• <b>Seth Kaller:</b> “America the Beautiful”
    <b>Seth Kaller:</b> George Washington, Tongue-in-Cheek, Writes James McHenry About His Wife or Mistress—But Funding the Continental Army is the Real Topic
    <b>Seth Kaller:</b> Young’s Map of the United States
    <b>Seth Kaller:</b> President Lincoln & His Most Profitable Client, the Illinois Central Railroad
    <b>Seth Kaller:</b> Lincoln Thanks Former Pro-Slavery and Newly Republican Congressman for a Fiery Anti-Slavery Speech at a Philadelphia Campaign Rally
    <b>Seth Kaller:</b> “A Visit From St. Nicholas” - great association copy inscribed by Clement C. Moore
    <b>Seth Kaller:</b> Einstein Agrees to Allow “a Short Book on the Hydrogen Bomb” to Use His Statement Made on Eleanor Roosevelt’s TV Show
    <b>Seth Kaller:</b> The Building Blocks of Albert Einstein’s Creative Mind
    <b>Seth Kaller:</b> A Unique Manuscript Map of Block Island Sound Including Fisher’s and Gardiner’s Islands, the Hamptons, and Montauk Point
    <b>Seth Kaller:</b> J.R.R. Tolkien Writes his Proofreader with a Lengthy Discussion of the Lord of the Rings, Including Criticism of Radio Broadcasts of his Work
    <b>Seth Kaller:</b> Six Benjamin Franklin Signed Receipts – Including his Earliest Obtainable Autograph — Acknowledging a Donation to the Famous Library Company He Founded, and Five Payments for His Pennsylvania Gazette
    <b>Seth Kaller:</b> Sherman Dishes on Lincoln & Thomas, Meade, Sheridan, Halleck & Grant
  • <b>Daniel Crouch Rare Books</b><br>SAXTON, Christopher. <i>The Travellers Guide being the best Mapp of the Kingdom of England and Principality of Wales</i>. London, [1583, but c.1716].
    <b>Daniel Crouch Rare Books</b><br>VISSCHER, Claes Jansz. <i>Novissima et Accuratissima Leonis Belgici</i>. Amsterdam, Claes Jansz Visscher, [1611-1621 or later].
    <b>Daniel Crouch Rare Books</b> PTOLEMAEUS, Claudius. <i>Decima Asie Tabula</i>. Ulm, Lienhart Holle, 16 July 1482.
    <b>Daniel Crouch Rare Books</b><br>WIT, Frederick de, and Gerard VALK. <i>Orbis Terrarum Nova et Accurata Tabula</i>. Amsterdam, Gerard Valk, [c.1690-1700].
    <b>Daniel Crouch Rare Books</b><br>APIANUS, Petrus. <i>Astronomicum Caesareum</i>. Ingolstadt, Peter Apian, 1540.
    <b>Daniel Crouch Rare Books</b><br>CASSINI, Jean-Dominique. <i>Carte de la Lune</i>. Paris, Jean-Dominique Cassini, 1787.
    <b>Daniel Crouch Rare Books</b> PTOLEMAEUS, Claudius. <i>Geographicae enarrationis libri octo</i>. Argentoragi, 1525.
    <b>Daniel Crouch Rare Books</b><br>[SAXTON, Christopher]. <i> [An Atlas of England and Wales]</i>. [London, Christopher Saxton, 1579].
    <b>Daniel Crouch Rare Books</b> Commission des sciences et arts d'Egypte. <i>Description de l’Égypte</i>… Paris, Imprimerie impériale - Imprimerie royale, 1809-1828.
    <b>Daniel Crouch Rare Books</b> CHURCHMAN, John. <i>To George Washington President of the United States of America this Magnetic Atlas or Variation Chart is humbly inscribed by John Churchman</i>. Philadelphia, 1790.
    <b>Daniel Crouch Rare Books</b><br>APIANUS, Petrus. <i>Tipus Orbis Universalis</i>. Vienna, Johannes Camertius, 1520.
