Hard to Fool the Fingers - Paper & Printing through the Ages
- by Susan Halas
19th century lithography did tone very well.
Digital
In the last few years we have seen an increasing shift to digital technology. All of digital printing methods have the computer as a common ancestor and most of them are so recent as to be of unknown value or durability. We now have a whole range of POD (print on demand) products which will make a copy of a book one copy at a time using digital technology and printers.
Will these books hold up? Who knows? Does anybody remember the early fax print outs, the ones where the printing came on a photo sensitive roll of paper? Can you still read them or have they become faded and almost invisible with the passage of just a decade or two? All of mine have.
Is a giclee print really a limited edition process or is it just an updated way to make a reproduction but one without dots that’s printed in small quantities by an ink jet printer? Is it stable? Will it fade? Who knows?
Is an e-book really a book? No, it’s a digital file and if you can’t tell the difference between a book and a digital file perhaps you’re reading the wrong article.
What’s coming next? I don’t know. My crystal ball is cloudy.
I do know that all the prior printing technologies had early phases, modifications and variants and that I expect the ones we are working with today will also change and evolve, perhaps rapidly. You will have to decide yourself if the newest, latest and greatest inventions of the digital age are going to last or if they are just blips on the historical timeline of communication using words and pictures.
Feeling a little confused? You should, this isn’t easy stuff and it isn’t always intuitive. If you want to learn more about these various printing processes there’s a vast bibliography of printed material available.
But for a real beginner I found a great many short informative videos on www.youtube.com Locate the subject by typing in the key word (such as etching, or engraving) then pick the videos that explain the process. Even if the clips are modern representations of older methods seeing how it's done makes it easier to understand.
-----------------
Susan Halas was a printmaking major in college and a printing broker in an earlier incarnation. She still owns a beat up copy of “Graphics Master” by Dean Phillip Lem which is a good basic guide in the later part of the 20th century. For purposes of a basic understanding of modern offset printing any edition is good.
Swann Maps & Atlases, Natural History & Color Plate Books December 9, 2025
Swann, Dec. 9: Lot 156: Cornelis de Jode, Americae pars Borealis, double-page engraved map of North America, Antwerp, 1593.
Swann, Dec. 9: Lot 206: John and Alexander Walker, Map of the United States, London and Liverpool, 1827.
Swann, Dec. 9: Lot 223: Abraham Ortelius, Typus Orbis Terrarum, hand-colored double-page engraved world map, Antwerp, 1575.
Swann Maps & Atlases, Natural History & Color Plate Books December 9, 2025
Swann, Dec. 9: Lot 233: Aaron Arrowsmith, Chart of the World, oversize engraved map on 8 sheets, London, 1790 (circa 1800).
Swann, Dec. 9: Lot 239: Fielding Lucas, A General Atlas, 81 engraved maps and diagrams, Baltimore, 1823.
Swann, Dec. 9: Lot 240: Anthony Finley, A New American Atlas, 15 maps engraved by james hamilton young on 14 double-page sheets, Philadelphia, 1826.
Swann Maps & Atlases, Natural History & Color Plate Books December 9, 2025
Swann, Dec. 9: Lot 263: John Bachmann, Panorama of the Seat of War, portfolio of 4 double-page chromolithographed panoramic maps, New York, 1861.
Swann, Dec. 9: Lot 265: Sebastian Münster, Cosmographei, Basel: Sebastian Henricpetri, 1558.
Swann, Dec. 9: Lot 271: Abraham Ortelius, Epitome Theatri Orteliani, Antwerp: Johann Baptist Vrients, 1601.
Swann Maps & Atlases, Natural History & Color Plate Books December 9, 2025
Swann, Dec. 9: Lot 283: Joris van Spilbergen, Speculum Orientalis Occidentalisque Indiae, Leiden: Nicolaus van Geelkercken for Jodocus Hondius, 1619.
Swann, Dec. 9: Lot 285: Levinus Hulsius, Achtzehender Theil der Newen Welt, 14 engraved folding maps, Frankfurt: Johann Frederick Weiss, 1623.
Swann, Dec. 9: Lot 341: John James Audubon, Carolina Parrot, Plate 26, London, 1827.
Sotheby’s Book Week December 9-17, 2025
Sotheby’s, Dec. 11: Darwin and Wallace. On the Tendency of Species to form Varieties..., [in:] Journal of the Proceedings of the Linnean Society, Vol. III, No. 9., 1858, Darwin announces the theory of natural selection. £100,000 to £150,000.
Sotheby’s, Dec. 11: J.K. Rowling. Harry Potter and the Philosopher's Stone, 1997, first edition, hardback issue, inscribed by the author pre-publication. £100,000 to £150,000.
Sotheby’s, Dec. 11: Wolfgang Amadeus Mozart. Autograph sketchleaf including a probable draft for the E flat Piano Quartet, K.493, 1786. £150,000 to £200,000.
Sotheby’s, Dec. 12: Hooke, Robert. Micrographia: or some Physiological Descriptions of Minute Bodies made by Magnifying Glasses. London: James Allestry for the Royal Society, 1667. $12,000 to $15,000.
Sotheby’s, Dec. 12: Chappuzeau, Samuel. The history of jewels, first edition in English. London: T.N. for Hobart Kemp, 1671. $12,000 to $18,000.
Sotheby’s, Dec. 12: Sowerby, James. Exotic Mineralogy, containing his most realistic mineral depictions, London: Benjamin Meredith, 1811, Arding and Merrett, 1817. $5,000 to $7,000.