• <b>Announcing a new Books for Sale platform hosted by Biblio!</b>
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  • <b>Swann Auction Galleries Dec 5:<br>Maps & Atlases, Natural History & Color Plate Books</b>
    <b>Swann Auction Galleries Dec 5:</b><br>John Norman, <i>The American Pilot</i>, complete copy with 11 folding charts, Boston, 1810. $80,000 to $120,000.
    <b>Swann Auction Galleries Dec 5:</b><br>John Smith, <i>New England</i>, London, 1616. $20,000 to $30,000.
    <b>Swann Auction Galleries Dec 5:</b><br>Plancius Petrus, <i>Orbis Terrarum Typus de Integro Multis in Locis Emendatus</i>, Amsterdam, 1594. $10,000 to $15,000.
    <b>Swann Auction Galleries Dec 5:<br>Maps & Atlases, Natural History & Color Plate Books</b>
    <b>Swann Auction Galleries Dec 5:</b><br>Martin Waldseemüller, <i>Tabula Terre Nove</i>, woodcut, Strasbourg, 1513. $30,000 to $40,000.
    <b>Swann Auction Galleries Dec 5:</b><br>Forlani & Zaltieri, <i>Il Disegno del Discoperto della Noua Franza</i>, Venice, 1566. $30,000 to $50,000.
    <b>Swann Auction Galleries Dec 5:</b><br>Richard Hakluyt, <i>Novus Orbis</i>, first appearance of "Virginia" on a printed map, Paris, 1587. $40,000 to $60,000.
    <b>Swann Auction Galleries Dec 5:<br>Maps & Atlases, Natural History & Color Plate Books</b>
    <b>Swann Auction Galleries Dec 5:</b><br>Pieter van den Keere, <i>Nova Totius Terrarum Orbis Geographica</i>, Amsterdam, 1608. $8,000 to $12,000.
    <b>Swann Auction Galleries Dec 5:</b><br>Abraham Ortelius, <i>Theatrum Orbis Terrarum</i>, Antwerp, 1584. $25,000 to $35,000.
    <b>Swann Auction Galleries Dec 5:</b><br>George B. Goode & Samuel A. Kilbourne, <i>Game Fishes of the United States</i>, New York, 1879. $10,000 to $15,000.
    <b>Swann Auction Galleries Dec 5:<br>Maps & Atlases, Natural History & Color Plate Books</b>
    <b>Swann Auction Galleries Dec 5:</b><br>William Faden, <i>The Province of New Jersey</i>, London, 1777. $10,000 to $15,000.
    <b>Swann Auction Galleries Dec 5:</b><br>James Gillray, <i>The Plumb-Pudding in Danger</i>, hand-colored etching, London, 1805. $8,000 to $12,000.
    <b>Swann Auction Galleries Dec 5:</b><br>Pierre Belon, <i>L'Histoire de la Nature des Oyseaux</i>, with woodcut illustrations, Paris, 1555. $8,000 to $12,000.
  • <b>Christie’s Paris, Nov. 28:</b> Seba, Albertus. <i>Locupletissimi rerum naturalium thesauri.</i> Amsterdam: J. Wetsten, 1734[-1769]. €350,000–550,000
    <b>Christie’s Paris, Nov. 28:</b> Janssonius, Joannes. <i>Novus Atlas Absolutissimus</i>. Amsterdam: J Jansson, 1658 [after 1664]. €250,000–450,000
    <b>Christie’s Paris, Nov. 28:</b> Goya, Francisco de. <i>[La Tauromaquia.] Treinta y tres estampas, que representan diferentes suertes y actitudes del arte de lidiar los Toros</i>. Madrid: [Rafael Esteve, 1816]. €150,000–250,000
    <b>Christie’s Online, Nov. 29 – Dec. 06:</b> Einstein, Albert. <i>On residual rays – and guilt about an old girlfriend</i>. Prague, 26 December 1911. US$10,000–15,000
    <b>Christie’s Online, Nov. 29 – Dec. 06:</b> Einstein, Albert. <i>‘What is logically simple is so difficult mathematically'</i>. Princeton, 16 August 1949. US$20,000–30,000
    <b>Christie’s New York, Dec. 5:</b> Yorktown Campaign manuscript map. ‘No 1 Carte générale de l’Isle de New York et des Environs...No 2. Reconnoissance Geometrique…’ n.p., c. 1781–1782. US$150,000–200,000
    <b>Christie’s New York, Dec. 5:</b> Le Hay, Jacques and Ferriol, Charles de (1637–1722). <i>Recueil de cent estampes représentant differentes nations du Levant</i>. Paris: Le Hay and Duchange, 1714. US$30,000–40,000
    <b>Christie’s New York, Dec. 7:</b> Cresswell, Samuel Gurney. <i>A Series of Eight Sketches … of the Voyage of the H.M.S. Investigator during the Discovery of the North-west Passage</i>. London: 1854. US$30,000–40,000.