    <b>Daniel Crouch Rare Books</b><br>LORIOT, A[uguste], [after] Nicolas LANE. <i>[Pocket globe]</i>. London, 65 New Bond Street, 1809.
    <b>Daniel Crouch Rare Books</b><br>BLAEU, Johannes. <i>Grooten Atlas</i>. Amsterdam, Joan Blaeu, 1662-1665.
    <b>Daniel Crouch Rare Books</b><br>INGEBORG BRUN, Emmy. <i>Mars efter Lowell’s Glober 1894-1914</i>. Denmark, [c1915].
    <b>Daniel Crouch Rare Books</b><br>LUTHER, Martin. <i>Der vierde Teil aller Bücher vnd Schrifften des thewren seligen Mans</i>. Gedruckt zu Jhena, Durch Christian Rödinger, 1556.
  • <b>Sotheby’s New York: Alexander Hamilton: An Important Family Archive of Letters and Manuscripts. January 18, 2017</b>
    <b>Sotheby’s New York Jan 18:</b> Alexander Hamilton's Appointment as Aide-De-Camp to General George Washington. $150,000 – 250,000
    <b>Sotheby’s New York Jan 18:</b> Alexander Hamilton. Correspondence about his reputation as a soldier and a gentleman nearly provoking a duel, 1779. $100,000 -150,000
    <b>Sotheby’s New York Jan 18:</b> Alexander Hamilton. The earliest surviving love letter from Hamilton to his future wife Elizabeth Schuyler. $40,000 – 60,000
    <b>Sotheby’s New York: Alexander Hamilton: An Important Family Archive of Letters and Manuscripts. January 18, 2017</b>
    <b>Sotheby’s New York Jan 18:</b> Alexander Hamilton. Autograph letter signed to Elizabeth Schuyler; a love letter that also announces the arrival of French General Rochambeau. $15,000 – 20,000
    <b>Sotheby’s New York Jan 18:</b> Alexander Hamilton. Autograph letter to Elizabeth Schuyler, announcing the treason of Benedict Arnold. $35,000 – 50,000
    <b>Sotheby’s New York Jan 18:</b> Alexander Hamilton. Autograph letter signed to Elizabeth Hamilton, announcing that the army is preparing to engage Cornwallis in Virginia. $30,000 – 50,000
    <b>Sotheby’s New York: Alexander Hamilton: An Important Family Archive of Letters and Manuscripts. January 18, 2017</b>
    <b>Sotheby’s New York Jan 18:</b> Alexander Hamilton. Autograph letter draft to John Jay, concerning his lawsuit against Lewis Littlepage and Henry Brockholst Livingston. $10,000 – 15,000
    <b>Sotheby’s New York Jan 18:</b> Alexander Hamilton. Autograph notes prepared for President Washington's third annual message to congress. $15,000 – 25,000
    <b>Sotheby’s New York Jan 18:</b> Alexander Hamilton. A prevously unrecorded autograph draft of Pacificus essay no. VI.<br>$300,000 – 500,000
    <b>Sotheby’s New York: Alexander Hamilton: An Important Family Archive of Letters and Manuscripts. January 18, 2017</b>
    <b>Sotheby’s New York Jan 18:</b> Alexander Hamilton. Autograph letter draft to an unnamed recipient (but possibly Jeremiah Wadsworth), regarding the presidential election of 1796. $25,000 – 35,000
    <b>Sotheby’s New York Jan 18:</b><br>Philip Hamilton. Autograph letter signed to his father, Alexander Hamilton, ("Dear Papa"), discussing his schooling and his desire to be "a good man." $8,000 – 12,000
    <b>Sotheby’s New York Jan 18:</b> Alexander Hamilton. Two autograph memoranda, one with a diagram, planning the gardens at the grange. $15,000 – 25,000
