• <center><b>William Bunch Auctions<br>October Fine Art and Prints<br>October 29, 2018</b>
    <b>William Bunch Auctions, Oct. 29:</b> Aegidius Sadeler (Flemish, 1570-1629), engraving on laid paper "Madonna and Child in a Landscape", after a drawing by Albrecht Durer. $800 to $1,200
    <b>William Bunch Auctions, Oct. 29:</b> Anders Zorn (Swedish, 1860-1920), drypoint etching on paper "On Hemso Island", 1917, pencil signed. $400 to $600
    <b>William Bunch Auctions, Oct. 29:</b> Joseph Pennell (American, 1860-1926), etching on paper "Setting Up Columns", pencil signed. $200 to $300
    <center><b>William Bunch Auctions<br>October Fine Art and Prints<br>October 29, 2018</b>
    <b>William Bunch Auctions, Oct. 29:</b> William Lee Hankey (British, 1869-1952), drypoint etching on paper "Affection", pencil signed. $200 to $300
    <b>William Bunch Auctions, Oct. 29:</b> William Walcot (English, 1874-1943), drypoint etching on paper "Lower Broadway, New York", 1924, pencil signed. $200 to $300
    <b>William Bunch Auctions, Oct. 29:</b> Auguste Brouet (French, 1872-1941), color etching "La Pirouette", pencil signed, ed 111/250. $400 to $600
    <center><b>William Bunch Auctions<br>October Fine Art and Prints<br>October 29, 2018</b>
    <b>William Bunch Auctions, Oct. 29:</b> Thomas Hart Benton (American, 1889-1975), lithograph on paper "The Boy", pencil signed. $2,000 to $3,000
    <b>William Bunch Auctions, Oct. 29:</b> John Stockton de Martelly (American, 1903-1979), lithograph on paper "Looking at the Sunshine", pencil signed, original AAA certificate. $400 to $600
    <b>William Bunch Auctions, Oct. 29:</b> Jacques Hnizdovsky (Ukrainian-American, 1915-1985), woodcut on paper "Moppet", pencil signed and dated 1965, ed 118/250. $400 to $600
  • <center><b> The Library of Pierre Bergé<br>Auction Pierre Bergé & Associés<br>in association with Sotheby’s<br>Paris-Hôtel Drout<br>December 14, 2018<br><br>New York Exhibition<br>Oct. 16 to Oct. 20</b>
    <b>The Library of Pierre Bergé, NY exhibition 10/16 to 10/20:</b> BARTHOLOMEUS ANGLICUS. <i>Le Proprietaire des choses.</i> Lyon, [circa 1484]. 150 000 / 200 000 €
    <b>The Library of Pierre Bergé, NY exhibition 10/16 to 10/20:</b> MONTAIGNE, Michel de. <i>Essais.</i> Bordeaux, 1580. 400 000 / 500 000 €
    <b>The Library of Pierre Bergé, NY exhibition 10/16 to 10/20:</b> PROUST, Marcel. <i>Du côté de chez Swann.</i> Paris, 1914 [1913]. 600 000 / 800 000 €
    <b>The Library of Pierre Bergé, NY exhibition 10/16 to 10/20:</b> MONSTRELET, Enguerrand de. <i>Le Premier [-Tiers] Volume des Cronicques.</i> Paris, circa 1503.<br>300 000 / 400 000 €
  • <b>19th Century Shop:</b> Charles Darwin on sexuality and the transmission of hereditary characteristics: Autograph Letter Signed to Lawson Tait. Down, 17 January [1877].
    <b>19th Century Shop:</b> MILTON, JOHN. <i>Paradise Lost. A Poem written in ten books.</i> London: 1667. A very rare example with the contemporary binding untouched and with a 1667 title page.
    <b>19th Century Shop:</b> Hamilton secures the ratification of the Constitution: <i>The Debates and Proceedings of the Convention of the State of New-York, assembled at Poughkeespsie, on the 17th June, 1788.</i>
    <b>19th Century Shop:</b> The social contract “Man is born free, and everywhere he is in chains”: ROUSSEAU, JEAN-JACQUES. <i>Principes du Droit Politique [Du Contract Social]</i>. Amsterdam: Michel Rey, 1762
    <b>19th Century Shop:</b> “The first English textbook on geometrical land-measurement and surveying”: BENESE, RICHARD. <i>This Boke Sheweth the Maner of Measurynge All Maner of Lande…</i>
  • <b>Swann Auction Galleries Nov 8:</b> Kurt Vonnegut, archive of 12 letters, signed to his family, 6 illustrated, 1930s-40s. $4,000 to $6,000.
    <b>Swann Auction Galleries Nov 8:</b> Allen Ginsberg, 11 autograph manuscripts, including 10 drafts of poems & a page of notes, circa 1948. $4,000 to $6,000.
    <b>Swann Auction Galleries Nov 8:</b> Joan Miró, illustrated autograph note signed to MoMA Director of Exhibitions & Publications, 1959. $6,000 to $9,000.
    <b>Swann Auction Galleries Nov 8:</b> Carl Gustav Jung, typed letter signed to a colleague, 1948. $3,000 to $4,000.
    <b>Swann Auction Galleries Nov 8:</b> Gustav Mahler, ALS, arranging a meeting during his historic visit to New York, circa 1908. $4,000 to $6,000.
    <b>Swann Auction Galleries Nov 8:</b> Mark Twain, ALS, explaining the target of his new book, 1902. $3,000 to $4,000.
    <b>Swann Auction Galleries Nov 8:</b> Charles Dickens, ALS, accepting an invitation in the voice of a <i>Martin Chuzzlewit</i> character, 1843. $4,000 to $6,000.
    <b>Swann Auction Galleries Nov 8:</b> Jacob Lawrence, illustrated greeting card signed, 1960. $2,000 to $3,000.
    <b>Swann Auction Galleries Nov 8:</b> Robert E. Lee, ALS, to the colonel of the Kanawha Valley volunteers, boosting morale, 1861. $15,000 to $25,000