    <b>Christie’s New York, Dec. 7:</b> Veer, Gerrit de. <i>Diarium nauticum seu vera descriptio trium navigationum admirandarum</i>. Amsterdam: Cornelius [Claesz], 1598. US$25,000–35,000
  • <b>19th Century Shop’s Catalog 170 Great Books and Photos. Please inquire for a copy!</b>
    <b>19th Century Shop:</b> Walt Whitman. Poetical manuscript from <i>Leaves of Grass</i> (1865)
    <b>19th Century Shop:</b> (Daniel Boone.) Filson. <i>The Discovery ... of Kentucke</i> (1784)
    <b>19th Century Shop:</b> Edgar A. Poe. <i>Tales</i> (1845) original cloth
    <b>19th Century Shop’s Catalog 170 Great Books and Photos. Please inquire for a copy!</b>
    <b>19th Century Shop:</b> Emerson. Autograph letter signed on his philosophy of poetry (1841)
    <b>19th Century Shop:</b> Fitzgerald. <i>This Side of Paradise</i> (1920) presentation copy

Hortus Eystettensis.

Lot Number 173
Author BESLER, Basilius (1561-1629).
Title

Hortus Eystettensis.

Year Published 1613
Place Printed Nuremberg
Printed By
Description BESLER, Basilius (1561-1629). Hortus Eystettensis. [Nuremberg]: 1613. Royal broadsheet (540 x 415mm). Letterpress: dedication to Johann Christoph, Prince Bishop of Eichstätt, 2 leaves of privileges for France, Belgium and the Netherlands in roman, italic, or gothic type, 'Ordo' titles printed on plate versos, index leaves for each season (spring A-D, AA-CC; summer Aa-Hh; autumn aa-cc; winter A); without descriptive text as issued. Engraved title by Wolfgang Kilian, 366 engraved plates (on 367 sheets with the two plates of Lilium Martagon attached at an early date) by Wolfgang Kilian, Dominicus Custos, Raphael Custos, Georg Gärtner, Johannes Leypold, Levin van Hulsen, Friedrick van Hulsen, Peter Isselburg, Servatius Raeven, Heinrich Ulrich and possibly others, after Daniel Herzog, Georg Gärtner and others, engraved portraits and arms of Besler and Sebastian Schedel, ALL RICHLY COLOURED BY A CONTEMPORARY ITALIAN HAND. COLOURING AND EXTRA-ILLUSTRATIONS: Contemporary Italian colouring of c. 1618-20. Nicolas Barker characterises the colouring in the present copy as consonant with others coloured before about 1650, such as the Bibliothèque national de France (1648), Museum d'Histoire Naturelle (after 1640) and Vendramin (c.1615-1648) copies, possibly based on a coloured exemplar, supplemented by written instructions. The present copy is the only one known to have been coloured south of the Alps and the only one extra-illustrated. The copy contains 15 additional 17th-century original drawings in water- and body-colour and a hand-coloured engraving of a passion flower, giant granadilla. The majority of drawings are directly on the plate and are very fine, possibly by the artist who coloured the work. Five drawings are on separate sheets bound in, one on prepared blue paper with an inscription in Italian on the verso, and one of the giant granadilla, representing the specimen grown by Cardinal Farnese. Some of the drawings appear to be by another artist. The print is titled 'Vera Effigie delle Grandiglia detta Fior della Passione'. It is dedicated to Giovanni Faber (see below) and has a short description by the noted botanist and apothecary, Donato d'Eremita, of the flower's introduction into Italy and appearance in the garden of Cardinal Farnese. D'Eremita had served at the Medici court at Florence before returning to Naples in 1611 as pharmacist at the Dominican convent of Santa Caterina a Formiella, from where this print is signed and dated 20 December 1619. BINDING: Italian, probably Milanese, mid-17th-century