• <b>Now in press: 19th Century Shop’s Catalog 170 Great Books and Photos. Please inquire for a copy.</b>
    <b>19th Century Shop.</b> <i>The First American Magna Carta. English Liberties.</i> Boston, 1721.
    <b>19th Century Shop.</b> Babbage presentation to Peel, the man who killed the Difference Engine 1832
    <b>19th Century Shop.</b> The Stamp Act. 1765
    <b>Now in press: 19th Century Shop’s Catalog 170 Great Books and Photos. Please inquire for a copy.</b>
    <b>19th Century Shop.</b> Central Park Photographs by Prevost 1862
    <b>19th Century Shop.</b> Salem Witch Trials. Wonders of the Invisible World 1693
    <b>19th Century Shop.</b> Mammoth print of Millie-Christine, "The Carolina Twins" c. 1868
  • <b>Doyle, Apr. 26:</b>  Lewis Morris Rutherfurd, The Moon, From a Negative taken at the Observatory of Mr. L. M. Rutherfurd...May 19, 1874. Est: $5,000-8,000 (Lot 3)
    <b>Doyle, Apr. 26:</b> Alvin Langdon Coburn. London. With 20 photogravures by Coburn and text by Hilaire Belloc, London and New York: 1909. First edition. Est: $4,000-6,000 (Lot 32)
    <b>Doyle, Apr. 26:</b> Lee Friedlander, Newark, New Jersey, 1962 and Albuquerque, New Mexico, 1972.<br>Est: $7,000-9,000 (Lot 50)
    <b>Doyle, Apr. 26:</b> The  papers of Brevet Major General John Gross Barnard (1815-1882), Chief Engineer of the Army of the Potomac. Est: $75,000-100,000 (Lot 160)
    <b>Doyle, Apr. 26:</b> James Joyce, Dubliners, London: Grant Richards, 1914. First edition. Est: $5,000-8,000 (Lot 362)
    <b>Doyle, Apr. 26:</b> George Sand, Group of five volumes inscribed to Henry Harrisse. Est: $4,000-6,000 (Lot 405)
    <b>Doyle, Apr. 26:</b> Thomas More, Sir, Saint [Utopia]: De optimo reip. statu deque nova insula utopia libellus vere aureus… Basel: Froben, March 1518. First Basel edition. Est: $15,000-25,000 (Lot 308)
    <b>Doyle, Apr. 26:</b> Johannes Brahms, Autograph letter in German signed "Joh. Brahms.” Est: $4,000-6,000 (Lot 285)
    <b>Doyle, Apr. 26:</b> Kelmscott Press, [Guilelmus, of Tyre, Archbishop]. The History of Godefrey of Boloyne. Hammersmith: Kelmscott Press, 1893. Est: $2,000-3,000 (Lot 270)
    <b>Doyle, Apr. 26:</b> Gilles Robert de Vaugondy, Gilles Didier, Atlas universel...Paris: the author and Boudet, 1757[-58]. Est: $10,000 - $15,000  (Lot 222)
    <b>Doyle, Apr. 26:</b> John Keats, Lamia, Isabella, the Eve of Saint Agnes and Other Poems. London: Taylor and Hessey, 1820. First edition. Est: $5,000-7,000 (Lot 399)
    <b>Doyle, Apr. 26:</b> Specimen book of Schumacher & Ettlinge, between 1870-1895. Original roan-backed boards.. Est: $2,000-3,000 (Lot 195)
