The weekly auction update is our effort to separate the long-term history of books [and manuscripts, maps and ephemera] from the ever-changing immediate market for them. There’s a tendency to think of material having a projectable consistent trajectory in terms of price based on its auction history. The markets for stock market equities and real estate vary, and so does the market for printed material. On top of this market variation, there are around 200 auction venues, in effect two hundred stock exchanges, and few do business the same way. The weekly auction update allows our members to track both the broad market and the auctions comprising the week’s reported outcomes.
For both potential buyers and sellers, the auction data provides insight into how the different auction houses do business. The data fields in the weekly auction spreadsheet are sortable, top to bottom (one click on the column header) and bottom to top (two clicks). Houses that consistently sell a high percentage of lots have priced items attractively and aggressively sought out bidders, while houses that routinely sell a low percentage of lots are usually placing estimates higher than bidder interest and perhaps have not done enough to generate a bidding audience. If houses are moving 70%+ of their items, their lots are priced to sell. If they are selling more than 80% of their lots, they are doing a lot of things right. Houses that far exceed their total high estimates either have consigners that are strongly committed, or the house is providing reserves and low estimates that are modest enough to encourage broad bidding. The gold standard is a sale that achieves an exceptionally high value relative to the high estimates, and sells virtually all lots. This makes for very happy consigners and a very happy auction house, and it happens often enough. When the sale also breaches the million-dollar level the event is exceptional.
Having this kind of working knowledge of who does what in the auction business is a boon for both sellers and buyers. For sellers, deciding what auction house to sell through used to be a matter of recommendation and reputation. These old methodologies still apply, but hard numbers add a more precise, scientific layer to the approach. And for buyers? Deciding how much to bid is an art that becomes a science with the addition of knowledge and experience. These weekly reports give a sense of how the market functions week to week. Paid AE members who use these reports while signed in can turn the default 7-day report into an up to 90 day analysis where trends become clearer. That said, fair warning, these days that’s 175 auctions and the number grows every year.
For those looking for further information, we also provide annual reports updated every month or two as final sale results are recorded. These reports are found under Quick Links on the auction pages inside the Charts and Analyses link.
To view the "Recent Auctions Spreadsheet," click "Upcoming Auctions" from the toolbar at the top of this page, and then "Recent Auctions Spreadsheet" from the "Quick Links" to the right. Alternatively, you can click the following link: www.americanaexchange.com/AE/Auctions/ArchivedAuctions.aspx
Doyle, Dec. 5: Anna Vaughn Hyatt Huntington (1876-1973). Yawning Tiger, conceived 1917. $3,000 to $5,000.
Doyle, Dec. 5: Robert M. Kulicke (1924-2007). Full-Blown Red and White Roses in a Glass Vase, 1982. $3,000 to $5,000.
Doyle, Dec. 5: Pablo Picasso (1881-1973). L’ATELIER DE CANNES (Bloch 794; Mourlot 279). The cover for Ces Peintres Nos Amis, vol. II. $1,000 to $1,500.
Doyle, Dec. 5: LeRoy Neiman (1921-2012). THE BEACH AT CANNES, 1979. $1,200 to $1,800.
Doyle, Dec. 5: Richard Avendon, the suite of eleven signed portraits from the Avedon/Paris portfolio. $150,000 to $250,000.
Doyle, Dec. 5: Robert Mapplethorpe (1946-1989). Flowers in Vase, 1985. $20,000 to $30,000.
Doyle, Dec. 5: Edward Weston (1886-1958). Nude, 1936. $20,000 to $30,000.
Doyle, Dec. 5: Edward Weston (1886-1958). Juniper, High Sierra, 1937.
Doyle, Dec. 5: Steven J. Levn (b. 1964). Plumage II, 2011. $6,000 to $8,000.
Doyle, Dec. 5: Steven Meisel (b. 1954). Madonna, Miami, (from Sex), 1992. $6,000 to $9,000.
Doyle, Dec. 6: An extensive archive of Raymond Chandler’s unpublished drafts of fantasy stories. $60,000 to $80,000.
Doyle, Dec. 6: RAND, AYN. Single page from Ayn Rand’s handwritten first draft of her influential final novel Atlas Shrugged. $30,000 to $50,000.
Doyle, Dec. 6: Ernest Hemingway’s first book with interesting provenance. Three Stories & Ten Poems. $20,000 to $30,000.
Doyle, Dec. 6: Hemingway’s second book, one of 170 copies. In Our Time. $15,000 to $25,000.
