• Swann, Nov. 21: Lot 37: Archive of the pioneering woman artist Arrah Lee Gaul, most 1911-59. $3,000 to $4,000.
    Swann, Nov. 21: Lot 66: Letter describing the dropping water level at Owens Lake near Death Valley, long before it was drained, Keeler, CA, 26 July 1904. $3,000 to $4,000
    Swann, Nov. 21: Lot 102: To Horse, To Horse! My All for a Horse! The Washington Cavalry, illustrated Civil War broadside, Philadelphia, 1862. $4,000 to $6,000
    Swann, Nov. 21: Lot 135: Album of cyanotype views of the Florida panhandle and beyond, 224 photographs, 174 of them cyanotypes, Apalachicola, FL and elsewhere, circa 1895-1896. $1,200 to $1,800
    Swann, Nov. 21: Lot 154: Catalogue of the Library of the United States, as acquired from Thomas Jefferson, Washington, 1815. $15,000 to $25,000
    Swann, Nov. 21: Lot 173: New Englands First Fruits, featuring the first description of Harvard in print, London, 1643. $40,000 to $60,000
    Swann, Nov. 21: Lot 177: John P. Greene, Original manuscript diary of a mission to western New York with Joseph Smith, 1833. $60,000 to $90,000
    Swann, Nov. 21: Lot 243: P.E. Larson, photographer, Such is Life in the Far West: Early Morning Call in a Gambling Hall, Goldfield, NV, circa 1906. $2,500 to $3,500
    Swann, Nov. 21: Lot 261: Fred W. Sladen, Diaries of a WWII colonel commanding troops from Morocco to Italy to France, 1942-44. $3,000 to $4,000
    Swann, Nov. 21: Lot 309: Los mexicanos pintados por si mismos, por varios autores, a Mexican plate book. Mexico, 1854-1855. $2,000 to $3,000
    Swann, Nov. 21: Lot 8: Diaries of a prospector / trapper in the remote Alaska wilderness, 5 manuscript volumes. Alaska, 1917-64. $1,500 to $2,500.
  • Finarte, Nov 20-21: Alighieri, Dante - La Commedia, [col commento di Jacopo della Lana e Martino Paolo Nidobeato, curata da Martino Paolo Nidobeato e Guido da Terzago. Aggiunto Il Credo], 1478
    Finarte, Nov 20-21: Alighieri, Dante - La Commedia [Commento di Christophorus Landinus, edita da Piero da Figino. Aggiunte le Rime diverse; Marsilius Ficinius, Ad Dantem gratulatio], 1491
    Finarte, Nov 20-21: Lactantius, Lucius Coelius Firmianus - Opera, 1465
    Finarte, Nov 20-21: Alighieri, Dante - Le terze rime di Dante, 1502
    Finarte, Nov 20-21: Boccaccio, Giovanni - Il Decamerone. Di messer Giouanni Boccaccio, 1516
    Finarte, Nov 20-21: Giordano Bruno - Candelaio comedia del Bruno nolano achademico di nulla achademia; detto il fastidito. In tristitia hilaris: in hilaritate tristis, 1582
    Finarte, Nov 20-21: Petrarca, Francesco - Le cose volgari di Messer Francesco Petrarcha, 1504
    Finarte, Nov 20-21: Legatura - Manoscritto - Medici - Cosimo III de' Medici / Solari, Giuseppe - I Ritratti Medicei overo Glorie e Grandezze della sempre sereniss. Casa Medici..., 1678
    Finarte, Nov 20-21: Alighieri, Dante - La Divina Commedia di Dante Alighieri con varie annotazioni, e copiosi Rami adornata, 1757
