• <b>Bonhams: History of Science and Technology. December 7, 2016</b>
    <b>Bonhams Dec. 7:</b> EINSTEIN, ALBERT. <i>Die Grundlage der allgemeinen Relativitätstheorie.</i> Leipzig: Johann Ambrosius Barth, 1916.<br>$80,000 – 120,000
    <b>Bonhams Dec. 7:</b> NEWTON, ISAAC. Autograph Manuscript in English, Signed Integrally ("Isaac Newton"). $50,000 – 70,000
    <b>Bonhams Dec. 7:</b> DARWIN, CHARLES. <i>On the Origin of Species by Means of Natural Selection, or the Preservation of Favoured Races in the Struggle for Life</i>. London: John Murray, 1859. $25,000 – 35,000
    <b>Bonhams: History of Science and Technology. December 7, 2016</b>
    <b>Bonhams Dec. 7:</b> NEWTON, ISAAC. <i>The Mathematical Principles of Natural Philosophy.</i> London: Benjamin Motte, 1729.<br>$20,000 – 30,000
    <b>Bonhams Dec. 7:</b> HEISENBERG, WERNER. Autograph Manuscript entitled "<i>Entwicklung der Theorie der Elementarteilche,</i>” [1964].<br>$15,000 – 25,000
    <b>Bonhams Dec. 7:</b> BERNOULLI, DANIEL. <i>Hydrodynamica, sive De viribus et motibus fluidorum commentarii.</i> Strasbourg: Johann Heinrich Decker for Johann Reinhold Dulsecker, 1738. $5,000 – 7,000
    <b>Bonhams: Voices of the 20th Century. December 7, 2016</b>
    <b>Bonhams Dec. 7:</b> [TARKOVSKY, ANDREI ARSENIEVICH.] STRUGATSKY, BORIS AND ARKADY. Typed Manuscript for <i>Stalker</i>, being the director's working script, 1977. $150,000 – 200,000
    <b>Bonhams Dec. 7:</b> HEMINGWAY, ERNEST. Typed Manuscript of "Marlin Off the Morro: A Cuban Letter," n.p., [1933]. $30,000 – 50,000
    <b>Bonhams Dec. 7:</b> SALINGER, JEROME DAVID. 4 Autograph Letters, 2 of which Signed ("Jerry") and 6 Typed Letters, 2 of which Initialed ("J"). $30,000 – 50,000
    <b>Bonhams: Voices of the 20th Century. December 7, 2016</b>
    <b>Bonhams Dec. 7:</b> PASTERNAK, BORIS LEONIDOVICH. Typed Manuscript Carbon, "Doktor Zhivago," with some typed corrections, Moscow, 1948. $30,000 – 50,000
    <b>Bonhams Dec. 7:</b> MILNE, ALAN ALEXANDER. Autograph Manuscript Signed 3 times ("A.A. Milne"), entitled "Peace with Honour: An Enquiry into the War Convention," 1934.<br>$30,000 – 50,000
    <b>Bonhams Dec. 7:</b> FROST, ROBERT. Autograph Manuscript Signed ("Robert Frost"), titled "Gold for Christmas," 1952. $15,000 – 20,000
  • <b>Now in press: 19th Century Shop’s Catalog 170 Great Books and Photos. Please inquire for a copy.</b>
    <b>19th Century Shop.</b> <i>The First American Magna Carta. English Liberties.</i> Boston, 1721.