  • <b>Case Antiques: Winter Art and Antiques Auction. January 21, 2017</b>
    <b>Case Antiques Jan. 21:</b> Cassilly Adams, Civil War era watercolor on paper painting of the navy vessel upon which he was stationed: the U.S.S. Osage. $3,000 – 5,000
    <b>Case Antiques Jan. 21:</b> Audubon, John James and John Bachman, <i>The Quadrupeds of North America.</i> New York: V.G. Audubon, 1854. 3 volumes. $2,400 – 3,400
    <b>Case Antiques Jan. 21:</b> Roulstone, George. <i>LAWS OF THE STATE OF TENNESSEE.</i> Printed and published by George Roulstone, Knoxville, (Tennessee), 1803. $2,000 – 3,000
    <b>Case Antiques: Winter Art and Antiques Auction. January 21, 2017</b>
    <b>Case Antiques Jan. 21:</b> Heap, Gwin Harris. <i>CENTRAL ROUTE TO THE PACIFIC, FROM THE VALLEY OF THE MISSISSIPPI TO CALIFORNIA…</i> Philadelphia/London, 1854.<br>$1,800 – 2,200
    <b>Case Antiques Jan. 21:</b> FDR’s personal copy of <i>The Great Smoky Mountains"</i> by Laura Thornborough. Published by Thomas Y. Crowell Company, New York, 1937.<br>$1,500 – 1,800
    <b>Case Antiques Jan. 21:</b> Latour, Arsene Lacarriere. <i>HISTORICAL MEMOIR OF THE WAR IN WEST FLORIDA AND LOUISIANA IN 1814 – 1815. WITH AN ATLAS.</i> Philadelphia, 1816.<br>$1,200 – 1,500
    <b>Case Antiques: Winter Art and Antiques Auction. January 21, 2017</b>
    <b>Case Antiques Jan. 21:</b> [Kennedy Autograph Signature] Kennedy, John F. <i>Profiles in Courage.</i> New York Harper & Brothers, (1956).<br>$1,200 – 1,500
    <b>Case Antiques Jan. 21:</b> Sam Houston signed land document, granting Elias Riddle 100 acres in Bledsoe County, Tennessee "in the grassy cove…" dated February 22, 1828.<br>$1,000 – 1,200
    <b>Case Antiques Jan. 21:</b> "The State of Kentucky with Adjoining Territories" Map, by John Payne, engraved by John Scoles, published by John Low, New York, 1800. $500 – 700
    <b>Case Antiques: Winter Art and Antiques Auction. January 21, 2017</b>
    <b>Case Antiques Jan. 21:</b> Civil War era letter and 4 carte de visites, including Confederate Generals. $300 – 500
    <b>Case Antiques Jan. 21:</b> 12 Bank of East Tennessee Pre Civil War Bills. $350 – 450
    <b>Case Antiques Jan. 21:</b> 2 Early Homeopathy books by Alva Curtis. $300 – 400

Autograph music manuscript, titled and signed in autograph 'Prelude [-- Fuga – Allegro] pour la Luth. ò Cembal. Par J.S. Bach', for the Prelude, Fugue and Allegro for lute or keyboard in E flat major, BWV 998

Lot Number 129
Author BACH, Johann Sebastian (1685-1750).
Title

Autograph music manuscript, titled and signed in autograph 'Prelude [-- Fuga – Allegro] pour la Luth. ò Cembal. Par J.S. Bach', for the Prelude, Fugue and Allegro for lute or keyboard in E flat major, BWV 998

Year Published c.1735-1740
Place Printed
Printed By
Description BACH, Johann Sebastian (1685-1750). Autograph music manuscript, titled and signed in autograph 'Prelude [-- Fuga – Allegro] pour la Luth. ò Cembal. Par J.S. Bach', for the Prelude, Fugue and Allegro for lute or keyboard in E flat major, BWV 998, n.d. [c.1735-1740].