    Finarte, Nov 20-21: Lot containing 80 printed guides and publications dedicated to travel and itineraries in Italy
  • Old World Auctions (Nov 6-20):
    Lot 51. Ortelius' Influential Map of the New World - Second Plate in Full Contemporary Color (1579) Est. $5,500 - $6,500
    Old World Auctions (Nov 6-20):
    Lot 165. Reduced-Size Edition of Jefferys/Mead Map with Revolutionary War Updates (1776) Est. $4,750 - $6,000
    Old World Auctions (Nov 6-20):
    Lot 688. Blaeu's Superb Carte-a-Figures Map of Africa (1634) Est. $3,000 - $3,750
    Old World Auctions (Nov 6-20):
    Lot 105. Striking Map of French Colonial Possessions (1720) Est. $2,750 - $3,500
    Old World Auctions (Nov 6-20):
    Lot 98. Rare First Edition of the First Published Plan of a Settlement in North America (1556) Est. $3,000 - $3,750
    Old World Auctions (Nov 6-20):
    Lot 181. Important Map of the Georgia Colony (1748) Est. $2,750 - $3,500
    Old World Auctions (Nov 6-20):
    Lot 547. Ortelius' Map of Russia with a Vignette of Ivan the Terrible in Full Contemporary Color (1579) Est. $1,400 - $1,700
    Old World Auctions (Nov 6-20):
    Lot 85. Homann's Decorative Map of Colonial America (1720) Est. $1,600 - $1,900
    Old World Auctions (Nov 6-20):
    Lot 642. Blaeu's Magnificent Carte-a-Figures Map of Asia (1634) Est. $3,000 - $3,750
    Old World Auctions (Nov 6-20):
    Lot 748. The Martyrdom of St. John in Contemporary Hand Color with Gilt Highlights (1520) Est. $1,000 - $1,300
    Old World Auctions (Nov 6-20):
    Lot 298. Scarce Early Map of Chester County (1822) Est. $2,750 - $3,500
  • Ketterer Rare Books
    Auction November 25th
    Ketterer Rare Books, Nov. 25:
    H. Schedel, Liber chronicarum, 1493. Est: € 25,000
    Ketterer Rare Books, Nov. 25:
    P. O. Runge, Farben-Kugel, 1810. Est: € 8,000
    Ketterer Rare Books, Nov. 25:
    W. Kandinsky, Klänge, 1913. Est: € 20,000
    Ketterer Rare Books
    Auction November 25th
    Ketterer Rare Books, Nov. 25:
    W. Burley, De vita et moribus philosophorum, 1473. Est: € 4,000
    Ketterer Rare Books, Nov. 25:
    M. B. Valentini, Viridarium reformatum seu regnum vegetabile, 1719. Est: € 12,000
    Ketterer Rare Books, Nov. 25:
    PAN, 10 volumes, 1895-1900. Est: € 15,000
    Ketterer Rare Books
    Auction November 25th
    Ketterer Rare Books, Nov. 25:
    J. de Gaddesden, Rosa anglica practica medicinae, 1492. Est: € 12,000
    Ketterer Rare Books, Nov. 25:
    M. Merian, Todten-Tanz, 1649. Est: € 5,000
    Ketterer Rare Books, Nov. 25:
    D. Hammett, Red harvest, 1929. Est: € 11,000
    Ketterer Rare Books
    Auction November 25th
    Ketterer Rare Books, Nov. 25:
    Book of hours, Horae B. M. V., 1503. Est: € 9,000
    Ketterer Rare Books, Nov. 25:
    J. Miller, Illustratio systematis sexualis Linneai, 1792. Est: € 8,000
    Ketterer Rare Books, Nov. 25:
    F. Hundertwasser, Regentag – Look at it on a rainy day, 1972. Est: € 8,000