    <b>19th Century Shop.</b> Babbage presentation to Peel, the man who killed the Difference Engine 1832
    <b>19th Century Shop.</b> The Stamp Act. 1765
    <b>Now in press: 19th Century Shop’s Catalog 170 Great Books and Photos. Please inquire for a copy.</b>
    <b>19th Century Shop.</b> Central Park Photographs by Prevost 1862
    <b>19th Century Shop.</b> Salem Witch Trials. Wonders of the Invisible World 1693
    <b>19th Century Shop.</b> Mammoth print of Millie-Christine, "The Carolina Twins" c. 1868
  • <b>Forum Auctions: Fine Books, Western Manuscripts & Works on Paper. January 25, 2017</b>
    <b>Forum Auctions Jan. 25:</b> Zenobius. Epitome proverbiorum Tarrhaei et Didymi [graece], Florence, [possibly Bartolomeo de' Libri for] Filippo Giunta, [after 23 September] 1497. £15,000 – 20,000
    <b>Forum Auctions Jan. 25:</b> Phalaris. [Phalaridis tyranni Apollonii Philosophi pythagoraei Epistolae [Graece], Venice, Bartholomaeus Pelusius, Gabriel Bracius de Brisighella, Johannes Bissolus and Benedictus Mangius, 18 June, 1498. £10,000 – 15,000
    <b>Forum Auctions Jan. 25:</b> Orpheus. Argonautica. Hymni [graece], Florence, [Bartolomeo de' Libri for] Filippo Giunta, 19 September, 1500. £20,000 – 30,000
    <b>Forum Auctions: Fine Books, Western Manuscripts & Works on Paper. January 25, 2017</b>
    <b>Forum Auctions Jan. 25:</b> Primaleon.- Los tres libros del muy esforçado cavallero Primaleon et Polendos su hermano…, Venice, Giovanni Antonio Nicolini da Sabbio for Giovanni Battista Pederzano, February, 1534. £20,000 – 30,000
    <b>Forum Auctions Jan. 25:</b> Bodoni (Giambattista). Manuale Tipografico, 2 vol., Parma, Giambattista Bodoni, 1818. £8,000 – 12,000
    <b>Forum Auctions Jan. 25:</b> Music. Gafurius (Franchinus). Practica musicae, Brescia, Angelus Britannicus, 23 September, 1497. £10,000 – 15,000
    <b>Forum Auctions: Fine Books, Western Manuscripts & Works on Paper. January 25, 2017</b>
    <b>Forum Auctions Jan. 25:</b> Bonaventura (Saint). A group of three Franciscan mystical texts, [14th century]. £15,000 – 20,000
    <b>Forum Auctions Jan. 25:</b> Boccaccio (Giovanni). Trattatello in laude di Dante, decorated manuscript on paper, Florence, first half of 15th century. £30,000 – 40,000
    <b>Forum Auctions Jan. 25:</b> Greek medical manuscript. Iatrosophion, decorated manuscript on paper, Greece (probably Crete), [first half of 16th century]. £8,000 – 12,000
    <b>Forum Auctions: Fine Books, Western Manuscripts & Works on Paper. January 25, 2017</b>
    <b>Forum Auctions Jan. 25:</b> Heraldry. Nayler (George). Album of coats of arms compiled from the papers of Sir George Nayler, 114 coats of arms, most with manuscript captions. [17th, 18th & early 19th centuries]. £1,500 – 2,000
    <b>Forum Auctions Jan. 25:</b> Zoffany (Johan). Autograph Letter signed to Messrs. Raikes & Co., merchants, 1p. with conjugate blank and address panel, 17th July 1801, "In consequence of an order I received from General Claud Martin…”<br>£500 - 700
    <b>Forum Auctions Jan. 25:</b> Bury (Richard de, Bishop of Durham). Philobiblon...sive de amore librorum, Oxford, Joseph Barnes, 1599.<br>£4,000 – 6,000

UNRECORDED AUTOGRAPH SKETCH-LEAF FOR THE FIFTH PIANO CONCERTO IN E FLAT MAJOR, OP.73 ("EMPEROR"), DEDICATED TO THE ARCHDUKE RUDOLF, CONTAINING THEMES AND IDEAS FOR THE MAIN MATERIAL OF THE FIRST AND LAST MOVEMENTS

Lot Number 12
Author Beethoven, Ludwig van
Title

UNRECORDED AUTOGRAPH SKETCH-LEAF FOR THE FIFTH PIANO CONCERTO IN E FLAT MAJOR, OP.73 ("EMPEROR"), DEDICATED TO THE ARCHDUKE RUDOLF, CONTAINING THEMES AND IDEAS FOR THE MAIN MATERIAL OF THE FIRST AND LAST MOVEMENTS

