• <b>Potter & Potter Auctions, July 8: Rare Books & Manuscripts</b>
    <b>Potter & Potter Auctions July 8:</b><br> Walter Gibson's Complete Run of The Shadow. 48 bound volumes, 1931-44. $8,000-12,000
    <b>Potter & Potter Auctions July 8:</b><br> Frederic Shoberl, The World in Miniature: Hindoostan. 6 volumes. $2,000-4,000
    <b>Potter & Potter Auctions July 8:</b><br> A Rare Copy of the Earliest Chicago Newspaper to Report on the Great Fire of 1871. $6,000-8,000
    <b>Potter & Potter Auctions, July 8: Rare Books & Manuscripts</b>
    <b>Potter & Potter Auctions July 8:</b><br> Broadside Proclamation by Mayor Roswell B. Mason for the Preservation of Good Order Following the Great Fire of 1871. Chicago. $4,000-6,000
    <b>Potter & Potter Auctions July 8:</b><br> Peter Force Engraving of the Declaration of Independence. One page. Scarce and highly collectable. $15,000-20,000
    <b>Potter & Potter Auctions July 8:</b><br> John Quincy Adams. The Jubilee of the Constitution. A Discourse. First edition. Inscribed. 1839. $3,000-5,000
    <b>Potter & Potter Auctions, July 8: Rare Books & Manuscripts</b>
    <b>Potter & Potter Auctions July 8:</b><br> Cuban Revolution: Expedicion y Desembarco del “Granma.” Havana, ca. 1959. With portraits of the Castro brothers & Che Guevara. $150-250
    <b>Potter & Potter Auctions July 8:</b><br> Osuna Ramos. A group of 28 photographs of the Mexican Revolution & aftermath in Mexico City, 1910-1920. 4½ x 6”. $400-600
    <b>Potter & Potter Auctions July 8:</b><br> Charles Bukowski. Hot Water Music. First edition with original signed painting. 1983. $2,000-4,000
    <b>Potter & Potter Auctions, July 8: Rare Books & Manuscripts</b>
    <b>Potter & Potter Auctions July 8:</b><br> Alan Ginsberg. Five Page Autographed Letter. Signed. February 10, 1971. $3,000-5,000
    <b>Potter & Potter Auctions July 8:</b><br> Andy Warhol’s Children’s Book. Featuring 12 color illustrations. Signed 5 times. 1983. $5,000-7,000
    <b>Potter & Potter Auctions July 8:</b><br> Albrecht Durer. The Martyrdom Saint John the Evangelist. Woodcut, 1511 edition. $1,000-2,000
  • <b>Bonhams London: Fine Books, Atlases, Manuscripts and Photographs. June 14, 2017</b>
    <b>Bonhams Jun 14:</b> Ireland - Patrick Pearse & The Easter Rising. The Order of Surrender, typed and signed (“P. H. Pearse”) and dated, 1916. £80,000 to £120,000
    <b>Bonhams Jun 14:</b> Portolan chart of the Mediterranean, centered on Sicily. Manuscript on vellum, 1637. £40,000 to £60,000
    <b>Bonhams Jun 14:</b> Goya Y Lucientes (Francisco José de). [Tauromaquia] <i> De las diferentes suertes y actitudes del arte de lidiar los toros…</i> 33 etched and aquatint plates. £15,000 to £20,000
    <b>Bonhams London: Fine Books, Atlases, Manuscripts and Photographs. June 14, 2017</b>
    <b>Bonhams Jun 14:</b> Magna Carta. Engraved Facsimile of the 1215 Magna Carta, engraved by John Pine and printed on vellum, 1733. £10,000 to £15,000
    <b>Bonhams Jun 14:</b> Swift (Jonathan). <i> Travels into Several Remote Nations of the World ... by Lemuel Gulliver</i>, 4 parts in 2 vol., first edition, Teerink's "A" edition, 1726. £10,000 to £15,000
    <b>Bonhams Jun 14:</b> Darwin (Charles), Robert Fitzroy and Philip Parker King. <i>Narrative of the Surveying Voyages of His Majesty's Ships Adventure and Beagle, Between the Years 1826 and 1836…</i>, 1839. £10,000 to £15,000
    <b>Bonhams London: Fine Books, Atlases, Manuscripts and Photographs. June 14, 2017</b>
    <b>Bonhams Jun 14:</b> Rackham (Arthur). Cinderella, in rags, standing at a window, within a framework of mice, mystical creatures and plants, from "Cinderella", [1919]. £8,000 to £12,000
