b>Bonhams, Sep. 17:</b> Apollo 11 Beta cloth crew emblem, SIGNED BY THE ENTIRE APOLLO 11 CREW. $8,000 to $10,000.
    <b>Bonhams, Sep. 17:</b> GEMINI 1/8 SCALE MODEL. Rarely seen large-scale contractor's model. $3,000 to $5,000
    <b>Bonhams, Oct. 23:</b> SMITH, CHRISTOPHER WEBB. 1793-1871. <i>Indian Ornithology.</i> [Patna, India]: 1828. $50,000 to $80,000.
    <b>Bonhams, Oct. 23:</b> DUPRÉ, LOUIS. 1789-1837. <i>Voyage à Athènes et à Constantinople, ou Collection de portraits, vues et costumes grecs et ottomans.</i> Paris: Dondey-Dupré, 1825. $60,000 to $90,000.
    <b>Bonhams, Oct. 23:</b> ADAMS, JOHN. Autograph Letter Signed ("J Adams"), [to Dr. Perkins?] while recovering from his small pox inoculation, [late-April, 1764]. $30,000 to $50,000.
    <b>Bonhams, Oct. 23:</b> AUSTEN, JANE. Autograph Letter Signed ("J. Austen"), to her sister Cassandra, 4 pp, "Thursday – after dinner," [September 16, 1813,] Henrietta St. $80,000 to $120,000.
    <b>Bonhams, Oct. 23:</b> AUDUBON, JOHN JAMES. 1785-1851. <i>The Birds of America, from Drawings Made in the United States and Their Territories.</i> New York & Philadelphia: J.J. Audubon & J.B. Chevalier, 1840-1844. $20,000 to $30,000.
    <b>Bonhams, Oct. 23:</b> DODWELL, EDWARD. 1767-1832. <i>Views in Greece.</i> London: Rodwell and Martin, 1821. $20,000 to $30,000.
    <b>Bonhams, Oct. 23:</b> JAMES, JESSE. Autograph Letter Signed ("Jesse W. James"), to Mr. Flood demanding Flood retract spurious accusations, 3 pp, June 5, 1875. $200,000 to $300,000.
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    <b>Forum Auctions, Sep. 26:</b> Joyce (James). <i>Dubliners,</i> first edition, signed presentation inscription from the author, 1914. £100,000 to £150,000
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    <b>Forum Auctions, Sep. 26:</b> Anatomical illustration.- Aselli (Gaspare). <i>De lactibus sive lacteis venis... dissertatio,</i> first edition, Milan, Giovanni Battista Bidelli, 1627. £20,000 to £30,000

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