  • <b>Sotheby’s London: Travel, Atlases, Maps & Natural History. 9 May 2017. Viewing 5 – 8 May.</b>
    <b>Sotheby’s London, 9 May:</b> Ackermann, Rudolph—Uwins, Thomas. A collection of 240 drawings for Rudolph Ackermann's <i>Repository of Arts</i> magazine, 1809-1828. £20,000 – 30,000
    <b>Sotheby’s London, 9 May:</b> Blaeu, Willem Janszoon, and Joan. <i>Theatrum Orbis Terrarum, Sive Atlas Novus in Quo Tabulae et Descriptiones Omnium Regionum.</i> 1640-1654. £100,000 – 150,000
    <b>Sotheby’s London, 9 May:</b> Mercator, Gerard and Jodocus Hondius. <i>L’Atlas ou Méditations Cosmographiques de la Fabrique du Monde et Figure Diceluy.</i> 1613. £60,000 – 80,000
    <b>Sotheby’s London: Travel, Atlases, Maps & Natural History. 9 May 2017. Viewing 5 – 8 May.</b>
    <b>Sotheby’s London, 9 May:</b> Speed, John. <i>The Theatre of the Empire of Great Britain, Presenting an Exact Geography of the Kingdom of England, Scotland, Ireland and the Isles Adjoyning...</i> £100,000 – 150,000
    <b>Sotheby’s London, 9 May:</b> Wit, Frederick De. [General Atlas], With The Engraved Title For Atlas Maior. Amsterdam, [C.1688-1696]. £50,000 – 70,000
    <b>Sotheby’s London, 9 May:</b> Kuntz, Joh. Rudolph. <i>[Abbildungen Königlich Württembergischer Gestütts-Pferde von Orientalischen Racen.</I> Stuttgart: Ebner 1823–1824]. £30,000 – 40,000
    <b>Sotheby’s London: Travel, Atlases, Maps & Natural History. 9 May 2017. Viewing 5 – 8 May.</b>
    <b>Sotheby’s London, 9 May:</b> Lawrence, T.E. Ivory Silk Thawb, Or Under-Robe, Presented by Lawrence of Arabia to a family friend. £10,000 – 15,000
    <b>Sotheby’s London, 9 May:</b> Blaeu, Joan. <i>Archipelagus Orientalis Sive Asiaticus</i>. Amsterdam: Joan Blaeu, [1659]. £200,000 – 250,000
    <b>Sotheby’s London, 9 May:</b> Blaeu, Joan. <i>Asiae Descriptio Novissima</i>. Amsterdam: Joan Blaeu, [1659]. £60,000 – 80,000
    <b>Sotheby’s London: Travel, Atlases, Maps & Natural History. 9 May 2017. Viewing 5 – 8 May.</b>
    <b>Sotheby’s London, 9 May:</b> Japanese bird paintings—(Rinchô Zu). A Pair Of Painted Scrolls of Birds. [Japan, Late 18th Or Early 19th Century]. £25,000 – 35,000
    <b>Sotheby’s London, 9 May:</b> Huang, Qianren. Da Qing Wannian Yitong Tianxia Quantu [Complete Map of the Whole Unified Country of the Great Qing]. [1803]. £80,000 – 120,000
    <b>Sotheby’s London, 9 May:</b> Sôkaku or Ryôsei Jôkei. Da Ming Sheng Tu, [Map of (China Under) The Great Ming Dynasty]. (1691 Or 1711). £80,000 – 120,000