Rare Book Monthly

Articles - August - 2018 Issue

Do You Love Endpapers? An Interview with Simon Beattie, from the "We Love Endpapers" Facebook group.

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Simon Beattie and endpapers.

God forgive, I recently broke my own first commandment of book collecting: Thou shalt not buy a book but for its contents! Well, I did—worse, I bought a book for... its endpapers! It is not my entire fault, though. For the past few months, I have joined an apparently misleading group of weird worshippers. Their den? A Facebook group. They war cry? We Love Endpapers!

 

The book in question is entitled Exhortations Courtes et Pathétiques pour les personnes affligées ou mourantes... It was written by Abbot Martin, and published in Paris in 1712. This is a typical Catholic book, meant to add remorse to the pains suffered by dying people. If Jesus died on the cross for you, then why should you complain when you are sick and suffering? How ungrateful! Good Christians had to endure their tribulations with patience—it was God’s will, indeed. But it was more than that. In a time when medicine was unable to kill the pain, it was also a way to face life with dignity—for yourself but also for society at large. This is a serious book, in fact. The copy I bought has a top quality binding “à la Duseuil”, and... wonderful endpapers (see picture)! The background is a pale matte green, and it is decorated with embossed golden signs and silhouettes. When you open the cover, the light slowly runs on the golden parts that suddenly seem to come to life. Oh boy... I couldn’t wait to show my “golden calf” to the community of endpapers worshippers I had just joined: the We Love Endpapers group on Facebook.

 

Simon Beattie, who launched the group, told me more about these “embossed”, or “brocade”, endpapers: “Brocade paper first appears in southern Germany at the beginning of the 18th century,” he said, “and was soon being exported throughout Europe. The 'Dutch gilt paper' you see on English bindings is so called because it was imported from the Netherlands, but it was actually being produced in Germany.” I was impressed, and I decided to learn more about this aspect of old books. Interview of an “old paper scientist”.

 

- Simon, can you please introduce yourself?

 

My name is Simon Beattie, and I have been a bookseller for 20 years this summer. I worked in London for Bernard Quaritch and Simon Finch Rare Books before setting up on my own in January 2010. You can read more about my background, and the business at https://www.finebooksmagazine.com/fine_books_blog/2012/04/bright-young-things-simon-beattie.phtml

 

- When did you launch the We Love Endpapers group on Facebook?

Two years ago now, in May 2016. My only motive was that I know various people in the rare book world who say “those are nice endpapers”, or “look at these” at a book fair or wherever when they come across something particularly striking. The colours are so vivid. Think of those wonderful patterned papers inside the covers of an 18th-century book: exactly because they are inside the book, the colours are still as fresh as when they were made over 200 years ago. I thought a Facebook group would be a good forum for people to share pictures of attractive endpapers as and when they come across them. Initially, I intended it to be just for bookseller and librarian friends of mine. However, I then thought others might also be interested in it. Some people post more than others, of course, but I hope members of the group like what they see, and maybe even learn something, too, in the process. I certainly get a lot of nice comments from people at book fairs, thanking me for setting it up and saying that it's their favourite Facebook group, which is very heartening!