Year Published
Place Printed
Printed By
Description 2 pages (204 x 302mm.), fifteen staves per page, each numbered lightly in pencil in another hand, creased where folded by Beethoven, collector's folding box, trimmed, affecting a few notes on the top stave and the losing one stave at the bottom of the leaf (presumably blank), stencilled number "60", upper edge lightly restored [Vienna, late 1808-early 1809]
Comments THIS IS A RARE OPPORTUNITY TO ACQUIRE UNPUBLISHED DRAFTS FOR ONE OF BEETHOVEN'S GREATEST WORKS. This sketch-leaf is not documented in the revised Kinsky/Halm, Ludwig van Beethoven Thematisch-bibliographisches Werkverzeichnis, ed. Dorfmüller, Gertsch and Ronge (Munich, 2014), where twelve separate sketches are listed, including the known sketchbooks. Neither is it included in Douglas Johnson, Alan Tyson and Robert Winter: The Beethoven Sketchbooks (Oxford, 1985). The manuscript shows a very early phase in Beethoven's creation of the "Emperor".  The top half of the opening page (stencilled “60??) is remarkable for containing thematic material clearly related to both the first and the third movements, practically on alternating staves. This must be one of Beethoven’s earliest sketchleaves for this great work, possibly containing his first drafts of these famous themes.  We can already see Beethoven creating somewhat more evolved versions of this material on two-stave systems in the lower half of this page.  The manuscript is laid out as follows: PAGE 1: staves 1,2 and 5 contain sketches in E flat major, 6/8 time, for the final movement [“Rondo??] (cf bars 99, 110, 129 etc), whereas the motifs written on the staves 3 and 4 relate to the first movement in 4/4 time. Staves 3, 4 and 6-15, contain drafts of the main material of the first movement, especially the first orchestral “tutti??. Stave 3 relates to its continuation (bars 66 & 67), stave 4 contains both an early sketch for the second subject (bars 41ff) and to some of the pianist’s opening flourishes, whilst staves 6 & 7 contain very early versions of the concluding part of the “tutti?? (cf. bar 80ff). The remaining staves on this page contain a more fully-realized version of this material: the “first subject?? (stave 8), and its evolution, foreshadowed on staves 11 & 12 (cf bars 66ff) and then 13 & 14, now clearly grouped into two-stave systems rather than on single staves. PAGE 2, staves 1-11, passage work and figuration relating to the main thematic material of the last movement, mostly in piano score, in 6/8 time, one passage marked “rechte Hand??. The middle of the first stave clearly outlines the principal subject, notating the distinctive hemiola where the six quavers are grouped in twos rather than the threes normal for 6/8 time. However much of the later passagework was not incorporated by Beethoven in his final version.  At the end there are some sketches possibly for another work and an annotation in another hand “prime idee di Bethowen sul concerto per p.f in mi [flat sign] (Originale)?? The "Emperor" Concerto is a revolutionary work in which Beethoven boldly reinvents the Piano Concerto, demolishing the older structure of the eighteenth-century form and creating the model for the celebrated Romantic concertos of Schumann, Brahms, Liszt, Grieg and Tchaikovsky.  It is by far the composer’s most forward-looking statement in the genre.  