    <b>Bonhams Jun 14:</b> Royal Family - St George's Chapel and Princess Charlotte. Papers of John Fisher, successively Bishop of Exeter and Bishop of Salisbury, overseer of the redecoration of St George's Chapel… £8,000 to £10,000
    <b>Bonhams Jun 14:</b> Hemingway (Ernest). <i>Fiesta [The Sun Also Rises]</i>, first English edition, Jonathan Cape, [September 1927]. £6,000 to £8,000
    <b>Bonhams London: Fine Books, Atlases, Manuscripts and Photographs. June 14, 2017</b>
    <b>Bonhams Jun 14:</b> Barlaeus (Caspar). <i> Rerum per octennium in Brasilia</i>, first edition, Amsterdam, Joannes Blaeu, 1647. £6,000 to £8,000
    <b>Bonhams Jun 14:</b> Repton (Humphry and J. Adey). <i>Fragments on the Theory and Practice of Landscape Gardening…</i>, first edition, 1816. £5,000 to £7,000
    <b>Bonhams Jun 14:</b> United States - Photography. "360 Photos of American Scenery. Collected by Norman Selfe on the Spots Represented in 1884", [1880s]. £4,000 to £6,000
  • <b>Pierre Bergé and Associés in association with Sotheby’s:<br>De la musique avant toute chose… June 28, 2017</b>
    <b>Pierre Bergé and Associés in association with Sotheby’s, Jun 28:</b> Roland de Lassus. [Songs and madrigals]. Album gathering three collections of secular music for tenor. 15.000-20.000 €
    <b>Pierre Bergé and Associés in association with Sotheby’s, Jun 28:</b> Richard Wagner. <i>Die Meistersinger von Nürnberg.</i> Original edition corrected and annotated by Wagner. 60.000-80.000 €
    <b>Pierre Bergé and Associés in association with Sotheby’s, Jun 28:</b> Claude Debussy. <i>La Damoiselle élue</i>. Lyrical poem, after D.-G. Rossetti. Limited edition of 160 copies. 6.000-8.000 €
    <b>Pierre Bergé and Associés in association with Sotheby’s:<br>De la musique avant toute chose… June 28, 2017</b>
    <b>Pierre Bergé and Associés in association with Sotheby’s, Jun 28:</b> Stéphane Mallarmé. Handwritten notebook made by Geneviève Mallarmé. No place or date [circa 1910]. 10.000-15.000 €
    <b>Pierre Bergé and Associés in association with Sotheby’s, Jun 28:</b> Henri Sauguet. <i>Les Forains</i>. Ballet. Reduction for piano. Original edition. 20.000-30.000 €
    <b>Pierre Bergé and Associés in association with Sotheby’s, Jun 28:</b> Athanasius Kircher. <i>Musurgia Universalis sive Ars Magna Consoni et Dissoni in X. Libros digesta.</i> 1650. 30.000-40.000 €
    <b>Pierre Bergé and Associés in association with Sotheby’s:<br>De la musique avant toute chose… June 28, 2017</b>
    <b>Pierre Bergé and Associés in association with Sotheby’s, Jun 28:</b> François Villon, & Clément Marot. <i>Les Œuvres de François Villon de Paris, Reviewed and gathered by Clement Marot.</i> 15.000-20.000 €
    <b>Pierre Bergé and Associés in association with Sotheby’s, Jun 28:</b> Rainer Maria Rilke. <i>Larenopfer</i> (Offrande aux dieux Lares). The second collection of Rainer Maria Rilke, containing ninety poems. 6.000-8.000 €
    <b>Pierre Bergé and Associés in association with Sotheby’s, Jun 28:</b> Paul Éluard. <i>Capitale de la douleur.</i> One of the most beautiful poetic collections from the first surrealist wave. 15.000-20.000 €
    <b>Pierre Bergé and Associés in association with Sotheby’s, Jun 28:</b> Pierre de Ronsard. <i>Les Amours</i> ... newly augmented by him, and commented by Marc Antoine de Muret. 40.000-60.000 €
  • <b>Now in press: 19th Century Shop’s Catalog 170 Great Books and Photos. Please inquire for a copy.</b>
    <b>19th Century Shop.</b> <i>The First American Magna Carta. English Liberties.</i> Boston, 1721.
