• <b>Forum Auctions:<br>The Moon: Vintage NASA Photographs 1964-1972 (Online Only). Now through October 18</b>
    <b>Forum Auctions, Now thru Oct. 18:</b> "The world's first view of the Earth taken by a spacecraft from the vicinity of the Moon" (NASA), Lunar Orbiter 1, 23 August 1966. Est. £600 to £800
    <b>Forum Auctions, Now thru Oct. 18:</b> Anders (William). The first Earthrise seen by Man, Apollo 8, December 1968. Est. £1,500 to £2,000
    <b>Forum Auctions, Now thru Oct. 18:</b> Armstrong (Neil). The first photograph taken by Armstrong after setting foot on the Moon, Apollo 11, July 1969. Est. £600 to £800
    <b>Forum Auctions:<br>The Moon: Vintage NASA Photographs 1964-1972 (Online Only). Now through October 18</b>
    <b>Forum Auctions, Now thru Oct. 18:</b> Aldrin (Buzz). Aldrin's bootprint in the pristine lunar dust, Apollo 11, July 1969. Est. £600 to £800
    <b>Forum Auctions, Now thru Oct. 18:</b> Armstrong (Neil). Buzz Aldrin with the LM and Armstrong reflected in his visor, Apollo 11, July 1969. Est. £1,000 to £1,500
    <b>Forum Auctions, Now thru Oct. 18:</b> Full Moon seen from the receding spacecraft, Apollo 13, April 1970. Est £300 to £500
    <b>Forum Auctions:<br>The Moon: Vintage NASA Photographs 1964-1972 (Online Only). Now through October 18</b>
    <b>Forum Auctions, Now thru Oct. 18:</b> Craters Copernicus and Reinhold, Apollo 12, November 1969. Est. £300 to £500
    <b>Forum Auctions, Now thru Oct. 18:</b> Conrad (Pete). The photographer reflected in Alan Bean's gold-plated sun visor, Apollo 12, November 1969. Est. £800 to £1,200
    <b>Forum Auctions, Now thru Oct. 18:</b> Scott (David). James Irwin and the Rover, Mount Hadley beyond, Apollo 15, August 1951. Est. £400 to £600
    <b>Forum Auctions:<br>The Moon: Vintage NASA Photographs 1964-1972 (Online Only). Now through October 18</b>
    <b>Forum Auctions, Now thru Oct. 18:</b> Duke (Charles). John Young's jumping salute in lunar gravity, Apollo 16, April 1972. Est. £600 to £800
    <b>Forum Auctions, Now thru Oct. 18:</b> Cernan (Eugene). Harrison Schmitt with the flag, the Earth overhead, Apollo 17, December 1972. Est. £800 to £1,200
    <b>Forum Auctions, Now thru Oct. 18:</b> Evans (Ronald). The last Earthrise over the Moon seen by man, Apollo 17, December 1972. Est. £800 to £1,200
  • <b>ALDE: Highlights from the Maurice Burrus Collection. October 17, 2017</b>
    <b>Alde, Oct. 17:</b> BIBLE, LATIN. VOL. I ONLY (Genesis-Psalms). [Strassburg: Johann Mentelin, not after 1460].<br>Est: 450 000 / 600 000 €
    <b>Alde, Oct. 17:</b> MISSAL for the use of SALZBURG. Illuminated manuscript on vellum, Augsburg or Salzburg, c 1480. Est: 40 000 / 60 000 €
  • <b>Sotheby’s Paris: Books & Manuscripts. 30 October 2017</b>
    <b>Sotheby’s Paris, Oct. 30:</b> MARCEL PROUST. Du côté de chez Swann. Grasset, 1913. First edition. One of 5 copies on Japan paper, inscribed by the author to Louis Brun. Est. €400,000 - 600,000
    <b>Sotheby’s Paris, Oct. 30:</b> FRENCH REVOLUTION 1793. Déclaration des droits de l’Homme. 2,55 x 1,30m.A poster of the 1793 version, with hand-colored highlights. Unique copy. Est. €100,000 - 150,000
    <b>Sotheby’s Paris, Oct. 30:</b> GIAMBATTISTA PIRANESI. Vedute di Roma, 1748-1775. 107 etchings. An exceptional copy. printed and bound before 1780. Est. €50,000 - 80,000
    <b>Sotheby’s Paris, Oct. 30:</b> SADE. Autograph annotations by Sade facing 12 erotic drawings for Juliette. Est. €40,000 – 60,000
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Le chevalier délibéré, illuminated manuscript on vellum

Lot Number 360
Author OLIVIER DE LA MARCHE (c.1422-1502),
Title

Le chevalier délibéré, illuminated manuscript on vellum

Year Published 1547
Place Printed Brussels
Printed By