With the soloist appearing immediately after the stirring opening chord, the piano is at once a protagonist on equal footing with the orchestra. Beethoven had anticipated this in the Fourth Piano Concerto, a more reticent work, where in the first movement, the piano enters alone and the orchestra quietly follows. But in the "Emperor", Beethoven presents his soloist in opposition to the orchestra by giving him thundering chords alternating with full orchestra.   Beethoven’s rethinking of the relationship of solo and accompaniment reached its apogee in the "Emperor" Concerto, his final statement in the form. Beethoven’s iconoclastic approach is not merely confined to the relationship between the main protagonists. The concerto is built on a far larger scale than any previous work. The proportions are vast, the first movement being almost as long as any previous concerto, with a very wide tonal range, encompassing keys scarcely used before, notably the passage written in C flat in the first movement; the use of seemingly distant B major in the slow movement and the discursive passages in remote keys in the finale. This new scope requires a similarly large range of material for the piano, and Beethoven also uses the highest and lowest ranges of the piano as never before. The types of figuration are new and highly inventive. In the sketch-leaf, Beethoven can be seen experimenting with various types of piano writing, some of which was eventually used in the concerto, some not. This sketch-leaf is therefore an important stage in the compositional process of this great work. Most of the surviving drafts for the Fifth Piano Concerto are in two sketch-books in the Deutsche Staatsbibliothek, Berlin, known as Grasnick 3 (ff.38-43v) and Landsberg 5. A few sketches elsewhere are related to these books, notably a leaf in the Pierpont Morgan Library which relates to Grasnick 3. The watermark evidence of the present manuscript does not allow any firm identification with either sketchbook. All the other sketch-leaves are written on sixteen-stave paper, whereas this manuscript has only fifteen; we can infer that it has been cut down, losing one stave at the bottom of the leaf, which was presumably blank.  Unlike some other sketch-leaves, this one is devoted almost entirely to the concerto, without extensive material for other works, such as the Choral Fantasia Op.80.  
References
Provenance
Estimated Price GBP 150,000.00 - 250,000.00
( USD 187,500.00 - 312,500.00 )
Actual Price GBP 377,000.00 ( USD 459,940.00 )

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AUCTION DETAILS

Auction House Sothebys
Website http://www.sothebys.com/
Auction Name The Library of an English Bibliophile, Part VI
Sale Number #L16416
Auction Date October 20, 2016 - October 20, 2016
Sale Name The Library of an English Bibliophile, Part VI
Total Lots 200
Description of Sale

Post Sale Description

Book Images
  • <b>Seth Kaller:</b> “America the Beautiful”
    <b>Seth Kaller:</b> George Washington, Tongue-in-Cheek, Writes James McHenry About His Wife or Mistress—But Funding the Continental Army is the Real Topic
    <b>Seth Kaller:</b> Young’s Map of the United States
    <b>Seth Kaller:</b> President Lincoln & His Most Profitable Client, the Illinois Central Railroad
    <b>Seth Kaller:</b> Lincoln Thanks Former Pro-Slavery and Newly Republican Congressman for a Fiery Anti-Slavery Speech at a Philadelphia Campaign Rally
    <b>Seth Kaller:</b> “A Visit From St. Nicholas” - great association copy inscribed by Clement C. Moore
    <b>Seth Kaller:</b> Einstein Agrees to Allow “a Short Book on the Hydrogen Bomb” to Use His Statement Made on Eleanor Roosevelt’s TV Show
    <b>Seth Kaller:</b> The Building Blocks of Albert Einstein’s Creative Mind