russet calf over pasteboard, border of gilt and blind fillets, large central lozenge of floral tools and small stars, larger tool repeated at corners and, with pomegranate tool, in spine compartments, title lettered along spine, 4 clasps, sprinkled edges, later slipcase (new endpapers, a little worming, wear at spine with loss at head, lower spine compartment renewed, some rubbing, discreet repairs at extremities, clasp-leather renewed). The large floral tool appears to be identical to one used by Pietro Martire Locarno at Milan; after his death in 1609 the business was continued by his widow in partnership with the bookseller G.B. Bidelli (cf. Kevin Stevens, 'A Bookbinder in Early Seventeenth-Century Milan: the Shop of Pietro Martire Locarno', The Library, 6th series, vol.18, December 1996, 306-327, fig. 1). PROVENANCE: Very possibly Dr Giovanni Faber (Bamberg 1574-1629 Rome), professor of medicine, director of the papal botanical garden and member of the Accademia dei Lincei.
Comments A NEWLY DISCOVERED COPY OF THE MOST CELEBRATED FLORILEGIUM EVER PUBLISHED. A DELUXE, COLOURED COPY OF THE FIRST EDITION IN ITS ORIGINAL BINDING AND WITH ADDITIONAL ORIGINAL DRAWINGS, VERY POSSIBLY THE COPY ORDERED FOR GIOVANNI FABER AT ROME. In a letter of 6 April 1617 to Duke August, Philipp Hainhofer noted that Dr [Ferdinando] Mattioli wished to acquire a copy of the Hortus Eystettensis for Dr Faber at Rome. Hainhofer had been instructed to acquire for Duke August an uncoloured copy in sheets, and in this letter he reports that the price of an uncoloured copy had risen to 48 florins; that he had managed to obtain for Duke August a copy otherwise destined for Faber; and that two other copies still remained for sale. While the letter firmly established that Mattioli had ordered an uncoloured copy in sheets for Faber, presumably filled by one of the two other available copies, the existence of Faber's copy has never been known, and only now, with its emergence from a private library, is it able to be recognised. The case for identifying the present copy as Faber's is strong. It clearly was sent to Italy soon after publication unbound and uncoloured, as Mattioli's order. There it was fully coloured by an Italian artist, bound for the first time – thereby retaining almost its full sheet size – and extra-illustrated with the addition of very fine original botanical drawings and an engraved print dated 1619. The print, itself a rarity, depicts a passion flower, the giant granadilla, which had been first introduced into Italy that year and had flowered in the garden of Cardinal Farnese. The print is dedicated to Giovanni Faber; and dated 20 December 1619. Interestingly, a similar print of the giant granadilla, but with caption by Tobia Aldini and dated Venice, 20 July 1620, is preserved in the copy of the Hortus Eystettensis, coloured in Germany, bound in Italy, and owned by the noted Venetian art patron, Andrea Vendramin (fl. 1615-1648). Giovanni Faber, a German physician, came to Rome for scientific studies. He became assistant physician at the S. Spirito in Sassia hospital, lecturer on anatomy at the Sapienza in Rome, professor of medicine and pharmacology, and, at the death of Andrea Bacci, director of the papal botanical garden. He was elected member of the newly founded Accademia dei Lincei in 1611, and became its Chancellor and Secretary. Faber counted among his close friends the artists Rubens, Brill and Elsheimer, and scientists across Europe, including Christoph Clavius, Marcus Welser, Giovanni della Porta, and many