• <b>Bonhams, March 9. Fine Books and Manuscripts, Including the Kennedy Years</b>
    <b>Bonhams Mar. 9:</b> BROWNING, ELIZABETH BARRETT. Autograph Manuscript Initialed ("E.B.B."), being the working notebook for the poems contained in <i>The Seraphim and Other Poems</i>. $400,000 to 600,000
    <b>Bonhams Mar. 9:</b> WILDE, OSCAR. Two leaves, pp 31-34, from the first appearance of <i>The Picture of Dorian Gray in Lippincott's Monthly Magazine for July, 1890</i>, with Wilde's autograph revisions. $40,000 to 60,000
    <b>Bonhams Mar. 9:</b> SHAKESPEARE, WILLIAM. <i>Comedies, Histories and Tragedies; Published according to the true Originall Copies. Second Impression. [THE SECOND FOLIO.]</i> $200,000 to 300,000
    <b>Bonhams, March 9. Fine Books and Manuscripts, Including the Kennedy Years</b>
    <b>Bonhams Mar. 9:</b> KENNEDY, JOHN FITZGERALD. Photograph Signed ("John F. Kennedy") and Inscribed, 8 x 10 inch gelatin silver print, of Senator Kennedy and Miss Barelli, at the swearing of the secretarial oath for Miss Barelli. $1,200 to 1,800
    <b>Bonhams Mar. 9:</b> COOPER, JAMES FENIMORE. Autograph Manuscript, being Chapter XXVII of <i>Afloat and Ashore</i>. $15,000 to 20,000
    <b>Bonhams Mar. 9:</b> IRVING, WASHINGTON. Autograph Manuscript, being Chapter 20 from Volume IV of <i>The Life of George Washington</i>. $20,000 to 30,000
    <b>Bonhams, March 9. Fine Books and Manuscripts, Including the Kennedy Years</b>
    <b>Bonhams Mar. 9:</b> VERNE, JULES. Autograph Manuscript Signed ("Jules Verne"), being the complete short story "<i>Une fantaisie de docteur Ox</i>". $100,000 to 150,000
    <b>Bonhams Mar. 9:</b> ALCHEMY. <i>[The Crowning of Nature, or Coronatio Naturae.]</i> Original alchemical manuscript on paper, ruled in red, with watermark of the arms of Schieland. $100,000 to 150,000
    <b>Bonhams Mar. 9:</b> DE JODE, CORNELUS. 1568 - 1600. <i>Quivirae Regnu, Cum Alija Versus Borea</i>. [Antwerp: Arnoldum Coninx, 1593]. $7,000 to 10,000
    <b>Bonhams, March 9. Fine Books and Manuscripts, Including the Kennedy Years</b>
    <b>Bonhams Mar. 9:</b> HOOKER, JOSEPH DALTON. <i>The Rhododendrons of Sikkim-Himalaya; Being an Account, Botanical and Geographical, of the Rhododendrons Recently Discovered in the Mountains of Eastern Himalaya</i>… $7,000 to 10,000
    <b>Bonhams Mar. 9:</b> CATLIN, GEORGE. <i>North American Indian Portfolio. Hunting scenes and amusements of the Rocky Mountains and prairies of America. From drawings and notes of the author, made during eight years' travel.</i> $20,000 to 30,000
    <b>Bonhams Mar. 9:</b> LINCOLN, ABRAHAM. HESLER, ALEXANDER. Platinum print, 8 3/4 x 6 3/4 in, of a beardless Lincoln, 1860.<br>$2,000 to 3,000
  • <b>Forum Auctions: Fine Books and Works on Paper. March 30, 2017</b>
    <b>Forum Auctions Mar. 30:</b> Potter (Beatrix). The Tale of Peter Rabbit, first edition, first issue, [1901]. Part of an extensive, private Beatrix Potter collection. £15,000 - 20,000
    <b>Forum Auctions Mar. 30:</b> Dodgson (Charles Lutwidge). The Hunting of the Snark, first edition, with original printed dust-jacket, 1876.<br>£7,000 - 9,000
    <b>Forum Auctions Mar. 30:</b> Buckland Wright (John). Pervigilium Veneris: The Vigil of Venus, number 1 of 100 copies (Christopher Sandford's copy), Golden Cockerel Press, 1939.<br>£2,000 - 3,000
    <b>Forum Auctions: Fine Books and Works on Paper. March 30, 2017</b>