    <b>Seth Kaller:</b> A Unique Manuscript Map of Block Island Sound Including Fisher’s and Gardiner’s Islands, the Hamptons, and Montauk Point
    <b>Seth Kaller:</b> J.R.R. Tolkien Writes his Proofreader with a Lengthy Discussion of the Lord of the Rings, Including Criticism of Radio Broadcasts of his Work
    <b>Seth Kaller:</b> Six Benjamin Franklin Signed Receipts – Including his Earliest Obtainable Autograph — Acknowledging a Donation to the Famous Library Company He Founded, and Five Payments for His Pennsylvania Gazette
    <b>Seth Kaller:</b> Sherman Dishes on Lincoln & Thomas, Meade, Sheridan, Halleck & Grant
  • <b>Arader Galleries: Winter 2017 Auction. January 28, 2017</b>
    <b>Arader Galleries Jan. 28:</b> Long-Billed Curlew, Plate 231. John James Audubon. First Edition Robert Havell Aquatint Engraving with Original Hand Color From <i>Birds of America</i>. London, 1827-1838. 37 1/2 x 24 3/4” sheet, 49 1/2 x 37” framed
    <b>Arader Galleries Jan. 28:</b> Summer, or Wood Duck, Plate 206. John James Audubon. First Edition Robert Havell Aquatint Engraving with Original Hand Color From <i>Birds of America</i>. London, 1827-1838. 39 x 25 1/2” inches sheet, 49 1/2 x 37” framed
    <b>Arader Galleries Jan. 28:</b> Fish Hawk or Osprey, Plate 81. John James Audubon. First Edition Robert Havell Aquatint Engraving with Original Hand Color From <i>Birds of America</i>. London, 1827-1838. 38 1/4 x 25 1/4" sheet, 50 x 37” framed
    <b>Arader Galleries: Winter 2017 Auction. January 28, 2017</b>
    <b>Arader Galleries Jan. 28:</b> Great Cinereous Owl, Plate 351. John James Audubon. First Edition Robert Havell Aquatint Engraving with Original Hand Color From <i>Birds of America</i>. London, 1827-1838. 38 x 25” sheet, 50 x 37” framed
    <b>Arader Galleries Jan. 28:</b> A Flying Lizard, Surrounded by Beetles and Other Insects. Herman Henstenburgh, (Hoorn 1667 - 1726). Watercolor and gouache on paper. 7 x 10 1/4" sheet, 13 1/2 x 18 3/4" inches framed
    <b>Arader Galleries Jan. 28:</b> Marco Polo's Sheep (Ovis Poli). Joseph Wolf (1820 - 1899). Pencil and Watercolor, heightened with touches of white. Signed and dated Lower right "J. Wolf 1875". 11 1/4 x 15 1/4" sheet
    <b>Arader Galleries: Winter 2017 Auction. January 28, 2017</b>
    <b>Arader Galleries Jan. 28:</b> Winter Scene in Kamchatka. Attributed to John Webber, R.A. (1751-1793). Oil on Canvas. 25 x 36 1/2" canvas, 30 x 41” framed
    <b>Arader Galleries Jan. 28:</b> Winter River Scene. Cornelius David Krieghoff (1815-1872). Oil on Canvas. 16 x 20” canvas, 25 x 29” framed
    <b>Arader Galleries Jan. 28:</b> Grand Canyon of Arizona from Hermit Rim Road. Thomas Moran (1837-1926). Chromolithograph. New York: Atcheson, Topeka and Sante Fe Railway System, 1913. Printed by American Lithographic Co. 31 3/4 x 41 1/2" sheet
    <b>Arader Galleries: Winter 2017 Auction. January 28, 2017</b>
    <b>Arader Galleries Jan. 28:</b> Occidentalis Americae Partis... Theodore de Bry (1528-1598). Engraved Map. Frankfurt, 1594. 13 1/4 x 17 1/2" sheet, 24 1/2 x 29” framed
    <b>Arader Galleries Jan. 28:</b> Nouveau Monde. Nicolas De Nicolai (1517-1583). Engraved map. Amsterdam, 1602. 12 x 15 1/2"
    <b>Arader Galleries Jan. 28:</b> Typus Universalis Terrae... Petrus Apianus (1495-1552) & Reiner Gemma Frisius (1508-1555). Engraved map. Basel: Reisch, 1583. 8 1/4 x 12” sheet
  • <b>Swann Auction Galleries, Jan 26: Alphonse Mucha & Masters of Art Nouveau: The Harry C. Meyerhoff Collection</b>
    <b>Swann Auction Galleries, Jan 26:</b> Alphonse Mucha, <i>Princezna Hyacinta</i>, 1911. $15,000 to $20,000.