Description OLIVIER DE LA MARCHE (c.1422-1502), Le chevalier délibéré, illuminated manuscript on vellum, Brussels, 1547 210 x 123mm. i + 68 folios. COMPLETE, each page without illustration with three verses of 8 lines, ruled space: 160 x 75mm. SIXTEEN LARGE MINIATURES, interleaving of paper before each miniature (small pigment losses, offsetting and spotting to title-page, light smudging to miniature on f.19v, a few other slight losses or smudges, spotting at edge of lower margins ff.9-11). English 18th-century red morocco tooled in gilt (joints cracked and split at head, corners scuffed). PROVENANCE: (1) Written in Brussels in 1547 for a member of the Habsburg court and possibly commissioned by, or on behalf of, the HOLY ROMAN EMPEROR CHARLES V (1500-1558) himself. (2) GEORGE WATSON TAYLOR M.P. (1770-1841): his sale, Evans, 14 April 1823, lot 335. (3) SIR HENRY HOPE EDWARDES, 10th Bart (1829-1900) of Wootton Hall, Ashbourne, Derbyshire: his armorial bookplate inside upper cover. CONTENT: Olivier de la Marche: Le Chevalier délibéré, in 338 verses, ff.1-65v. NINETEEN MANUSCRIPTS SURVIVE, ALL BUT THE PRESENT AND AN ILLUSTRATED PAPER COPY ARE IN INSTITUTIONAL COLLECTIONS. Olivier de la Marche, loyal servant to the Dukes of Burgundy and their Habsburg successors, composed his chivalric version of the Ars moriendi, or Art of Dying, in the aftermath of the unexpected death of Mary of Burgundy in March 1482. Renowned as the most vivid recorder of the court of Burgundy in the days of its greatest splendour, de la Marche was moved to an elegiac contemplation of death by his own advancing years as well as by the fragility of the ducal dynasty. As the ‘Resolute Knight’, accompanied by his trusty steed, he encounters various personifications in his allegorical quest against Death and her chief henchmen, Debility and Accident. Among them, Fresh Memory encourages him to review the great men of the past, including many of his contemporaries, in a roll call of the Burgundian court, while Understanding instructs him how to vanquish Death and achieve eternal life. Rich with textual and visual depictions of knights clashing on horseback, of jousting tournaments and medieval armour and weaponry, this is an evocative literary example of the quintessential chivalric quest. The work was very popular, rapidly going into print with the first known edition appearing in Paris in 1488. Numerous editions followed, including two slightly different versions of the text printed in the Netherlands in c.1489 and c.1498, complete with dramatically accomplished woodcuts, the apparent inspirations for the present manuscript. ILLUMINATION: Olivier de la Marche intended the vivid imagery of his poem to be given visual form. His detailed instructions for fifteen miniatures survive in three, unillustrated, manuscripts, presumably deriving from the author’s own draft: THIS IS ONE OF ONLY FIVE SURVIVING MANUSCRIPTS CONTAINING ALL FIFTEEN SUBJECTS LISTED IN THE AUTHOR’S ORIGINAL INSTRUCTIONS. This careful approach was probably required by a discriminating patron, who turned to an illuminator in the group well used to working for the Habsburg court – that around the Master of Charles V – named from the earliest of a series of books of hours made for the Emperor, completed by 1519. Active in Brussels or Mechelen, the group shared a variety of stylistic traits, such as the characteristic tall narrow format and the framing together of text and miniature without border decoration, both features of this copy of Le Chevalier délibéré. Within the circle of the Master of Charles V, the illuminator of the Chevalier délibéré is closest to, and perhaps identifiable with, the Master of Morgan M.491, named from another of the books of hours made for Charles V, dated 1533. Although it is difficult to attribute miniatures that are comparatively faithful to the earlier models of the Dutch printed editions, the changes to the woodcut designs, as well as the painting technique in the present manuscript, accord with the work of this Master: