Arader Galleries Helping Colleges Merge Art with Science
- by Michael Stillman
Art and science are about as different as two fields could be. Or are they? New York art, map and book dealer Graham Arader thinks not, and he has bet part of his own collection of fine artwork on the idea that the two are indelibly intertwined. It is a bet that has already paid off for several universities, with others likely to be added in the years ahead.
Mr. Arader, owner of the Arader Galleries, headquartered in New York but with several locations around the country, has been a map and art dealer for 40 years. Much of the art to pass through his hands has been connected to the world of science. There is no greater example than Audobon plates, of which he is the world's largest vendor today. Audubon's drawings are among the most beautiful works of art to be found, and yet their primary purpose was scientific, to introduce the little known birds of America to the world back in the 1830's. It was an understanding of this connection between art and science that led him to initiate a program to bring the art of natural history to students at participating universities.
While the Arader Galleries has long sold fine art to institutions, the purpose of this program is to make natural history art more visible, rather than being placed in a rare book room of a library with a limited number of visitors. Art received through the initiative is to be placed on display, in classrooms or other places where students will come in frequent content with it. Mr. Arader also has supported teaching using the art, encouraging hands-on experiences with the works.
The beauty of the program is that the art comes to the universities at no charge. Mr. Arader has taken on the responsibility of fund raising. His long association with higher end collectors has given him access to others who share his belief in the connection between art, science and learning. Additionally, he pledges not to use a college's regular donor base to support the program, so that it does not draw away support the university might otherwise receive. There are no costs or obligations on the part of the recipient colleges other than to make the art available to its students.
Perhaps this still leaves the question unanswered why Mr. Arader is so passionate about the connection between art and science. His belief is that appreciating the beauty of the art will help people appreciate the beauty of the underlying science. In a mission statement written at the beginning of the program in 2010, Mr. Arader said, “It is my strong feeling that once students learn in considerable detail about the natural history of our planet, they will fight passionately to protect all living things. Once they appreciate the art and illustration of our world, they will want very much to keep it stable.”
Recently, he told us a story about a copy of the Octavo edition of Audubon's Birds of America he was asked to appraise shortly after the death of Laurence Rockefeller in 2004. Laurence Rockefeller was a grandson of oil tycoon John D. Rockefeller, one of the five wealthy Rockefeller brothers that included Vice-President Nelson Rockefeller. While a couple of his brothers gravitated to politics, Laurence was noted as one of the most important American conservationists. Explains Mr. Arader, “Right after Laurance Rockefeller died I was asked to appraise his books. On the inside front cover of a set of Audubon's octavo Birds of America was inscribed 'For Larry on your 8th birthday. Hope this gives you an interest in conservation. Love, Daddy.'” Mr. Arader then asked, “Could looking at Audubon's masterpieces as a child have had something to do with creating one of the great conservationists of the 20th century?” That is, perhaps, a rhetorical question.
Among the colleges participating in the Arader Galleries natural history art program are the University of South Carolina, University of Tennessee, University of California at Irvine, Northeastern University, and Prescott College.
Sotheby’s: The Shem Tov Bible, 1312 | A Masterpiece from the Golden Age of Spain. Sold: 6,960,000 USD
Sotheby’s: Ten Commandments Tablet, 300-800 CE | One of humanity's earliest and most enduring moral codes. Sold: 5,040,000 USD
Sotheby’s: William Blake | Songs of Innocence and of Experience. Sold: 4,320,000 USD
Sotheby’s: The Declaration of Independence | The Holt printing, the only copy in private hands. Sold: 3,360,000 USD
Sotheby's Sell Your Fine Books & Manuscripts
Sotheby’s: Thomas Taylor | The original cover art for Harry Potter and the Philosopher's Stone. Sold: 1,920,000 USD
Sotheby’s: Machiavelli | Il Principe, a previously unrecorded copy of the book where modern political thought began. Sold: 576,000 GBP
Sotheby’s: Leonardo da Vinci | Trattato della pittura, ca. 1639, a very fine pre-publication manuscript. Sold: 381,000 GBP
Sotheby’s: Henri Matisse | Jazz, Paris 1947, the complete portfolio. Sold: 312,000 EUR
Fonsie Mealy’s Rare Books & Collectors’ Sale April 30th & May 1st
Fonsie Mealy’s, Apr 30-May 1: Taylor (Geo.) & Skinner (A.) Maps of the Roads of Ireland, Surveyed 1777. Lond. & Dublin 1778. €500 to €750.
Fonsie Mealy’s, Apr 30-May 1: Messingham (Thos.) Florilegium Insulae Sanctorum seu Vitae et Acta Sanctorum Hibernia, Paris 1624. €350 to €500.
Fonsie Mealy’s, Apr 30-May 1: Heaney (Seamus). The Haw Lantern, L. (Faber & Faber) 1987, First Edn., Signed and dated. €225 to €350.