Comments COMPLETE. In keyboard notation, the conclusion of the Allegro compressed in German tablature into the lower margins of pp.4 and 1, the second and third movements titled 'Fuga' and 'Allegro' in autograph, approx. 18 autograph corrections, marked 'Fin[e]' at the conclusion; the numbering 'nr. 22' inked over a pencil annotation at the head (perhaps a catalogue number of the collection of the Counts von Voss of Buch), a few additional musical notes in another hand at the foot of p.1, possibly intended to be read in inverse orientation and suggesting that Bach may have reused the paper; and a few light pencil markings, apparently by an editor. Four pages, folio (approx 345 x 213mm), on a bifolium (the two leaves now separated). The complete manuscript for one of Bach's 'finest solo instrumental works of the mid- to late-1730s' (Richard D.P. Jones. The Creative Development of Johann Sebastian Bach, vol. II: 1717-1750) An original instrumental composition, with movements in three of Bach's most characteristic forms: prelude, fugue and a dance movement. Offered for sale for the first time since 1969. One of only three complete autographs to come to the market in the last 30 years, and the first since 1996. Fewer than twenty Bach manuscripts of any kind, including fragments and partially autograph or amended orchestral parts, have been offered for public sale since 1970: all were scores or parts for church cantatas. According to our research, no manuscript of any kind for a secular or instrumental work has appeared at auction since the present manuscript in 1968. No more than ten of Bach's complete autograph manuscripts are thought to survive in private hands: the present manuscript is one of only three for instrumental compositions. Introduction to BWV 998 The autograph of the Prelude, Fugue and Allegro in E flat BWV 998 captures Bach in the moment of composition. The fluent, unhesitating calligraphy suggests his confident conception of the piece. That he was writing down the composition for the first time is shown by his various corrections and his difficulties fitting the piece onto the available paper. Normally Bach carefully planned the layout of his music manuscripts before he started writing; here he ran out of space for the final movement, and had to squeeze the last 19 bars onto the bottom of the fourth and first pages, using the concise notation of keyboard tablature. The manuscript indicates that the piece is 'pour la Luth ò Cembal'. Lutes were still regularly used in Bach's lifetime: a particularly valuable instrument, worth as much as a small harpsichord, was listed in the post-mortem inventory of his estate. He was acquainted with the leading lutenists of his day, notably Silvius Leopold Weiss (1686–1750). In August 1739 Bach was visited by Weiss and other Dresden musicians including W. F. Bach and Weiss's pupil Johann Kropfgans; Bach's secretary commented on the 'extra fine musical things' they enjoyed during this stay. The low tessitura of BWV 998 (never exceeding eb'') suits the lute, although a few chords in the second and third movements cannot be played on an eighteenth-century lute without modification. Alternatively the piece could have been played on the lute-harpsichord (Lautenwerk), a keyboard instrument with gut strings plucked by quills. Although no eighteenth-century examples of the Lautenwerk survive, two were listed in Bach's post-mortem inventory. His pupil Johann Friedrich Agricola remembered seeing and hearing a lute-harpsichord designed by Bach in Leipzig around 1740; he claimed that even professional lutenists could be fooled into thinking it sounded like their instrument. Perhaps Bach played a Lautenwerk in the encounter reported by Johann Friedrich Reichardt: 'Weiss, the great lute-player, challenged J. S. Bach, the great harpsichordist and organist, to improvise fantasies and play fugues.' (The anecdote was probably relayed to Reichardt by his father, a lutenist who had been taught by one of Weiss's pupils.) One can imagine the two men spurring each other to new heights of improvisation, Bach using the Lautenwerk to emulate the sound and broken-chord textures of Weiss's playing. Although the editors of the Neue-Bach-Ausgabe dated the autograph of BWV 998 to the mid-1740s, this dating was revised to c.1735 by Yoshitake Kobayashi on the basis of handwriting and paper type. A genesis in the second half of the 1730s would accord with the biographical reports of Bach's encounters with lutenists and the lute-harpsichord in the years around 1740. The style of the piece also shows similarities with some of Bach's solo instrumental works of those years, notably several of the preludes and fugues in book 2 of the Wohltemperirte Clavier (assembled 1738–42). This phase of Bach's compositional