    <b>Swann Auction Galleries, Jan 26:</b><br><i>Les Maîtres de l'Affiche</i>, 5 volumes, Paris, 1896-1900.<br>$35,000 to $50,000.
    <b>Swann Auction Galleries, Jan 26:</b> Alphonse Mucha, <i>Job</i>, 1896.<br>$15,000 to $20,000.
    <b>Swann Auction Galleries, Jan 26: Alphonse Mucha & Masters of Art Nouveau: The Harry C. Meyerhoff Collection</b>
    <b>Swann Auction Galleries, Jan 26:</b> Alphonse Mucha, <i>Bleuze - Hadancourt Parfumeur</i>, circa 1899.<br>$15,000 to $20,000.
    <b>Swann Auction Galleries, Jan 26:</b> Alphonse Mucha, <i>Lygie</i>, 1901. $12,000 to $18,000.
    <b>Swann Auction Galleries, Jan 26:</b> Henri de Toulouse-Lautrec, <i>Babylone d'Allemagne</i>, 1894.<br>$30,000 to $40,000.
    <b>Swann Auction Galleries, Jan 26: Alphonse Mucha & Masters of Art Nouveau: The Harry C. Meyerhoff Collection</b>
    <b>Swann Auction Galleries, Jan 26:</b> Alphonse Mucha, <i>Zodiac / La Plume</i>, 1896. $15,000 to $20,000.
    <b>Swann Auction Galleries, Jan 26:</b> Alphonse Mucha, <i>The Seasons</i>, 4 panels on silk, 1900.<br>$15,000 to $20,000.
    <b>Swann Auction Galleries, Jan 26:</b> Henri de Toulouse-Lautrec, <i>Aristide Bruant dans son Cabaret</i>, 1893. $20,000 to $30,000.
    <b>Swann Auction Galleries, Jan 26: Alphonse Mucha & Masters of Art Nouveau: The Harry C. Meyerhoff Collection</b>
    <b>Swann Auction Galleries, Jan 26:</b> Alphonse Mucha, <i>Monaco / Monte-Carlo</i>, 1897. $12,000 to $18,000.
    <b>Swann Auction Galleries, Jan 26:</b> Alphonse Mucha, <i>Medee / Sarah Bernhardt</i>, 1898. $12,000 to $18,000.
    <b>Swann Auction Galleries, Jan 26:</b> Henri de Toulouse-Lautrec, <i>Confetti</i>, 1894. $40,000 to $60,000.
  • <b>Sotheby’s Paris: Livres et Manuscrits. February 8, 2017</b>
    <b>Sotheby’s Paris Feb. 8:</b> Rimbaud, Arthur. <i>Plaisirs du jeune âge.</i> [1865]. Original drawing, made by the young Rimbaud at the age of 10.<br>100,000 – 150,000€
    <b>Sotheby’s Paris Feb. 8:</b> Rimbaud, Arthur. <i>La rivière de cassis.</i> [1872]. Rare autograph poem. Paul Verlaine’s copy. 200,000 – 300,000€
    <b>Sotheby’s Paris Feb. 8:</b> Lichtenstein, Roy. <i>La Nouvelle chute de l’Amérique.</i> Solstice, 1992. 10 original prints, signed and numbered by the artist. 35,000 – 50,000€
    <b>Sotheby’s Paris Feb. 8:</b> Giacometti, Alberto. <i>Pomme endormie.</i> Barbezat, [1961]. One of the first 23 copies, on Japan paper, with 2 suites. The 16 lithographs of the suite are signed. 20,000 – 25,000€
    <b>Sotheby’s Paris: Livres et Manuscrits. February 8, 2017</b>
    <b>Sotheby’s Paris Feb. 8:</b> FABRICIUS AB ACQUAPENDENTE. Set of 4 original folio éditions. 1600-1603. Rare in its contemporary heraldic binding. 20,000 – 30,000€
    <b>Sotheby’s Paris Feb. 8:</b> CASSERIO & SPIGELIUS. <i>Tabulae anatomicae, De humani corporis fabrica, De formatu foetu.</i> 1626-1627. In-folio. First editions. 5,000 – 7,000€
    <b>Sotheby’s Paris Feb. 8:</b> PARACELSE. <i>Bücher und Schrifften.</i> 1589-1591. 6 vol. in-4. The copy of Hermann of Hesse, son of Maurice the Learned. Contemporary binding.<br>20,000 – 30,000€
    <b>Sotheby’s Paris Feb. 8:</b> LAFOSSE. <i>Cours d’hippiatrique.</i> 1772. In-folio. Magnificently colored, in a contemporary binding.<br>13,000 – 18,000€
  • <b>Daniel Crouch Rare Books</b><br>SAXTON, Christopher. <i>The Travellers Guide being the best Mapp of the Kingdom of England and Principality of Wales</i>. London, [1583, but c.1716].