    <b>19th Century Shop.</b> Babbage presentation to Peel, the man who killed the Difference Engine 1832
    <b>19th Century Shop.</b> The Stamp Act. 1765
    <b>Now in press: 19th Century Shop’s Catalog 170 Great Books and Photos. Please inquire for a copy.</b>
    <b>19th Century Shop.</b> Central Park Photographs by Prevost 1862
    <b>19th Century Shop.</b> Salem Witch Trials. Wonders of the Invisible World 1693
    <b>19th Century Shop.</b> Mammoth print of Millie-Christine, "The Carolina Twins" c. 1868

THE AUTOGRAPH MANUSCRIPT OF THE SECOND SYMPHONY ("THE RESURRECTION"), THE COMPLETE WORK IN FIVE MOVEMENTS

Lot Number 36
Author Mahler, Gustav
Title

THE AUTOGRAPH MANUSCRIPT OF THE SECOND SYMPHONY ("THE RESURRECTION"), THE COMPLETE WORK IN FIVE MOVEMENTS

Year Published
Place Printed
Printed By
Description Mahler, Gustav

THE AUTOGRAPH MANUSCRIPT OF THE SECOND SYMPHONY ("THE RESURRECTION"), THE COMPLETE WORK IN FIVE MOVEMENTS

A monumental and dramatic manuscript written throughout in the composer's characteristic bold musical script, mainly in intense black ink, with some parts in brown or violet ink (the final seven pages in violet ink), on up to twenty-eight staves per page, a working manuscript in places, with inserted leaves, corrections and deletions, including an important pencil sketch for the opening of the third movement, together with many revisions and additions to the orchestration written in blue crayon in the first three movements and in violet ink in the final movement, inscribed and dated by the composer at the end of first and last movements respectively: "Sonntag 29. April [18]94 renovatum" & "Beendigt am Dienstag, den 18. Dezember 1894 zu Hamburg". 232 pages, large folio (c.35 x 27cm), 24- & 28-stave papers, without a title page, unbound bifolios, each movement foliated separately by the composer (the fourth paginated in another hand), retaining the original composing structure, including inserted leaves and bifolios, traces of earlier stitching to the first three movements, the final two movements unstitched, annotations in pencil to the lower margins by Mahler’s copyists, modern cloth-covered folding box, gilt lettering labels, mainly Hamburg (some parts possibly also at Steinbach am Attersee), April to December 1894, a few creases to margins I. "Maestoso. Mit durchaus ernstem und feierlichem Ausdruck", comprising 15 bifolios, with the remains of stitching, a total of 58 pages. II. "Andante con moto", comprising 8 bifolios, the remains of stitching, a total of 30 pages. III. [Scherzo], comprising 14 bifolios, one unnumbered, the remains of stitching, a total of 53 pages. IV. "Nro 4. 'Urlicht'. Sehr feierlich, aber schlicht", comprising two unstitched bifolios, a total of 8 pages. V. "Im Tempo des Scherzos. Wild herausfahrend!", comprising 21 unstitched bifolios, a total of 83 pages.