THE AUTOGRAPH MANUSCRIPT OF THE SECOND SYMPHONY ("THE RESURRECTION"), THE COMPLETE WORK IN FIVE MOVEMENTS

Lot Number 36
Author Mahler, Gustav
Title

THE AUTOGRAPH MANUSCRIPT OF THE SECOND SYMPHONY ("THE RESURRECTION"), THE COMPLETE WORK IN FIVE MOVEMENTS

Year Published
Place Printed
Printed By
Description Mahler, Gustav

THE AUTOGRAPH MANUSCRIPT OF THE SECOND SYMPHONY ("THE RESURRECTION"), THE COMPLETE WORK IN FIVE MOVEMENTS

A monumental and dramatic manuscript written throughout in the composer's characteristic bold musical script, mainly in intense black ink, with some parts in brown or violet ink (the final seven pages in violet ink), on up to twenty-eight staves per page, a working manuscript in places, with inserted leaves, corrections and deletions, including an important pencil sketch for the opening of the third movement, together with many revisions and additions to the orchestration written in blue crayon in the first three movements and in violet ink in the final movement, inscribed and dated by the composer at the end of first and last movements respectively: "Sonntag 29. April [18]94 renovatum" & "Beendigt am Dienstag, den 18. Dezember 1894 zu Hamburg". 232 pages, large folio (c.35 x 27cm), 24- & 28-stave papers, without a title page, unbound bifolios, each movement foliated separately by the composer (the fourth paginated in another hand), retaining the original composing structure, including inserted leaves and bifolios, traces of earlier stitching to the first three movements, the final two movements unstitched, annotations in pencil to the lower margins by Mahler’s copyists, modern cloth-covered folding box, gilt lettering labels, mainly Hamburg (some parts possibly also at Steinbach am Attersee), April to December 1894, a few creases to margins I. "Maestoso. Mit durchaus ernstem und feierlichem Ausdruck", comprising 15 bifolios, with the remains of stitching, a total of 58 pages. II. "Andante con moto", comprising 8 bifolios, the remains of stitching, a total of 30 pages. III. [Scherzo], comprising 14 bifolios, one unnumbered, the remains of stitching, a total of 53 pages. IV. "Nro 4. 'Urlicht'. Sehr feierlich, aber schlicht", comprising two unstitched bifolios, a total of 8 pages. V. "Im Tempo des Scherzos. Wild herausfahrend!", comprising 21 unstitched bifolios, a total of 83 pages.
Comments THIS IS THE GREATEST AUTOGRAPH MUSIC MANUSCRIPT TO BE OFFERED AT AUCTION FOR NEARLY THIRTY YEARS.   The only comparable autographs are those of the nine Mozart symphonies (Sotheby’s London, 22 May 1987, lot 457) and Schumann’s Second Symphony (Sotheby’s London, 1 December 1994, lot 317). NO AUTOGRAPH OF A COMPLETE SYMPHONY BY MAHLER HAS APPEARED AT AUCTION FOR NEARLY SIXTY YEARS.  Indeed, since Sotheby’s sold Mahler’s First Symphony in 1959, no autograph of a complete symphony by any of the great late Romantic composers--Brahms, Tchaikovsky, Bruckner or Mahler--has been sold at auction; this is a unique opportunity to acquire such a manuscript. MAHLER’S MONUMENTAL SECOND SYMPHONY WAS THE GRANDEST OF ALL NINETEENTH-CENTURY SYMPHONIES. With the vast forces and great length (around an hour and a half), it easily surpassed its choral predecessors by Beethoven, Berlioz and Liszt in its enormous range and conception.  It is a standard work in the concert repertory, performed and recorded by all the great conductors.  Mahler demands an orchestra of over one hundred players, comprising four or five each of the woodwind instruments (including piccolos, E-flat clarinets and contrabassoon), ten trumpets, ten French horns, four trombones and tuba, two harps, organ, an extensive battery of percussion and the largest possible contingent of strings.    THIS IS THE ONLY AUTOGRAPH MANUSCRIPT OF THE COMPLETE  SYMPHONY:  There are early drafts of individual movements now dispersed in Basel, Yale, New York and London, together with a fair number of sketch-leaves in Vienna and elsewhere.   There is no other autograph score of the great Finale to Mahler’s symphony, its crowning glory.  Mahler began this as a fair copy of his complete symphony, but subsequently revised the manuscript making important changes to the orchestration in blue crayon and in violet ink, introducing new instruments such as the E-flat clarinet, extra timpani and harp parts.  These alterations are particularly extensive in the third and fifth movements.  Mahler also revises the opening of the third movement; there is a pencil sketch in his hand, where the manuscript differs markedly from his final version. This manuscript is particularly important for being unaltered, untrimmed and unbound.  It retains its original physical form, reflecting and revealing how Mahler created the final musical structure of his work.  Mahler wrote the manuscript on a series of numbered bifolios (sheets folded to form four pages each), and the insertion and extraction of leaves into this sequence provides crucial evidence of how Mahler brought his masterpiece to its final form.  Other manuscripts of his symphonies now in libraries are mostly bound, sometimes with the leaves separated and mounted on guards, so that such evidence has been irretrievably lost.   