• <b>Now in press: 19th Century Shop’s Catalog 170 Great Books and Photos. Please inquire for a copy.</b>
    <b>19th Century Shop.</b> <i>The First American Magna Carta. English Liberties.</i> Boston, 1721.
    <b>19th Century Shop.</b> Babbage presentation to Peel, the man who killed the Difference Engine 1832
    <b>19th Century Shop.</b> The Stamp Act. 1765
    <b>Now in press: 19th Century Shop’s Catalog 170 Great Books and Photos. Please inquire for a copy.</b>
    <b>19th Century Shop.</b> Central Park Photographs by Prevost 1862
    <b>19th Century Shop.</b> Salem Witch Trials. Wonders of the Invisible World 1693
    <b>19th Century Shop.</b> Mammoth print of Millie-Christine, "The Carolina Twins" c. 1868
  • <b>Doyle, Apr. 26:</b>  Lewis Morris Rutherfurd, The Moon, From a Negative taken at the Observatory of Mr. L. M. Rutherfurd...May 19, 1874. Est: $5,000-8,000 (Lot 3)
    <b>Doyle, Apr. 26:</b> Alvin Langdon Coburn. London. With 20 photogravures by Coburn and text by Hilaire Belloc, London and New York: 1909. First edition. Est: $4,000-6,000 (Lot 32)
    <b>Doyle, Apr. 26:</b> Lee Friedlander, Newark, New Jersey, 1962 and Albuquerque, New Mexico, 1972.<br>Est: $7,000-9,000 (Lot 50)
    <b>Doyle, Apr. 26:</b> The  papers of Brevet Major General John Gross Barnard (1815-1882), Chief Engineer of the Army of the Potomac. Est: $75,000-100,000 (Lot 160)
    <b>Doyle, Apr. 26:</b> James Joyce, Dubliners, London: Grant Richards, 1914. First edition. Est: $5,000-8,000 (Lot 362)
    <b>Doyle, Apr. 26:</b> George Sand, Group of five volumes inscribed to Henry Harrisse. Est: $4,000-6,000 (Lot 405)
    <b>Doyle, Apr. 26:</b> Thomas More, Sir, Saint [Utopia]: De optimo reip. statu deque nova insula utopia libellus vere aureus… Basel: Froben, March 1518. First Basel edition. Est: $15,000-25,000 (Lot 308)
    <b>Doyle, Apr. 26:</b> Johannes Brahms, Autograph letter in German signed "Joh. Brahms.” Est: $4,000-6,000 (Lot 285)
    <b>Doyle, Apr. 26:</b> Kelmscott Press, [Guilelmus, of Tyre, Archbishop]. The History of Godefrey of Boloyne. Hammersmith: Kelmscott Press, 1893. Est: $2,000-3,000 (Lot 270)
    <b>Doyle, Apr. 26:</b> Gilles Robert de Vaugondy, Gilles Didier, Atlas universel...Paris: the author and Boudet, 1757[-58]. Est: $10,000 - $15,000  (Lot 222)
    <b>Doyle, Apr. 26:</b> John Keats, Lamia, Isabella, the Eve of Saint Agnes and Other Poems. London: Taylor and Hessey, 1820. First edition. Est: $5,000-7,000 (Lot 399)
    <b>Doyle, Apr. 26:</b> Specimen book of Schumacher & Ettlinge, between 1870-1895. Original roan-backed boards.. Est: $2,000-3,000 (Lot 195)
  • <b>Sotheby’s London: Travel, Atlases, Maps & Natural History. 9 May 2017. Viewing 5 – 8 May.</b>
    <b>Sotheby’s London, 9 May:</b> Ackermann, Rudolph—Uwins, Thomas. A collection of 240 drawings for Rudolph Ackermann's <i>Repository of Arts</i> magazine, 1809-1828. £20,000 – 30,000