others. Especially close were fellow Linceans Federico Cesi, Cassiano Dal Pozzo, and Galileo, whose Assayer Faber helped prepare. Faber was at the nexus of scientific circles focused on the visual representation of natural history, as well as the study and cultivation of specimens in the papal gardens. Cesi, Faber and friends 'had the objects of their own investigations drawn with unprecedented attention to detail and encouraged their correspondents to send them similar drawings (Freedberg, 'Cassiano and the art of natural history,' The Paper Museum of Cassiano dal Pozzo, 1993, p.145). Among the scholarly manifestations of this impulse was the remarkable 'paper museum' started by Cesi and fully realised by Cassiano, a collection of over 7,000 drawings forming a visual encyclopaedia documenting the full extent of the natural world. Cassiano was secretary to Cardinal Francisco Barberini; Barberini also owned a copy of the Hortus Eystettensis (now at the Vatican). The Hortus Eystettensis was held up as a model for much of the work of the Linceans; Faber gifted a copy to Cesi for Christmas 1615 and Fugger (in conjunction with Mattioli?) is also recorded as giving a copy to Faber (Carteggio, no. 419, p.519, cited by Freedberg, Eye of the Linx, p.462; A.M. Capecci, L'accademia dei lincei e la cultura europea, p.97). Besler's Hortus Eystettensis fits perfectly with this ambition of the Linceans to observe, record and study, and its additional original drawings accord with Faber's access to artists such as Rubens, Paul Brill (1554-1626) and Vincenzo Leonardi (fl. 1621-c.1646), as well as his own talents as an experienced natural history draughtsman. The additional drawings are by at least two artists. Few of Faber's books are known today. At his death, Cesi bought 113 printed books from Faber's library, Cassiano Dal Pozzo 154, and Gabriel Naude 12 (cf. Lost Books). The Hortus Eystettensis is itself a 'paper museum', a pictorial record of the flowers grown in the greatest German garden of its time, that of the Prince Bishop of Eichstätt, Johann Conrad von Gemmingen. As part of a radical building programme at his seat, the Willibaldsburg castle overlooking the river Altmühl, the Prince Bishop created an extensive pleasure garden comprising eight separate gardens, each staffed with its own gardeners and each filled with flowers from a different country, imported through the international centres of Amsterdam, Antwerp and Brussels; the Prince Bishop boasted of having tulips in 500 colours. Painted halls and pleasure rooms further adorned the gardens. The great German botanist, Joachim Camerarius the Younger, advised the Prince Bishop on the garden's early design, and it may have been Camerarius's own manuscript florilegium (sold, Christie's, 20 May 1992, lot 151) which first suggested the creation of a pictorial record of the Eichstätt gardens to the Prince Bishop. After Camerarius's death, a Nuremberg apothecary, Basilius Besler, advised on the gardens, and it was he who undertook immortalising the garden in detailed and delicate engravings for the year-round enjoyment of his patron and for posterity in the Hortus Eystettensis. Flowers were drawn from life with flower boxes sent to Nuremberg so that artists there could work from fresh specimens, with the result that these plant portraits serve both as documentation and pleasure; here is a garden made perennial and evergreen. The first edition was published in two issues: one with descriptive text printed on the verso of each plate and one without the text; in a few copies of the latter issue the text was printed on separate sheets and interleaved with the plates. As Barker observes, From a Private European Library