Rare Book Monthly

Articles - January - 2017 Issue

Voyage de Paris à Saint Cloud, The Perilous and Bold Adventures of a Badaud

Map of the voyage to St. Cloud.

Map of the voyage to St. Cloud.

According to the authoritative Larousse dictionary, the French word “badaud” refers to someone who “wanders around town, being curious of the various spectacles of life, and stopping to contemplate them.” But in the 18th century, a “badaud” was a simpleton, a typical Parisian character depicted in a funny booklet entitled Le Voyage de Saint-Cloud par Mer & par Terre (La Haye—in fact, Paris—, 1748). We could hardly give a better description of the ridiculous amazement of a young man without experience, who leaves the maternal house for the first time,” states the preface of the recent Douin Editions’ reprint. The “bel-esprit” was, according to the Parisians, endemic to the capital and Versailles—of course—, and couldn’t reach beyond what they called the barriers of Paris—where taxes were collected from entering goods.

 

 

Travel books, loaded with extraordinary tales of unknown and remote regions, have always commanded the unconditional respect of the public; but they have also generated an apocryphal literature made of utopic fables, fake tales of made-up travels, as well as satirical works. As a matter of fact, Louis Balthazar Néel (1695-1754) enjoyed considerable success with his 66-page long satirical work: Voyage de Paris à Saint-Cloud par Mer & par Terre / Voyage From Paris to Saint-Cloud by Sea and Land.Néel apparently had two ideas when writing it,” comments the preface of the Douin’s edition. “First, he meant to mock the obvious pedantry of these travel books, in which the reader is spared no detail, except the useful and agreeable ones. Second, to laugh at the ignorance of the “bourgeois” of Paris, who stupidly wondered at any casual thing as soon as they stepped out of their houses.

 

The narrator of this voyage is invited to visit his fiancée’s family in the nearby town of Saint Cloud—it touches Paris—, and has no choice but to face the raging elements. He sees the Seine River as a pitiless ocean, and Saint Cloud seems to stand at the ends of the world. No wonder the world is so unintelligible to him, he was born a Parisian—hence his condition of true “badaud”. “Before my travel,” he admits, “I thought that everything grew on trees (...), from the wheat to the grapes to the vegetables of all sorts. (...) The roasters, I thought, built their own poultry, just like the soft drinks manufacturers make their chocolate.”

 

En route to Saint Cloud, our narrator has a very loose idea of where he really is—the author added a map to the fifth edition of his book, thus reinforcing its satirical dimension; indeed, travel books have always been valued for their maps. “I asked whether the Company of the Indies was sailing the very same river while going to Japan, where it buys those beautiful clothes that are sold in Paris? Were we still far from Cap Breton1? Was there not a risk to come across some Russian sailors on their way to the Netherlands?(...) I noticed that everyone was laughing at me when I asked questions. But it didn’t matter to me, as long as I was taught new things.”

 

Reaching the city of Chaillot, “I pointed to an abbot beside me that, at the time of the Crusades, this town had probably been almost taken by the Turks, since their ladders were still laying against the walls; or was it what our most eminent voyagers call the “ladders of the Levant” 2? But he answered that (...) these ladders belonged to the laundresses, who used them to wash their clothes.” The said laundresses soon disabuse our voyager by cursing him like savages from the riverbank, and even showing what might be described as the “bottom of the Levant”! Afterwards, upon reaching the neighbouring city of Passy, the narrator starts to panic: “I jumped on the upper deck to search for Paris with my telescope. I found her, but couldn’t recognize her. She was but loads of stones and chimneys. Where had my Paris gone? I could make out no street, not even Geoffroi l’Asnier Street, where I resided. I was surrounded by nothing but a threatening sea ready to swallow me up; and in the remote, some unknown southern lands, and pure fields! I turned towards Paris and said: Ô you, who has bred me, sublime Paris! Why are you drifting away from me? (...) I’ll be back soon—so help me God! —, and I shall spend the rest of my life in your bosom.” Poor little “badaud”...

 

The little author of a little book

 

Néel defines himself, in the preface of the 5th edition of his book (Paris, 1783), as “the little author of a little book.” He points out that, upon writing it, he had no other ambition but to entertain others while entertaining himself. A true satirist, he then adds: “And I’d rather have my book sold in the blue collection (the very popular peddling books—writer’s note) than confidentially read in a full morocco binding.”