Doyle, Dec. 6: A finely colored example of Visscher’s double hemisphere world map, with a figured border. $12,000 to $18,000.
Doyle, Dec. 6: Raymond Chandler’s Olivetti Studio 44 Typewriter. $10,000 to $20,000.
Doyle, Dec. 6: Antonio Ordóñez's “Suit of Lights” owned by Ernest Hemingway. $10,000 to $20,000.
Doyle, Dec. 6: A remarkable Truman archive featuring an inscribed beam from the White House construction. $8,000 to $12,000.
Doyle, Dec. 6: The fourth edition of Audubon’s The Birds of America. $8,000 to $12,000.
Doyle, Dec. 6: The original typed manuscript for Chandler’s only opera. The Princess and the Pedlar: An Entirely Original Comic Opera. $8,000 to $12,000.
Doyle, Dec. 6: A splendidly illustrated treatise on ancient Peru and its Incan civilization. $7,000 to $10,000.
Doyle, Dec. 6: A superb copy of Claude Lorrain’s Liber Veritatis from Longleat House. $5,000 to $8,000.
High Bids Win, Nov. 20 – Dec. 5: Quarter Case with Lead Penline Flourishes.
High Bids Win, Nov. 20 – Dec. 5: Quarter Case with Lead Cents and Pound Signs.
High Bids Win, Nov. 20 – Dec. 5: Wooden type cabinet 27” w by 19” d by 38” h.
ALDE, Dec. 11: ALBINUS (BERNHARD SIEGFIED). Tabulæ Sceleti et Musculorum corporis humanum, Londres, 1749. €4,000 to €5,000.
ALDE, Dec. 11: BIDLOO (GOVARD). Anatomia humani corporis. Centum et quinque tabulis per artificiosiss. G. de Lairesse..., Amsterdam, 1685.
ALDE, Dec. 11: BOURGERY (JEAN-MARC) – JACOB (NICOLAS-HENRI). Traité complet de l’anatomie de l’Homme comprenant la médecine opératoire, Paris, 1832. €4,000 to €5,000.
ALDE, Dec. 11: CALDANI (LEOPOLDO MARCANTONIO ET FLORIANO). Icones anatomicae, Venice, 1801-14. €5,000 to €6,000.
ALDE, Dec. 11: CARSWELL (ROBERT). Pathological Anatomy. Illustrations of the elementary forms of disease, London, 1838. €5,000 to €6,000.
ALDE, Dec. 11: CASSERIUS (JULIUS) [GIULIO CASSERIO]. De vocis auditusq. organis historia anatomica singulari fide methodo ac industria concinnata tractatis duobus explicate, Ferrara, 1600-1601. €4,000 to €5,000.
ALDE, Dec. 11: ESTIENNE (CHARLES). De dissectione partium corporis humani libri tres, Paris, 1545. €8,000 to €10,000.
ALDE, Dec. 11: GAMELIN (JACQUES). Nouveau Recueil d'Ostéologie et de Myologie dessiné d'après nature... pour l’utilité des sciences et des arts, divisé en deux parties, Toulouse, 1779. €6,000 to €8,000.
ALDE, Dec. 11: ROESSLIN (EUCHER). Des divers travaux et enfantemens des femmes et par quel moyen l'on doit survenir aux accidens…, Paris, 1536. €3,000 to €4,000.
ALDE, Dec. 11: VALVERDE (JUAN DE). Anatome corporis humani. Nunc primum a Michaele Michaele Columbo latine reddita, et additis novis aliquot tabulis exornata, Venetiis, 1589. €2,000 to €3,000.
ALDE, Dec. 11: VESALIUS (ANDREAS). De humani Corporis Fabrica libri septem, Venetiis, 1568. €3,000 to €4,000.
Sotheby's Fine Books, Manuscripts & More Available for Immediate Purchase
Sotheby’s: J.R.R. Tolkien. The Lord of the Rings Trilogy. 11,135 USD
Sotheby’s: Edgar Allan Poe. The Raven and Other Poems, 1845. 33,000 USD
Sotheby’s: Leo Tolstoy, Clara Bow. War and Peace, 1886. 22,500 USD
Sotheby’s: Sir Arthur Conan Doyle. Adventures of Sherlock Holmes, 1902. 7,500 USD
Sotheby’s: F. Scott Fitzgerald. This Side of Paradise, The Great Gatsby, and Others, 1920-1941. 24,180 USD