    <b>Sotheby’s London, 9 May:</b> Blaeu, Willem Janszoon, and Joan. <i>Theatrum Orbis Terrarum, Sive Atlas Novus in Quo Tabulae et Descriptiones Omnium Regionum.</i> 1640-1654. £100,000 – 150,000
    <b>Sotheby’s London, 9 May:</b> Mercator, Gerard and Jodocus Hondius. <i>L’Atlas ou Méditations Cosmographiques de la Fabrique du Monde et Figure Diceluy.</i> 1613. £60,000 – 80,000
    <b>Sotheby’s London: Travel, Atlases, Maps & Natural History. 9 May 2017. Viewing 5 – 8 May.</b>
    <b>Sotheby’s London, 9 May:</b> Speed, John. <i>The Theatre of the Empire of Great Britain, Presenting an Exact Geography of the Kingdom of England, Scotland, Ireland and the Isles Adjoyning...</i> £100,000 – 150,000
    <b>Sotheby’s London, 9 May:</b> Wit, Frederick De. [General Atlas], With The Engraved Title For Atlas Maior. Amsterdam, [C.1688-1696]. £50,000 – 70,000
    <b>Sotheby’s London, 9 May:</b> Kuntz, Joh. Rudolph. <i>[Abbildungen Königlich Württembergischer Gestütts-Pferde von Orientalischen Racen.</I> Stuttgart: Ebner 1823–1824]. £30,000 – 40,000
    <b>Sotheby’s London: Travel, Atlases, Maps & Natural History. 9 May 2017. Viewing 5 – 8 May.</b>
    <b>Sotheby’s London, 9 May:</b> Lawrence, T.E. Ivory Silk Thawb, Or Under-Robe, Presented by Lawrence of Arabia to a family friend. £10,000 – 15,000
    <b>Sotheby’s London, 9 May:</b> Blaeu, Joan. <i>Archipelagus Orientalis Sive Asiaticus</i>. Amsterdam: Joan Blaeu, [1659]. £200,000 – 250,000
    <b>Sotheby’s London, 9 May:</b> Blaeu, Joan. <i>Asiae Descriptio Novissima</i>. Amsterdam: Joan Blaeu, [1659]. £60,000 – 80,000
    <b>Sotheby’s London: Travel, Atlases, Maps & Natural History. 9 May 2017. Viewing 5 – 8 May.</b>
    <b>Sotheby’s London, 9 May:</b> Japanese bird paintings—(Rinchô Zu). A Pair Of Painted Scrolls of Birds. [Japan, Late 18th Or Early 19th Century]. £25,000 – 35,000
    <b>Sotheby’s London, 9 May:</b> Huang, Qianren. Da Qing Wannian Yitong Tianxia Quantu [Complete Map of the Whole Unified Country of the Great Qing]. [1803]. £80,000 – 120,000
    <b>Sotheby’s London, 9 May:</b> Sôkaku or Ryôsei Jôkei. Da Ming Sheng Tu, [Map of (China Under) The Great Ming Dynasty]. (1691 Or 1711). £80,000 – 120,000

Autograph music manuscript, titled and signed in autograph 'Prelude [-- Fuga – Allegro] pour la Luth. ò Cembal. Par J.S. Bach', for the Prelude, Fugue and Allegro for lute or keyboard in E flat major, BWV 998

Lot Number 129
Author BACH, Johann Sebastian (1685-1750).

Autograph music manuscript, titled and signed in autograph 'Prelude [-- Fuga – Allegro] pour la Luth. ò Cembal. Par J.S. Bach', for the Prelude, Fugue and Allegro for lute or keyboard in E flat major, BWV 998

Year Published c.1735-1740
Place Printed
Printed By
Description BACH, Johann Sebastian (1685-1750). Autograph music manuscript, titled and signed in autograph 'Prelude [-- Fuga – Allegro] pour la Luth. ò Cembal. Par J.S. Bach', for the Prelude, Fugue and Allegro for lute or keyboard in E flat major, BWV 998, n.d. [c.1735-1740].