career was characterised by his dual interest in learned counterpoint and the melodic delicacies of the galant style. The Prelude, Fugue and Allegro show some galant fingerprints, for instance the sighing appoggiaturas in the Fugue. Indeed the lute with its nuanced dynamics was ideally suited for the subtle melodic expression of the galant. The Prelude creates the aura of an improvisation, opening with an unfurling melody suggestive of a lutenist or keyboardist testing the resonance of their instrument. This style brisé figuration is then transposed systematically to an array of related keys. The Fugue is based on an unassuming subject whose crotchets provide a foundation for the accelerating motion in the other parts. Bach structured this movement via the da capo principle, similar to his organ fugues BWV 537 and 548. The central section offers relief from contrapuntal working-out, with rapid finger-work over wisps of the subject in the bass line. The movement culminates with the return of the fugal exposition, dovetailed with the semiquavers of the preceding section. The Allegro is a passepied, combining the lightness of this dance with further semiquaver figuration. Throughout the three movements, Bach uses broken-chord patterns idiomatic to the lute, and the improvisatory air lends credence to the notion of him extemporising this piece on the Lautenwerk, perhaps in emulation of his friend Weiss. Stephen Rose © 2016 The manuscript f.1r ?In 8 systems: Prelude, bars 1-35; under the 8th system, bars 88-96 of the Allegro, in tablature f.1v? In 9 systems: Prelude, bars 36-48; Fugue, bars 1-32 f.2r ?In 9 systems: Fugue, bars 33-68 f.2v? In 9 systems: Fugue, bars 69-77; Allegro bars 1-77; bars 78-87 in tablature under the 9th system. The manuscript as recorded by Roitzsch (in his introduction to the Peters Oeuvres Complets, 214, no.1) and Doerffel in 1897 (BG 45, I, p.52) included an additional leaf with a transcription of the tablature in modern notation in the hand of C.P.E. Bach; this was noted as lacking by Kinsky in 1911 and has not been traced. Watermark: indistinct, but most likely G and a lion within a shield, with the initials 'SELB' and the arms of the Burggraf of Nuremberg: therefore paper from the Selb paper mill at the time of Johann Georg Jaeger (d.1749, managed the mill between 1709 and 1747). This watermark is only otherwise known in one other Bach manuscript: BB Mus. ms 1160, an incomplete transcription of G.B. Bassani's Acroama Missale in the hand of a pupil of Bach's, with autograph additions by Bach. Condition: The two leaves of the original bifolium have separated, though remnants survive of an early strengthening at the centre fold. The manuscript shows to a very limited degree the even browning and ink acidification characteristic of Bach's manuscripts (which is frequently considerably more pronounced than here); overall the paper is robust and the text clear. There are a few minor puncture holes and splits and limited damage along the outer margin of f.1, more pronounced at the lower corner. The paper shows traces of old restoration at the margins. Provenance 1. Carl Philipp Emanuel Bach (1714-1788, second son of the composer): the former presence with the manuscript of a partial transcription in his hand suggests that it was likely part of his inheritance after his father's death in 1750; it is not however recorded in the 1790 register of his Nachlass, indicating that it may have been disposed of during his lifetime. 2. Breitkopf [subsequently Breitkopf & Härtel], Leipzig, music publishers: possibly one of the three lute works offered for sale by them in 1761 and again in 1836 (a sale at which the suite for lute, BWV 995, was certainly offered). Breitkopf acquired a number of manuscripts directly from Bach's children. 3. Collection of the Counts von Voss of Buch near Berlin (the numbering 'Nr.22' at the head of the manuscript matches numbering found on some other manuscripts of Bach's instrumental works from the Voss collection). The founders of the Voss collection, Carl von Voss (1755-1823), and his son, also Carl, certainly acquired Bach manuscripts from Breitkopf. The manuscript was evidently alienated before the gift of the Voss-Buch Bach collection to the Königliche Bibliothek in Berlin in 1851. 4. ?Peters-Verlag, Leipzig: Ferdinand August Roitzsch, the editor of the work for the Peters Oeuvres complets (1837-65, nr. 214.1) evidently had access to the original manuscript, and according to Kinsky in his catalogue of the Heyer collection (see below) the manuscript was in the firm's ownership at that time. 5. Alfred Henry Huth (1850-1910): recorded in his possession by Philipp Spitta in 1880; according to Sotheby's (1968 – see below) Huth had Sold to benefit a renowned musical institution.