characteristic are his short strokes of dark colour, his distinctive bearded facial types and his atmospheric and dramatic landscapes. Other variations show a similarly thoughtful approach to reusing the designs: sometimes, the scenes are slightly simplified to fit the smaller, narrower format but the settings are often elaborated. Interestingly, a few changes are designed to evoke the Burgundian court more obviously, while other aspects are updated: the Palace of Love has been classicised and the musicians’ instruments modernised; the Author’s dagged chaperon has been streamlined to coincide with the later fashion for flat hats. Thus these evocative miniatures preserve the glories of the Burgundian past while presenting an ever relevant message for contemporaries, a combination that clearly appealed to the patron of this luxurious manuscript and was highly valued by the Emperor Charles V himself. The subjects of the miniatures are as follows: f.1 The Chevalier délibéré, the Author, confronts the skeletal figure of Death. f.1v The Author is instructed by Thought f.3v Thought and two squires arm the author with the shield of Good Hope and other allegorical accoutrements for his quest against Atropos or Death f.5v The lady Remnants of Youth separates the Author and Hutin, as they battle on horseback f.7 The Author is welcomed by the hermit Understanding f.8v The Author and Understanding share a meal in a garden f.12 Understanding shows the Author the relics of famous deaths, such as Samson's column and Adonis's boar f.17 Understanding gives the Author a new lance, Authority, to continue his quest. f.19v The Author and Age fight on foot f.24 The Author is welcomed to the Palace of Love by the doorkeeper, the fool Illusion, and by Desire but, prompted by Remembrance, he turns his horse away. f.32 The lady Fresh Memory shows the Author the tombs of those ancient and modern killed by Accident or Debility, the servants of Atropos f.42v The Author and Fresh Memory watch Philip the Good joust against Debility f.46 They watch Charles the Bold of Burgundy, in gilded armour, lead his cavalry against Accident f.50 They watch Mary of Burgundy, accompanied by personifications of good qualities, process beneath the spear of Atropos to her combat with Accident f.53v Fresh Memory leaves the Author at the approaches to his château f.56 The Author, in a bed decorated with his motto Tant a souffert, is counselled by Understanding
Comments
References
Provenance
Estimated Price GBP 200,000.00 - 300,000.00
( USD 264,000.00 - 396,000.00 )
Actual Price GBP 506,500.00 ( USD 719,230.00 )

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AUCTION DETAILS

Auction House Christies
Website http://www.christies.com
Auction Name Linley Hall, Shropshire Library
Sale Number #12138
Auction Date March 9, 2016 - March 9, 2016
Sale Name Linley Hall, Shropshire Library
Total Lots 89
Description of Sale

Post Sale Description

Book Images
  • <b>19th Century Shop’s Catalog 170 Great Books and Photos. Please inquire for a copy.</b>
    <b>19th Century Shop:</b> Exodus 10:10 to 16:15. Complete Biblical scroll sheet in Hebrew, a Torah scroll panel. Middle East, ca. 10th or 11th century.
    <b>19th Century Shop:</b> Copernicus Refuted. (Astronomy.). Scientific manuscript of a course of studies at Collège de la Trinité, Lyon. 1660s.
    <b>19th Century Shop:</b> Israel’s War of Independence and the Early Days of the IDF. 58 photographs presented to Israel Ber, IDF officer and later convicted spy.
    <b>19th Century Shop’s Catalog 170 Great Books and Photos. Please inquire for a copy.</b>
    <b>19th Century Shop:</b> Early Unpublished Darwin letter on the races of man. Autograph Letter Signed [to Henry Denny]. Down, Kent, June 1, [1844].
    <b>19th Century Shop:</b> Classic Image of American Slavery. Kimball, M. H. <i>Emancipated Slaves</i>. New York: George Hanks, 1863.