- What is the most accurate definition of "endpapers"?

Endpapers are the double leaves added at the front and back of a book by the binder; the outer leaf of each is pasted to the inner surface of the cover (hence 'pastedown'), the inner leaves (or 'free endpapers') form the first and last leaf of the volume when bound.

- When did the first endpapers appear in bookbinding?

Books from the Middle Ages to the Renaissance sometimes had only a pastedown, a narrow strip (or guard) covering the bands on the spine, and sometimes no endpapers at all.

- Was there a specific period of time when they developed?

 Endpapers had become pretty much standard practice by the 17th century, and this is also when decorative papers (e.g. marbled) first appear. Brocade papers, and block-printed papers, develop during the 18th century, although I think of them as Continental taste as far as endpapers are concerned.

 

- Do you know if some printers or binders printed their own endpapers? There were a lot of regulations regarding printing, binding, etc. Was it the case with endpapers?

- Binders would have made their own paste papers, using up paste left over from binding. Brocade and block-printed papers were made by specific manufacturers, such as those in Augsburg, or Orléans, and can be identified. I'm not sure of regulations regarding printed papers. I expect the French dominotiers had regulations, but probably completely different rules from printers of books.


- Most of them from the 18th century are red, blue and yellow. Any particular reason?

Do you think so? You see all kinds of colours.

- When did the first "luxury" endpapers appear?

All decorated papers are, in their way, echoing luxury materials: marble, brocade, chintz (cf. Kattunpapier, literally 'calico paper', the old German term for block-printed paper). Of course, many books of, say, the 17th and 18th centuries have plain endpapers. But when you see a decorated one, you know that the owner of the book has decided to spend a little more on the binding.

- Is there a difference between endpapers and wrappers?

The simple plain paper wrappers put on the book by the printer/publisher were usually removed when the book was bound. You do sometimes see decorated papers used as wrappers on books, e.g. the block-printed papiers dominotés on some 18th-century French books. Interestingly, such block-printed papers were popular in France as wrappers, but rarely used as endpapers, which was more of a German practice.  

- What can endpapers tell us about a book?

If the endpapers are made from a fancier paper, it tells you whoever had it bound spent more money on it than if s/he had had plain endpapers. And knowing what kind of paper was made where can help identify perhaps where a book was bound, or serve as witness to the export of decorative papers. Some designs in the 18th century, like those block-printed zigzags, I have only ever seen in Russian books, so I presume they were made in Russia, rather than elsewhere and imported.

 

- Do we have "signed" endpapers (just like bindings)?

 Only inadvertently, when you see the edge of, say, a French papier dominoté, or a German Brokatpapier, which gives the name of the manufacturer.

  

 

Thibault Ehrengardt  


Posted On: 2018-08-03 22:26
User Name: hermeticsurveyor

As an erstwhile artist I've always been captivated by the ep's I've encountered lo these 37 years as a bookdealer, but few dealers or collectors I've met cared much about anything but the rarest and most special. When I stumbled on Mr. Beattie's FB site I was thrilled to see the serious interest they deserve, it is one of the very few book sites I regularly visit. My problem with contributing some of mine there is I have no camera that does justice to them, and many ep's can't be scanned without cracking the hinge or causing binding stress, something I'm genetically incapable of doing.