Although the facsimile that Gilbert Kaplan published reproduces the colours of the manuscript faithfully, it does not show anything of this physical structure.                                                                   *** MAHLER’S “RESURRECTION?? SYMPHONY DEALS WITH MATTERS OF LIFE AND DEATH; IN DOING SO, IT REPRESENTS THE CULMINATION OF THE NINETEENTH-CENTURY SYMPHONY.  It is his most accessible and arguably his greatest early treatment of such existential issues and this is why it has always been among his most popular works.  Mahler was following a great tradition, building on the expansion of the form achieved by Beethoven in his Ninth; that work also concluded with a great choral finale, expressing Schiller’s humanist Ode to Joy, and linking all the movements. These innovations were developed by Berlioz and Liszt to express mortal, supernatural, diabolic and mystical concepts.  Mahler was fully aware that this continual development and expansion of the symphony went hand in hand with the desire to express grander and more profound concepts and "newer elements of feeling".  He wrote in Hamburg in 1893 that "composers began to include ever deeper and more complex sides of their emotional lives in the realm of their creative work...from [Beethoven] on not just the fundamental shades of the mood--thus e.g. sheer joyfulness or sadness etc.--but also the transition from one mood to another--conflicts--Nature and her impact upon us--humour, and poetic ideas--were the objects of musical emulation…??.  All aspects of metaphysics, religious problems and existentialism fascinated Mahler, and he continually engrossed himself in philosophical problems and reflected them through music. At this time Mahler was better known as a conductor than as a composer, and specifically an opera conductor.  Inevitably, his daily diet was not Berlioz and Liszt, but Weber’s Der Freischütz, Beethoven’s Fidelio,  Mozart’s Don Giovanni & Die Zauberflöte, Rossini’s Il barbiere di Siviglia, Meyerbeer’s Les Huguenots, Bizet’s Carmen, Verdi’s Un ballo in maschera and, increasingly from 1885 on, the operas of Wagner.  His repertoire as a conductor included well over one hundred operas, many staged in several different productions.     Not surprisingly, Mahler’s “Resurrection?? Symphony is a vividly dramatic work.  It portrays the triumph of the human spirit in overcoming death, whose depiction in the first movement is as dramatic and terrifying as in Verdi’s Requiem.  In the long first movement, Mahler presents us with the relentless struggle with death, firmly bound in the fateful key of C minor.  The even-more-ambitious Finale, lasting over half an hour, contains the voice crying in the wilderness, the Last Trump, the Resurrection and all the struggle that leads up to it.  Mahler’s fourteen-year experience of conducting operas informed his dramatic presentation, not least in his striking use of off-stage brass and percussion.    Mahler originally composed the first movement in August and September 1888, but could not continue the symphony; he later retitled his fair copy 'Todtenfeier' (Funeral rites). He took the work up again in July 1893, writing the second, third and fourth movements. Only in April 1894 did Mahler return to assembling these disparate movements into a coherent whole, by revising the first movement and composing his great Finale. The inspiration came to him on 29 March 1894, when he attended the memorial service of the great pianist and conductor Hans von Bülow (1830-1894) in Hamburg. Mahler explained to Arthur Seidl that it was only then that he fixed on the conclusion that would bind his great work together: “I had long contemplated bringing in the choir in the last movement, and only the fear that it would be taken as a superficial imitation of Beethoven made me hesitate again and again. Then Bülow died and I went to the memorial service [Todtenfeier] ...the choir, up in the organ loft, intoned Klopstock’s Resurrection chorale. It flashed on me like lightening, and everything became plain and clear in my mind! It was the flash that all creative artists wait for, ‘conception by the Holy Ghost’! What I experienced had now to be expressed in sound??. Mahler did on three occasions write a descriptive programme about the symphony: In a letter of 1896, Mahler wrote that “...The first movement depicts the titanic struggles of a mighty being still caught in the toils of this world; grappling with life and with the fate to which he must succumb--and his death.  The second and third movements, Andante and Scherzo, are episodes from the life of the fallen hero...While the first three movements are narrative in character, in the last movement everything is immediate action. It begins with the death-shriek [reprised from near the end] of the Scherzo. And now the resolution of the terrible problem of life--redemption. At first, we see it in the form created
References
Provenance
Estimated Price GBP 3,500,000.00 - 4,500,000.00
( USD 4,515,000.00 - 5,805,000.00 )
Actual Price GBP 4,546,250.00 ( USD 5,682,812.50 )