    <b>19th Century Shop:</b> (Underground Railroad.) Scaggs, Isaac. Important Runaway Slave Poster: $500 Reward Ran away, or decoyed from the subscriber…
  • <b>Swann Auction Galleries Nov 14: 19th & 20th Century Literature</b>
    <b>Swann Auction Galleries Nov 14:</b><br><i>The Centenary Edition of the Works of Ian Fleming</i>, one of 26 lettered sets, 18 volumes, London, 2008. $25,000 to $30,000.
    <b>Swann Auction Galleries Nov 14:</b> William Faulkner, <i>The Marble Faun</i>, first edition, signed & inscribed to Dorothy Wilcox by Faulkner & Phil Stone, Boston, 1924. $18,000 to $25,000.
    <b>Swann Auction Galleries Nov 14:</b> Maurice Sendak, <i>Where the Wild Things Are</i>, first edition, signed & inscribed to William Archibald, New York, 1963. $10,000 to $15,000.
    <b>Swann Auction Galleries Nov 14: 19th & 20th Century Literature</b>
    <b>Swann Auction Galleries Nov 14:</b> Anne Frank, <i>Het Achterhuis</i>, first edition, in first state jacket, Amsterdam, 1947. $12,000 to $18,000.
    <b>Swann Auction Galleries Nov 14:</b> Roald Dahl, <i>Charlie and the Chocolate Factory</i>, first edition, signed, New York, 1964. $6,000 to $9,000.
    <b>Swann Auction Galleries Nov 14:</b><br>Ray Bradbury, <i>Fahrenheit 451</i>, first limited edition bound in Johns-Manville Quinterra, New York, 1953. $7,000 to $10,000.
    <b>Swann Auction Galleries Nov 14: 19th & 20th Century Literature</b>
    <b>Swann Auction Galleries Nov 14:</b> Benjamin Graham, <i>The Intelligent Investor</i>, first edition, in original dust jacket, New York, 1949. $4,500 to $6,000.
    <b>Swann Auction Galleries Nov 14:</b> Anna Sewell, <i>Black Beauty</i>, first edition, inscribed, London, 1877. $7,000 to $10,000.
    <b>Swann Auction Galleries Nov 14:</b> Arthur Conan Doyle, <i>A Study in Scarlet</i>, first American edition, Philadelphia, 1890. $6,000 to $9,000.
    <b>Swann Auction Galleries Nov 14: 19th & 20th Century Literature</b>
    <b>Swann Auction Galleries Nov 14:</b> James Fenimore Cooper, <i>The Last of the Mohicans</i>, first edition, two volumes, Philadelphia, 1826. $5,000 to $7,500.
    <b>Swann Auction Galleries Nov 14:</b> Amelia Earhart, <i>20 hrs. 40 mins. Our Flight in Friendship</i>, limited first edition, signed, New York, 1928. $4,000 to $6,000.
    <b>Swann Auction Galleries Nov 14:</b> Philip K. Dick, <i>World of Chance</i>, first edition, signed, London, 1956. $3,000 to $4,000.