    <b>Forum Auctions Mar. 30:</b> Kelmscott Press. Keats (John). The Poems, one of 300, orig. vellum, 8vo, Kelmscott Press, 1894. £1,800 - 2,200
    <b>Forum Auctions Mar. 30:</b> Greenhill (Elizabeth).- Morison (Stanley) and Kenneth Day. The Typographic Book, 1450-1935, bound in dark green goatskin by Elizabeth Greenhill, 1963. £6,000 - 8,000
    <b>Forum Auctions Mar. 30:</b> Fitzgerald (F. Scott). The Great Gatsby, first edition, first state dust-jacket, New York, 1925. £25,000 - 35,000
    <b>Forum Auctions: Fine Books and Works on Paper. March 30, 2017</b>
    <b>Forum Auctions Mar. 30:</b> Dionysius, <i>Halicarnassensis</i>. Antiquitates Romanae, Editio princeps, Treviso, Bernardinus Celerius, 24 or 25 February, 1480. £4,000 - 6,000
    <b>Forum Auctions Mar. 30:</b> Canon Law. [Laurentius Puldericus. Breviarum decreti], manuscript in Latin, on paper, [?Germany], [c. 1450].<br>£5,000 - 7,000
    <b>Forum Auctions Mar. 30:</b> Swimming. Percey (William) The Compleat Swimmer: or, the Art of Swimming, first and only edition, by J.C. for Henry Fletcher, 1658. £5,000 - 7,000
    <b>Forum Auctions: Fine Books and Works on Paper. March 30, 2017</b>
    <b>Forum Auctions Mar. 30:</b> Binding with silverwork by Anthony Nelme. The Holy Bible, containing the Old Testament and the New: : newly translated out of the original tongues, Oxford, John Baskett, 1716. £10,000 - 15,000
    <b>Forum Auctions Mar. 30:</b> George IV's copy. Nash (John, architect). The Royal Pavilion at Brighton, one of 10 copies, 1826. £8,000 - 10,000
    <b>Forum Auctions Mar. 30:</b> Blake (William, 1757-1827). "With Dreams upon my bed thou scarest me & affrightest me with Visions", 1825. £700 - 1,000
  • <b>Auction Pierre Bergé & associés in association with Sotheby’s: Important Books and Manuscripts from the Library of Jean A. Bonna from the 15th to the 20th Century. Sale on April 26, 2017. Exhibition in London March 28-30</b>
    <b>Pierre Bergé & Associés, Apr. 26:</b> Galileo, <i>Discorsi e Dimostrazioni matematiche.</i> Leyde, Elzevier, 1638. Original edition: only known copy of the first state. €700,000 – 900,000
    <b>Pierre Bergé & Associés, Apr. 26:</b> Fables illustrated by Benjamin Rabier. Paris, Tallandier, without date [ca. 1910]. Superb binding doubled in vellum decorated with painted and mosaic decors by André Mare illustrating four fables. €10,000 – 15,000
    <b>Pierre Bergé & Associés, Apr. 26:</b> Gustave Flaubert, draft for the preface of the <i>Memoir for the defense of Madame Bovary</i>, 15-30 January 1857. Exceptiona signed autograph manuscript. €40,000 – 60,000
    <b>Auction Pierre Bergé & associés in association with Sotheby’s: Important Books and Manuscripts from the Library of Jean A. Bonna from the 15th to the 20th Century. Sale on April 26, 2017. Exhibition in London March 28-30</b>
    <b>Pierre Bergé & Associés, Apr. 26:</b> Boccace, <i>The Book of Praise and the Virtue of the Noble and Cleric Ladies.</i> Verard, 1493. First edition of the French version attributed to Laurent de Premierfait. €40,000 – 60,000
    <b>Pierre Bergé & Associés, Apr. 26:</b> Exceptional set of 15 original bindings by Jean de Gonet, on rare editions illustrated by Picasso, Matisse, Miro or original editions of Bataille or Radiguet.
  • <b>Now in press: 19th Century Shop’s Catalog 170 Great Books and Photos. Please inquire for a copy.</b>
    <b>19th Century Shop.</b> <i>The First American Magna Carta. English Liberties.</i> Boston, 1721.