 

His voyage was very well received. The Observateur Littéraire reads: “This is quite an entertaining booklet, and I advise you to add it to your collection among your best books. There’s more spirit in these 66 pages than in the chaos of most of the in-folio books you’ve read.” Néel underlines in the aforementioned preface: “Several of my friends complain that my book seems to ridicule the people of Paris. Truly, the portrait I’ve drawn of the “badauds” is so striking that it is like, so to speak, catching life red-handed!” Furthermore, he adds that the first edition had already become quite rare in 1748: “If a handful of copies are still around, they are but very few.” The book was printed five times between 1748 and 1783. The 5th edition even features a lovely map—see illustration—, an unnecessary second part written by Lottin L’Aîné (it was published as soon as 1750), as well as a serious—and thus totally off-topic—chronology of the history of the city of Saint Cloud.

 

The 1844 edition (Lahure, Paris) is also valued today, thanks to Jeanniot’s illustrations; and as previously mentioned, it was recently reprinted. This satirical portrait of the Parisians is what makes it so attractive, as underlined by Mercier in 1783, in his Tableau de Paris (Amsterdam): “It mocks both the ignorance and indolence of some Parisians, who have never left their homes but to go to their nurses’ and back, who dare not venture beyond the Pont Neuf3, and who confuse the most remote places on Earth with some neighbouring cities.” This gives you a true definition of what was then a “badaud”. “He thinks,” resumes Mercier, “that the Bois de Boulogne4 is the ancient forest where the Druids used to live; he mistakes the Mount Valérien5with the Calvary upon which Jesus Christ spilled His precious blood (...). Back to Paris, he is warmly welcomed by his relatives, and his aunts, who haven’t ever been further than the Tuileries6, consider him as the boldest traveller ever.” The idiocy of the Parisians was apparently proverbial. “Some bourgeois,” reads H. Audifre’s Dictionnaire de la conversation... (Paris, 1833), “because of the paintings, the statues and the engravings they see daily in Paris, believe that the Sphinx, the mermaids, the unicorns and the Phoenix do exist. Their credulity is exploited, not only by the crooks and the acrobats on public places, where the herds of “badauds” gather, but also in society.” Could the “badaud” be that stupid?

 

Bushmen strike back

 

This voyage is also a victory in the war raging between the Parisians and the rest of the French people—the Provinciaux. In 1699, the “bel-esprit” Jean-Jacques Brillon explains in Le Theopraste Moderne (Paris): “We Parisians call a “provincial” any one who was born two leagues away from Paris.” And he saw those people as, well—savages. “A leopard never changes its spots,” adds Brillon, “mostly if it was born in the middle of a field, or in a city surrounded by woods: such men are savages, a little bit less fierce than the real ones. (...). But let’s cut it short, and let’s not disrespect the inhabitants of the Province—I almost wrote the inhabitants of the bush.” There is something raw about the Provinciaux that irritates people of “good taste”. “For want of politeness, the Provincial makes you uneasy with his civilities; for want of “esprit”, he exhausts you with his compliments,” deplores Brillon. Yet, he confesses: “They don’t have enough consideration for us; probably because we don’t say many nice things about them.” Indeed, if the “badaud” mistakes Chaillot for Jerusalem, the Provincial, for his part, “thinks the King is 30 inches taller than them; and the courtesans look like half-gods to him,” sniggers Brillon. So, who’s an idiot now, uh? This little war is still going on today. Everywhere the Parisian kids go, they are greeted with the traditional song: “Parigots, têtes de veaux!—something like, caring for the rhyme: Parisians, ruffians!; literally, “calves’ heads”. They usually answer by calling their new friends: “pécores!”—the French word for “rednecks”. Charming little bovines’ heads...

 

Travel books have various forms, and utopias or satirical relations are not only entertaining, they also give us valuable information about the way our ancestors lived among themselves. And it is sort of reassuring—or not—to see that, notwithstanding a few details, be it in the southern lands or in the nearby Chaillot, they used to live—well, just like we do.

 

 

(c) Thibault Ehrengardt

 

 

1: Cap Breton. This city is 750 kilometres away from Paris.