  • <b>Results from Bonhams’ sale of <i>Fine Books & Manuscripts Featuring Exploration and Travel</i></b>
    <b>Bonhams, Sep. 26:</b> Columbus. De Insulis nuper in mari Indico repertis. Basel, 1494. SOLD for $751,500
    <b>Bonhams, Sep. 26:</b> Cook in Tahiti. [Playbill]. [Germany, c.1840.] SOLD for $6,250
    <b>Bonhams, Sep. 26:</b> Aa, Pieter van der. Naaukeurige versameling der gedenk-waardigste zee en land-reysen. Leyden, 1706-8. SOLD for $35,000
    <b>Bonhams, Sep. 26:</b> Dürer. Underweysung der messung [and two more]. Nuremberg, 1525-8. SOLD for $175,000
    <b>Bonhams, Sep. 26:</b> Cortes, Hernan. A Pleito signed by Antonio de Mendoza in the case of Hernan Cortes. 1542. SOLD for $8750
    <b>Results from Bonhams’ <i>The Air and Space Sale</i></b>
    <b>Bonhams, Sep. 27:</b> Russian Kholod 5D67 HFL Rocket Engine. SOLD for $25,000
    <b>Bonhams, Sep. 27:</b> Neil Armstrong Apollo Era Training Glove. SOLD for $50,000
    <b>Bonhams, Sep. 27:</b> Full Scale Sputnik-1 EMC/EMI Lab Model. SOLD for $847,500
    <b>Bonhams, Sep. 27:</b> SOLRAD GREB Spy Satellite Engineering Dummy. SOLD for $10,000
    <b>Bonhams, Sep. 27:</b> Soviet LK-3 Lunar Lander Model. SOLD for $25,000
  • <b>Sotheby’s London: Fine Autograph Letters and Manuscripts from a Distinguished Private Collection. Part I: Music. 26 October 2017</b>
    <b>Sotheby’s London Oct 26:</b> Beethoven, Ludwig van. Autograph Manuscript of the Canon "Ewig Dein" Woo 161, signed at the end ("...[Ewig] Dein...Freund Ludwig Van Beethowen"). Est. £120,000 to £150,000
    <b>Sotheby’s London Oct 26:</b> Brahms, Johannes. Autograph Manuscript of the "Geistliches Wiegenlied", Op.91 No.2, for Contralto, Viola And Piano, the original version of 1864, signed and inscribed at the end by the composer. Est. £200,000 to £250,000
    <b>Sotheby’s London Oct 26:</b> Chopin, Frédéric. Autograph Manuscript of the Opening of the Étude Op.25 No.2, in A-Flat Major, signed and dated ("Paris Ce 28 Avril F. Chopin"). Est. £100,000 to £150,000
    <b>Sotheby’s London: Fine Autograph Letters and Manuscripts from a Distinguished Private Collection. Part I: Music. 26 October 2017</b>
    <b>Sotheby’s London Oct 26:</b> Haydn, Joseph. Autograph Letter Signed ("Jos Haydn[Paraph]"), to the Baden Choirmaster Anton Stoll, 30 July 1802. Est. £20,000 to £30,000
    <b>Sotheby’s London Oct 26:</b> Verdi, Giuseppe. Autograph Working Manuscript of a scene from Ernani. Est. £100,000 to £150,000
    <b>Sotheby’s London Oct 26:</b> Verdi, Giuseppe. Highly Important Series of Thirty-Six Autograph Letters Signed to The Librettist Salvadore Cammarano, written between 1844 And 1851, the greater part unpublished and unrecorded. Est. £250,000 to £300,000
  • <b>Sotheby’s New York: The Magnificent Botanical Library of D. F. Allen. October 26, 2017</b>
    <b>Sotheby’s NY, Oct. 26:</b> Redouté, Pierre Joseph, and Claude Antoine Thory. <i>Les Roses</I>. Paris: Firmin Didot, 1817–1824. Est. $225,000 to $325,000
    <b>Sotheby’s NY, Oct. 26:</b> Trew, Jakob Christoph. <i>Hortus Nitidissimis Omnen Per Annum Superbiens Floribus</i>… Nuremberg: Johann Joseph Fleischmann, 1750 [–1786]. Est. $200,000 to $300,000
    <b>Sotheby’s NY, Oct. 26:</b> Trew, Christoph Jakob, and Benedict Christian Vogel. <i>Plantæ Selectæ</i>…[Nuremberg:] 1750–1773; Supplement, [Augsburg:] 1790 [–1792]. Est. $200,000 to $300,000
    <b>Sotheby’s New York: The Magnificent Botanical Library of D. F. Allen. October 26, 2017</b>
    <b>Sotheby’s NY, Oct. 26:</b> Jacquin, Nikolaus Joseph von. <i>Plantarum Rariorum Horti Caesarei Schönbrunnensis Descriptiones Et Icones.</i>Vienna; London; Leiden, 1797–1804. Est. $180,000 to $250,000
    <b>Sotheby’s NY, Oct. 26:</b> Weinmann, Johann Wilhelm. <i>Phytanthoza Iconographia; Sive Conspectus Aliquot Millium, Tam Indigenarum Quam Exoticarum</i>… Regensburg, 1735–1737–1745. Est. $120,000 to $180,000