Search

AUCTION DETAILS

Auction House Sothebys
Website http://www.sothebys.com/
Auction Name Music and Continental Books and Manuscripts
Sale Number #L16406
Auction Date November 29, 2016 - November 29, 2016
Sale Name Music and Continental Books and Manuscripts
Total Lots 222
Description of Sale

Post Sale Description

Book Images
  • <b>Ketterer Kunst Hamburg, Rare Books Auction on May 22</b>
    <b>Ketterer Rare Books, May 22:</b><br>Book of hours, manuscript on vellum. Around 1520. Est: € 15,000
    <b>Ketterer Rare Books, May 22:</b><br>H. Schedel, <i>Liber chronicarum</i>. 1493. Est: € 60,000
    <b>Ketterer Rare Books, May 22:</b><br>Biblia germanica. 1474.<br>Est: € 140,000
    <b>Ketterer Kunst Hamburg, Rare Books Auction on May 22</b>
    <b>Ketterer Rare Books, May 22:</b><br>A. Ortelius, <i>Theatrum orbis terrarum</i>. 1574. Est: € 26,000
    <b>Ketterer Rare Books, May 22:</b><br>L. de Varthema, <i>Die ritterlich und lobwirdig Rays</i>. 1515. Est: € 15,000
    <b>Ketterer Rare Books, May 22:</b><br>J. H. van Linschoten, His <i>Discours of Voyages</i>. 1598. Est: € 70,000
    <b>Ketterer Kunst Hamburg, Rare Books Auction on May 22</b>
    <b>Ketterer Rare Books, May 22:</b><br>J. G. Stedman, <i>Narrative of Surinam</i>. 1806. Est: € 8,000
    <b>Ketterer Rare Books, May 22:</b><br>A. von Menzel, <i>Armeewerk Friedrichs d. Gr.</i> 1855. Est: € 50,000
    <b>Ketterer Rare Books, May 22:</b><br>G. Heym, <i>Umbra Vitae</i>. 1924. Est: € 8,000
    <b>Ketterer Kunst Hamburg, Rare Books Auction on May 22</b>
    <b>Ketterer Rare Books, May 22:</b><br>Master binding by G. Levitzky. 1914. Est: € 2,500
    <b>Ketterer Rare Books, May 22:</b><br>R. Char, <i>A la santé du serpent</i>. 1954. Est: € 8,000
    <b>Ketterer Rare Books, May 22:</b><br>Nam June Paik, Fluxus Testament. 1975. Est: € 18,000
  • <b>Bonhams, March 9. Fine Books and Manuscripts, Including the Kennedy Years</b>
    <b>Bonhams Mar. 9:</b> BROWNING, ELIZABETH BARRETT. Autograph Manuscript Initialed ("E.B.B."), being the working notebook for the poems contained in <i>The Seraphim and Other Poems</i>. $400,000 to 600,000
    <b>Bonhams Mar. 9:</b> WILDE, OSCAR. Two leaves, pp 31-34, from the first appearance of <i>The Picture of Dorian Gray in Lippincott's Monthly Magazine for July, 1890</i>, with Wilde's autograph revisions. $40,000 to 60,000
    <b>Bonhams Mar. 9:</b> SHAKESPEARE, WILLIAM. <i>Comedies, Histories and Tragedies; Published according to the true Originall Copies. Second Impression. [THE SECOND FOLIO.]</i> $200,000 to 300,000
    <b>Bonhams, March 9. Fine Books and Manuscripts, Including the Kennedy Years</b>
    <b>Bonhams Mar. 9:</b> KENNEDY, JOHN FITZGERALD. Photograph Signed ("John F. Kennedy") and Inscribed, 8 x 10 inch gelatin silver print, of Senator Kennedy and Miss Barelli, at the swearing of the secretarial oath for Miss Barelli. $1,200 to 1,800
    <b>Bonhams Mar. 9:</b> COOPER, JAMES FENIMORE. Autograph Manuscript, being Chapter XXVII of <i>Afloat and Ashore</i>. $15,000 to 20,000
    <b>Bonhams Mar. 9:</b> IRVING, WASHINGTON. Autograph Manuscript, being Chapter 20 from Volume IV of <i>The Life of George Washington</i>. $20,000 to 30,000
    <b>Bonhams, March 9. Fine Books and Manuscripts, Including the Kennedy Years</b>
    <b>Bonhams Mar. 9:</b> VERNE, JULES. Autograph Manuscript Signed ("Jules Verne"), being the complete short story "<i>Une fantaisie de docteur Ox</i>". $100,000 to 150,000
    <b>Bonhams Mar. 9:</b> ALCHEMY. <i>[The Crowning of Nature, or Coronatio Naturae.]</i> Original alchemical manuscript on paper, ruled in red, with watermark of the arms of Schieland. $100,000 to 150,000
    <b>Bonhams Mar. 9:</b> DE JODE, CORNELUS. 1568 - 1600. <i>Quivirae Regnu, Cum Alija Versus Borea</i>. [Antwerp: Arnoldum Coninx, 1593]. $7,000 to 10,000
    <b>Bonhams, March 9. Fine Books and Manuscripts, Including the Kennedy Years</b>
    <b>Bonhams Mar. 9:</b> HOOKER, JOSEPH DALTON. <i>The Rhododendrons of Sikkim-Himalaya; Being an Account, Botanical and Geographical, of the Rhododendrons Recently Discovered in the Mountains of Eastern Himalaya</i>… $7,000 to 10,000