References
Provenance
Estimated Price GBP 800,000.00 - 1,200,000.00
( USD 1,056,000.00 - 1,584,000.00 )
Actual Price GBP 1,930,500.00 ( USD 2,548,260.00 )

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AUCTION DETAILS

Auction House Christies
Website http://www.christies.com
Auction Name Valuable Books and Manuscripts
Sale Number #12139
Auction Date July 13, 2016 - July 13, 2016
Sale Name Valuable Books and Manuscripts
Total Lots 170
Description of Sale

Post Sale Description

Book Images
  • <b>ALDE - Modern Illustrated Books - Original Drawings. 22 November 2017</b>
    <b>ALDE, Nov. 22:</b> DEGAS (Edgar). Danseuses au repos. Charcoal drawing. 30,000€ to 40,000€
    <b>ALDE, Nov. 22:</b> ERNST (Max). Une Semaine de bonté ou Les Sept éléments capitaux. Deuxième cahier. L'Eau. 1934. With an original collage signed by Max Ernst. 15,000€ to 20,000€
    <b>ALDE, Nov. 22:</b> BALZAC (Honoré de). Le Chef-d’œuvre inconnu. 1931. Illustrated edition by Pablo Picasso of 12 original etchings. 20,000€ to 30,000€
    <b>ALDE, Nov. 22:</b> GIACOMETTI (Alberto). Paris sans fin. 1969. Last illustrated book of Giacometti. 15,000€ to 20,000€
  • <b>Ketterer Kunst Hamburg: Rare Books Auction on November 20th</b>
    <b>Ketterer Rare Books Nov. 20:</b><br><i>Biblia latina</i>, Nuremberg 1475. <br>Est: €18,000
    <b>Ketterer Rare Books Nov. 20:</b><br>Latin and French Book of Hours, Paris around 1490. Est: €60,000
    <b>Ketterer Rare Books Nov. 20:</b><br>P. J. Redouté, <i>Les Roses</i>, Paris 1828-29. Est: €12,000
    <b>Ketterer Kunst Hamburg: Rare Books Auction on November 20th</b>
    <b>Ketterer Rare Books Nov. 20:</b><br>G. W. Knorr, <i>Deliciae Naturae Selectae</i>, Doordrecht 1771. Est: €10,000
    <b>Ketterer Rare Books Nov. 20:</b><br>J. J. Spalowsky, <i>Beytrag zur Naturgeschichte der Vögel</i>, Vienna 1790-92. Est: €20,000
    <b>Ketterer Rare Books Nov. 20:</b><br>H. A. Châtelain, <i>Atlas historique</i>, Amsterdam 1718-20. Est: €20,000
    <b>Ketterer Kunst Hamburg: Rare Books Auction on November 20th</b>
    <b>Ketterer Rare Books Nov. 20:</b><br>K. Rasmussen, Thule-expedition, around 1925-33. Est: €28,000
    <b>Ketterer Rare Books Nov. 20:</b><br>E. Cerillo, <i>Dipinti murali di Pompei</i>, Napels 1886. Est: €3,000
    <b>Ketterer Rare Books Nov. 20:</b><br>W. Shakespeare, <i>The plays</i>, London 1807. Est: €1,500
    <b>Ketterer Kunst Hamburg: Rare Books Auction on November 20th</b>
    <b>Ketterer Rare Books Nov. 20:</b><br>G. Klimt, <i>Das Werk</i>, Vienna 1914. Est: €15,000
    <b>Ketterer Rare Books Nov. 20:</b><br><i>International Exhibition of Modern Art</i>, New York 1926. Est: €3,500
    <b>Ketterer Rare Books Nov. 20:</b><br><i>Arp – Delaunay – Magnelli – Taeuber-Arp</i>, Paris 1950. Est: €1,500
  • <b>Bonhams: History of Science and Technology. Wednesday, December 6, 2017. New York</b>
    <b>Bonhams, Dec. 6:</b> Lot 95. Turing. <i>Systems of Logic Based on Ordinals</i>. Offprint. London, 1939. Robin Gandy's Copy. $20,000 to $30,000
    <b>Bonhams, Dec. 6:</b> Lot 98. Zernike, Fritz. The 1953 Nobel Prize for Physics: The Invention of the Phase-Contrast Microscope. $100,000 to $150,000
    <b>Bonhams, Dec. 6:</b> Lot 111. Apple 1 Computer, operational, with exceptional provenance. $400,000 to $600,000
    <b>Bonhams: Voices of the 20th Century. Wednesday, December 6, 2017. New York</b>