    <b>19th Century Shop.</b> Babbage presentation to Peel, the man who killed the Difference Engine 1832
    <b>19th Century Shop.</b> The Stamp Act. 1765
    <b>Now in press: 19th Century Shop’s Catalog 170 Great Books and Photos. Please inquire for a copy.</b>
    <b>19th Century Shop.</b> Central Park Photographs by Prevost 1862
    <b>19th Century Shop.</b> Salem Witch Trials. Wonders of the Invisible World 1693
    <b>19th Century Shop.</b> Mammoth print of Millie-Christine, "The Carolina Twins" c. 1868

UNRECORDED AUTOGRAPH SKETCH-LEAF FOR THE FIFTH PIANO CONCERTO IN E FLAT MAJOR, OP.73 ("EMPEROR"), DEDICATED TO THE ARCHDUKE RUDOLF, CONTAINING THEMES AND IDEAS FOR THE MAIN MATERIAL OF THE FIRST AND LAST MOVEMENTS

Lot Number 12
Author Beethoven, Ludwig van
Title

UNRECORDED AUTOGRAPH SKETCH-LEAF FOR THE FIFTH PIANO CONCERTO IN E FLAT MAJOR, OP.73 ("EMPEROR"), DEDICATED TO THE ARCHDUKE RUDOLF, CONTAINING THEMES AND IDEAS FOR THE MAIN MATERIAL OF THE FIRST AND LAST MOVEMENTS

Year Published
Place Printed
Printed By
Description 2 pages (204 x 302mm.), fifteen staves per page, each numbered lightly in pencil in another hand, creased where folded by Beethoven, collector's folding box, trimmed, affecting a few notes on the top stave and the losing one stave at the bottom of the leaf (presumably blank), stencilled number "60", upper edge lightly restored [Vienna, late 1808-early 1809]
Comments THIS IS A RARE OPPORTUNITY TO ACQUIRE UNPUBLISHED DRAFTS FOR ONE OF BEETHOVEN'S GREATEST WORKS. This sketch-leaf is not documented in the revised Kinsky/Halm, Ludwig van Beethoven Thematisch-bibliographisches Werkverzeichnis, ed. Dorfmüller, Gertsch and Ronge (Munich, 2014), where twelve separate sketches are listed, including the known sketchbooks. Neither is it included in Douglas Johnson, Alan Tyson and Robert Winter: The Beethoven Sketchbooks (Oxford, 1985). The manuscript shows a very early phase in Beethoven's creation of the "Emperor".  The top half of the opening page (stencilled “60??) is remarkable for containing thematic material clearly related to both the first and the third movements, practically on alternating staves. This must be one of Beethoven’s earliest sketchleaves for this great work, possibly containing his first drafts of these famous themes.  We can already see Beethoven creating somewhat more evolved versions of this material on two-stave systems in the lower half of this page.  The manuscript is laid out as follows: PAGE 1: staves 1,2 and 5 contain sketches in E flat major, 6/8 time, for the final movement [“Rondo??] (cf bars 99, 110, 129 etc), whereas the motifs written on the staves 3 and 4 relate to the first movement in 4/4 time. Staves 3, 4 and 6-15, contain drafts of the main material of the first movement, especially the first orchestral “tutti??. Stave 3 relates to its continuation (bars 66 & 67), stave 4 contains both an early sketch for the second subject (bars 41ff) and to some of the pianist’s opening flourishes, whilst staves 6 & 7 contain very early versions of the concluding part of the “tutti?? (cf. bar 80ff). The remaining staves on this page contain a more fully-realized version of this material: the “first subject?? (stave 8), and its evolution, foreshadowed on staves 11 & 12 (cf bars 66ff) and then 13 & 14, now clearly grouped into two-stave systems rather than on single staves. PAGE 2, staves 1-11, passage work and figuration relating to the main thematic material of the last movement, mostly in piano score, in 6/8 time, one passage marked “rechte Hand??. The middle of the first stave clearly outlines the principal subject, notating the distinctive hemiola where the six quavers are grouped in twos rather than the threes normal for 6/8 time. However much of the later passagework was not incorporated by Beethoven in his final version.  