    <b>Bonhams Mar. 9:</b> CATLIN, GEORGE. <i>North American Indian Portfolio. Hunting scenes and amusements of the Rocky Mountains and prairies of America. From drawings and notes of the author, made during eight years' travel.</i> $20,000 to 30,000
    <b>Bonhams Mar. 9:</b> LINCOLN, ABRAHAM. HESLER, ALEXANDER. Platinum print, 8 3/4 x 6 3/4 in, of a beardless Lincoln, 1860.<br>$2,000 to 3,000
  • <b>Swann Auction Galleries May 4: Autographs</b>
    <b>Swann Auction Galleries May 4:</b> Ernest Hemingway, Autograph Letter Signed "Love / Mr. Papa," to Marlene Dietrich, Cuba, 1952. $20,000 to $30,000.
    <b>Swann Auction Galleries May 4:</b> Alexis de Tocqueville, Autograph Letter Signed, on the publication of <i> Democracy in America </i>, 1837. $10,000 to $15,000.
    <b>Swann Auction Galleries May 4:</b> Thomas Hart Benton, Autograph Manuscript, draft of <i>The Mechanics of Form Organization in Painting</i>, with sketches, 1926. $20,000 to $30,000.
    <b>Swann Auction Galleries May 4: Autographs</b>
    <b>Swann Auction Galleries May 4:</b> Elliot Erwitt, photograph of Kennedy & Eisenhower, signed by both,<br>c. 1960. $10,000 to $15,000.
    <b>Swann Auction Galleries May 4:</b> John Adams, Partly-printed Document Signed, as President, countersigned by Secretary of State Timothy Pickering, 1798. $4,000 to $6,000. 
    <b>Swann Auction Galleries May 4:</b> Graphite drawing of Albert Einstein, signed by him & the artist, S.N. Swamy, 1950. $7,000 to $10,000.
    <b>Swann Auction Galleries May 4: Autographs</b>
    <b>Swann Auction Galleries May 4:</b> Pyotr Ilyich Tchaikovsky, Autograph Musical Quotation Signed, London, 1888. $7,000 to $10,000.
    <b>Swann Auction Galleries May 4:</b> Thomas Jefferson, Partly-printed vellum Document Signed, as President, countersigned by Secretary of State James Madison, 1809. $4,000 to $6,000.
    <b>Swann Auction Galleries May 4:</b> Agatha Christie, Autograph Manuscript notebook with early drafts for numerous novels, Baghdad, circa 1948. $4,000 to $6,000.
    <b>Swann Auction Galleries May 4: Autographs</b>
    <b>Swann Auction Galleries May 4:</b> Claude Monet, Autograph Letter Signed to Desmond Fitzgerald, in French, 1889. $4,000 to $6,000.
    <b>Swann Auction Galleries May 4:</b> Photograph of Fidel Castro, Signed & Inscribed, in Spanish, 1955. $3,500 to $5,000.
    <b>Swann Auction Galleries May 4:</b> Frederick Stuart Church, archive of 17 illustrated Autograph Letters Signed to Evander Schley, 1905-11. $5,000 to $7,500.
  • <b>Seth Kaller:</b> “America the Beautiful”
    <b>Seth Kaller:</b> George Washington, Tongue-in-Cheek, Writes James McHenry About His Wife or Mistress—But Funding the Continental Army is the Real Topic
    <b>Seth Kaller:</b> Young’s Map of the United States
    <b>Seth Kaller:</b> President Lincoln & His Most Profitable Client, the Illinois Central Railroad
    <b>Seth Kaller:</b> Lincoln Thanks Former Pro-Slavery and Newly Republican Congressman for a Fiery Anti-Slavery Speech at a Philadelphia Campaign Rally
    <b>Seth Kaller:</b> “A Visit From St. Nicholas” - great association copy inscribed by Clement C. Moore
    <b>Seth Kaller:</b> Einstein Agrees to Allow “a Short Book on the Hydrogen Bomb” to Use His Statement Made on Eleanor Roosevelt’s TV Show
    <b>Seth Kaller:</b> The Building Blocks of Albert Einstein’s Creative Mind
    <b>Seth Kaller:</b> A Unique Manuscript Map of Block Island Sound Including Fisher’s and Gardiner’s Islands, the Hamptons, and Montauk Point
    <b>Seth Kaller:</b> J.R.R. Tolkien Writes his Proofreader with a Lengthy Discussion of the Lord of the Rings, Including Criticism of Radio Broadcasts of his Work
    <b>Seth Kaller:</b> Six Benjamin Franklin Signed Receipts – Including his Earliest Obtainable Autograph — Acknowledging a Donation to the Famous Library Company He Founded, and Five Payments for His Pennsylvania Gazette
    <b>Seth Kaller:</b> Sherman Dishes on Lincoln & Thomas, Meade, Sheridan, Halleck & Grant