Comments COMPLETE. In keyboard notation, the conclusion of the Allegro compressed in German tablature into the lower margins of pp.4 and 1, the second and third movements titled 'Fuga' and 'Allegro' in autograph, approx. 18 autograph corrections, marked 'Fin[e]' at the conclusion; the numbering 'nr. 22' inked over a pencil annotation at the head (perhaps a catalogue number of the collection of the Counts von Voss of Buch), a few additional musical notes in another hand at the foot of p.1, possibly intended to be read in inverse orientation and suggesting that Bach may have reused the paper; and a few light pencil markings, apparently by an editor. Four pages, folio (approx 345 x 213mm), on a bifolium (the two leaves now separated). The complete manuscript for one of Bach's 'finest solo instrumental works of the mid- to late-1730s' (Richard D.P. Jones. The Creative Development of Johann Sebastian Bach, vol. II: 1717-1750) An original instrumental composition, with movements in three of Bach's most characteristic forms: prelude, fugue and a dance movement. Offered for sale for the first time since 1969. One of only three complete autographs to come to the market in the last 30 years, and the first since 1996. Fewer than twenty Bach manuscripts of any kind, including fragments and partially autograph or amended orchestral parts, have been offered for public sale since 1970: all were scores or parts for church cantatas. According to our research, no manuscript of any kind for a secular or instrumental work has appeared at auction since the present manuscript in 1968. No more than ten of Bach's complete autograph manuscripts are thought to survive in private hands: the present manuscript is one of only three for instrumental compositions. Introduction to BWV 998 The autograph of the Prelude, Fugue and Allegro in E flat BWV 998 captures Bach in the moment of composition. The fluent, unhesitating calligraphy suggests his confident conception of the piece. That he was writing down the composition for the first time is shown by his various corrections and his difficulties fitting the piece onto the available paper. Normally Bach carefully planned the layout of his music manuscripts before he started writing; here he ran out of space for the final movement, and had to squeeze the last 19 bars onto the bottom of the fourth and first pages, using the concise notation of keyboard tablature. The manuscript indicates that the piece is 'pour la Luth ò Cembal'. Lutes were still regularly used in Bach's lifetime: a particularly valuable instrument, worth as much as a small harpsichord, was listed in the post-mortem inventory of his estate. He was acquainted with the leading lutenists of his day, notably Silvius Leopold Weiss (1686–1750). In August 1739 Bach was visited by Weiss and other Dresden musicians including W. F. Bach and Weiss's pupil Johann Kropfgans; Bach's secretary commented on the 'extra fine musical things' they enjoyed during this stay. The low tessitura of BWV 998 (never exceeding eb'') suits the lute, although a few chords in the second and third movements cannot be played on an eighteenth-century lute without modification. Alternatively the piece could have been played on the lute-harpsichord (Lautenwerk), a keyboard instrument with gut strings plucked by quills. Although no eighteenth-century examples of the Lautenwerk survive, two were listed in Bach's post-mortem inventory. His pupil Johann Friedrich Agricola remembered seeing and hearing a lute-harpsichord designed by Bach in Leipzig around 1740; he claimed that even professional lutenists could be fooled into thinking it sounded like their instrument. Perhaps Bach played a Lautenwerk in the encounter reported by Johann Friedrich Reichardt: 'Weiss, the great lute-player, challenged J. S. Bach, the great harpsichordist and organist, to improvise fantasies and play fugues.' (The anecdote was probably relayed to Reichardt by his father, a lutenist who had been taught by one of Weiss's pupils.) One can imagine the two men spurring each other to new heights of improvisation, Bach using the Lautenwerk to emulate the sound and broken-chord textures of Weiss's playing. Although the editors of the Neue-Bach-Ausgabe dated the autograph of BWV 998 to the mid-1740s, this dating was revised to c.1735 by Yoshitake Kobayashi on the basis of handwriting and paper type. A genesis in the second half of the 1730s would accord with the biographical reports of Bach's encounters with lutenists and the lute-harpsichord in the years around 1740. The style of the piece also shows similarities with some of Bach's solo instrumental works of those years, notably several of the preludes and fugues in book 2 of the Wohltemperirte Clavier (assembled 1738–42). This phase of Bach's compositional