2: The ladders of the Levant, or Les échelles du Levant, were some ports and cities of the Ottoman empire, located in the Middle-East and on the North coast of Africa, where the French had the right to trade during the 16th century—the term “ladder” apparently comes from the Latin word scala, and describes the ladders used to unload the ships.

3: Pont Neuf. The oldest bridge in Paris.

4: Bois de Boulogne. A wood in the western outskirts of Paris.

5: Mont Valérien. A hill in the western outskirts of Paris.

6: Les Tuileries. A royal palace located in the heart of Paris.


Posted On: 2017-01-08 19:54
User Name: edgewear

The Oldest Bridge--The Newest Tourist: Over 50 years ago, I was a young American visiting Paris for the first time with my Dutch husband who had business there for the day. He gave me some francs at breakfast in a café about a block from the small hotel which I later discovered was out the alley of a tiny, dark street directly across from Pont Neuf. Alas, I'd had a glass of wine after a very small meal and was fairly tipsy and tired from little sleep and had forgotten how far we'd walked to get there. Later, he took a photo of me hanging over the Pont looking like the world traveler I was not, and I still have it. I spent the day discovering my Parisian street, learned about ten very important words (and several silly ones), bought a bottle of wine, some cheese, a book in English at a store on the same street, and had my hair put up in a coiffure suitable to the city. Several natives actually spoke a few words to me in English as I struggled to use my new French words, and in the spirit of the game, taught me several more, and a joke or two. I thought, "What's this about the French looking down on American tourists?" I also had a frightening time finding Pont Neuf and our tiny hotel back in the dark alley where it was hidden. When my husband came back from his meeting, he discovered me lounging in my slip with my chic hairdo which I later found contained at least 20 hairpins, reading my book, and having cheese and wine. Bonjour ma cheri, I grinned--how was YOUR day? He was entranced. This is basically all I still know about Paris, and I still don't remember the name of the street where I was. But I do remember never to assume a country or its people are snobbish or difficult from what I read in, yes, books..... Pat Baumgartner, la badaud


Rare Book Monthly

  • Sotheby's
    Fine Books, Manuscripts & More
    Available for Immediate Purchase
    Sotheby’s: J.R.R. Tolkien. The Lord of the Rings Trilogy. 11,135 USD
    Sotheby’s: Edgar Allan Poe. The Raven and Other Poems, 1845. 33,000 USD
    Sotheby’s: Leo Tolstoy, Clara Bow. War and Peace, 1886. 22,500 USD
    Sotheby’s: Sir Arthur Conan Doyle. Adventures of Sherlock Holmes, 1902. 7,500 USD
    Sotheby’s: F. Scott Fitzgerald. This Side of Paradise, The Great Gatsby, and Others, 1920-1941. 24,180 USD
  • Gonnelli:
    Auction 55
    Antique prints, paintings and maps
    November 26st 2024
    Gonnelli: Stefano Della Bella, 23 animal plances,1641. Starting price 480€
    Gonnelli: Stefano Della Bella, Boar Hunt, 1654. Starting price 180€
    Gonnelli: Crispijn Van de Passe, The seven Arts, 1637. Starting price 600€
    Gonnelli: Giuseppe Maria Mitelli, La Maschera è cagion di molti mali, 1688. Starting price 320€
    Gonnelli: Biribissor’s game, 1804-15. Starting price 2800€
    Gonnelli: Nicolas II de Larmessin, Habitats,1700. Starting price 320€
    Gonnelli: Miniature “O”, 1400. Starting price 1800€
    Gonnelli: Jan Van der Straet, Hunt scenes, 1596. Starting Price 140€
    Gonnelli: Massimino Baseggio, Costantinople, 1787. Starting price 480€
    Gonnelli: Kawanabe Kyosai, Erotic scene lighten up by a candle, 1860. Starting price 380€
    Gonnelli: Duck shaped dropper, 1670. Starting price 800€

Article Search

Archived Articles

Ask Questions