At the end there are some sketches possibly for another work and an annotation in another hand “prime idee di Bethowen sul concerto per p.f in mi [flat sign] (Originale)?? The "Emperor" Concerto is a revolutionary work in which Beethoven boldly reinvents the Piano Concerto, demolishing the older structure of the eighteenth-century form and creating the model for the celebrated Romantic concertos of Schumann, Brahms, Liszt, Grieg and Tchaikovsky.  It is by far the composer’s most forward-looking statement in the genre.  With the soloist appearing immediately after the stirring opening chord, the piano is at once a protagonist on equal footing with the orchestra. Beethoven had anticipated this in the Fourth Piano Concerto, a more reticent work, where in the first movement, the piano enters alone and the orchestra quietly follows. But in the "Emperor", Beethoven presents his soloist in opposition to the orchestra by giving him thundering chords alternating with full orchestra.   Beethoven’s rethinking of the relationship of solo and accompaniment reached its apogee in the "Emperor" Concerto, his final statement in the form. Beethoven’s iconoclastic approach is not merely confined to the relationship between the main protagonists. The concerto is built on a far larger scale than any previous work. The proportions are vast, the first movement being almost as long as any previous concerto, with a very wide tonal range, encompassing keys scarcely used before, notably the passage written in C flat in the first movement; the use of seemingly distant B major in the slow movement and the discursive passages in remote keys in the finale. This new scope requires a similarly large range of material for the piano, and Beethoven also uses the highest and lowest ranges of the piano as never before. The types of figuration are new and highly inventive. In the sketch-leaf, Beethoven can be seen experimenting with various types of piano writing, some of which was eventually used in the concerto, some not. This sketch-leaf is therefore an important stage in the compositional process of this great work. Most of the surviving drafts for the Fifth Piano Concerto are in two sketch-books in the Deutsche Staatsbibliothek, Berlin, known as Grasnick 3 (ff.38-43v) and Landsberg 5. A few sketches elsewhere are related to these books, notably a leaf in the Pierpont Morgan Library which relates to Grasnick 3. The watermark evidence of the present manuscript does not allow any firm identification with either sketchbook. All the other sketch-leaves are written on sixteen-stave paper, whereas this manuscript has only fifteen; we can infer that it has been cut down, losing one stave at the bottom of the leaf, which was presumably blank.  Unlike some other sketch-leaves, this one is devoted almost entirely to the concerto, without extensive material for other works, such as the Choral Fantasia Op.80.  
References
Provenance
Estimated Price GBP 150,000.00 - 250,000.00
( USD 189,000.00 - 315,000.00 )
Actual Price GBP 377,000.00 ( USD 459,940.00 )

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AUCTION DETAILS

Auction House Sothebys
Website http://www.sothebys.com/
Auction Name The Library of an English Bibliophile, Part VI
Sale Number #L16416
Auction Date October 20, 2016 - October 20, 2016
Sale Name The Library of an English Bibliophile, Part VI
Total Lots 200
Description of Sale

Post Sale Description

Book Images
  • <b>Seth Kaller:</b> “America the Beautiful”
    <b>Seth Kaller:</b> George Washington, Tongue-in-Cheek, Writes James McHenry About His Wife or Mistress—But Funding the Continental Army is the Real Topic
    <b>Seth Kaller:</b> Young’s Map of the United States
    <b>Seth Kaller:</b> President Lincoln & His Most Profitable Client, the Illinois Central Railroad
    <b>Seth Kaller:</b> Lincoln Thanks Former Pro-Slavery and Newly Republican Congressman for a Fiery Anti-Slavery Speech at a Philadelphia Campaign Rally
    <b>Seth Kaller:</b> “A Visit From St. Nicholas” - great association copy inscribed by Clement C. Moore
    <b>Seth Kaller:</b> Einstein Agrees to Allow “a Short Book on the Hydrogen Bomb” to Use His Statement Made on Eleanor Roosevelt’s TV Show