Fonsie Mealy’s, Apr 30-May 1: Valencey (Lt. Col. Chas.) Collectanea de Rebus Hibernicis, Vols. I-IV, 4 vols. Dublin 1786. €400 to €600.
Fonsie Mealy’s, Apr 30-May 1: Powerscourt (Viscount). A Description and History of Powerscourt, Lond. 1903. €350 to €500.
Fonsie Mealy’s, Apr 30-May 1: Moryson (Fynes). An Itinerary ... Containing His Ten Yeeres Travel Through the Twelve Dominions of Germany, Bohermerland, Sweitzerland…, Lond. (John Beale) 1617. €700 to €1,000.
Fonsie Mealy’s, Apr 30-May 1: After Buffon, Birds of Europe, c. 1820. Approx. 120 fine hd. cold. plts., mor. backed boards. €125 to €250.
Fonsie Mealy’s, Apr 30-May 1: Dunlevy (Andrew). An Teagasg Criosduidhe De Reir Ceasda agus Freagartha... The Catechism or Christian Doctrine by Way of Question and Answer, Paris (James Guerin) 1742. €400 to €700.
Fonsie Mealy’s, Apr 30-May 1:The Georgian Society Records of Eighteen-Century Domestic Architecture in Dublin, 5 vols. Complete, Dublin 1909-1913. €500 to €750.
Fonsie Mealy’s, Apr 30-May 1: Scale (Bernard). An Hibernian Atlas or General Description of the Kingdom of Ireland, L. (Robert Sayer & John Bennet) 1776. €625 to €850.
Fonsie Mealy’s, Apr 30-May 1: [Johnson (Rev. Samuel)]. Julian the Apostate Being a Short Account of his Life, together with a Comparison of Popery and Paganism,L. (Langley Curtis) 1682. €300 to €400.
Fonsie Mealy’s, Apr 30-May 1: Nichlson (Wm.) Illustrator. An Almanac of Twelve Sports, Lond. 1898. €300 to €400.
Fonsie Mealy’s, Apr 30-May 1: Heaney (Seamus) trans. The Light of the Leaves, 2 vols., Mexico (Imprenta de los Tropicos/Bunholt) 1999. €1,500 to €2,000.
Fonsie Mealy’s, Apr 30-May 1: Fleming (Ian). Moonraker, L. (Jonathan Cape) 1955. €1,500 to €2,000.
Bonhams, Apr. 21-29: ANDERSEN'S EXTREMELY RARE FIRST APPEARANCE IN PRINT. "Scene af: Røverne i Vissenberg i Fyen." in Harpen, 1822.
Bonhams, Apr. 21-29: FIRST ISSUE OF THE FIRST THREE FAIRY TALE PAMPHLETS, WITH ALL INDICES AND TITLE PAGES. Eventyr, fortalte for Børn. 1835-1837.
Bonhams, Apr. 21-29: THE FIRST FAIRY TALES WITH A SIGNED CARTE DE VISITE OF ANDERSEN AS FRONTIS. Eventyr, fortalte for Børn. 1835-1837.
Bonhams, Apr. 21-29: KARL LAGERFELD. Original pastel and ink drawing in gold, red and black for Andersen's The Emperor's New Clothes (1992), "La cassette de l'Empereur."
Bonhams, Apr. 21-29: PRESENTATION COPY OF THE SIXTH PAMPHLET FOR PETER KOCH. Eventyr, Fortalte For Børn, Second Series, Third Pamphlet. 1841. Publisher's wrappers, complete with all pre- and post-matter.
Bonhams, Apr. 21-29: HANS CHRISTIAN ANDERSEN RARE AUTOGRAPH QUOTATION SIGNED IN ENGLISH from "The Ugly Duckling," c.1860s.
Bonhams, Apr. 21-29: HEINRICH LEFLER, ORIGINAL WATERCOLOR FOR ANDERSEN'S SNOW QUEEN, "Die Schneekönigin," 1910.
Bonhams, Apr. 21-29: FIRST EDITION OF ANDERSEN'S FAIRY TALES IN ENGLISH. Wonderful Stories for Children. London, 1846.
Bonhams, Apr. 21-29: ANDERSEN ON MEETING CHARLES DICKENS. Autograph Letter Signed ("H.C. Andersen") in English to William Jerdan, July 20, 1847.
Bonhams, Apr. 21-29: PRESENTATION COPY FOR EDGAR COLLIN. Nye Eventyr og Historier. Anden Raekke. 1861.
Bonhams, Apr. 21-29: DOLL HOUSE FURNITURE BY HANS CHRISTIAN ANDERSON, DECORATED WITH FANTASTICAL CUT-OUTS, for the children of Jonna Stampe (née Drewsen), his godchildren.
Bonhams, Apr. 21-29: PRESENTATION COPY FOR GEORG BRANDES. Dryaden. Et Eventyr fra Udstillingstiden i Paris 1867. 1868.