References
Provenance
Estimated Price GBP 1,500,000.00 - 2,500,000.00
( USD 1,815,000.00 - 3,025,000.00 )
Actual Price GBP 2,518,500.00 ( USD 3,324,420.00 )

Search

AUCTION DETAILS

Auction House Christies
Website http://www.christies.com
Auction Name Valuable Books and Manuscripts
Sale Number #12139
Auction Date July 13, 2016 - July 13, 2016
Sale Name Valuable Books and Manuscripts
Total Lots 170
Description of Sale

Post Sale Description

Book Images
  • <b>Bonhams: History of Science and Technology. December 7, 2016</b>
    <b>Bonhams Dec. 7:</b> EINSTEIN, ALBERT. <i>Die Grundlage der allgemeinen Relativitätstheorie.</i> Leipzig: Johann Ambrosius Barth, 1916.<br>$80,000 – 120,000
    <b>Bonhams Dec. 7:</b> NEWTON, ISAAC. Autograph Manuscript in English, Signed Integrally ("Isaac Newton"). $50,000 – 70,000
    <b>Bonhams Dec. 7:</b> DARWIN, CHARLES. <i>On the Origin of Species by Means of Natural Selection, or the Preservation of Favoured Races in the Struggle for Life</i>. London: John Murray, 1859. $25,000 – 35,000
    <b>Bonhams: History of Science and Technology. December 7, 2016</b>
    <b>Bonhams Dec. 7:</b> NEWTON, ISAAC. <i>The Mathematical Principles of Natural Philosophy.</i> London: Benjamin Motte, 1729.<br>$20,000 – 30,000
    <b>Bonhams Dec. 7:</b> HEISENBERG, WERNER. Autograph Manuscript entitled "<i>Entwicklung der Theorie der Elementarteilche,</i>” [1964].<br>$15,000 – 25,000
    <b>Bonhams Dec. 7:</b> BERNOULLI, DANIEL. <i>Hydrodynamica, sive De viribus et motibus fluidorum commentarii.</i> Strasbourg: Johann Heinrich Decker for Johann Reinhold Dulsecker, 1738. $5,000 – 7,000
    <b>Bonhams: Voices of the 20th Century. December 7, 2016</b>
    <b>Bonhams Dec. 7:</b> [TARKOVSKY, ANDREI ARSENIEVICH.] STRUGATSKY, BORIS AND ARKADY. Typed Manuscript for <i>Stalker</i>, being the director's working script, 1977. $150,000 – 200,000
    <b>Bonhams Dec. 7:</b> HEMINGWAY, ERNEST. Typed Manuscript of "Marlin Off the Morro: A Cuban Letter," n.p., [1933]. $30,000 – 50,000
    <b>Bonhams Dec. 7:</b> SALINGER, JEROME DAVID. 4 Autograph Letters, 2 of which Signed ("Jerry") and 6 Typed Letters, 2 of which Initialed ("J"). $30,000 – 50,000
    <b>Bonhams: Voices of the 20th Century. December 7, 2016</b>
    <b>Bonhams Dec. 7:</b> PASTERNAK, BORIS LEONIDOVICH. Typed Manuscript Carbon, "Doktor Zhivago," with some typed corrections, Moscow, 1948. $30,000 – 50,000
    <b>Bonhams Dec. 7:</b> MILNE, ALAN ALEXANDER. Autograph Manuscript Signed 3 times ("A.A. Milne"), entitled "Peace with Honour: An Enquiry into the War Convention," 1934.<br>$30,000 – 50,000
    <b>Bonhams Dec. 7:</b> FROST, ROBERT. Autograph Manuscript Signed ("Robert Frost"), titled "Gold for Christmas," 1952. $15,000 – 20,000
  • <b>Now in press: 19th Century Shop’s Catalog 170 Great Books and Photos. Please inquire for a copy.</b>
    <b>19th Century Shop.</b> <i>The First American Magna Carta. English Liberties.</i> Boston, 1721.