career was characterised by his dual interest in learned counterpoint and the melodic delicacies of the galant style. The Prelude, Fugue and Allegro show some galant fingerprints, for instance the sighing appoggiaturas in the Fugue. Indeed the lute with its nuanced dynamics was ideally suited for the subtle melodic expression of the galant. The Prelude creates the aura of an improvisation, opening with an unfurling melody suggestive of a lutenist or keyboardist testing the resonance of their instrument. This style brisé figuration is then transposed systematically to an array of related keys. The Fugue is based on an unassuming subject whose crotchets provide a foundation for the accelerating motion in the other parts. Bach structured this movement via the da capo principle, similar to his organ fugues BWV 537 and 548. The central section offers relief from contrapuntal working-out, with rapid finger-work over wisps of the subject in the bass line. The movement culminates with the return of the fugal exposition, dovetailed with the semiquavers of the preceding section. The Allegro is a passepied, combining the lightness of this dance with further semiquaver figuration. Throughout the three movements, Bach uses broken-chord patterns idiomatic to the lute, and the improvisatory air lends credence to the notion of him extemporising this piece on the Lautenwerk, perhaps in emulation of his friend Weiss. Stephen Rose © 2016 The manuscript f.1r ?In 8 systems: Prelude, bars 1-35; under the 8th system, bars 88-96 of the Allegro, in tablature f.1v? In 9 systems: Prelude, bars 36-48; Fugue, bars 1-32 f.2r ?In 9 systems: Fugue, bars 33-68 f.2v? In 9 systems: Fugue, bars 69-77; Allegro bars 1-77; bars 78-87 in tablature under the 9th system. The manuscript as recorded by Roitzsch (in his introduction to the Peters Oeuvres Complets, 214, no.1) and Doerffel in 1897 (BG 45, I, p.52) included an additional leaf with a transcription of the tablature in modern notation in the hand of C.P.E. Bach; this was noted as lacking by Kinsky in 1911 and has not been traced. Watermark: indistinct, but most likely G and a lion within a shield, with the initials 'SELB' and the arms of the Burggraf of Nuremberg: therefore paper from the Selb paper mill at the time of Johann Georg Jaeger (d.1749, managed the mill between 1709 and 1747). This watermark is only otherwise known in one other Bach manuscript: BB Mus. ms 1160, an incomplete transcription of G.B. Bassani's Acroama Missale in the hand of a pupil of Bach's, with autograph additions by Bach. Condition: The two leaves of the original bifolium have separated, though remnants survive of an early strengthening at the centre fold. The manuscript shows to a very limited degree the even browning and ink acidification characteristic of Bach's manuscripts (which is frequently considerably more pronounced than here); overall the paper is robust and the text clear. There are a few minor puncture holes and splits and limited damage along the outer margin of f.1, more pronounced at the lower corner. The paper shows traces of old restoration at the margins. Provenance 1. Carl Philipp Emanuel Bach (1714-1788, second son of the composer): the former presence with the manuscript of a partial transcription in his hand suggests that it was likely part of his inheritance after his father's death in 1750; it is not however recorded in the 1790 register of his Nachlass, indicating that it may have been disposed of during his lifetime. 2. Breitkopf [subsequently Breitkopf & Härtel], Leipzig, music publishers: possibly one of the three lute works offered for sale by them in 1761 and again in 1836 (a sale at which the suite for lute, BWV 995, was certainly offered). Breitkopf acquired a number of manuscripts directly from Bach's children. 3. Collection of the Counts von Voss of Buch near Berlin (the numbering 'Nr.22' at the head of the manuscript matches numbering found on some other manuscripts of Bach's instrumental works from the Voss collection). The founders of the Voss collection, Carl von Voss (1755-1823), and his son, also Carl, certainly acquired Bach manuscripts from Breitkopf. The manuscript was evidently alienated before the gift of the Voss-Buch Bach collection to the Königliche Bibliothek in Berlin in 1851. 4. ?Peters-Verlag, Leipzig: Ferdinand August Roitzsch, the editor of the work for the Peters Oeuvres complets (1837-65, nr. 214.1) evidently had access to the original manuscript, and according to Kinsky in his catalogue of the Heyer collection (see below) the manuscript was in the firm's ownership at that time. 5. Alfred Henry Huth (1850-1910): recorded in his possession by Philipp Spitta in 1880; according to Sotheby's (1968 – see below) Huth had Sold to benefit a renowned musical institution.