Comments THIS IS THE GREATEST AUTOGRAPH MUSIC MANUSCRIPT TO BE OFFERED AT AUCTION FOR NEARLY THIRTY YEARS.   The only comparable autographs are those of the nine Mozart symphonies (Sotheby’s London, 22 May 1987, lot 457) and Schumann’s Second Symphony (Sotheby’s London, 1 December 1994, lot 317). NO AUTOGRAPH OF A COMPLETE SYMPHONY BY MAHLER HAS APPEARED AT AUCTION FOR NEARLY SIXTY YEARS.  Indeed, since Sotheby’s sold Mahler’s First Symphony in 1959, no autograph of a complete symphony by any of the great late Romantic composers--Brahms, Tchaikovsky, Bruckner or Mahler--has been sold at auction; this is a unique opportunity to acquire such a manuscript. MAHLER’S MONUMENTAL SECOND SYMPHONY WAS THE GRANDEST OF ALL NINETEENTH-CENTURY SYMPHONIES. With the vast forces and great length (around an hour and a half), it easily surpassed its choral predecessors by Beethoven, Berlioz and Liszt in its enormous range and conception.  It is a standard work in the concert repertory, performed and recorded by all the great conductors.  Mahler demands an orchestra of over one hundred players, comprising four or five each of the woodwind instruments (including piccolos, E-flat clarinets and contrabassoon), ten trumpets, ten French horns, four trombones and tuba, two harps, organ, an extensive battery of percussion and the largest possible contingent of strings.    THIS IS THE ONLY AUTOGRAPH MANUSCRIPT OF THE COMPLETE  SYMPHONY:  There are early drafts of individual movements now dispersed in Basel, Yale, New York and London, together with a fair number of sketch-leaves in Vienna and elsewhere.   There is no other autograph score of the great Finale to Mahler’s symphony, its crowning glory.  Mahler began this as a fair copy of his complete symphony, but subsequently revised the manuscript making important changes to the orchestration in blue crayon and in violet ink, introducing new instruments such as the E-flat clarinet, extra timpani and harp parts.  These alterations are particularly extensive in the third and fifth movements.  Mahler also revises the opening of the third movement; there is a pencil sketch in his hand, where the manuscript differs markedly from his final version. This manuscript is particularly important for being unaltered, untrimmed and unbound.  It retains its original physical form, reflecting and revealing how Mahler created the final musical structure of his work.  Mahler wrote the manuscript on a series of numbered bifolios (sheets folded to form four pages each), and the insertion and extraction of leaves into this sequence provides crucial evidence of how Mahler brought his masterpiece to its final form.  Other manuscripts of his symphonies now in libraries are mostly bound, sometimes with the leaves separated and mounted on guards, so that such evidence has been irretrievably lost.   Although the facsimile that Gilbert Kaplan published reproduces the colours of the manuscript faithfully, it does not show anything of this physical structure.                                                                   *** MAHLER’S “RESURRECTION?? SYMPHONY DEALS WITH MATTERS OF LIFE AND DEATH; IN DOING SO, IT REPRESENTS THE CULMINATION OF THE NINETEENTH-CENTURY SYMPHONY.  It is his most accessible and arguably his greatest early treatment of such existential issues and this is why it has always been among his most popular works.  Mahler was following a great tradition, building on the expansion of the form achieved by Beethoven in his Ninth; that work also concluded with a great choral finale, expressing Schiller’s humanist Ode to Joy, and linking all the movements. These innovations were developed by Berlioz and Liszt to express mortal, supernatural, diabolic and mystical concepts.  Mahler was fully aware that this continual development and expansion of the symphony went hand in hand with the desire to express grander and more profound concepts and "newer elements of feeling".  He wrote in Hamburg in 1893 that "composers began to include ever deeper and more complex sides of their emotional lives in the realm of their creative work...from [Beethoven] on not just the fundamental shades of the mood--thus e.g. sheer joyfulness or sadness etc.--but also the transition from one mood to another--conflicts--Nature and her impact upon us--humour, and poetic ideas--were the objects of musical emulation…??.  All aspects of metaphysics, religious problems and existentialism fascinated Mahler, and he continually engrossed himself in philosophical problems and reflected them through music. At this time Mahler was better known as a conductor than as a composer, and specifically an opera conductor.  