    <b>Daniel Crouch Rare Books</b><br>VISSCHER, Claes Jansz. <i>Novissima et Accuratissima Leonis Belgici</i>. Amsterdam, Claes Jansz Visscher, [1611-1621 or later].
    <b>Daniel Crouch Rare Books</b> PTOLEMAEUS, Claudius. <i>Decima Asie Tabula</i>. Ulm, Lienhart Holle, 16 July 1482.
    <b>Daniel Crouch Rare Books</b><br>WIT, Frederick de, and Gerard VALK. <i>Orbis Terrarum Nova et Accurata Tabula</i>. Amsterdam, Gerard Valk, [c.1690-1700].
    <b>Daniel Crouch Rare Books</b><br>APIANUS, Petrus. <i>Astronomicum Caesareum</i>. Ingolstadt, Peter Apian, 1540.
    <b>Daniel Crouch Rare Books</b><br>CASSINI, Jean-Dominique. <i>Carte de la Lune</i>. Paris, Jean-Dominique Cassini, 1787.
    <b>Daniel Crouch Rare Books</b> PTOLEMAEUS, Claudius. <i>Geographicae enarrationis libri octo</i>. Argentoragi, 1525.
    <b>Daniel Crouch Rare Books</b><br>[SAXTON, Christopher]. <i> [An Atlas of England and Wales]</i>. [London, Christopher Saxton, 1579].
    <b>Daniel Crouch Rare Books</b> Commission des sciences et arts d'Egypte. <i>Description de l’Égypte</i>… Paris, Imprimerie impériale - Imprimerie royale, 1809-1828.
    <b>Daniel Crouch Rare Books</b> CHURCHMAN, John. <i>To George Washington President of the United States of America this Magnetic Atlas or Variation Chart is humbly inscribed by John Churchman</i>. Philadelphia, 1790.
    <b>Daniel Crouch Rare Books</b><br>APIANUS, Petrus. <i>Tipus Orbis Universalis</i>. Vienna, Johannes Camertius, 1520.
    <b>Daniel Crouch Rare Books</b><br>LORIOT, A[uguste], [after] Nicolas LANE. <i>[Pocket globe]</i>. London, 65 New Bond Street, 1809.
    <b>Daniel Crouch Rare Books</b><br>BLAEU, Johannes. <i>Grooten Atlas</i>. Amsterdam, Joan Blaeu, 1662-1665.
    <b>Daniel Crouch Rare Books</b><br>INGEBORG BRUN, Emmy. <i>Mars efter Lowell’s Glober 1894-1914</i>. Denmark, [c1915].
    <b>Daniel Crouch Rare Books</b><br>LUTHER, Martin. <i>Der vierde Teil aller Bücher vnd Schrifften des thewren seligen Mans</i>. Gedruckt zu Jhena, Durch Christian Rödinger, 1556.