    <b>19th Century Shop.</b> Babbage presentation to Peel, the man who killed the Difference Engine 1832
    <b>19th Century Shop.</b> The Stamp Act. 1765
    <b>Now in press: 19th Century Shop’s Catalog 170 Great Books and Photos. Please inquire for a copy.</b>
    <b>19th Century Shop.</b> Central Park Photographs by Prevost 1862
    <b>19th Century Shop.</b> Salem Witch Trials. Wonders of the Invisible World 1693
    <b>19th Century Shop.</b> Mammoth print of Millie-Christine, "The Carolina Twins" c. 1868
  • <b>Swann Auction Galleries, Jan 26: Alphonse Mucha & Masters of Art Nouveau: The Harry C. Meyerhoff Collection</b>
    <b>Swann Auction Galleries, Jan 26:</b> Alphonse Mucha, <i>Princezna Hyacinta</i>, 1911. $15,000 to $20,000.
    <b>Swann Auction Galleries, Jan 26:</b><br><i>Les Maîtres de l'Affiche</i>, 5 volumes, Paris, 1896-1900.<br>$35,000 to $50,000.
    <b>Swann Auction Galleries, Jan 26:</b> Alphonse Mucha, <i>Job</i>, 1896.<br>$15,000 to $20,000.
    <b>Swann Auction Galleries, Jan 26: Alphonse Mucha & Masters of Art Nouveau: The Harry C. Meyerhoff Collection</b>
    <b>Swann Auction Galleries, Jan 26:</b> Alphonse Mucha, <i>Bleuze - Hadancourt Parfumeur</i>, circa 1899.<br>$15,000 to $20,000.
    <b>Swann Auction Galleries, Jan 26:</b> Alphonse Mucha, <i>Lygie</i>, 1901. $12,000 to $18,000.
    <b>Swann Auction Galleries, Jan 26:</b> Henri de Toulouse-Lautrec, <i>Babylone d'Allemagne</i>, 1894.<br>$30,000 to $40,000.
    <b>Swann Auction Galleries, Jan 26: Alphonse Mucha & Masters of Art Nouveau: The Harry C. Meyerhoff Collection</b>
    <b>Swann Auction Galleries, Jan 26:</b> Alphonse Mucha, <i>Zodiac / La Plume</i>, 1896. $15,000 to $20,000.
    <b>Swann Auction Galleries, Jan 26:</b> Alphonse Mucha, <i>The Seasons</i>, 4 panels on silk, 1900.<br>$15,000 to $20,000.
    <b>Swann Auction Galleries, Jan 26:</b> Henri de Toulouse-Lautrec, <i>Aristide Bruant dans son Cabaret</i>, 1893. $20,000 to $30,000.
    <b>Swann Auction Galleries, Jan 26: Alphonse Mucha & Masters of Art Nouveau: The Harry C. Meyerhoff Collection</b>
    <b>Swann Auction Galleries, Jan 26:</b> Alphonse Mucha, <i>Monaco / Monte-Carlo</i>, 1897. $12,000 to $18,000.
    <b>Swann Auction Galleries, Jan 26:</b> Alphonse Mucha, <i>Medee / Sarah Bernhardt</i>, 1898. $12,000 to $18,000.
    <b>Swann Auction Galleries, Jan 26:</b> Henri de Toulouse-Lautrec, <i>Confetti</i>, 1894. $40,000 to $60,000.