Inevitably, his daily diet was not Berlioz and Liszt, but Weber’s Der Freischütz, Beethoven’s Fidelio,  Mozart’s Don Giovanni & Die Zauberflöte, Rossini’s Il barbiere di Siviglia, Meyerbeer’s Les Huguenots, Bizet’s Carmen, Verdi’s Un ballo in maschera and, increasingly from 1885 on, the operas of Wagner.  His repertoire as a conductor included well over one hundred operas, many staged in several different productions.     Not surprisingly, Mahler’s “Resurrection?? Symphony is a vividly dramatic work.  It portrays the triumph of the human spirit in overcoming death, whose depiction in the first movement is as dramatic and terrifying as in Verdi’s Requiem.  In the long first movement, Mahler presents us with the relentless struggle with death, firmly bound in the fateful key of C minor.  The even-more-ambitious Finale, lasting over half an hour, contains the voice crying in the wilderness, the Last Trump, the Resurrection and all the struggle that leads up to it.  Mahler’s fourteen-year experience of conducting operas informed his dramatic presentation, not least in his striking use of off-stage brass and percussion.    Mahler originally composed the first movement in August and September 1888, but could not continue the symphony; he later retitled his fair copy 'Todtenfeier' (Funeral rites). He took the work up again in July 1893, writing the second, third and fourth movements. Only in April 1894 did Mahler return to assembling these disparate movements into a coherent whole, by revising the first movement and composing his great Finale. The inspiration came to him on 29 March 1894, when he attended the memorial service of the great pianist and conductor Hans von Bülow (1830-1894) in Hamburg. Mahler explained to Arthur Seidl that it was only then that he fixed on the conclusion that would bind his great work together: “I had long contemplated bringing in the choir in the last movement, and only the fear that it would be taken as a superficial imitation of Beethoven made me hesitate again and again. Then Bülow died and I went to the memorial service [Todtenfeier] ...the choir, up in the organ loft, intoned Klopstock’s Resurrection chorale. It flashed on me like lightening, and everything became plain and clear in my mind! It was the flash that all creative artists wait for, ‘conception by the Holy Ghost’! What I experienced had now to be expressed in sound??. Mahler did on three occasions write a descriptive programme about the symphony: In a letter of 1896, Mahler wrote that “...The first movement depicts the titanic struggles of a mighty being still caught in the toils of this world; grappling with life and with the fate to which he must succumb--and his death.  The second and third movements, Andante and Scherzo, are episodes from the life of the fallen hero...While the first three movements are narrative in character, in the last movement everything is immediate action. It begins with the death-shriek [reprised from near the end] of the Scherzo. And now the resolution of the terrible problem of life--redemption. At first, we see it in the form created
References
Provenance
Estimated Price GBP 3,500,000.00 - 4,500,000.00
( USD 4,445,000.00 - 5,715,000.00 )
Actual Price GBP 4,546,250.00 ( USD 5,682,812.50 )

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AUCTION DETAILS

Auction House Sothebys
Website http://www.sothebys.com/
Auction Name Music and Continental Books and Manuscripts
Sale Number #L16406
Auction Date November 29, 2016 - November 29, 2016
Sale Name Music and Continental Books and Manuscripts
Total Lots 222
Description of Sale

Post Sale Description

Book Images
  • <b>Swann Auction Galleries: Inviting Quality Consignments</b>
    <b>Swann Auction Galleries Mar 30:</b> Carte-de-visite album featuring a previously unrecorded image of Harriet Tubman, 1860s. Sold for $161,000.
    <b>Swann Auction Galleries Jun 7:</b> Hovhannes Amira Dadian, first world atlas in Armenian, Venice, 1849. Sold for $37,500.
    <b>Swann Auction Galleries May 16:</b> T.E. Lawrence, <i>Seven Pillars of Wisdom</i>, privately printed edition, inscribed, London, 1926. Sold for $62,500.
    <b>Swann Auction Galleries: Inviting Quality Consignments</b>
    <b>Swann Auction Galleries, Feb 14:</b> 22 large-format photographs from NASA missions, 1965-84. Sold for $43,750.
    <b>Swann Auction Galleries Mar 21: </b> Charles M. Schulz, <i>Here Comes the Big Polar Bear</i>, pen & ink, 4-panel Peanuts comic strip, 1957. Sold for $12,500.
    <b>Swann Auction Galleries May 4:</b> Elliott Erwitt, photograph of JFK & Eisenhower, signed by both, 1960. Sold for $32,500.