    <b>Seth Kaller:</b> The Building Blocks of Albert Einstein’s Creative Mind
    <b>Seth Kaller:</b> A Unique Manuscript Map of Block Island Sound Including Fisher’s and Gardiner’s Islands, the Hamptons, and Montauk Point
    <b>Seth Kaller:</b> J.R.R. Tolkien Writes his Proofreader with a Lengthy Discussion of the Lord of the Rings, Including Criticism of Radio Broadcasts of his Work
    <b>Seth Kaller:</b> Six Benjamin Franklin Signed Receipts – Including his Earliest Obtainable Autograph — Acknowledging a Donation to the Famous Library Company He Founded, and Five Payments for His Pennsylvania Gazette
    <b>Seth Kaller:</b> Sherman Dishes on Lincoln & Thomas, Meade, Sheridan, Halleck & Grant
  • <b>Doyle, Apr. 26:</b> THE PAPERS OF BREVET MAJOR GENERAL JOHN GROSS BARNARD (1815-1882), Chief Engineer of the Army of the Potomac. Estimate: $75,000-100,000
    <b>Doyle, Apr. 26:</b> ALVIN LANGDON COBURN. London. With 20 photogravures by Coburn and text by Hilaire Belloc, London and New York: 1909. First edition. Est: $4,000-6,000
    <b>Doyle, Apr. 26:</b> WILLIAM FADEN, A Plan of New York Island, with part of Long Island, Staten Island & East New Jersey. London: 1776. Estimate: $5,000-8,000
    <b>Doyle, Apr. 26:</b> MAX BEERBOHM, Lord Curzon delivering an oration. Original drawing with collage. London, 1912. Est: $2,000-3,000
    <b>Doyle, Apr. 26:</b> AMERICAN REVOLUTION, Recueil des Loix Constitutives des Colonies Angloises. A Philadelphie, et se vend a Paris: Cellot & Jombert, 1778. First collected edition in French. Estimate: $500-800
    <b>Doyle, Apr. 26:</b> WILLIAM TECUMSEH SHERMAN, Confederate General Joseph Johnston's copy of Sherman's General Orders No. 65 announcing the final agreement of Surrender, 27 April 1865. Est: $4,000-6,000
    <b>Doyle, Apr. 26:</b> JOHN KEATS, Lamia, Isabella, the Eve of Saint Agnes and Other Poems. London: Taylor and Hessey, 1820. First edition of Keats’s third book.. Estimate: $5,000-7,000
    <b>Doyle, Apr. 26:</b> M. T. Cicero's Cato Major, or his discourse of Old-age: With Explanatory Notes. Philadelphia: Benjamin Franklin, 1744. Est: $5,000-8,000
    <b>Doyle, Apr. 26:</b> WINSTON S CHURCHILL, History of the English Speaking Peoples. London: Cassell, 1956-58. First editions. Est: $1,500-2,500
  • <b>Swann Auction Galleries Mar. 30: Printed & Manuscript African Americana</b>
    <b>Swann Auction Galleries Mar. 30:</b> Malcolm X, typed manuscripts for the <i>LA Herald Dispatch</i> column "God's Angry Men," 1957.<br>$200,000 to $300,000.
    <b>Swann Auction Galleries Mar. 30:</b> Frederick Douglass, Autograph Letter Signed to George Alfred Townsend, Washington, 1880.<br>$40,000 to $60,000.
    <b>Swann Auction Galleries Mar. 30:</b> Carte-de-visite album featuring a previously unrecorded image of Harriet Tubman, 1860s.<br>$20,000 to $30,000.
    <b>Swann Auction Galleries Mar. 30: Printed & Manuscript African Americana</b>
    <b>Swann Auction Galleries Mar. 30:</b> Collection of documents from the Montgomery Improvement Association, Alabama, 1955-63. $20,000 to $30,000.
    <b>Swann Auction Galleries Mar. 30:</b> Martin Luther King, Jr., working draft of the "Letter from Birmingham Jail," Alabama, 1963. $10,000 to $15,000.
    <b>Swann Auction Galleries Mar. 30:</b> <i>Benjamin Bannaker's Almanac</i> for 1795, Baltimore. $30,000 to $40,000.
    <b>Swann Auction Galleries Mar. 30: Printed & Manuscript African Americana</b>
    <b>Swann Auction Galleries Mar. 30:</b> Collection of 41 letters addressed to Rebecca Primus, 1854-72.<br>$20,000 to $30,000.
    <b>Swann Auction Galleries Mar. 30:</b> Abby Fisher, <i>What Mrs. Fisher Knows About Old Southern Cooking</i>, first edition, San Francisco, 1881.<br>$10,000 to $15,000.
    <b>Swann Auction Galleries Mar. 30:</b> Victor H. Green, <i>The Negro Motorist Green-Book for 1941</i>, New York, 1940. $8,000 to $12,000.
    <b>Swann Auction Galleries Mar. 30:</b> Toni Morrison, <i>The Bluest Eye, </i>reviewer's copy, New York, 1971. $4,000 to $6,000.