Estimated Price GBP 1,500,000.00 - 2,500,000.00
( USD 1,935,000.00 - 3,225,000.00 )
Actual Price GBP 2,518,500.00 ( USD 3,324,420.00 )



Auction House Christies
Website http://www.christies.com
Auction Name Valuable Books and Manuscripts
Sale Number #12139
Auction Date July 13, 2016 - July 13, 2016
Sale Name Valuable Books and Manuscripts
Total Lots 170
Description of Sale

Post Sale Description

Book Images
  • <b>Ketterer Kunst Hamburg, Rare Books Auction on May 22</b>
    <b>Ketterer Rare Books, May 22:</b><br>Book of hours, manuscript on vellum. Around 1520. Est: € 15,000
    <b>Ketterer Rare Books, May 22:</b><br>H. Schedel, <i>Liber chronicarum</i>. 1493. Est: € 60,000
    <b>Ketterer Rare Books, May 22:</b><br>Biblia germanica. 1474.<br>Est: € 140,000
    <b>Ketterer Kunst Hamburg, Rare Books Auction on May 22</b>
    <b>Ketterer Rare Books, May 22:</b><br>A. Ortelius, <i>Theatrum orbis terrarum</i>. 1574. Est: € 26,000
    <b>Ketterer Rare Books, May 22:</b><br>L. de Varthema, <i>Die ritterlich und lobwirdig Rays</i>. 1515. Est: € 15,000
    <b>Ketterer Rare Books, May 22:</b><br>J. H. van Linschoten, His <i>Discours of Voyages</i>. 1598. Est: € 70,000
    <b>Ketterer Kunst Hamburg, Rare Books Auction on May 22</b>
    <b>Ketterer Rare Books, May 22:</b><br>J. G. Stedman, <i>Narrative of Surinam</i>. 1806. Est: € 8,000
    <b>Ketterer Rare Books, May 22:</b><br>A. von Menzel, <i>Armeewerk Friedrichs d. Gr.</i> 1855. Est: € 50,000
    <b>Ketterer Rare Books, May 22:</b><br>G. Heym, <i>Umbra Vitae</i>. 1924. Est: € 8,000
    <b>Ketterer Kunst Hamburg, Rare Books Auction on May 22</b>
    <b>Ketterer Rare Books, May 22:</b><br>Master binding by G. Levitzky. 1914. Est: € 2,500
    <b>Ketterer Rare Books, May 22:</b><br>R. Char, <i>A la santé du serpent</i>. 1954. Est: € 8,000
    <b>Ketterer Rare Books, May 22:</b><br>Nam June Paik, Fluxus Testament. 1975. Est: € 18,000
  • <b>Bonhams, March 9. Fine Books and Manuscripts, Including the Kennedy Years</b>
    <b>Bonhams Mar. 9:</b> BROWNING, ELIZABETH BARRETT. Autograph Manuscript Initialed ("E.B.B."), being the working notebook for the poems contained in <i>The Seraphim and Other Poems</i>. $400,000 to 600,000
    <b>Bonhams Mar. 9:</b> WILDE, OSCAR. Two leaves, pp 31-34, from the first appearance of <i>The Picture of Dorian Gray in Lippincott's Monthly Magazine for July, 1890</i>, with Wilde's autograph revisions. $40,000 to 60,000
    <b>Bonhams Mar. 9:</b> SHAKESPEARE, WILLIAM. <i>Comedies, Histories and Tragedies; Published according to the true Originall Copies. Second Impression. [THE SECOND FOLIO.]</i> $200,000 to 300,000
    <b>Bonhams, March 9. Fine Books and Manuscripts, Including the Kennedy Years</b>
    <b>Bonhams Mar. 9:</b> KENNEDY, JOHN FITZGERALD. Photograph Signed ("John F. Kennedy") and Inscribed, 8 x 10 inch gelatin silver print, of Senator Kennedy and Miss Barelli, at the swearing of the secretarial oath for Miss Barelli. $1,200 to 1,800
    <b>Bonhams Mar. 9:</b> COOPER, JAMES FENIMORE. Autograph Manuscript, being Chapter XXVII of <i>Afloat and Ashore</i>. $15,000 to 20,000
    <b>Bonhams Mar. 9:</b> IRVING, WASHINGTON. Autograph Manuscript, being Chapter 20 from Volume IV of <i>The Life of George Washington</i>. $20,000 to 30,000
    <b>Bonhams, March 9. Fine Books and Manuscripts, Including the Kennedy Years</b>
    <b>Bonhams Mar. 9:</b> VERNE, JULES. Autograph Manuscript Signed ("Jules Verne"), being the complete short story "<i>Une fantaisie de docteur Ox</i>". $100,000 to 150,000
    <b>Bonhams Mar. 9:</b> ALCHEMY. <i>[The Crowning of Nature, or Coronatio Naturae.]</i> Original alchemical manuscript on paper, ruled in red, with watermark of the arms of Schieland. $100,000 to 150,000
    <b>Bonhams Mar. 9:</b> DE JODE, CORNELUS. 1568 - 1600. <i>Quivirae Regnu, Cum Alija Versus Borea</i>. [Antwerp: Arnoldum Coninx, 1593]. $7,000 to 10,000
    <b>Bonhams, March 9. Fine Books and Manuscripts, Including the Kennedy Years</b>
    <b>Bonhams Mar. 9:</b> HOOKER, JOSEPH DALTON. <i>The Rhododendrons of Sikkim-Himalaya; Being an Account, Botanical and Geographical, of the Rhododendrons Recently Discovered in the Mountains of Eastern Himalaya</i>… $7,000 to 10,000
    <b>Bonhams Mar. 9:</b> CATLIN, GEORGE. <i>North American Indian Portfolio. Hunting scenes and amusements of the Rocky Mountains and prairies of America. From drawings and notes of the author, made during eight years' travel.</i> $20,000 to 30,000
    <b>Bonhams Mar. 9:</b> LINCOLN, ABRAHAM. HESLER, ALEXANDER. Platinum print, 8 3/4 x 6 3/4 in, of a beardless Lincoln, 1860.<br>$2,000 to 3,000
  • <b>Swann Auction Galleries May 4: Autographs</b>
    <b>Swann Auction Galleries May 4:</b> Ernest Hemingway, Autograph Letter Signed "Love / Mr. Papa," to Marlene Dietrich, Cuba, 1952. $20,000 to $30,000.