    <b>Swann Auction Galleries: Inviting Quality Consignments</b>
    <b>Swann Auction Galleries, Mar 9:</b> John Milton, <i>Paradise Lost</i>, first edition, London, 1668. Sold for $22,500.
    <b>Swann Auction Galleries Mar 30:</b> Frederick Douglass, Autograph Letter Signed to George Alfred Townsend, Washington, 1880. Sold for $100,000.
    <b>Swann Auction Galleries, Jan 26:</b> <i>Les Maîtres de l'Affiche</i>, 5 volumes, Paris, 1896-1900. Sold for $47,500.
    <b>Swann Auction Galleries: Inviting Quality Consignments</b>
    <b>Swann Auction Galleries May 16:</b> James Joyce, <i>Ulysses</i>, first edition, number 724 on handmade paper, Paris, 1922. Sold for $33,750.
    <b>Swann Auction Galleries, Mar 9:</b> Single leaf of the Gutenberg Bible, Mainz, 1455, in a copy of Newton's <i>A Noble Fragment</i>. Sold for $52,500.
    <b>Swann Auction Galleries Apr 27:</b> The Book of Mormon, first edition, Palmyra, NY, 1830. Sold for $52,500.
  • <b>Cowan’s Auctions: An Eclectic Collection: The Library of the Late Dr. Ivan Gilbert of Columbus.<br>June 5-26</b>
    <b>Cowan’s, June 5-26:</b> [Voyages and Travel] Churchill's Voyages 1732 - Complete in 6 Volumes.<br>$5,000 - $7,500.
    <b>Cowan’s, June 5-26:</b> [Illustrated] Alice by Salvador Dali, Signed and Limited. $3,000 - $5,000
    <b>Cowan’s, June 5-26:</b> [Literature] The Little Prince - Signed/Limited First French Edition, 1943; #61 of 260. $5,000 - $7,500
    <b>Cowan’s Auctions: An Eclectic Collection: The Library of the Late Dr. Ivan Gilbert of Columbus.<br>June 5-26</b>
    <b>Cowan’s, June 5-26:</b> [Literature] Gone With The Wind, 1st in DJ, May, 1936. $1,500 - $2,500
    <b>Cowan’s, June 5-26:</b> [Literature - Modern Firsts] Rare Henry Miller, Tropic of Cancer, Obelisk Press Paris - 1934. $2,000 - $3,000
    <b>Cowan’s, June 5-26:</b> [[Sporting - Fishing] Rare - Lee Sturges, Salmon Fishing New Brunswick, 1 of 50 Printed - 7 Original Etchings.<br>$4,000 - $6,000
    <b>Cowan’s Auctions: An Eclectic Collection: The Library of the Late Dr. Ivan Gilbert of Columbus.<br>June 5-26</b>
    <b>Cowan’s, June 5-26:</b> [Voyages and Travel - Maritime] Rare Ledyard Account of Cook's Last Voyage, 1783 Hartford, Howes "d".<br>$10,000 - $15,000
    <b>Cowan’s, June 5-26:</b> [Illustrated - Maxfield Parrish] Knave of Hearts, Scribner's, 1st Hardback Edition, 1925 Parrish Illustrations.<br>$750 - $1,000
    <b>Cowan’s, June 5-26:</b> [Bible - Illustrated - Cartography) Massive Dutch Bible, 1682, Contemporary Colored Maps, Working Brass Clasps. $2,500 - $3,500
    <b>Cowan’s Auctions: An Eclectic Collection: The Library of the Late Dr. Ivan Gilbert of Columbus.<br>June 5-26</b>
    <b>Cowan’s, June 5-26:</b> [Women Suffrage - Civil Rights - Autographs] A Unique Extra-Illustrated Life of Susan B. Anthony. $15,000 - $20,000
    <b>Cowan’s, June 5-26:</b> [18th Century French Manuscript] Unpublished History of Belle-Isle-En-Mer, 1754 With Watercolor Illustration.<br>$10,000 - $15,000
    <b>Cowan’s, June 5-26:</b> [Illustrated - Children's - Movable] Wonderful 19th Century Lothar Meggendorfer Moveable Book. $750 - $1,000