    <b>Bonhams, Dec. 6:</b> Lot 1074. Bruce, Lenny. An unreleased 16 mm film by "Count" Lewis DePasquale featuring Lenny Bruce. $7,000 to $10,000
    <b>Bonhams, Dec. 6:</b> Lot 1254. Hirohito. Manuscript in Japanese, "The Emperor's Monologue," transcribed by Terasaki Hidenari. $100,000 to $150,000
    <b>Bonhams, Dec. 6:</b> Lot 1095. Goldman. Emma. Large archive of correspondence, much of it to Warren Starr Van Valkenburgh. $70,000 to $100,000
    <b>Bonhams: History of Science and Technology. Wednesday, December 6, 2017. New York</b>
    <b>Bonhams, Dec. 6:</b> Lot 109. Wozniak and Jobs. The First Digital "Blue Box", Berkeley, 1972. $30,000 to $50,000
    <b>Bonhams, Dec. 6:</b> Lot 46. Newton, Isaac. <i>Philosophiae naturalis principia mathematica</i>. 1st issue. London, 1687. $300,000 to $500,000
    <b>Bonhams, Dec. 6:</b> Lot 49. Newton. Autograph Manuscript in English, a portion of a draft of Newton's study on revelation. $15,000 to $20,000
    <b>Bonhams: Voices of the 20th Century. Wednesday, December 6, 2017. New York</b>
    <b>Bonhams, Dec. 6:</b> Lot 1027. Fitzgerald, F. Scott. The Great Gatsby. 1st edition, 1st issue. Scribners, 1925. $40,000 to $60,000
    <b>Bonhams, Dec. 6:</b> Lot 1042. Hemingway., Ernest. For Whom the Bell Tolls. Presentation copy, one of 15 copies. Scribners, 1940. $25,000 to $35,000
    <b>Bonhams, Dec. 6:</b> Lot 1215. A 48-star American Flag, flown from LCT-703, sunk on Omaha Beach, December 1944. $15,000 to $20,000
  • <b>Fonsie Mealy: Rare Books, Literature, Manuscripts. December 5, 2017</b>
    <b>Fonsie Mealy, Dec. 5:</b> With Fine Contemporary Hand-Coloured Folding Maps Atlas: MOLL (Hermann). <i>The World Described</i>. 15,000 to 20,000 €
    <b>Fonsie Mealy, Dec. 5:</b> The Holy Grail of Early Photographic Illustrated Irish Books: HEMPHILL (William Despard). <i>Stereoscopic Illustrations of Clonmel, and the Surrounding Country</i>… 7,000 to 10,000 €
    <b>Fonsie Mealy, Dec. 5:</b> "The Nugent Manuscript Archive" including letters on 1798 rebellion In Co. 7,000 to 9,000 €
    <b>Fonsie Mealy: Rare Books, Literature, Manuscripts. December 5, 2017</b>
    <b>Fonsie Mealy, Dec. 5:</b> The Greatest Irish Coloured Plate Book Original Coloured Copy: MALTON (James). <i>A Picturesque and Descriptive View of the City of Dublin Described</i>. 7,000 to 9,000 €
    <b>Fonsie Mealy, Dec. 5:</b> BLAEU (Johannes). <i>Atlas Hibernia</i>, Amsterdam? c. 1662. 1,750 to <br>2,500 €
    <b>Fonsie Mealy, Dec. 5:</b> Rare Limited Edition: YEATS (W.B.). Arion Press, San Francisco. <i>Poems of W.B. Yeats.</i> 1,700 to 2,200 €
    <b>Fonsie Mealy: Rare Books, Literature, Manuscripts. December 5, 2017</b>
    <b>Fonsie Mealy, Dec. 5:</b> [YEATS, W.B.]. Cradle of Genius. Original drawing, pen-and-ink and wash. 1,500 to 2,500 €
    <b>Fonsie Mealy, Dec. 5:</b> W.B. Yeats Meets James Bond? YEATS (W. B.). <i>Selected Poems, Lyrical and Narrative</i>. 1,400 to 1,600 €
    <b>Fonsie Mealy, Dec. 5:</b> Rare Unauthorized U.S. Edition of <i>Ulysses</i>: JOYCE (James). <i>Ulysses</i> - [Two World Monthly, Vol. 1 (No. 1) - vol. 3 (no.3)]. 1,200 to 1,500 €
    <b>Fonsie Mealy: Rare Books, Literature, Manuscripts. December 5, 2017</b>
    <b>Fonsie Mealy, Dec. 5:</b> With Original Holograph Passage by the Author: HEANEY (Seamus). <i>Door Into the Dark</i>. 1,000 to 1,500 €
    <b>Fonsie Mealy, Dec. 5:</b> First American Edition: JOYCE (James). <i>Dubliners</i>, 8vo N. York (B.W. Huebsch) 1916. 600 to 800 €
    <b>Fonsie Mealy, Dec. 5:</b> Rare American Photographs of Niagara Falls: ZYBACK (J.). Photographer, Niagara. Two large original photographs. 300 to 400 €