Rare Book Monthly

  • <b>Bonhams: Sale Results from <i>Exploration and Travel, Featuring Americana, Part I.</i> September 25, 2018</b>
    <b>Bonhams, Sep. 25 results:</b> Shackleton, Ernest. <i>Aurora Australis.</i> Printed at the sign of 'The Penguins'; East Antarctica, 1908. Sold for $97,500
    <b>Bonhams, Sep. 25 results:</b> Shackleton, Ernest. <i>South Polar Times.</i> 1st edition, limited issue. from the library of Michael Barne. Sold for $25,000
    <b>Bonhams, Sep. 25 results:</b> General Washington's <i>Proceedings of a General Court Martial... of Major General Lee.</i> Philiadelphia, 1778. 100 copies printed for Congress. BOUND WITH: ...Court Martial... of St Clair and ...Schuyler. Sold for $87,50
    <b>Bonhams: Sale Results from <i>Exploration and Travel, Featuring Americana, Part I.</i> September 25, 2018</b>
    <b>Bonhams, Sep. 25 results:</b> <i>The Voice of the People.</i> Boston, 1754. Rare pamphlet on the Excise Tax. Nathaniel Sparhawk's copy. Sold for $8,750
    <b>Bonhams, Sep. 25 results:</b> Autograph Letter Signed ("S.L. Clemens"), offering extensive hard-earned advice on writing, 5 pp, 1881. Sold for $37,500
    <b>Bonhams, Sep. 25 results:</b> Lewis, Meriwether. Contemporary manuscript true copy of his final power of attorney, 1809. Sold for $7,500
    <b>Bonhams, Sep. 25 results:</b> <i>A New Method of Macarony Making, as Practiced at Boston in North America.</i> Mezzotint. London, 1774. Sold for $6,875
    <b>Bonhams, Sep. 25 results:</b> <i>Scientific Base Ball Pitching: A Treatise on the Pitcher, Pitching, Origin and Philosophy of the Curve.</i> Chicago, 1897. Sold for $3,750
  • <b>Leslie Hindman Auctioneers: The Adventure & Exploration Library of Steve Fossett. October 31, 2018</b>
    <b>Leslie Hindman, Oct 31:</b> SHACKLETON, Ernest Henry, Sir. <i>Aurora Australis. Printed at the Winter Quarters of the British Antarctic Expedition, 1907, During the Winter Months of April, May, June, July, 1908.</i> $60,000 to $80,000
    <b>Leslie Hindman, Oct 31:</b> HUMBOLDT, Alexander von, and Aime J. A. BONPLAND. <i>Vues des Cordillères, et monumens des peuples indigènes de l'Amérique.</i> Paris, 1810. $30,000 to $40,000
    <b>Leslie Hindman, Oct 31:</b> COOK, James, Captain. [Collected Voyages]. London: Strahan and Cadell, 1773, 1777, 1784. First editions of the second and third voyages. $20,000 to $30,000
    <b>Leslie Hindman Auctioneers: The Adventure & Exploration Library of Steve Fossett. October 31, 2018</b>
    <b>Leslie Hindman, Oct 31:</b> DARWIN, Charles. <i>A Narrative of the Surveying Voyages of His Majesty's Ships Adventure and Beagle, between the years 1826 and 1836.</i> $20,000 to $30,000
    <b>Leslie Hindman, Oct 31:</b> SPILBERGEN, Joris van (1568-1620). <i>Speculum orientalis occidentalisque Indiae navigationum.</i> Leiden: Nicolaus van Geelkercken, 1619. $20,000 to $30,000
    <b>Leslie Hindman, Oct 31:</b> DRAKE, Francis, Sir. <i>Sir Francis Drake Revived. Who is or may be a Pattern to stirre up all Heroicke and active Spirits of these Times…</i> London, 1653 [i.e. 1652]. $10,000 to $15,000
    <b>Leslie Hindman Auctioneers: The Adventure & Exploration Library of Steve Fossett. October 31, 2018</b>
    <b>Leslie Hindman, Oct 31:</b> SHACKLETON, Ernest Henry, Sir, Louis C. BERNACCHI, and Apsley George Benet CHERRY-GARRARD, editors. The South Polar Times. London, 1907-1914. $10,000 to $15,000
    <b>Leslie Hindman, Oct 31:</b> ANSON, George. <i>A Voyage round the World, In the Years 1740...</i> 1744. London: John and Paul Knapton for the author, 1748. $8,000 to $12,000
    <b>Leslie Hindman, Oct 31:</b> HERRERA Y TORDESILLAS, Antonio de. <i>Description des Indes Occidentales, Qu'on appelle aujourdhuy Le Nouveau Monde...</i> Amsterdam: Michel Colin, 1622. $8,000 to $12,000
    <b>Leslie Hindman Auctioneers: The Adventure & Exploration Library of Steve Fossett. October 31, 2018</b>
    <b>Leslie Hindman, Oct 31:</b> NOORT, Olivier van. <i>Description du Penible Voyage fait entour de l'univers ou globe terrestre...</i> Amsterdam: Cornille Nicolas, 1610. $5,000 to $7,000
    <b>Leslie Hindman, Oct 31:</b> LEO AFRICANUS, Johannes. <i>A Geographical Historie of Africa, Written in Arabicke and Italian.</i> London: George Bishop, 1600. $4,000 to $6,000
    <b>Leslie Hindman, Oct 31:</b> SCHOUTEN, Willem Corneliszoon. <i>Journal ou Description du Merveilleux Voyage de Guillaume Schouten, Hollandois natif de Hoorn, fait es années 1615, 1616, & 1617.</i> 1619. $4,000 to $6,000

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