    <b>Swann Auction Galleries May 4:</b> Alexis de Tocqueville, Autograph Letter Signed, on the publication of <i> Democracy in America </i>, 1837. $10,000 to $15,000.
    <b>Swann Auction Galleries May 4:</b> Thomas Hart Benton, Autograph Manuscript, draft of <i>The Mechanics of Form Organization in Painting</i>, with sketches, 1926. $20,000 to $30,000.
    <b>Swann Auction Galleries May 4: Autographs</b>
    <b>Swann Auction Galleries May 4:</b> Elliot Erwitt, photograph of Kennedy & Eisenhower, signed by both,<br>c. 1960. $10,000 to $15,000.
    <b>Swann Auction Galleries May 4:</b> John Adams, Partly-printed Document Signed, as President, countersigned by Secretary of State Timothy Pickering, 1798. $4,000 to $6,000. 
    <b>Swann Auction Galleries May 4:</b> Graphite drawing of Albert Einstein, signed by him & the artist, S.N. Swamy, 1950. $7,000 to $10,000.
    <b>Swann Auction Galleries May 4: Autographs</b>
    <b>Swann Auction Galleries May 4:</b> Pyotr Ilyich Tchaikovsky, Autograph Musical Quotation Signed, London, 1888. $7,000 to $10,000.
    <b>Swann Auction Galleries May 4:</b> Thomas Jefferson, Partly-printed vellum Document Signed, as President, countersigned by Secretary of State James Madison, 1809. $4,000 to $6,000.
    <b>Swann Auction Galleries May 4:</b> Agatha Christie, Autograph Manuscript notebook with early drafts for numerous novels, Baghdad, circa 1948. $4,000 to $6,000.
    <b>Swann Auction Galleries May 4: Autographs</b>
    <b>Swann Auction Galleries May 4:</b> Claude Monet, Autograph Letter Signed to Desmond Fitzgerald, in French, 1889. $4,000 to $6,000.
    <b>Swann Auction Galleries May 4:</b> Photograph of Fidel Castro, Signed & Inscribed, in Spanish, 1955. $3,500 to $5,000.
    <b>Swann Auction Galleries May 4:</b> Frederick Stuart Church, archive of 17 illustrated Autograph Letters Signed to Evander Schley, 1905-11. $5,000 to $7,500.
  • <b>Seth Kaller:</b> “America the Beautiful”
    <b>Seth Kaller:</b> George Washington, Tongue-in-Cheek, Writes James McHenry About His Wife or Mistress—But Funding the Continental Army is the Real Topic
    <b>Seth Kaller:</b> Young’s Map of the United States
    <b>Seth Kaller:</b> President Lincoln & His Most Profitable Client, the Illinois Central Railroad
    <b>Seth Kaller:</b> Lincoln Thanks Former Pro-Slavery and Newly Republican Congressman for a Fiery Anti-Slavery Speech at a Philadelphia Campaign Rally
    <b>Seth Kaller:</b> “A Visit From St. Nicholas” - great association copy inscribed by Clement C. Moore
    <b>Seth Kaller:</b> Einstein Agrees to Allow “a Short Book on the Hydrogen Bomb” to Use His Statement Made on Eleanor Roosevelt’s TV Show
    <b>Seth Kaller:</b> The Building Blocks of Albert Einstein’s Creative Mind
    <b>Seth Kaller:</b> A Unique Manuscript Map of Block Island Sound Including Fisher’s and Gardiner’s Islands, the Hamptons, and Montauk Point
    <b>Seth Kaller:</b> J.R.R. Tolkien Writes his Proofreader with a Lengthy Discussion of the Lord of the Rings, Including Criticism of Radio Broadcasts of his Work
    <b>Seth Kaller:</b> Six Benjamin Franklin Signed Receipts – Including his Earliest Obtainable Autograph — Acknowledging a Donation to the Famous Library Company He Founded, and Five Payments for His Pennsylvania Gazette
    <b>Seth Kaller:</b> Sherman Dishes on Lincoln & Thomas, Meade, Sheridan, Halleck & Grant